A Night at the Opera: 50 Favourites

~ Release by Various Artists (see all versions of this release, 1 available)

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Tracklist

1▼Digital Media
#	Title	Artist	Length
1	Le Nozze Di Figaro, K. 492, Act I: I. Overture orchestra: Slovak Philharmonic Orchestra conductor: Alfred Scholz recording of: Le nozze di Figaro, K. 492: Sinfonia composer: Wolfgang Amadeus Mozart (in 1786) part of: Die Hochzeit des Figaro (German translation) part of: Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)	Wolfgang Amadeus Mozart	4:20
2	La bohème, Act I: X. Che gelida manina tenor vocals: José Maria Perez orchestra: Nürnberger Symphoniker conductor: Hanspeter Gmür recording of: La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) composer: Giacomo Puccini (in 1896) librettist: Giuseppe Giacosa and Luigi Illica part of: La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)	Giacomo Puccini	3:55
3	Aida, Act I. Ritorna vincitor soprano vocals: Eva Illes orchestra: Nürnberger Symphoniker conductor: Hanspeter Gmür recording of: Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) composer: Giuseppe Verdi librettist: Antonio Ghislanzoni part of: Aida: Atto I	Giuseppe Verdi	6:05
4	Lohengrin, WWV 75, Act III: II. Treulich geführt ziehet dahin choir vocals: RSO Choir orchestra: Ljubljana Radio Symphony Orchestra conductor: Marko Munih chorus master: Mirko Cuderman recording of: Lohengrin, WWV 75: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor) (Lohengrin: Act III, Scene I. Bridal Chorus (Choir)) composer: Richard Wagner (from 1846 until 1848) librettist: Richard Wagner part of: Lohengrin, WWV 75: Akt III	Richard Wagner	8:09
5	Faust, Act III: Salut, demeure chaste et pure vocals: Ricardo Casinelli orchestra: Stuttgart Opera Orchestra conductor: Alexander von Pitamic recording of: Faust : Acte III. « Quel trouble inconnu me pénètre ! » … No. 12 Cavatine « Salut ! demeure chaste et pure » (Faust) composer: Charles Gounod (in 1859) librettist: Jules Barbier and Michel Carré part of: Faust : Acte III	Charles Gounod	4:33
6	Don Giovanni, K. 527, Act I: I. Overture choir vocals: Bratislava Opera Chorus orchestra: Opera Orchestra Bratislava conductor: Oliver von Dohnányi recording of: Don Giovanni: Ouvertura composer: Wolfgang Amadeus Mozart (in 1787) part of: Il dissoluto punito, ossia il Don Giovanni, K. 527	Wolfgang Amadeus Mozart	6:30
7	Orphée aux enfers, Act I, Scene 1: I. Overture orchestra: Slovenská filharmónia conductor: Alfred Scholz recording of: Orphée aux enfers : Ouverture (Orpheus in the Underworld: Overture) additional composer: Carl Binder (in 1860) composer: Jacques Offenbach part of: Orphée aux enfers (Orpheus in the Underworld, opéra féerie in four acts, 1874) part of: Orphée aux Enfers (Orpheus in the Underworld, opéra bouffe in two acts, 1858) part of: Orpheus in der Unterwelt (opéra-féerie in 4 Akten, 1871) part of: Orpheus in the Underworld	Jacques Offenbach	10:16
8	Martha, Act III: V. Ah, so fromm, ach so traut tenor vocals: José Maria Perez orchestra: Nürnberger Symphoniker conductor: Hanspeter Gmür recording of: Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel) composer: Friedrich von Flotow librettist: Friedrich Wilhelm Riese part of: Martha: Akt III	Friedrich von Flotow	2:57
9	Faust, Act IV: Gloire immortelle de nos aïeux (Soldiers' Chorus) choir vocals: Kammerchor Stuttgart orchestra: Stuttgarter Kammerorchester conductor: Alexander von Pitamic recording of: Faust : Acte IV. « Gloire immortelle de nos aïeux » (Chœur des soldats) (Soldier's Chorus) composer: Charles Gounod part of: Faust : Acte IV	Charles Gounod	2:54
