| # | Title | Artist | Length |
|---|
| 1 | You Can’t Hurry Love- recording engineer:
- Russ Terrana
- engineer:
- Lamont Dozier
- producer:
- Lamont Dozier and Brian Holland
- bass:
- James Jamerson (on 1966-06-11)
- brass [horns]:
- Detroit Symphony Orchestra (on 1966-06-11)
- drums (drum set):
- Benny Benjamin (on 1966-06-11)
- guitar [Gibson L-5]:
- Robert White (on 1966-06-11)
- instruments:
- The Funk Brothers (on 1966-06-11)
- piano:
- Earl Van Dyke (on 1966-06-11)
- tambourine:
- Jack Ashford (on 1966-06-11)
- background vocals:
- Florence Ballard (on 1966-07-05) and Mary Wilson (on 1966-07-05)
- lead vocals:
- Diana Ross (on 1966-07-05)
- phonographic copyright (℗) by:
- Motown Record Corporation (in 1966) and Motown Records (in 2015, in 2017)
- recorded at:
- Hitsville in Detroit, Michigan, United States (from 1966-06-11 until 1966-07-05)
- part of:
- Billboard: The 500 Best Pop Songs (number: 280)
- recording of:
- You Can’t Hurry Love (from 1966-06-11 until 1966-07-05)
- lyricist:
- Lamont Dozier, Brian Holland and Eddie Holland
- composer:
- Lamont Dozier and Brian Holland
- publisher:
- EMI Music Publishing Ltd., Jobete, Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30), Jobete Music (UK) Ltd. (in 1965) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| The Supremes | 2:45 |
| 2 | My Guy | Mary Wells | 2:49 |
| 3 | Oh Pretty Woman- producer:
- Fred Foster
- 12 string guitar [12 string guitar Epiphone] and lead vocals:
- Roy Orbison (on 1964-08-01)
- double bass [upright bass]:
- Bob Moore (on 1964-08-01)
- drums (drum set):
- Buddy Harman (on 1964-08-01)
- guitar:
- Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (on 1964-08-01)
- harmonica:
- Charlie McCoy (on 1964-08-01)
- percussion:
- Paul Garrison (on 1964-08-01)
- piano:
- Floyd Cramer (on 1964-08-01)
- saxophone:
- Boots Randolph (on 1964-08-01)
- vocals:
- Roy Orbison
- phonographic copyright (℗) by:
- Orbison Records, Orbison Records, Inc. and Monument Record Corp. (in 1964)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 20), Billboard: The 500 Best Pop Songs (number: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (number: 222)
- recording of:
- Oh, Pretty Woman (on 1964-08-01)
- lyricist and composer:
- Bill Dees and Roy Orbison
- publisher:
- Acuff-Rose Music Limited, Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd., Acuff-Rose Publications, Inc. (on 1964-08-26) and Acuff-Rose (in 1972)
| Roy Orbison | 2:58 |
| 4 | For Once in My Life | Stevie Wonder | 2:50 |
| 5 | Baby, Now That I’ve Found You | The Foundations | 2:35 |
| 6 | Daydream Believer | The Monkees | 2:56 |
| 7 | I Got You Babe | Sonny & Cher | 3:10 |
| 8 | Walk Right Back | The Everly Brothers | 2:18 |
| 9 | Sweets for My Sweet | The Searchers | 2:28 |
| 10 | Pretty Flamingo | Manfred Mann | 2:35 |
| 11 | How Do You Do It? | Gerry & the Pacemakers | 1:53 |
| 12 | Walkin’ Back to Happiness | Helen Shapiro | 2:30 |
| 13 | I’m Into Something Good | Herman’s Hermits | 2:31 |
| 14 | One Fine Day | The Chiffons | 2:09 |
| 15 | Michelle | The Overlanders | 2:22 |
| 16 | Run to Him | Bobby Vee | 2:09 |
| 17 | He Ain’t Heavy He’s My Brother- producer:
- Ron Richards
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1969) and The Hollies Ltd. (from 1969 until 1970)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (on 1969-06-25)
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 46)
- cover recording of:
- He Ain’t Heavy, He’s My Brother (on 1969-06-25)
- writer:
- Bob Russell and Bobby Scott
- publisher:
- Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation, Warner/Chappell Music Ltd. and ミュージック・セールス
