The Greatest Opera Show on Earth

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistLength
1Carmen: Prelude
orchestra:
London Philharmonic Orchestra (from 1975-07 until 1975-12)
conductor:
Sir Georg Solti (from 1975-07 until 1975-12)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1975-07 until 1975-12)
recording of:
Carmen : Prélude (from 1975-07 until 1975-12)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen (Italian lyrics)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet2:21
2La Traviata: Brindisi
assistant producer:
Andrew Cornall (in 1979-11)
producer:
Christopher Raeburn (in 1979-11)
choir vocals:
London Opera Chorus (in 1979-11)
soprano vocals [Violetta Valéry]:
Dame Joan Sutherland (in 1979-11)
tenor vocals [Alfredo Germont]:
Luciano Pavarotti (in 1979-11)
orchestra:
National Philharmonic Orchestra (in 1979-11)
conductor:
Richard Bonynge (in 1979-11)
balance engineer:
James Lock (in 1979-11) and Kenneth Wilkinson (in 1979-11)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1979-11)
live recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (in 1979-11)
composer:
Giuseppe Verdi
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi2:56
3La Bohème: Che gelida manina
engineer:
James Lock, Colin Moorfoot and Gordon Parry
producer:
James Mallinson and Ray Minshull
tenor vocals [Rodolfo]:
Luciano Pavarotti (in 1972-10)
orchestra:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1973)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1972-10)
composer:
Giacomo Puccini (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:45
4Lakmé: Flower Duet
mezzo-soprano vocals [Mallika]:
Jane Berbié (on 1967-10-12)
soprano vocals [Lakmé]:
Joan Sutherland (on 1967-10-12)
orchestra:
Orchestre national de l'Opéra de Monte-Carlo (on 1967-10-12)
conductor:
Richard Bonynge (on 1967-10-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1968)
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (on 1967-10-12)
composer:
Léo Delibes
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes5:11
5Fedora: Amor ti vieta
tenor vocals:
Jussi Björling
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Alberto Erede
recording of:
Fedora: Atto II. “Amor ti vieta” (Loris, Borov, Fedora, Olga)
composer:
Umberto Giordano (in 1898)
librettist:
Arturo Colautti
part of:
Fedora: Atto II
Umberto Giordano2:04
6Carmen: Habanera
choir vocals:
The John Alldis Choir
mezzo-soprano vocals:
Tatiana Troyanos
orchestra:
London Philharmonic Orchestra
conductor:
Sir Georg Solti
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:28
7Nabucco: Chorus of the Hebrew slaves
choir vocals:
Chicago Symphony Chorus
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti
chorus master:
Margaret Hillis
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:42
8Le nozze di Figaro: Dove sono
producer:
Christopher Raeburn
soprano vocals:
Kiri Te Kanawa (in 1981-06)
orchestra:
London Philharmonic Orchestra (in 1981-06)
conductor:
Sir Georg Solti (in 1981-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1981-06)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (in 1981-06)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart5:03
9Rigoletto: La donna è mobile
sound engineer:
Stanley Goodall and Kenneth Wilkinson
producer:
David Harvey and Michael Woolcock
tenor vocals [Duca]:
Luciano Pavarotti (on 1971-06-28)
orchestra:
London Symphony Orchestra (on 1971-06-28)
conductor:
Richard Bonynge (on 1971-06-28)
recorded at:
Kingsway Hall in London, England, United Kingdom (on 1971-06-28)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (on 1971-06-28)
composer:
Giuseppe Verdi (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:27
10Lohengrin: Bridal Chorus - Lohengrin
choir vocals:
Konzertvereinigung Wiener Staatsopernchor
orchestra:
Wiener Philharmoniker
conductor:
Sir Georg Solti
recording of:
Lohengrin, WWV 75: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor) (Lohengrin: Act III, Scene I. Bridal Chorus (Choir))
composer:
Richard Wagner (from 1846 until 1848)
librettist:
Richard Wagner
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner5:24
11Gianni Schicchi: O mio babbino caro
soprano vocals [Lauretta]:
Renata Tebaldi (in 1962-07)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1962-07)
conductor:
Lamberto Gardelli (in 1962-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1962)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (in 1962-07)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (in 1962-07)
composer:
Giacomo Puccini
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd.
