Weihnachten mit Luciano Pavarotti

~ Release by Luciano Pavarotti (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistLength
1O Holy Night (Cantique de Noël)
recording engineer:
John Dunkerley and James Lock (in 1976-01)
engineer:
John Dunkerley
producer:
Ray Minshull
tenor vocals:
Luciano Pavarotti (in 1976-01)
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
arranger and orchestrator:
Douglas Gamley
phonographic copyright (℗) by:
Decca Records Company (in 1976)
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
recording of:
O Holy Night (in 1976-01)
lyricist:
John Sullivan Dwight (in 1855)
composer:
Adolphe Adam (in 1847)
translated version of:
Cantique de Noël “Minuit chrétiens” (French original of “O Holy Night”)
recording of:
O Holy Night (catch-all for arrangements)
composer:
Adolphe Adam
arrangement of:
O Holy Night
Luciano Pavarotti, National Philharmonic Orchestra, Kurt Herbert Adler4:18
2Pietà, Signore
recording engineer:
John Dunkerley and James Lock
producer:
Ray Minshull
tenor vocals:
Luciano Pavarotti (in 1976-01)
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
arranger:
Douglas Gamley
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
recording of:
Pietà, Signore (in 1976-01)
lyricist and previously attributed to:
Alessandro Stradella
composer:
Louis Niedermeyer
publisher:
G. Schirmer Inc.
Luciano Pavarotti, National Philharmonic Orchestra, Kurt Herbert Adler8:27
3Panis angelicus
recording engineer:
John Dunkerley and James Lock
producer:
Ray Minshull
choir vocals:
Wandsworth School Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (in 1976-01)
vocals:
Luciano Pavarotti
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
chorus master:
Russell Burgess (in 1976-01)
arranger:
Douglas Gamley
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1976)
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus (in 1976-01)
lyricist:
St. Thomas Aquinas
composer:
César Franck (in 1860)
part of:
Messe solennelle en la majeur, op. 12
recording of:
Panis Angelicus (catch-all for arrangements)
composer:
César Franck
arrangement of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
Luciano Pavarotti, National Philharmonic Orchestra, Kurt Herbert Adler4:07
4Qual giglio candido (Parola quinta)
recording engineer:
John Dunkerley and James Lock
producer:
Ray Minshull
tenor vocals:
Luciano Pavarotti (in 1976-01)
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
arranger:
Douglas Gamley
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
recording of:
Le sette ultime parole di Nostro Signore sulla croce: V. Ho sete! (Parola quinta: "Qual giglio candido...") (in 1976-01)
composer and librettist:
Saverio Mercadante
part of:
Le sette ultime parole di Nostro Signore sulla croce (Seven last words of Our Lord on the Cross)
Luciano Pavarotti, National Philharmonic Orchestra, Kurt Herbert Adler4:45
5Ave Maria
recording engineer:
John Dunkerley and James Lock (in 1976-01)
producer:
Ray Minshull
choir vocals:
Wandsworth School Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (in 1976-01)
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
arranger:
Douglas Gamley
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1976)
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
live recording of:
Ave Maria (catch-all for arrangements) (in 1976-01)
composer:
Franz Schubert
arrangement of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous]
composer:
Franz Schubert
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
lyricist:
Jairo and Sir Walter Scott
composer:
Franz Schubert (in 1825)
translator:
Adam Storck
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)
Luciano Pavarotti, National Philharmonic Orchestra, Kurt Herbert Adler4:52
6Gesu bambino
recording engineer:
John Dunkerley and James Lock
producer:
Ray Minshull
tenor vocals:
Luciano Pavarotti (in 1976-01)
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
recording of:
Gesù bambino (in 1976-01)
lyricist:
Frederick Martens
composer:
Pietro Yon (in 1917)
Luciano Pavarotti, National Philharmonic Orchestra, Kurt Herbert Adler4:33
7Che farò senza Euridice?
