The Capitol Recordings

~ Release by Louis Prima / Keely Smith / Sam Butera (see all versions of this release, 1 available)

Annotation

ISBN 978-3-89795-325-3

Tracklist

1▼CD: Louis Prima
#TitleArtistLength
1Buona sera
producer:
Voyle Gilmore
double bass:
Amato Rodrigues (on 1956-04-19)
guitar:
Jack Marshall (on 1956-04-19)
piano:
Willie McCumber (on 1956-04-19)
tenor saxophone:
Sam Butera (on 1956-04-19)
trombone:
James Blount, Jr. (on 1956-04-19)
trumpet:
Louis Prima (on 1956-04-19)
vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
phonographic copyright (℗) by:
Capitol Records, Inc. (in 1956)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
Buona sera (on 1956-04-19)
lyricist:
Carl Sigman
composer:
Peter de Rose
publisher:
Music Sales Corporation
translated version of:
Buona sera signorina (italian version for Fred Buscaglione)
Louis Prima3:00
2Oh Marie!
producer:
Voyle Gilmore
tenor saxophone:
Sam Butera (on 1956-04-19)
trumpet and lead vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
Oh Marie (on 1956-04-19)
lyricist and composer:
Eduardo Di Capua
arranger:
Louis Prima
Louis Prima2:28
3Just a Gigolo / I Ain’t Got Nobody
producer:
Voyle Gilmore
bass:
Amado Rodrigues (on 1956-04-19)
drums (drum set):
Bobby Morris (on 1956-04-19)
guitar:
Jack Marshall (on 1956-04-19)
piano:
Willie McCumber Jr. (on 1956-04-19)
tenor saxophone:
Sam Butera (on 1956-04-19)
trombone:
Jimmy 'Little Red' Blount (on 1956-04-19) and Lou Sineaux (on 1956-04-19)
trumpet:
Louis Prima (on 1956-04-19)
vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
Just a Gigolo / I Ain’t Got Nobody (Louis Prima medley) (on 1956-04-19)
lyricist:
Julius Brammer and Roger Graham
composer:
Leonello Casucci and Spencer Williams
arranger:
Louis Prima (in 1956)
translator:
Irving Caesar
publisher:
Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd., Eschig Max. Soc., Warner/Chappell North America and Wiener Bohème Verlag GmbH
medley of:
Just a Gigolo (English version)
medley of:
I Ain’t Got Nobody
Louis Prima4:44
4Body and Soul (instrumental)
solo trombone:
James Blount (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
instrumental cover recording of:
Body and Soul (on 1956-04-19)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
Louis Prima3:25
5Jump, Jive, an’ Wail
producer:
Voyle Gilmore
bass:
Amado Rodrigues (on 1956-04-19)
drums (drum set):
Bobby Morris (on 1956-04-19)
guitar:
Jack Marshall (on 1956-04-19)
piano:
Willie McCumber Jr. (on 1956-04-19)
tenor saxophone:
Sam Butera (on 1956-04-19)
trombone:
Jimmy 'Little Red' Blount (on 1956-04-19)
trumpet and lead vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
Jump, Jive an’ Wail (on 1956-04-19)
lyricist:
Louis Prima
composer:
Louis Prima (in 1956)
Louis Prima3:29
6(Nothing’s too Good) For My Baby
lead vocals:
Louis Prima (on 1956-04-19) and Keely Smith (on 1956-04-19)
orchestra:
The Witnesses (in 1956-04)
recording of:
(Nothing’s Too Good) For My Baby (on 1956-04-19)
composer:
Ted Eddy, Mack Kay and Frederick Patrick
Keely Smith & Louis Prima2:38
7I’ll Be Glad When You’re Dead You Rascal You
lead vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
cover recording of:
I’ll Be Glad When You’re Dead, You Rascal You (on 1956-04-19)
lyricist and composer:
