The Very Best of Lucia Popp

~ Release by Lucia Popp (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistLength
1Song to the Moon (Rusalka, Act I)
soprano vocals:
Lesley Garrett and Lucia Popp
soprano vocals [Rusalka]:
Lucia Popp
orchestra:
Munich Radio Symphony Orchestra and Philharmonia Orchestra
conductor:
Andrew Greenwood and Stefan Soltész
recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon)
composer:
Antonín Dvořák (from 1900-04-21 until 1900-11-27)
part of:
Rusalka, op. 114, B. 203: 1. jednání
Antonín Dvořák5:57
2Should I ever learn (Kdybych se co takoveho)
soprano vocals:
Lucia Popp
orchestra:
Münchner Rundfunkorchester
conductor:
Stefan Soltész
recording of:
Prodaná nevěsta: Act I, Scene II. "Kdybych se co takového o tobě dověděla"
composer:
Bedřich Smetana
librettist:
Karel Sabina
part of:
Prodaná nevěsta: Act I
Bedřich Smetana3:54
3How confused I feel (Jak je mi?) (Dalibor, Act II)
soprano vocals:
Lucia Popp
orchestra:
Münchner Rundfunkorchester
conductor:
Stefan Soltész
recording of:
Dalibor: Act II. “Dobrá! Já mu je dám! Jak je mi?” (1870 revision)
composer:
Bedřich Smetana
librettist:
Josef Wenzig
part of:
Dalibor: Act II (1870 revision)
Bedřich Smetana2:32
4Solveig's Song (Peer Gynt)
producer:
John Fraser
soprano vocals:
Lucia Popp (from 1982-07-28 until 1982-07-30)
orchestra:
Academy of St Martin in the Fields (from 1982-07-28 until 1982-07-30)
conductor:
Sir Neville Marriner (, from 1982-07-28 until 1982-07-30)
balance engineer:
Stuart Eltham
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1982-07-28 until 1982-07-30)
recording of:
Peer Gynt, op. 23: 4. akt: Solveigs sang (from 1982-07-28 until 1982-07-30)
composer:
Edvard Grieg (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg5:49
5Solveig's Cradle Song (Peer Gynt)
soprano vocals:
Lucia Popp
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner
recording of:
Peer Gynt, op. 23: 5. akt: Solveigs vuggevise
composer:
Edvard Grieg (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg4:57
6Carmina Burana - Amor volat undique (Cours d'amour)
producer:
Peter Andry
choir vocals:
Wandsworth School Boys’ Choir (from 1965-06-12 until 1965-06-16)
soprano vocals:
Lucia Popp (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
chorus master:
Russell Burgess (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff3:21
7Carmina Burana - Stetit puella (Cours d'amour)
producer:
Peter Andry
soprano vocals:
Lucia Popp (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:06
8Carmina Burana - In trutina (Cours d'amour)
producer:
Peter Andry
soprano vocals:
Lucia Popp (from 1965-06-12 until 1965-06-16)
orchestra:
New Philharmonia Orchestra (from 1965-06-12 until 1965-06-16)
conductor:
Rafael Frühbeck de Burgos (from 1965-06-12 until 1965-06-16)
balance engineer:
Peter Bown
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1965-06-12 until 1965-06-16)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (from 1965-06-12 until 1965-06-16)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:14
9Vier letzte Lieder - Frühling
engineer and balance engineer:
Neville Boyling
producer:
John Willan
soprano vocals:
Lucia Popp (on 1982-02-28)
orchestra:
London Philharmonic Orchestra (on 1982-02-28)
conductor:
Klaus Tennstedt (on 1982-02-28)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (on 1982-02-28)
recording of:
Vier letzte Lieder, AV 150: I. „Frühling“ (Four Last Songs, AV 150: 1. “Spring”) (on 1982-02-28)
lyricist:
Hermann Hesse
composer:
Richard Strauss (on 1948-07-20)
