The New Complete Edition

~ Release by W.A. Mozart (see all versions of this release, 27 available)

Tracklist

1CD: Chamber
2CD: Chamber
3CD: Chamber
4CD: Chamber
5CD: Chamber
6CD: Chamber
7CD: Chamber
8CD: Chamber
9CD: Chamber
10CD: Chamber
11CD: Chamber
12CD: Chamber
13CD: Chamber
14CD: Chamber
15CD: Chamber
16CD: Chamber
17CD: Chamber
18CD: Chamber
19CD: Chamber
20CD: Chamber
21CD: Chamber
22CD: Chamber
23CD: Chamber
24CD: Chamber
25CD: Chamber
26CD: Chamber
27CD: Chamber
28CD: Chamber
29CD: Chamber
30CD: Chamber
31CD: Chamber
32CD: Chamber
33CD: Chamber
34CD: Chamber
35CD: Chamber
36CD: Chamber
37CD: Chamber
38CD: Chamber
39CD: Chamber
40CD: Chamber
41CD: Chamber
42CD: Chamber
43CD: Chamber
44CD: Chamber
45CD: Chamber
46CD: Chamber
47CD: Chamber
48CD: Chamber
49CD: Chamber
50CD: Orchestral
51CD: Orchestral
52CD: Orchestral
53CD: Orchestral
54CD: Orchestral
55CD: Orchestral
56CD: Orchestral
57CD: Orchestral
58CD: Orchestral
59CD: Orchestral
60CD: Orchestral
61CD: Orchestral
62CD: Orchestral
63CD: Orchestral
64CD: Orchestral
65CD: Orchestral
66CD: Orchestral
67CD: Orchestral
68CD: Orchestral
69CD: Orchestral
70CD: Orchestral
71CD: Orchestral
72CD: Orchestral
73CD: Orchestral
74CD: Orchestral
75CD: Orchestral
76CD: Orchestral
77CD: Orchestral
78CD: Orchestral
79CD: Orchestral
80CD: Orchestral
81CD: Orchestral
82CD: Orchestral
83CD: Orchestral
84CD: Orchestral
85CD: Orchestral
86CD: Orchestral
87CD: Orchestral
88CD: Orchestral
89CD: Orchestral
90CD: Orchestral
91CD: Orchestral
92CD: Orchestral
93CD: Orchestral
94CD: Orchestral
95CD: Orchestral
96CD: Orchestral
97CD: Orchestral
98CD: Orchestral
99CD: Orchestral
100CD: Orchestral
101CD: Orchestral
102CD: Theatre
103CD: Theatre
104CD: Theatre
105CD: Theatre
106CD: Theatre
107CD: Theatre
108CD: Theatre
109CD: Theatre
110CD: Theatre
111CD: Theatre
112CD: Theatre
113CD: Theatre
114CD: Theatre
115CD: Theatre
116CD: Theatre
117CD: Theatre
118CD: Theatre
119CD: Theatre
120CD: Theatre
121CD: Theatre
122CD: Theatre
123CD: Theatre
124CD: Theatre
125CD: Theatre
126CD: Theatre
127CD: Theatre
128CD: Theatre
129CD: Theatre
130CD: Theatre
131CD: Theatre
132CD: Theatre
133CD: Theatre
134CD: Theatre
135CD: Theatre
136CD: Theatre
137CD: Theatre
138CD: Theatre
139CD: Theatre
140CD: Theatre
141CD: Theatre
142CD: Theatre
143CD: Theatre
144CD: Theatre
145CD: Theatre
146CD: Theatre
147CD: Theatre
148CD: Theatre
#TitleArtistLength
1Zaide, K. 344: "Ruhe sanft, mein holdes Leben"
producer:
Michael Woolcock
soprano vocals [Zaide]:
Renée Fleming (in 1995-12)
orchestra:
Orchestra of St. Luke’s (in 1995-12)
conductor:
Charles Mackerras (in 1995-12)
balance engineer:
James Lock (in 1995-12)
recorded at:
LeFrak Concert Hall in New York, United States (in 1995-12)
recording of:
Zaide, K. 336b/344 (fragment): Akt I. No. 3 Arie "Ruhe sanft, mein holdes Leben" (Zaide) (in 1995-12)
composer:
Wolfgang Amadeus Mozart
librettist:
Johann Andreas Schachtner
part of:
Zaide, K. 336b/344: Akt I
Wolfgang Amadeus Mozart5:31
2Die Entführung aus dem Serail, K. 384: "Durch Zärtlichkeit und Schmeicheln"
assistant engineer:
Douglas Ward (in 2014-07)
producer:
Sid McLauchlan
soprano vocals:
Anna Prohaska (in 2014-07)
orchestra:
Chamber Orchestra of Europe (in 2014-07)
conductor:
Yannick Nézet‐Séguin (in 2014-07)
balance engineer:
Rainer Maillard (in 2014-07)
recorded at:
Festspielhaus in Baden-Baden, Baden-Württemberg, Germany (in 2014-07)
live recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 8 Arie "Durch Zärtlichkeit und Schmeicheln" (Blonde) (in 2014-07)
composer:
Wolfgang Amadeus Mozart
additional librettist:
Johann Gottlieb Stephanie
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart4:44
3Die Entführung aus dem Serail, K. 384: "Martern aller Arten"
recorded in:
London, England, United Kingdom (in 1989-09)
producer:
Michael Bremner and Eva Edwards