part of:
Gianni Schicchi
Giacomo Puccini2:14
12Il barbiere di Siviglia: Largo al factotum
baritone vocals [Figaro]:
Leo Nucci
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Giuseppe Patanè
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini5:07
13La Wally: Ebben? … Ne andrò lontana
soprano vocals:
Angela Gheorghiu
orchestra:
Orchestra del Teatro Regio di Torino
conductor:
John Mauceri
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1996)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally)
composer:
Alfredo Catalani
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
Alfredo Catalani3:46
14Madama Butterfly: Humming Chorus
recording engineer:
Jack Law (in 1974-01), James Lock (in 1974-01) and Gordon Parry (in 1974-01)
assistant producer:
Michael Woolcock (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
choir vocals:
Chor der Wiener Staatsoper (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (in 1974-01)
chorus master:
Norbert Balatsch (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1974-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:06
15Carmen: Flower Song
mezzo-soprano vocals [Carmen]:
Tatiana Troyanos (from 1975-07 until 1975-12)
tenor vocals [Don José]:
Plácido Domingo (from 1975-07 until 1975-12)
vocals:
Plácido Domingo (from 1975-07 until 1975-12), The John Alldis Choir (from 1975-07 until 1975-12) and Tatiana Troyanos (from 1975-07 until 1975-12)
orchestra:
London Philharmonic Orchestra (from 1975-07 until 1975-12)
conductor:
Sir Georg Solti (from 1975-07 until 1975-12)
chorus master:
John Alldis (from 1975-07 until 1975-12)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1975-07 until 1975-12)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (from 1975-07 until 1975-12)
composer:
Georges Bizet (in 1875)
librettist:
Ludovic Halévy (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet3:58
16Les Contes d'Hoffmann: Barcarolle
producer:
John Mordler and Michael Woolcock
choir vocals:
Chœur de la Radio Suisse Romande, Chœur Pro Arte de Lausanne (in 1972-06) and Chorale du Brassus (in 1972-06)
mezzo-soprano vocals:
Huguette Tourangeau (in 1972-06)
soprano vocals:
Joan Sutherland (in 1972-06)
orchestra:
Orchestre de la Suisse Romande (in 1972-06)
conductor:
Richard Bonynge (in 1972-06)
balance engineer:
James Lock
recorded at:
Victoria Hall in Genève, Genève, Switzerland (in 1972-06)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités) (in 1972-06)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
recording of:
Les Contes d'Hoffmann: Acte III. Entracte (Orchestre) - "Belle nuit, ô nuit d'amour" (Barcarolle) (une voix, Giulietta, Chœur)
composer:
Jacques Offenbach
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
composer:
Jacques Offenbach
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach4:20
17Tosaca: È lucevan le stelle
recording engineer:
James Lock (on 1990-07-07), John Pellowe (on 1990-07-07) and Philip Siney (on 1990-07-07)
producer:
Christopher Raeburn
editor:
Nigel Gayler
tenor vocals:
Plácido Domingo (on 1990-07-07)
orchestra:
Orchestra del Maggio Musicale Fiorentino (on 1990-07-07) and Orchestra del Teatro dell’Opera di Roma (on 1990-07-07)
conductor:
Zubin Mehta (on 1990-07-07)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1990)
recorded at:
Terme di Caracalla in Roma, Roma, Lazio, Italy (on 1990-07-07)
live recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (on 1990-07-07)
composer:
Giacomo Puccini (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
composer:
Giacomo Puccini (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:34
18Madama Butterfly: Un bel dì
recording engineer:
Jack Law (on 1974-01-31), James Lock (on 1974-01-31) and Gordon Parry (on 1974-01-31)
assistant producer:
Michael Woolcock
producer:
Christopher Raeburn
soprano vocals [Butterfly]:
Mirella Freni (on 1974-01-31)
orchestra:
Vienna Philharmonic Orchestra (on 1974-01-31)
conductor:
Herbert von Karajan (on 1974-01-31)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (on 1974-01-31)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (on 1974-01-31)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:40
19Les Pêcheurs de perles: Au fond du temple saint
baritone vocals:
Gregory Cross and Gino Quilico
baritone vocals [Zurga]:
Gino Quilico
tenor vocals and tenor vocals [Nadir]:
Gregory Cross
orchestra:
Montréal Symphony Orchestra
conductor:
Charles Dutoit
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1993)
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir) (in 1992)
composer:
Georges Bizet (from 1863-04 until 1863-08)
librettist:
Michel Carré and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Récit « C’est toi, toi qu’enfin je revois ! » (Zurga, Nadir)
composer:
Georges Bizet (from 1863-04 until 1863-08)
librettist:
Michel Carré and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet7:32
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