Bar Jazz Best

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD: Happy Hour
2▶CD: Smooth Grooves
3▶CD: Cocktail Lounge
4▼CD: Jazzy Voices
#TitleArtistLength
1I’ve Got a Crush on You
cover recording of:
I’ve Got a Crush on You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Treasure Girl (1928 musical)
Ella Fitzgerald2:22
2Dancing in the Dark
cover recording of:
Dancing in the Dark
lyricist:
Howard Dietz
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
The Band Wagon (1953 film)
Tony Bennett2:29
3Solo el Fin (For All We Know)
engineer:
Rudy van Gelder (on 1971-02-01)
producer:
Creed Taylor
bass:
Russell George (on 1971-02-01)
cello:
George Ricci (on 1971-02-01)
double bass [bass]:
George Russell (on 1971-02-01)
drums (drum set):
Dennis Seiwell (on 1971-02-01)
electric guitar:
Bob Mann (on 1971-02-01)
electric piano:
Eumir Deodato (on 1971-02-01)
guitar:
Gene Bertoncini (on 1971-02-01)
viola:
Harold Coletta (on 1971-02-01)
violin:
Paul Gershman (on 1971-02-01), Emanuel Green (on 1971-02-01), Julie Held (on 1971-02-01), Harry Katzman (on 1971-02-01), Joe Malin (on 1971-02-01) and Gene Orloff (on 1971-02-01)
vocals:
Astrud Gilberto (on 1971-02-01)
conductor:
Eumir Deodato (on 1971-02-01)
arranger:
Eumir Deodato
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1971-02-01)
recording of:
Solo el fin
lyricist:
James Griffin and Robb Wilson
composer:
Fred Karlin
translator:
Kathleen Freed
translated version of:
For All We Know (Lovers and Other Strangers, 1970)
Astrud Gilberto With Stanley Turrentine3:12
4Choo Choo Ch’Boogie
cover recording of:
Choo Choo Ch’Boogie
writer:
Denver Darling, Milt Gabler and Vaughn Horton
publisher:
Rytvoc and Warner/Chappell
recording of:
Choo Choo Ch’Boogie
writer:
Denver Darling, Milt Gabler and Vaughn Horton
publisher:
Rytvoc and Warner/Chappell
The Manhattan Transfer2:55
5Bijou
Lambert, Hendricks & Ross3:16
6Ain’t Misbehavin’
producer:
George Treadwell
clarinet:
Tony Scott (on 1950-05-18)
double bass:
Billy Taylor Jr. (on 1950-05-18)
drums (drum set):
J.C. Heard (on 1950-05-18)
guitar:
Freddie Green (on 1950-05-18)
piano:
Jimmy Jones (on 1950-05-18)
tenor saxophone:
Budd Johnson (on 1950-05-18)
trombone:
Bennie Green (on 1950-05-18)
trumpet:
Miles Davis (on 1950-05-18)
vocals:
Sarah Vaughan (on 1950-05-18)
orchestra:
George Treadwell and his All Stars (on 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, United States (on 1950-05-18)
cover recording of:
Ain’t Misbehavin’ (on 1950-05-18)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd., EMI Music, Redwood Music and Redwood Music Ltd.
Sarah Vaughan With George Treadwell & His All Stars2:59
7Déjà Vu
recording of:
Déjà vu
lyricist:
Adrienne Anderson
composer:
Isaac Hayes
publisher:
Cotton Picking Soul Music, Rightsong Music Inc., Universal Music Careers, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
Dionne Warwick5:07
8I Wonder Why
producer:
Glen Ballard
phonographic copyright (℗) by:
Arista Records, Inc. (in 1991)
music videos:
I Wonder Why by Curtis Stigers
recording of:
I Wonder Why
writer:
Glen Ballard and Curtis Stigers
publisher:
Aerostation Corporation, Arlovol Music, C. Montrose’s Music, Inc., MCA Music Ltd., MCA Music Publishing, Sony Music Publishing and Sony Tunes, Inc.