cello:
Stephen Orton (in 1989-09)
flute:
Christine Messiter (in 1989-09)
oboe:
Celia Nicklin (in 1989-09)
violin:
Kenneth Sillito (in 1989-09)
soprano vocals and soprano vocals [Konstanze]:
Cheryl Studer (in 1989-09)
orchestra:
Academy of St Martin in the Fields (in 1989-09)
additional conductor:
John Constable (in 1989-09)
conductor:
Sir Neville Marriner (in 1989-09)
balance engineer:
Bram de Groot (in 1989-09)
recorded at:
St. Barnabas Church in Finchley, Barnet, London, England, United Kingdom (in 1989-09)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) (in 1989-09)
composer:
Wolfgang Amadeus Mozart
additional librettist:
Johann Gottlieb Stephanie
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart7:42
4Idomeneo, re di Creta, K. 366: "Fuor del mar"
producer:
Christopher Alder
tenor vocals [Idomeneo]:
Plácido Domingo (from 1994-03 until 1994-04)
orchestra:
Metropolitan Opera Orchestra (from 1994-03 until 1994-04)
conductor:
James Levine (from 1994-03 until 1994-04)
balance engineer:
Wolfgang Mitlehner (from 1994-03 until 1994-04)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1994-03 until 1994-04) and Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1994-03 until 1994-04)
recording of:
Idomeneo, rè di Creta, K. 366: Act II, Scene III. No. 12 Aria "Fuor del mar" (Idomeneo) (from 1994-03 until 1994-04)
composer:
Wolfgang Amadeus Mozart
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act II
Wolfgang Amadeus Mozart5:08
5Idomeneo, re di Creta, K. 366: "Torna la pace al core"
producer:
Christopher Raeburn and Peter Wadland
tenor vocals:
Luciano Pavarotti (in 1983-09)
orchestra:
Wiener Philharmoniker (in 1983-09)
conductor:
Sir John Pritchard (in 1983-09)
balance engineer:
James Lock (in 1983-09) and John Pellowe (in 1983-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1983-09)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene XI. No. 30a Aria "Torna la pace al core" (Idomeneo) (in 1983-09)
composer:
Wolfgang Amadeus Mozart
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart3:22
6Le nozze di Figaro, K. 492: "Non so più cosa son, cosa faccio"
producer:
Christopher Raeburn
mezzo-soprano vocals:
Cecilia Bartoli (in 1989-08)
orchestra:
Wiener Kammerorchester (in 1989-08)
conductor:
György Fischer (in 1989-08)
balance engineer:
James Lock (in 1989-08) and Jonathan Stokes (in 1989-08)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1989-08)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (in 1989-08)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:07
7Le nozze di Figaro, K. 492: "Non più andrai"
engineer and balance engineer:
John Dunkerley (in 1981-06) and Colin Moorfoot (in 1981-06)
producer:
Christopher Raeburn
bass vocals [Figaro]:
Samuel Ramey (in 1981-06)
bass-baritone vocals:
Samuel Ramey
orchestra:
London Philharmonic Orchestra (in 1981-06)
conductor:
Sir Georg Solti (in 1981-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1981-06)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (in 1981-06)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:38
8Le nozze di Figaro, K. 492: "Voi che sapete"
engineer:
John Dunkerley, Jack Law and James Lock
assistant producer:
Richard Beswick
producer:
Christopher Raeburn
mezzo-soprano vocals [Cherubino]:
Frederica von Stade (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (from 1978-04 until 1978-05)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 1978-05)
composer:
Wolfgang Amadeus Mozart (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:55
9Le nozze di Figaro, K. 492: "Dove sono i bei momenti"
producer:
Christopher Raeburn
soprano vocals:
Kiri Te Kanawa (in 1981-06)
orchestra:
London Philharmonic Orchestra (in 1981-06)
conductor:
Sir Georg Solti (in 1981-06)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1981-06)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (in 1981-06)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart4:58