recording engineer and balance engineer:
Kenneth Wilkinson
producer:
James Mallinson
tenor vocals:
Luciano Pavarotti (in 1977-04)
orchestra:
Philharmonia Orchestra (in 1977-04)
conductor:
Piero Gamba (in 1977-04)
arranger:
Jerry Lanning
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1977-04)
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo) (in 1977-04)
composer:
Christoph Willibald Gluck
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba4:30
8Cuius animam
recording engineer:
Colin Moorfoot and Kenneth Wilkinson
producer:
John Mordler
tenor vocals:
Luciano Pavarotti (from 1970-12 until 1971-03)
orchestra:
London Symphony Orchestra (from 1970-12 until 1971-03)
conductor:
István Kertész (from 1970-12 until 1971-03)
chorus master:
Arthur Oldham (from 1970-12 until 1971-03)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-12 until 1971-03)
recording of:
Stabat Mater: II. Aria - Cuius animam gementem (tenore) (from 1970-12 until 1971-03)
composer:
Gioachino Rossini (from 1832 until 1839)
part of:
Stabat Mater
Luciano Pavarotti, London Symphony Orchestra, István Kertész5:54
9Ingemisco
tenor vocals:
Luciano Pavarotti
recording of:
Messa da requiem: IIh. Dies irae: Ingemisco (tenore)
composer:
Giuseppe Verdi (from 1873 until 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti3:40
10Ave Maria
recording engineer:
John Dunkerley and James Lock
engineer:
John Dunkerley
producer:
Ray Minshull
choir vocals:
Wandsworth Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (in 1976-01)
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
chorus master:
Russell Burgess (in 1976-01)
arranger:
Douglas Gamley
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (in 1976)
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
recording of:
Ave Maria (Bach/Gounod) (in 1976-01)
lyricist:
[anonymous]
composer:
Johann Sebastian Bach and Charles Gounod (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
recording of:
Ave Maria (Bach/Gounod) (in 1976)
lyricist:
[anonymous]
composer:
Johann Sebastian Bach and Charles Gounod (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work)
composer:
Johann Sebastian Bach and Charles Gounod
publisher:
Lam Larghetto Music (from 1993 to present)
arrangement of:
Ave Maria (Bach/Gounod)
Luciano Pavarotti, Wordsworth Boys Choir, National Philharmonic Orchestra, Kurt Herbert Adler3:00
11Mille cherubini in coro
recording engineer:
John Dunkerley and James Lock
producer:
Ray Minshull
tenor vocals:
Luciano Pavarotti (in 1976-01)
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
arranger:
Douglas Gamley
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
recording of:
Mille cherubini in coro (in 1976-01)
lyricist:
Ernst Marischka
composer:
Franz Schubert
arranger:
Alois Melichar
version of:
Wiegenlied, D. 498
Luciano Pavarotti, National Philharmonic Orchestra, Kurt Herbert Adler4:07
12Agnus Dei
recording engineer:
John Dunkerley and James Lock
producer:
Ray Minshull
tenor vocals:
Luciano Pavarotti (in 1976-01)
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
arranger:
Douglas Gamley
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1976)
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
recording of:
Agnus Dei (in 1976-01)
composer:
Georges Bizet
arranger:
Ernest Guiraud
is based on:
L’Arlésienne Suite no. 2: II. Intermezzo (for piano, Bizet)
Luciano Pavarotti, National Philharmonic Orchestra, Kurt Herbert Adler3:49
13Sanctus
recording engineer:
John Dunkerley and James Lock
producer:
Ray Minshull
choir vocals:
London Voices (in 1976-01) and Wandsworth School Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (in 1976-01)
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
chorus master:
Russell Burgess (in 1976-01) and Terry Edwards (in 1976-01)
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
recording of:
Requiem, op. 5: IX. Sanctus (in 1976-01)
lyricist and composer:
Hector Berlioz
part of:
Requiem, op. 5 « Grande Messe des Morts »
Luciano Pavarotti, London Voices, Wordsworth Boys Choir, National Philharmonic Orchestra, Kurt Herbert Adler9:12
14Adeste fideles
recording engineer:
John Dunkerley and James Lock
producer:
Ray Minshull
choir vocals:
London Voices (in 1976-01)
tenor vocals:
Luciano Pavarotti (in 1976-01)
orchestra:
National Philharmonic Orchestra (in 1976-01)
conductor:
Kurt Herbert Adler (in 1976-01)
chorus master:
Terry Edwards (in 1976-01)
arranger:
Douglas Gamley
recorded at:
All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)
recording of:
Adeste fideles (original latin version) (in 1976-01)
lyricist and composer:
John Francis Wade (from 1740 until 1743)
Luciano Pavarotti, London Voices, National Philharmonic Orchestra, Kurt Herbert Adler3:33