Curtis Stigers4:26
9Still Tossin and Turnin (remix)
membranophone programming:
Ken Wedlow
assistant engineer:
Adlai Alexander, Nancy Scharlau and Mark Slagle
engineer:
Tuck Andress and Howard Johnston
producer:
Patti Cathcart
mixer and editor:
Howard Johnston
electric guitar:
Tuck Andress
keyboard:
Khaliq
tenor saxophone:
Harvey Wainapel
vocals:
Patti Cathcart
arranger:
Patti Cathcart
recorded at:
Binky Studios in Menlo Park, California, United States and Different Fur Studios in San Francisco, California, United States
mixed at and edited at:
Different Fur Studios in San Francisco, California, United States
remix of:
Tossin’ and Turnin’ by Tuck & Patti
recording of:
Tossin’ and Turnin’
writer:
Thurston R. Bilal, Patti Cathcart, Lester Gene Finley, Craig Steven Kenoly and Dean Kenneth Wedlow Jr.
Tuck & Patti5:31
10All Would Envy
additional keyboard:
Billy Childs and Jeff Young
bass:
Christian McBride
drums (drum set):
Vinnie Colaiuta
guitar:
Dominic Miller
keyboard:
Kipper
percussion:
Luis Conte
trumpet:
Chris Botti
additional vocals:
Lani Groves
guest lead vocals:
Shawn Colvin
performer:
Shawn Colvin
recording of:
All Would Envy
lyricist and composer:
Sting
Chris Botti Featuring Shawn Colvin5:01
11What a Difference a Day Made
recorded in:
New York, New York, United States (on 1964-02-10)
producer:
Robert Mersey
lead vocals:
Aretha Franklin (on 1964-02-10)
conductor:
Robert Mersey
arranger:
Robert Mersey
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (in 1964, in 1992)
cover recording of:
What a Diff’rence a Day Made (on 1964-02-10)
lyricist:
Stanley Adams
composer:
María Grever
publisher:
EMI Music Publishing, Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Aretha Franklin3:29
12Miss Brown to You
recording engineer:
Fred Plaut (on 1961-06-29)
producer:
Teo Macero
cornet:
Nat Adderley (on 1961-06-29)
double bass:
Bob Cranshaw (on 1961-06-29)
drums (drum set):
Walter Perkins (on 1961-06-29)
guitar:
Mundell Lowe (on 1961-06-29)
piano:
Norman Simmons (on 1961-06-29)
tenor saxophone:
Eddie “Lockjaw” Davis (on 1961-06-29)
vocals:
Carmen McRae (on 1961-06-29)
recorded at:
Columbia Studios in New York, New York, United States (on 1961-06-29)
recording of:
Miss Brown to You (on 1961-06-29)
lyricist:
Leo Robin
composer:
Ralph Rainger and Richard A. Whiting
Carmen McRae2:27
13In The Wee Small Hours
Kyle Eastwood With Julia Fordham4:32
14The Way You Look Tonight
recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc., Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
Betty Carter & Ray Bryant2:41
15I Concentrate On You
guitar:
Al Caiola and Tony Mottola
vocals:
Johnny Mathis
cover recording of:
I Concentrate on You
lyricist and composer:
Cole Porter (in 1939)
publisher:
Chappell & Co., Inc.
Johnny Mathis3:14
16Me and You
alto saxophone:
Johnny Hodges (on 1956-01-23)
alto saxophone and clarinet:
Russell Procope (on 1956-01-23)
baritone saxophone:
Harry Carney (on 1956-01-23)
clarinet and tenor saxophone:
Jimmy Hamilton (on 1956-01-23)
double bass:
Jimmy Woode (on 1956-01-23)
drums (drum set):
Sam Woodyard (on 1956-01-23)
piano:
Duke Ellington (on 1956-01-23)
tenor saxophone:
Paul Gonsalves (on 1956-01-23)
trombone:
Quentin Jackson (on 1956-01-23) and Britt Woodman (on 1956-01-23)
trumpet:
William “Cat” Anderson (on 1956-01-23), Willie Cook (on 1956-01-23), Ray Nance (on 1956-01-23) and Cootie Williams (on 1956-01-23)
valve trombone:
John Sanders (on 1956-01-23)
lead vocals:
Rosemary Clooney (on 1956-01-23)
recording of:
Me and You (on 1956-01-23)
lyricist and composer:
Duke Ellington
Rosemary Clooney2:28
5▶CD: Round Midnight