10	Die Fledermaus, RV 503, Act I: I. Overture orchestra: Philharmonia Slavonica conductor: Alfred Scholz recording of: Die Fledermaus: Ouvertüre (Die Fledermaus: Overture) composer: Johann Strauss part of: Die Fledermaus part of: Die Fledermaus (English version, lyrics by Mandel/Sachs) part of: Die Fledermaus (English version, lyrics by Dietz) part of: Die Fledermaus (english; unknown version)	Johann Strauss	8:17
11	The Barber of Seville, Act 1: I. Overture orchestra: Slovenská filharmónia conductor: Alfred Scholz recording of: Il barbiere di Siviglia: Sinfonia composer: Gioachino Rossini librettist: Cesare Sterbini part of: Der Barbier von Sevilla (german lyrics) part of: Il barbiere di Siviglia part of: Le Barbier de Séville (french lyrics) part of: The Barber of Seville (english lyrics)	Gioachino Rossini	7:43
12	Aida, Act II. Triumphal March orchestra: Nürnberger Symphoniker conductor: Hanspeter Gmür recording of: Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) composer: Giuseppe Verdi librettist: Antonio Ghislanzoni part of: Aida: Akt II part of: Aida: Atto II	Giuseppe Verdi	1:35
13	Le nozze di Figaro, K. 492, Act II: IV. Voi Che Sapete che cosa è amor choir vocals: Bratislava Opera Chorus orchestra: Opera Orchestra Bratislava conductor: Oliver von Dohnányi recording of: Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) composer: Wolfgang Amadeus Mozart (in 1786) librettist: Lorenzo Da Ponte part of: Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)	Wolfgang Amadeus Mozart	3:15
14	L'Italiana in Algeri, Act I: Overture orchestra: Slovenská filharmónia conductor: Henry Adolph recording of: L’italiana in Algeri: Sinfonia composer: Gioachino Rossini librettist: Angelo Anelli part of: L’italiana in Algeri	Gioachino Rossini	7:53
15	Così Fan Tutte, K. 588, Act I: Overture orchestra: Slovenská filharmónia conductor: Alfred Scholz recording of: Così fan tutte: Ouvertura composer: Wolfgang Amadeus Mozart (in 1790) part of: Così fan tutte ossia La scuola degli amanti, K. 588	Wolfgang Amadeus Mozart	4:43
16	Don Giovanni, K. 527, Act I: No. 8, Ah! Chi mi dice mai baritone vocals: Richard Haan bass vocals: Jozef Špaček choir vocals: Bratislava Symphony Choir soprano vocals: Helena Kaupová orchestra: Opera Orchestra Bratislava conductor: Oliver von Dohnányi recording of: Don Giovanni: Atto I. No. 3 Aria “Ah chi mi dice mai” (Donna Elvira) composer: Wolfgang Amadeus Mozart librettist: Lorenzo Da Ponte part of: Don Giovanni: Atto I	Wolfgang Amadeus Mozart	3:51
17	Die Zauberflöte, K. 620, Act I: Overture orchestra: London Philharmonia Orchestra, London Philharmonic Orchestra, Mozart Festival Orchestra, South German Philharmonic Orchestra and Wiener Mozart‐Ensemble conductor: Cesare Cantieri, Herbert Kraus, Alberto Lizzio, Alfred Scholz and Laurence Siegel recording of: Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) composer: Wolfgang Amadeus Mozart (in 1791) part of: Die Zauberflöte, K. 620 (The Magic Flute, K. 620)	Wolfgang Amadeus Mozart	7:28
18	La Gazza Ladra, Act I: Overture orchestra: Slovenská filharmónia conductor: Alberto Lizzio recording of: La gazza ladra: Overture (catch‐all for arrangements) composer: Gioachino Rossini arrangement of: La gazza ladra: Ouverture (The Thieving Magpie: Overture)	Gioachino Rossini	10:34
19	Otello, Act IV: V. Ave Maria soprano vocals: Ljiljana Molnar‐Talajić orchestra: Slovenská filharmónia conductor: Nikša Bareza recording of: Otello: Atto IV. “Ave Maria” (Desdemona) composer: Giuseppe Verdi (from 1884 until 1886-11-01, in 1887) librettist: Arrigo Boito part of: Otello: Atto IV	Giuseppe Verdi	5:06
20	Nabucco, Act I: I. Overture orchestra: Nürnberger Symphoniker conductor: Alfred Scholz recording of: Nabucco: Sinfonia (Overture) composer: Giuseppe Verdi part of: Nabucco	Giuseppe Verdi	7:13
