St. Matthew Passion

~ Release by J.S. Bach; The Bach Choir, Sir David Willcocks (see all versions of this release, 2 available)

Tracklist

112" Vinyl: D139D 1 - Part I
212" Vinyl: D139D 2 - Part I (conclusion), Part II (beginning)
#TitleArtistLength
1St. Matthew Passion, BWV 244: Recitative: And he went away
engineer:
Simon Eadon and Kenneth Wilkinson
producer:
Andrew Cornall
solo tenor vocals [Evangelist]:
Robert Tear (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1979)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 27. Recitative "And he went away" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach
arranger:
Sir Ivor Atkins and Edward Elgar
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach0:50
2St. Matthew Passion, BWV 244: Recitative: The Saviour, low before His Father bendingJohann Sebastian Bach1:08
3St. Matthew Passion, BWV 244: Bass Aria: Gladly would I take upon me
engineer:
Simon Eadon and Kenneth Wilkinson
producer:
Andrew Cornall
solo baritone vocals:
Stephen Roberts (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1979)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 29. Aria (Bass) "Gladly would I take upon me" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach
arranger:
Sir Ivor Atkins and Edward Elgar
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach4:26
4St. Matthew Passion, BWV 244: Recitative: And he came to his disciples
engineer:
Simon Eadon and Kenneth Wilkinson
producer:
Andrew Cornall
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1979)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 30. Recitative "And he came to his disciples" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach
arranger:
Sir Ivor Atkins and Edward Elgar
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach1:30
5St. Matthew Passion, BWV 244: Chorale: O Father, let thy will be done
engineer:
Simon Eadon and Kenneth Wilkinson
producer:
Andrew Cornall
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1979)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 31. Chorale "O Father, let thy will be done" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach
arranger:
Sir Ivor Atkins and Edward Elgar
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach1:15
6St. Matthew Passion, BWV 244: Recitative: And he came again and found them sleeping
engineer:
Simon Eadon and Kenneth Wilkinson
producer:
Andrew Cornall
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1979)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 32. Recitative "And he came again and found them sleeping" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach
arranger:
Sir Ivor Atkins and Edward Elgar
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach2:34
7St. Matthew Passion, BWV 244: Duet & Chorus: Behold, my Saviour now is takenJohann Sebastian Bach4:55
8St. Matthew Passion, BWV 244: Recitative: And behold, one of the others that were there with Jesus
engineer:
Simon Eadon and Kenneth Wilkinson
producer:
Andrew Cornall
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1979)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 34. Recitative "And behold, one of the others that were there with Jesus" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach
arranger:
Sir Ivor Atkins and Edward Elgar
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach2:35
9St. Matthew Passion, BWV 244: Chorus: O man, thy grievous sin bemoan
engineer:
Simon Eadon and Kenneth Wilkinson
producer:
Andrew Cornall
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1979)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 35. Chorus "O man, thy grievous sin bemoan" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach
arranger:
Sir Ivor Atkins and Edward Elgar
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach6:56
10St. Matthew Passion, BWV 244: Contralto Aria with Chorus: Ah! now is my Saviour gone
engineer:
Simon Eadon and Kenneth Wilkinson
producer:
Andrew Cornall
choir vocals:
The Bach Choir (in 1978-09)
solo contralto vocals:
Alfreda Hodgson (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1979)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 36. Aria (Contralto) With Chorus "Ah! now is my Saviour gone" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach
arranger:
Sir Ivor Atkins and Edward Elgar
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach4:33
11St. Matthew Passion, BWV 244: Recitative: And they that had laid hold on Jesus
engineer:
Simon Eadon and Kenneth Wilkinson
producer:
Andrew Cornall
solo tenor vocals [Evangelist]:
Robert Tear (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1979)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 37. Recitative "And they that had laid hold on Jesus" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach
arranger:
Sir Ivor Atkins and Edward Elgar
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach1:03
12St. Matthew Passion, BWV 244: Chorale: How falsely doth the world accuse!
engineer:
Simon Eadon and Kenneth Wilkinson
producer:
Andrew Cornall
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1979)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 38. Chorale "How falsely doth the world accuse!" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach
arranger:
Sir Ivor Atkins and Edward Elgar
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach0:57
13St. Matthew Passion, BWV 244: Recitative: Yea, though many lying witnesses came forward
engineer:
Simon Eadon and Kenneth Wilkinson
producer:
Andrew Cornall
solo baritone vocals:
Richard Jackson (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1979)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 39. Recitative "Yea, though many lying witnesses came forward" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach
arranger:
Sir Ivor Atkins and Edward Elgar
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach1:24
14St. Matthew Passion, BWV 244: Recitative: He holds his peace though men accuse him falselyJohann Sebastian Bach1:05
15St. Matthew Passion, BWV 244: Tenor Aria: Endure, endure
engineer:
Simon Eadon and Kenneth Wilkinson
producer:
Andrew Cornall
solo cello:
Charles Tunnell (in 1978-09)
solo tenor vocals:
Neil Jenkins (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1979)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 41. Aria (Tenor) "Endure, endure" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach
arranger:
Sir Ivor Atkins and Edward Elgar
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach3:45
16St. Matthew Passion, BWV 244: Recitative with Chorus: And the high priest answered and said unto him
engineer:
Simon Eadon and Kenneth Wilkinson
producer:
Andrew Cornall
choir vocals:
The Bach Choir (in 1978-09)
solo baritone vocals:
Richard Jackson (in 1978-09)
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1979)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 42. Recitative with Chorus "And the high priest answered and said unto him" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach
arranger:
Sir Ivor Atkins and Edward Elgar
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXVIb. "Er ist des Todes schuldig" (Chori)
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach1:43
17St. Matthew Passion, BWV 244: Recitative with Chorus: And then with one accord did they spit in his face
engineer:
Simon Eadon and Kenneth Wilkinson
producer:
Andrew Cornall
choir vocals:
The Bach Choir (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1979)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 43. Recitative with Chorus "And then with one accord did they spit in his face" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach
arranger:
Sir Ivor Atkins and Edward Elgar
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista)
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach0:40
18St. Matthew Passion, BWV 244: Chorale: O Lord, who dares to smite Thee?
engineer:
Simon Eadon and Kenneth Wilkinson
producer:
Andrew Cornall
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1979)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 44. Chorale "O Lord, who dares to smite Thee?" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach
arranger:
Sir Ivor Atkins and Edward Elgar
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXVId. "Weissage uns, Christe" (Chori)
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach0:55
312" Vinyl: D139D 3 - Part II (continued)
412" Vinyl: D139D 4 - Part II (conclusion)