| # | Title | Artist | Length |
|---|
| 1 | Take on Me | a‐ha | 3:44 |
| 2 | Rio (US edit) | Duran Duran | 4:44 |
| 3 | True | Spandau Ballet | 5:28 |
| 4 | Ain’t Nobody | Rufus & Chaka Khan | 4:40 |
| 5 | Bizarre Love Triangle- engineer:
- Michael Johnson
- phonographic copyright (℗) by:
- Factory Communications Ltd. (in 1986)
- recorded at:
- Amazon Studios in Simonswood, Lancashire, England, United Kingdom, Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London, England, United Kingdom and Windmill Lane Studios in Dublin, County Dublin, Leinster, Ireland
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 114), Rolling Stone: 500 Greatest Songs of All Time (number: 201), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 220) and Billboard: The 500 Best Pop Songs (number: 379)
- recording of:
- Bizarre Love Triangle
- writer:
- Gillian Gilbert, Peter Hook, Stephen Morris and Bernard Sumner
- publisher:
- Be Music, Warner Bros. Music Ltd., Warner Chappell Music and Warner/Chappell Music Ltd.
| New Order | 4:20 |
| 6 | Geno | Dexys Midnight Runners | 3:26 |
| 7 | What’s Love Got to Do With It- engineer and mixer:
- John Hudson
- producer:
- Terry Britten
- drums (drum set):
- Graham Jarvis
- guitar:
- Terry Britten
- keyboard:
- Nick Glennie‐Smith and Billy Livsey
- percussion:
- Simon Morton
- background vocals:
- Terry Britten and Tessa Niles
- lead vocals:
- Tina Turner
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1984), Parlophone Records Ltd. (in 1984, in 1997) and EMI Records Ltd. (in 2004)
- recorded at:
- Mayfair Studios in London, England, United Kingdom
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (number: 309)
- recording of:
- What’s Love Got to Do With It
- writer:
- Graham Lyle and Terence Ernest Britten
- publisher:
- Hornall Brothers Music Ltd., Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd., Goodsingle Limited (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
| Tina Turner | 3:46 |
| 8 | Money’s Too Tight (To Mention) | Simply Red | 4:14 |
| 9 | Don’t You Want Me (2012 Remastered version) | The Human League | 3:58 |
| 10 | Shout (edit) | Tears for Fears | 4:45 |
| 11 | Karma Chameleon- engineer:
- Simon Humphrey, Gordon Milne and Mike Ross‐Trevor
- producer:
- Steve Levine
- mixer:
- Steve Levine and Jon Moss
- bass guitar:
- Mikey Craig (in 1983)
- drums (drum set) and percussion:
- Jon Moss (in 1983)
- electric sitar, guitar, keyboard, piano and sitar:
- Roy Hay (in 1983)
- guest keyboard:
- Phil Pickett (in 1983)
- harmonica:
- Judd Lander (in 1983)
- background vocals:
- Helen Terry (in 1983)
- lead vocals:
- Boy George (in 1983)
- phonographic copyright (℗) by:
- Virgin Records Ltd. (in 1983, in 2003)
- recorded at:
- CBS Studios in London, England, United Kingdom (in 1983) and Red Bus Studios in London, England, United Kingdom (in 1983)
- music videos:
- Karma Chameleon by Culture Club
- recording of:
- Karma Chameleon (in 1983)
- writer:
- Mikey Craig, George O’Dowd, Roy Hay, Jon Moss and Phil Pickett
- publisher:
- BMG Music Publishing Ltd., Copyright Control, EMI Virgin Music Ltd., EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd., Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. and BMG VM Music Ltd. (from 2013-05 to present)
| Culture Club | 3:58 |
| 12 | Never Ending Story | Limahl | 3:30 |
| 13 | Just What I Always Wanted | Mari Wilson | 3:26 |
| 14 | Drive- recording engineer:
- Nigel Green
- producer:
- The Cars and Robert John “Mutt” Lange
- mixer:
- Mike Shipley
- bass:
- Benjamin Orr
- drums (drum set):
- David Robinson
- guitar:
- Elliot Easton and Ric Ocasek
- keyboard:
- Greg Hawkes
- vocals:
- Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
- phonographic copyright (℗) by:
- Elektra/Asylum Records (in 1984) and WEA International Inc. (in 1984)
- recorded at:
- Battery Studios in London, England, United Kingdom
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Drive by The Cars
- recording of:
- Drive
- publisher:
- Ric Ocasek (in 1983)
- lyricist and composer:
- Ric Ocasek
- publisher:
- Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp., Universal‐MCA Music Publishing and Warner/Chappell Music Ltd.
| The Cars | 3:54 |
| 15 | Back on the Chain Gang | The Pretenders | 3:52 |
| 16 | The Harder I Try | Brother Beyond | 3:29 |
| 17 | Some Like It Hot | The Power Station | 3:46 |
| 18 | I’m Gonna Be (500 Miles) | The Proclaimers | 3:39 |
| 19 | Glory of Love- engineer and mixer:
- Terry Christian and John Guess
- producer:
- Michael Omartian
- guest background vocals:
- Kenny Cetera
- lead vocals:
- Peter Cetera
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1986) and Warner Music International (in 1986)
- recorded at and mixed at:
- Lion Share Studios in Los Angeles, California, United States
- recording of:
- Glory of Love
- writer:
- Peter Cetera, David Foster and Diane Nini
- publisher:
- EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd., シンコーミュージック・エンタテイメント, ピアーミュージック, ユニバーサル・ミュージック・パブリッシング Synch事業部, コンソーシアム音楽出版 C・F事業部 (until 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (in 1986), ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
- part of:
- The 59th Academy Award for Best Original Song (number: 2)
| Peter Cetera | 4:18 |
| 20 | Everywhere | Fleetwood Mac | 3:42 |