21	Turandot, Op. 37: I. Overture conductor: Karl Etti and ORF-Symphonieorchester recording of: Turandot, op. 37, J. 75: 1. Overture composer: Carl Maria von Weber part of: Turandot, op. 37, J. 75	Carl Maria von Weber	4:56
22	William Tell: I. Overture orchestra: Slovenská filharmónia conductor: Alfred Scholz recording of: Guillaume Tell : Ouverture (William Tell: Overture) composer: Gioachino Rossini librettist: Hippolyte Louis-Florent Bis and Étienne de Jouy part of: Guglielmo Tell (italian version by Calisto Bassi) part of: Guillaume Tell	Gioachino Rossini	12:09
23	Fidelio, Op. 72b: Overture orchestra: Ljubljana Radio Symphony Orchestra conductor: Anton Nanut recording of: Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) composer: Ludwig van Beethoven (in 1814) part of: Fidelio, op. 72 (1814 version) revision of: Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)	Ludwig van Beethoven	6:42
24	La Bohème, Act I: XI. Sí, mi chiamano Mimí soprano vocals [Mimì]: Božena Ruk-Fočić orchestra: Slovenian Philharmonic String Chamber Orchestra and Slovenská filharmónia conductor: Jovan Šajnović recording of: La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) composer: Giacomo Puccini librettist: Giuseppe Giacosa and Luigi Illica part of: La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)	Giacomo Puccini	4:06
25	Così Fan Tutte, K. 588, Act I, Scene 9: 11. Recitative: Ah! scostati! Paventa il tristo effetto d'un disperato affetto! - 11a. Dorabella's Aria: Smanie, implacabili choir vocals: Bratislava Symphony Choir mezzo-soprano vocals and mezzo-soprano vocals [Dorabella]: Ida Kirilova orchestra: Opera Orchestra Bratislava conductor: Oliver von Dohnányi recording of: Così fan tutte: Atto I. No. 11 Aria “Smanie implacabili che m’agitate” (Dorabella) composer: Wolfgang Amadeus Mozart librettist: Lorenzo Da Ponte part of: Così fan tutte: Atto I recording of: Così fan tutte: Atto I. Recitativo “Ah, scostati!” (Dorabella) composer: Wolfgang Amadeus Mozart librettist: Lorenzo Da Ponte part of: Così fan tutte: Atto I	Wolfgang Amadeus Mozart	3:47
26	La Clemenza di Tito, K. 621, Act I: I. Overture orchestra: Ljubljana Radio Symphony Orchestra conductor: Anton Nanut recording of: La clemenza di Tito, K. 621: Ouverture composer: Wolfgang Amadeus Mozart (in 1791) part of: La clemenza di Tito, K. 621	Wolfgang Amadeus Mozart	4:41
27	Rodelinda, regina de' Longobardi, HWV 19, Act I: I. Overture orchestra: Camerata Romana conductor: Alberto Lizzio recording of: Rodelinda, regina de' Longobardi, HWV 19: Overture composer: George Frideric Handel part of: Rodelinda, regina de' Longobardi, HWV 19	George Frideric Handel	6:27
28	Rigoletto, Act III, Scene 3: IV. Bella figlia dell'amore choir vocals: The Munich Opera Choir soprano vocals: Bella Jasper tenor vocals: Juan Perez orchestra: Nürnberger Symphoniker conductor: Hans Zanotelli recording of: Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto) composer: Giuseppe Verdi (until 1851-03-11) librettist: Francesco Maria Piave (until 1851-03-11) part of: Rigoletto: Atto III	Giuseppe Verdi	4:15
29	Rigoletto, Act I, Scene 1: III. Questa o quella per me pari sono tenor vocals: José Maria Perez orchestra: Nürnberger Symphoniker conductor: Hanspeter Gmür recording of: Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca) composer: Giuseppe Verdi (from 1850 until 1851-03-11) librettist: Francesco Maria Piave (from 1850 until 1851-03-11) part of: Rigoletto: Atto I	Giuseppe Verdi	1:47
30	Aida, Act I: IV. Celeste Aida tenor vocals: José Maria Perez orchestra: Nürnberger Symphoniker conductor: Hanspeter Gmür recording of: Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) composer: Giuseppe Verdi (in 1871) librettist: Antonio Ghislanzoni (in 1870) part of: Aida: Atto I	Giuseppe Verdi	4:26