publisher:
Boosey & Hawkes
premiered at:
Royal Albert Hall in Kensington and Chelsea, London, England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Johann Strauss II3:51
10Vier letzte Lieder - September
engineer and balance engineer:
Neville Boyling
producer:
John Willan
soprano vocals:
Lucia Popp (on 1982-02-28)
orchestra:
London Philharmonic Orchestra (on 1982-02-28)
conductor:
Klaus Tennstedt (on 1982-02-28)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (on 1982-02-28)
recording of:
Vier letzte Lieder, AV 150: II. „September“ (Four Last Songs, AV 150: 2. “September”) (on 1982-02-28)
lyricist:
Hermann Hesse
composer:
Richard Strauss (on 1948-09-20)
publisher:
Boosey & Hawkes
premiered at:
Royal Albert Hall in Kensington and Chelsea, London, England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Johann Strauss II5:17
11Vier letzte Lieder - Beim Schlafengehen
engineer and balance engineer:
Neville Boyling
producer:
John Willan
soprano vocals:
Lucia Popp (on 1982-02-28)
orchestra:
London Philharmonic Orchestra (on 1982-02-28)
conductor:
Klaus Tennstedt (on 1982-02-28)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (on 1982-02-28)
recording of:
Vier letzte Lieder, AV 150: III. „Beim Schlafengehen“ (Four Last Songs, AV 150: 3. “When You Go to Sleep”) (on 1982-02-28)
lyricist:
Hermann Hesse
composer:
Richard Strauss (on 1948-08-04)
publisher:
Boosey & Hawkes
premiered at:
Royal Albert Hall in Kensington and Chelsea, London, England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Johann Strauss II6:21
12Vier letzte Lieder - Im Abendrot
engineer and balance engineer:
Neville Boyling
producer:
John Willan
soprano vocals:
Lucia Popp (on 1982-02-28)
orchestra:
London Philharmonic Orchestra (on 1982-02-28)
conductor:
Klaus Tennstedt (on 1982-02-28)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (on 1982-02-28)
recording of:
Vier letzte Lieder, AV 150: IV. „Im Abendrot“ (Four Last Songs, AV 150: 4. “In the Afterglow”) (on 1982-02-28)
lyricist:
Joseph von Eichendorff
composer:
Richard Strauss (on 1948-05-06)
publisher:
Boosey & Hawkes
premiered at:
Royal Albert Hall in Kensington and Chelsea, London, England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Johann Strauss II8:26
13Symphony No. 4 in G - IV. Sehr behaglich
producer:
John Willan
soprano vocals:
Lucia Popp (in 1982-05)
orchestra:
London Philharmonic Orchestra (in 1982-05)
conductor:
Klaus Tennstedt (in 1982-05)
balance engineer:
Neville Boyling (in 1982-05)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1983)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1982-05)
recording of:
Symphonie Nr. 4 in G-Dur: IV. Sehr behaglich. „Wir genießen die himmlischen Freuden“ (in 1982-05)
composer:
Gustav Mahler (from 1899 until 1901)
part of:
Symphony no. 4 in G major
revision of:
Des Knaben Wunderhorn: Das himmlische Leben
Gustav Mahler9:13
14Tatiana's Letter Scene (Eugene Onegin, Act I)
soprano vocals:
Lucia Popp
orchestra:
Münchner Rundfunkorchester
conductor:
Stefan Soltész
partial recording of:
Евгений Онегин, op. 24: Действие I, картина 2, no. 9. Сцена письма “Пускай погибну я, но прежде” (Eugene Onegin: Act I, Scene 2, no. 9. Letter scene "Let me die, but first...", Letter Scene “Puskay pogibnu ya, no prezhde”)
composer:
Пётр Ильич Чайковский
librettist:
Константин Шиловский and Пётр Ильич Чайковский
part of:
Евгений Онегин, op. 24: Действие первое (Eugene Onegin, op. 24: Act I)
Пётр Ильич Чайковский12:06
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