Sam Theard
publisher:
EMI Music Publishing Ltd.
Louis Prima3:15
8Basin Street Blues / When It’s Sleepy Time Down South
producer:
Voyle Gilmore
tenor saxophone:
Sam Butera (on 1956-04-19)
trumpet and lead vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-04-19)
medley including a recording of:
Basin Street Blues (on 1956-04-19)
lyricist and composer:
Spencer Williams
publisher:
EMI Music Publishing Ltd.
medley including a recording of:
When It’s Sleepy Time Down South (on 1956-04-19)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music
Louis Prima4:15
9Night Train (instrumental)
solo tenor saxophone:
Sam Butera (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
instrumental cover recording of:
Night Train (Jimmy Forrest’s original instrumental version) (on 1956-04-19)
composer:
Jimmy Forrest
is based on:
Happy Go Lucky Local
Louis Prima2:49
10The Lip
producer:
Voyle Gilmore
tenor saxophone:
Sam Butera (on 1956-04-19)
trumpet:
Louis Prima (on 1956-04-19)
lead vocals:
Louis Prima (on 1956-04-19) and Keely Smith (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
The Lip (on 1956-04-19)
writer:
Ted Klages and Vic Knight
Keely Smith & Louis Prima2:19
11Whistle Stop
Louis Prima2:29
12Five Months, Two Weeks, Two Days
producer:
Voyle Gilmore
bass:
Amato Rodriguez (on 1956-09-13)
drums (drum set):
Bobby Morris (on 1956-09-13)
guitar:
Jack Marshall (on 1956-09-13)
instruments:
Willie McCumber Jr. (on 1956-09-13)
tenor saxophone:
Sam Butera (on 1956-09-13)
trombone:
Jimmy 'Little Red' Blount (on 1956-09-13)
trumpet:
Louis Prima (on 1956-09-13)
vocals:
Louis Prima (on 1956-09-13)
orchestra:
The Witnesses (on 1956-09-13)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-09-13)
recording of:
5 Months, 2 Weeks, 2 Days (on 1956-09-13)
writer:
Don Donaldson and Debbie Morris
Louis Prima2:13
13Banana Split for My Baby
producer:
Voyle Gilmore
tenor saxophone:
Sam Butera (on 1956-09-13)
trumpet:
Louis Prima (on 1956-09-13)
vocals:
Louis Prima (on 1956-09-13)
orchestra:
The Witnesses (on 1956-09-13)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-09-13)
recording of:
Banana Split for My Baby (on 1956-09-13)
writer:
Stan Irwin and Louis Prima
Louis Prima2:32
14Be Mine (Little Baby)
Louis Prima2:39
15When You’re Smiling / The Sheik of Araby
producer:
Voyle Gilmore
tenor saxophone:
Sam Butera (on 1957-01-17)
trumpet:
Louis Prima (on 1957-01-17)
vocals:
Louis Prima (on 1957-01-17)
orchestra:
The Witnesses (on 1957-01-17)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-01-17)
medley including a cover recording of:
The Sheik of Araby (on 1957-01-17)
lyricist:
Harry B. Smith (in 1921) and Francis Wheeler (in 1921)
composer:
Ted Snyder (in 1921)
publisher:
Jerry Vogel Music, Mills Music, Inc., Redwood Music and Salabert
medley including a cover recording of:
When You’re Smiling (the Whole World Smiles With You) (on 1957-01-17)
lyricist:
Mark Fisher and Joe Goodwin
composer:
Larry Shay
publisher:
Mills Music, Inc.
Louis Prima4:01
16The Birth of the Blues
cover recording of:
Birth of the Blues
lyricist:
Lew Brown and Buddy DeSylva
composer:
Ray Henderson
Keely Smith2:51
17Blow, Red Blow
Louis Prima & Keely Smith2:19
18When the Saints Go Marching In
Louis Prima4:20
19Sentimental Journey