31	Iphigénie en Aulide, Wq. 40: Overture orchestra: Franconian Orchestra conductor: Henry Adolph recording of: Iphigénie en Aulide, Wq. 40 : Ouverture composer: Christoph Willibald Gluck part of: Iphigénie en Aulide, Wq. 40	Christoph Willibald Gluck	9:04
32	Il matrimonio segreto: I. Overture orchestra: Slovenská filharmónia conductor: Alfred Scholz recording of: Il matrimonio segreto: Overture composer: Domenico Cimarosa part of: Il matrimonio segreto	Domenico Cimarosa	6:40
33	Un Ballo in Maschera, Act II: II. Ecco l'orrido campo orchestra: Slovenská filharmónia conductor: Jovan Šajnović recording of: Un ballo in maschera: Atto II. Nº 12b. Scena “Ecco l'orrido campo ove s'accoppia” (Amelia) composer: Giuseppe Verdi librettist: Antonio Somma part of: Un ballo in maschera: Atto II	Giuseppe Verdi	9:53
34	Nabucco, Act III: Va pensiero, sull'ali dorate "Chorus of The Hebrew Slaves" choir vocals: Ljubljana Radio Chorus orchestra: Ljubljana Radio Symphony Orchestra conductor: Marko Munih recording of: Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) composer: Giuseppe Verdi (in 1841) librettist: Temistocle Solera part of: Nabucco: Parte III. La profezia	Giuseppe Verdi	4:25
35	The Barber of Seville, Act II. IV. Contro Un Cor mezzo-soprano vocals: Rita Noël orchestra: Slovenská filharmónia conductor: Alfred Scholz recording of: Il barbiere di Siviglia: Atto II, No. 11. Aria “Contro un cor” (Rosina, Conte) composer: Gioachino Rossini librettist: Cesare Sterbini part of: Il barbiere di Siviglia: Atto II	Gioachino Rossini	7:56
36	Don Giovanni, K. 527, Act II: No. 12, Vedrai, carino choir vocals: Bratislava Opera Chorus orchestra: Opera Orchestra Bratislava conductor: Oliver von Dohnányi recording of: Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) composer: Wolfgang Amadeus Mozart librettist: Lorenzo Da Ponte (in 1787) part of: Don Giovanni: Atto II	Wolfgang Amadeus Mozart	3:34
37	Die Meistersinger von Nürnberg, Act I: I. Overture orchestra: London Festival Orchestra conductor: Alfred Scholz recording of: Die Meistersinger von Nürnberg, WWV 96: Vorspiel composer: Richard Wagner (from 1863 until 1867) part of: Die Meistersinger von Nürnberg, WWV 96	Richard Wagner	10:01
38	Fidelio, Op. 72, Act I: IXa. Recitative - Abscheulicher! soprano vocals: Vanda Gerlovič orchestra: Slovenská filharmónia conductor: Samo Hubad recording of: Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) composer: Ludwig van Beethoven (in 1814) part of: Fidelio, op. 72: Akt I	Ludwig Van Beethoven	7:46
39	Così Fan Tutte, K. 588, Act I, Scene 1: 3. Trio - Una bella serenata far io voglio alla mia dea conductor: Oliver von Dohnányi recording of: Così fan tutte: Atto I. No. 3 Terzetto “Una bella serenata” (Ferrando, Guglielmo, Don Alfonso) composer: Wolfgang Amadeus Mozart librettist: Lorenzo Da Ponte part of: Così fan tutte: Atto I	Wolfgang Amadeus Mozart	2:34
40	Fra Diavolo, S. 18: I. Overture orchestra: Nürnberger Symphoniker conductor: Hanspeter Gmür recording of: Fra Diavolo: Overture composer: Daniel François Esprit Auber part of: Fra Diavolo	Daniel François Esprit Auber	8:35
41	Norma: Chor der Soldaten choir vocals: Ljubljana Radio Chorus orchestra: Ljubljana Radio Symphony Orchestra conductor: Marko Munih recording of: Norma: Atto II, scena 2. “Non parti?” (coro) (chorus of the warriors) composer: Vincenzo Bellini (until 1831) librettist: Felice Romani (until 1831) part of: Norma: Atto II	Vincenzo Bellini	5:35