- live cover recording of:
- He Ain’t Heavy, He’s My Brother
- writer:
- Bob Russell and Bobby Scott
- publisher:
- Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation, Warner/Chappell Music Ltd. and ミュージック・セールス
- recording of:
- He Ain’t Heavy, He’s My Brother
- writer:
- Bob Russell and Bobby Scott
- publisher:
- Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation, Warner/Chappell Music Ltd. and ミュージック・セールス
| The Hollies | 4:13 |
| 18 | Goldfinger | Shirley Bassey | 2:50 |
| 19 | Let There Be Love- cello:
- Hyman Gold (on 1961-12-20), Armand Kaproff (on 1961-12-20), Eleanor Slatkin (on 1961-12-20) and William Vandenburg (on 1961-12-20)
- double bass:
- Al McKibbon (on 1961-12-20)
- double bass [arco bass]:
- Meyer "Mike" Rubin (on 1961-12-20)
- drums (drum set):
- Shelly Manne (on 1961-12-20)
- guitar:
- Al Hendrickson (on 1961-12-20)
- piano:
- George Shearing (on 1961-12-20)
- vibraphone:
- Emil Richards (on 1961-12-20)
- viola:
- Joseph DiFiore (on 1961-12-20), Alvin Dinkin (on 1961-12-20), Allan Harshman (on 1961-12-20) and Paul Robyn (on 1961-12-20)
- violin:
- Victor Arno (on 1961-12-20), Emil Briano (on 1961-12-20), Jacques Gasselin (on 1961-12-20), James Getzoff (on 1961-12-20), Joseph Livoti (on 1961-12-20), Dan Lube (on 1961-12-20), Erno Neufeld (on 1961-12-20), Isadore Roman (on 1961-12-20), Mischa Russell (on 1961-12-20), Felix Slatkin (on 1961-12-20), Joseph Stepansky (on 1961-12-20) and Gerald Vinci (on 1961-12-20)
- vocals:
- Nat King Cole (on 1961-12-20)
- conductor:
- Ralph Carmichael (on 1961-12-20)
- arranger:
- Ralph Carmichael
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1962)
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1961-12-20)
- cover recording of:
- Let There Be Love (on 1961-12-20)
- lyricist:
- Ian Grant
- composer:
- Lionel Rand
- publisher:
- Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. and Warner Chappell Music Publishing
| Nat King Cole & George Shearing | 2:45 |
| 20 | Yesterday | Matt Monro | 2:48 |
| 21 | All I Have to Do Is Dream | Bobbie Gentry and Glen Campbell | 2:33 |
| 22 | I’ll Never Fall in Love Again- cover recording of:
- I’ll Never Fall in Love Again
- lyricist:
- Hal David
- composer:
- Burt Bacharach
- publisher:
- Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Edwin H. Morris & Co., Inc., EMI Music Publishing Ltd., JAC Music Co., Inc., MCA Music, MCA Music Ltd., Sony/ATV Harmony, Universal, ソニー・ミュージックパブリッシング A事業部, フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
| Bobbie Gentry | 2:53 |
| 23 | The First Cut Is the Deepest | P.P. Arnold | 3:12 |
| 24 | The Tracks of My Tears | Smokey Robinson & The Miracles | 2:55 |
| 25 | Stand by Me- recorded in:
- New York, New York, United States (on 1960-10-27)
- producer:
- Leiber and Stoller
- vocals:
- Ben E. King (on 1960-10-27)
- conductor:
- Stan Applebaum (on 1960-10-27)
- arranger:
- Stan Applebaum
- phonographic copyright (℗) by:
- HHO Ltd., WEA International Inc. (in 1960, in 1961) and Atlantic Recording Corporation (in 1986)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
- recording of:
- Stand by Me (on 1960-10-27)
- publisher:
- Mike Stoller
- writer:
- Ben E. King, Jerry Leiber and Mike Stoller
- publisher:
- A.D.T. Enterprises, Hornall Brothers Music, Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt, Melodie der Welt GmbH & Co. KG, Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music, Trio Music Co., Inc., Unichappell Music and Universal Music Publishing
| Ben E. King | 2:59 |
| 26 | Stay With Me | Lorraine Ellison | 3:30 |