Louis Prima2:28
20There’ll Be No Next Time
producer:
Voyle Gilmore (on 1957-01-17)
tenor saxophone:
Sam Butera (on 1957-01-17)
trumpet:
Louis Prima (on 1957-01-17)
vocals:
Sam Butera (on 1957-01-17) and Louis Prima (on 1957-01-17)
orchestra:
The Witnesses (on 1957-01-17)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-01-17)
recording of:
Next Time (on 1957-01-17)
composer:
Richard Berry and Joe Josea
Sam Butera & Louis Prima3:17
21The Closer to the Bone
Louis Prima4:14
22I’ve Got the World on a String
producer:
Voyle Gilmore
bass:
Amado Rodrigues (on 1957-01-31)
drums (drum set):
Bobby Morris (on 1957-01-31)
guitar:
Jack Marshall (on 1957-01-31)
piano:
Willie McCumber Jr. (on 1957-01-31)
tenor saxophone:
Sam Butera (on 1957-01-31)
trombone:
Jimmy 'Little Red' Blount (on 1957-01-31)
trumpet:
Louis Prima (on 1957-01-31)
vocals:
Louis Prima (on 1957-01-31)
orchestra:
The Witnesses (on 1957-01-31)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-01-31)
cover recording of:
I’ve Got the World on a String (on 1957-01-31)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc., MCA Music Publishing, Mills Music, Inc. and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス, コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
Louis Prima2:29
23Much Too Young to Loose My Mind
Sam Butera1:57
24Don’t Let a Memory
Keely Smith1:49
25Pennies From Heaven
producer:
Voyle Gilmore
bass:
Amado Rodrigues (on 1957-01-31)
drums (drum set):
Bobby Morris (on 1957-01-31)
guitar:
Jack Marshall (on 1957-01-31)
piano:
Willie McCumber Jr. (on 1957-01-31)
tenor saxophone:
Sam Butera (on 1957-01-31)
trombone:
Jimmy 'Little Red' Blount (on 1957-01-31)
trumpet:
Louis Prima (on 1957-01-31)
vocals:
Louis Prima (on 1957-01-31)
orchestra:
The Witnesses (on 1957-01-31)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-01-31)
cover recording of:
Pennies From Heaven (on 1957-01-31)
lyricist:
Johnny Burke (in 1936)
composer:
Arthur Johnston (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2)
Louis Prima2:22
26Baby Won’t You Please Come Home
producer:
Voyle Gilmore
bass:
Amado Rodrigues (on 1957-01-17)
drums (drum set):
Bobby Morris (on 1957-01-17)
guitar:
Jack Marshall (on 1957-01-17)
piano:
Willie McCumber Jr. (on 1957-01-17)
tenor saxophone:
Sam Butera (on 1957-01-17)
trombone:
Jimmy 'Little Red' Blount (on 1957-01-17)
trumpet:
Louis Prima (on 1957-01-17)
vocals:
Louis Prima (on 1957-01-17) and Keely Smith (on 1957-01-17)
orchestra:
The Witnesses (on 1957-01-17)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-01-17)
cover recording of:
Baby Won’t You Please Come Home (on 1957-01-17)
writer:
Charles Warfield and Clarence Williams
publisher:
Redwood Music Ltd., Universal‐MCA Music Publishing and Universal/MCA Music Ltd.
Louis Prima & Keely Smith2:08
27Autumn Leaves
cover recording of:
Autumn Leaves (jazz standard, english lyrics)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc.
translated version of:
Les Feuilles mortes (Autumn Leaves)
Keely Smith2:51
2▶CD: Louis Prima
3▶CD: Louis Prima / Live at Harrah’s Club (& Gia Maione)
4▶CD: Live at Harrah’s Club / Live at the Sahara
5▶CD: Keely Smith & Nelson Riddle
6▶CD: Keely Smith & Nelson Riddle, Van Alexander, Billy May
7▶CD: Sam Butera
8▶CD: Sam Butera