42	Die Zauberflöte, K. 620, Act I, Scene 1: Iia. Papageno's Aria baritone vocals: Jan Durec choir vocals: Bratislava Opera Chorus orchestra: Opera Orchestra Bratislava conductor: Oliver von Dohnányi recording of: Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) composer: Wolfgang Amadeus Mozart (in 1791) librettist: Emanuel Schikaneder part of: Die Zauberflöte, K. 620: Akt I	Wolfgang Amadeus Mozart	2:33
43	L'Italiana in Algeri, Act II: Pensa alla patria soprano vocals: Rita Noël orchestra: Slovenská filharmónia conductor: Alfred Scholz recording of: L'italiana in Algeri: Atto II, scena 11. No. 15. Coro, recitativo e rondò: “Pronti abbiamo e ferri e mani” (Coro) / “Amici, in ogni evento” / “Pensa alla patria” (Isabella, Coro) composer: Gioachino Rossini librettist: Angelo Anelli part of: L’italiana in Algeri: Atto II	Gioachino Rossini	6:56
44	Le nozze di Figaro, K. 292, Act IV: X. Deh vieni, non tardar, o gioia bella choir vocals: Bratislava Opera Chorus soprano vocals: Maria Eliasova orchestra: Opera Orchestra Bratislava conductor: Oliver von Dohnányi recording of: Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) composer: Wolfgang Amadeus Mozart librettist: Lorenzo Da Ponte arrangement of: Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements) part of: Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)	Wolfgang Amadeus Mozart	4:34
45	La Cenerentola, Act II: Nacqui all'affanno e al pianto soprano vocals: Rita Noël orchestra: Slovenská filharmónia conductor: Alfred Scholz recording of: La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico) composer: Gioachino Rossini librettist: Jacopo Ferretti part of: La Cenerentola: Atto II	Gioachino Rossini	7:07
46	Euryanthe, Op. 81: I. Overture orchestra: Slovenská filharmónia conductor: Alfred Scholz recording of: Euryanthe: Ouvertüre composer: Carl Maria von Weber part of: Euryanthe (1825 revision)	Carl Maria von Weber	8:30
47	Hänsel and Gretel, Act I: I. Overture orchestra: London Festival Orchestra conductor: Cesare Cantieri, Kurt Redel and Alfred Scholz recording of: Hänsel und Gretel: Akt II, 2. Szene. “Abends, will ich schlafen gehn” (Hänsel, Gretel) (Hansel and Gretel: Evening Prayer, Nachtgebet / Evening Prayer / Prière du soir) composer: Engelbert Humperdinck (from 1891 until 1892) librettist: Adelheid Wette part of: Hänsel und Gretel (original german lyrics) recording of: Hänsel und Gretel: Vorspiel (Overture) composer: Engelbert Humperdinck (from 1891 until 1892) part of: Hansel and Gretel (english version) part of: Hänsel und Gretel (original german lyrics)	Engelbert Humperdinck	8:06
48	Oberon, J. 306: I. Overture orchestra: Slovenská filharmónia conductor: Alfred Scholz recording of: Oberon, J. 306: Overture composer: Carl Maria von Weber part of: Oberon, J. 306	Carl Maria von Weber	8:44
49	Rigoletto, Act III, Scene 3: III. Un dì, se ben rammentomi - IV. Bella figlia dell'amore baritone vocals: Rudolf Knoll choir vocals: The Munich Opera Choir soprano vocals: Bella Jasper tenor vocals: Juan Perez orchestra: Nürnberger Symphoniker conductor: Hans Zanotelli recording of: Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto) composer: Giuseppe Verdi (until 1851-03-11) librettist: Francesco Maria Piave (until 1851-03-11) part of: Rigoletto: Atto III recording of: Rigoletto: Atto III. N°12 Quartetto. "Un dì, se ben rammentomi" (Duca, Gilda, Maddalena, Rigoletto) composer: Giuseppe Verdi (until 1851-03-11) librettist: Francesco Maria Piave (until 1851-03-11) part of: Rigoletto: Atto III	Giuseppe Verdi	5:48
50	Semiramide, Act I: I. Overture orchestra: Slovenská filharmónia conductor: Henry Adolph recording of: Semiramide: Sinfonia (Overture) composer: Gioachino Rossini librettist: Gaetano Rossi part of: Semiramide	Gioachino Rossini	12:48

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A Night at the Opera: 50 Favourites

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