10Le nozze di Figaro, K. 492: "Deh vieni, non tardar"
producer:
Friedemann Engelbrecht
soprano vocals:
Anna Netrebko (from 2006-07-17 until 2006-08-06)
orchestra:
Wiener Philharmoniker (from 2006-07-17 until 2006-08-06)
conductor:
Nikolaus Harnoncourt (from 2006-07-17 until 2006-08-06)
balance engineer:
Michael Brammann (from 2006-07-17 until 2006-08-06), Gregor Hornacek (from 2006-07-17 until 2006-08-06) and Philipp Knop (from 2006-07-17 until 2006-08-06)
recorded at:
Mozart Residence in Salzburg, Salzburg, Austria (from 2006-07-17 until 2006-08-06)
edit of:
Le nozze di Figaro, K 492: Act IV: (h) "Giunse alfin il momento ... Deh vieni, non tardar" ... by Anna Netrebko, Wiener Philharmoniker, Nikolaus Harnoncourt
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (from 2006-07-17 until 2006-08-06)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
arrangement of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart3:10
11Don Giovanni, K. 527: "Là ci darem la mano"
producer:
Evans Mirageas and Christopher Raeburn
bass-baritone vocals [Don Giovanni]:
Bryn Terfel (from 1998-06-06 until 1998-06-10)
mezzo-soprano vocals [Zerlina]:
Cecilia Bartoli (from 1998-06-06 until 1998-06-10)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1998-06-06 until 1998-06-10)
conductor:
Myung-Whun Chung (from 1998-06-06 until 1998-06-10)
balance engineer:
Neil Hutchinson (from 1998-06-06 until 1998-06-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1999)
recorded at:
Accademia di Santa Cecilia in Roma, Roma, Lazio, Italy (from 1998-06-06 until 1998-06-10)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 1998-06-06 until 1998-06-10)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:14
12Don Giovanni, K. 527: "Or sai chi l'onore"
producer:
Christopher Raeburn
soprano vocals:
Margaret Price (in 1978-11)
tenor vocals:
Stuart Burrows (in 1978-11)
orchestra:
London Philharmonic Orchestra (in 1978-11)
conductor:
Sir Georg Solti (in 1978-11)
balance engineer:
Stanley Goodall (in 1978-11) and Kenneth Wilkinson (in 1978-11)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1978-11)
recording of:
Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna) (in 1978-11)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:01
13Don Giovanni, K. 527: "Fin ch'han dal vino"
producer:
Erik Smith
baritone vocals:
Sir Thomas Allen (in 1990-07)
orchestra:
Academy of St Martin in the Fields (in 1990-07)
conductor:
Sir Neville Marriner (in 1990-07)
phonographic copyright (℗) by:
Philips Classics Productions (from 1991 to present)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (in 1990-07)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (in 1990-07)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:21
14Don Giovanni, K. 527: "Batti, batti, o bel Masetto"
cello:
Franz Bartolomey (in 1993-04)
mezzo-soprano vocals:
Cecilia Bartoli (in 1993-04)
orchestra:
Wiener Kammerorchester (in 1993-04)
conductor:
György Fischer (in 1993-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1994)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (in 1993-04)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:47
15Don Giovanni, K. 527: "Deh! vieni alla finestra"
producer:
Erik Smith
mandolin:
James Ellis (in 1990-07)
baritone vocals:
Sir Thomas Allen (in 1990-07)
orchestra:
Academy of St Martin in the Fields (in 1990-07)
conductor:
Sir Neville Marriner (in 1990-07)
phonographic copyright (℗) by:
Philips Classics Productions (from 1991 to present)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (in 1990-07)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (in 1990-07)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:13
16Così fan tutte, K. 588: "Soave sia il vento"
engineer:
Jürgen Bulgrin
producer:
Sid McLauchlan
bass-baritone vocals [Don Alfonso]:
Bryn Terfel (in 2006-04)
mezzo-soprano vocals [Dorabella]:
Christine Rice (in 2006-04)
soprano vocals [Fiordiligi]:
Miah Persson (in 2006-04)
orchestra:
Scottish Chamber Orchestra (in 2006-04)
conductor:
Charles Mackerras (in 2006-04)
balance engineer:
Stephan Flock
recorded at:
City Halls in Glasgow, Scotland, United Kingdom (in 2006-04)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) (in 2006-04)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:50
17Così fan tutte, K. 588: "Ah, scostati!"Wolfgang Amadeus Mozart3:36
18Così fan tutte, K. 588: "Come scoglio"Wolfgang Amadeus Mozart4:18
19Die Zauberflöte, K. 620: "Dies Bildnis ist bezaubernd schön"
miscellaneous support:
Bruno Weinmeister (in 2008-12: task: musical assistant)
executive producer:
Valérie Groß
producer:
Christopher Alder
tenor vocals [Tamino]:
Jonas Kaufmann (in 2008-12)
orchestra:
Mahler Chamber Orchestra (in 2008-12)
conductor:
Claudio Abbado (in 2008-12)
balance engineer:
Philip Siney
recorded at:
Auditorium Niccolò Paganini in Parma, Parma, Emilia-Romagna, Italy (in 2008-12)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (in 2008-12)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:53
20Die Zauberflöte, K. 620: "O zittre nicht, mein lieber Sohn"
recording engineer:
John Pellowe (from 1994-05 until 1994-12)
producer:
Michael Haas (from 1994-05 until 1994-12)
soprano vocals [Königin der Nacht]:
Sumi Jo (from 1990-05 until 1990-12)
orchestra:
Wiener Philharmoniker (from 1990-05 until 1990-12)
conductor:
Sir Georg Solti (from 1990-05 until 1990-12)
balance engineer:
John Pellowe (from 1990-05 until 1990-12)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1990-05 until 1990-12)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht) (from 1990-05 until 1990-12)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:42
21Die Zauberflöte, K. 620: "In diesen heil'gen Hallen"
producer:
Michael Haas
bass vocals:
Kurt Moll (in 1990-12)
orchestra:
Wiener Philharmoniker (in 1990-12)
conductor:
Sir Georg Solti (in 1990-12)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1990-12)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil'gen Hallen” (Sarastro) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:50
22La clemenza di Tito, K. 621: "Ah perdona al primo affetto"
engineer:
Jürgen Bulgrin
producer:
Arend Prohmann
mezzo-soprano vocals:
Elīna Garanča (in 2006-05)
soprano vocals:
Anna Netrebko (in 2006-05)
orchestra:
Staatskapelle Dresden (in 2006-05)
conductor:
Sebastian Weigle (in 2006-05)
balance engineer:
Rainer Maillard
recorded at:
Palais im Großen Garten in Dresden, Sachsen, Germany (in 2006-05)
recording of:
La clemenza di Tito, K. 621: Act I, Scene V. No. 7 Duetto "Ah perdona il primo affetto" (Annio, Servilia) (in 2006-05)
composer:
Wolfgang Amadeus Mozart (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart3:05
149CD: Theatre
150CD: Theatre
151CD: Theatre
152CD: Theatre
153CD: Sacred
154CD: Sacred
155CD: Sacred
156CD: Sacred
157CD: Sacred
158CD: Sacred
159CD: Sacred
160CD: Sacred
161CD: Sacred
162CD: Sacred
163CD: Sacred
164CD: Sacred
165CD: Sacred
166CD: Sacred
167CD: Sacred
168CD: Sacred
169CD: Sacred
170CD: Sacred
171CD: Private
172CD: Private
173CD: Private
174CD: Fragments
175CD: Fragments
176CD: Completions
177CD: Completions
178CD: Completions
179CD: Arrangements
180CD: Arrangements
181CD: Arrangements
182CD: Arrangements
183CD: Arrangements
184CD: Arrangements
185CD: Arrangements
186CD: Arrangements
187CD: Arrangements
188CD: Self-Arrangements
189CD: Self-Arrangements
190CD: Self-Arrangements
191CD: Self-Arrangements
192CD: Self-Arrangements
193CD: Self-Arrangements
194CD: Doubtful Works
195CD: Doubtful Works
196CD: Doubtful Works
197CD: Doubtful Works
198CD: Doubtful Works
199CD: Doubtful Works
200CD: Doubtful Works