All or Nothing at All

~ Release by Billie Holiday (see all versions of this release, 4 available)

Tracklist

1▼CD
#TitleLength
1Do Nothin' Till You Hear From Me
producer:
Norman Granz
double bass [bass]:
Joe Mondragon (on 1956-08-14)
drums (drum set):
Alvin Stoller (on 1956-08-14)
guitar:
Barney Kessel (on 1956-08-14)
piano:
Jimmy Rowles (on 1956-08-14)
tenor saxophone:
Ben Webster (on 1956-08-14)
trumpet:
Harry “Sweets” Edison (on 1956-08-14)
vocals:
Billie Holiday (on 1956-08-14)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1956-08-14)
recording of:
Do Nothin’ Till You Hear From Me (on 1956-08-14)
lyricist:
Bob Russell (in 1943)
composer:
Duke Ellington (in 1943)
publisher:
Music Sales Corporation and Sony/ATV Harmony
version of:
Concerto for Cootie
4:15
2Cheek to Cheek
producer:
Norman Granz
double bass:
Joe Mondragon (on 1956-08-14)
drums (drum set):
Alvin Stoller (on 1956-08-14)
guitar:
Barney Kessel (on 1956-08-14)
piano:
Jimmy Rowles (on 1956-08-14)
tenor saxophone:
Ben Webster (on 1956-08-14)
trumpet:
Harry “Sweets” Edison (on 1956-08-14)
vocals:
Billie Holiday (on 1956-08-14)
recording of:
Cheek to Cheek (from “Top Hat”) (on 1956-08-14)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
3:38
3Ill Wind (You're Blowin' Me No Good)
producer:
Norman Granz
double bass [bass]:
Joe Mondragon (on 1956-08-14)
drums (drum set):
Alvin Stoller (on 1956-08-14)
guitar:
Barney Kessel (on 1956-08-14)
piano:
Jimmy Rowles (on 1956-08-14)
tenor saxophone:
Ben Webster (on 1956-08-14)
trumpet:
Harry “Sweets” Edison (on 1956-08-14)
vocals:
Billie Holiday (on 1956-08-14)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1956-08-14)
recording of:
Ill Wind (on 1956-08-14)
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
6:17
4Speak Low
producer:
Norman Granz
double bass [bass]:
Joe Mondragon (on 1956-08-14)
drums (drum set):
Alvin Stoller (on 1956-08-14)
electric guitar:
Barney Kessel (on 1956-08-14)
piano:
Jimmy Rowles (on 1956-08-14)
tenor saxophone:
Ben Webster (on 1956-08-14)
trumpet:
Harry “Sweets” Edison (on 1956-08-14)
vocals:
Billie Holiday (on 1956-08-14)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1956-08-14)
recording of:
Speak Low (One Touch of Venus) (on 1956-08-14)
lyricist:
Ogden Nash
composer:
Kurt Weill
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
4:29
5We'll Be Together Again
engineer:
Val Valentin (on 1956-08-18)
producer:
Norman Granz
double bass:
Joe Mondragon (on 1956-08-18)
drums (drum set):
Alvin Stoller (on 1956-08-18)
guitar:
Barney Kessel (on 1956-08-18)
piano:
Jimmy Rowles (on 1956-08-18)
tenor saxophone:
Ben Webster (on 1956-08-18)
trumpet:
Harry “Sweets” Edison (on 1956-08-18)
vocals:
Billie Holiday (on 1956-08-18)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1956-08-18)
recording of:
We’ll Be Together Again (on 1956-08-18)
lyricist:
Frankie Laine
composer:
Carl T. Fischer
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation, Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック and ミュージック・セールス
4:27
6All or Nothing at All
producer:
Norman Granz
double bass:
Red Mitchell (on 1956-08-18)
drums (drum set):
Alvin Stoller (on 1956-08-18)
guitar:
Barney Kessel (on 1956-08-18)
piano:
Jimmy Rowles (on 1956-08-18)
tenor saxophone:
Ben Webster (on 1956-08-18)
trumpet:
Harry “Sweets” Edison (on 1956-08-18)
vocals:
Billie Holiday (on 1956-08-18)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1956-08-18)
recording of:
All or Nothing at All (on 1956-08-18)
lyricist:
Jack Lawrence
composer:
Arthur Altman and Jack Lawrence
publisher:
MCA Music Publishing, MCA, Inc., Range Road Music Inc. and Universal‐MCA Music Publishing
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
5:41
7Sophisticated Lady
producer:
Norman Granz
double bass:
Red Mitchell (on 1956-08-18)
drums (drum set):
Alvin Stoller (on 1956-08-18)
guitar:
Barney Kessel (on 1956-08-18)
piano:
Jimmy Rowles (on 1956-08-18)
tenor saxophone:
Ben Webster (on 1956-08-18)
trumpet:
Harry “Sweets” Edison (on 1956-08-18)
vocals:
Billie Holiday (on 1956-08-18)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1956-08-18)
recording of:
Sophisticated Lady (on 1956-08-18)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc., Famous Music Corporation (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
4:51
8April in Paris
producer:
Norman Granz
double bass [bass]:
Red Mitchell (on 1956-08-18)
drums (drum set):
Alvin Stoller (on 1956-08-18)
electric guitar:
Barney Kessel (on 1956-08-18)
piano:
Jimmy Rowles (on 1956-08-18)
tenor saxophone:
Ben Webster (on 1956-08-18)
trumpet:
Harry “Sweets” Edison (on 1956-08-18)
vocals:
Billie Holiday (on 1956-08-18)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1956-08-18)
recording of:
April in Paris (on 1956-08-18)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:06
9I Wished on the Moon
producer:
Norman Granz
double bass:
Red Mitchell (on 1957-01-03)
drums (drum set):
Alvin Stoller (on 1957-01-03)
guitar:
Barney Kessel (on 1957-01-03)
piano:
Jimmy Rowles (on 1957-01-03)
tenor saxophone:
Ben Webster (on 1957-01-03)
trumpet:
Harry “Sweets” Edison (on 1957-01-03)
vocals:
Billie Holiday (on 1957-01-03)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-01-03)
recording of:
I Wished on the Moon (on 1957-01-03)
lyricist:
Dorothy Parker
composer:
Ralph Rainger
publisher:
Famous Music Corporation
3:28
10Moonlight in Vermont
producer:
Norman Granz (in 1957-01)
double bass:
Red Mitchell (on 1957-01-03)
drums (drum set):
Alvin Stoller (on 1957-01-03)
guitar:
Barney Kessel (on 1957-01-03)
piano:
Jimmy Rowles (on 1957-01-03)
tenor saxophone:
Ben Webster (on 1957-01-03)
trumpet:
Harry “Sweets” Edison (on 1957-01-03)
vocals:
Billie Holiday (on 1957-01-03)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-01-03)
recording of:
Moonlight in Vermont (on 1957-01-03)
lyricist:
John Blackburn
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
3:53
11A Foggy Day
producer:
Norman Granz
double bass [bass]:
Red Mitchell (on 1957-01-03)
drums (drum set):
Alvin Stoller (on 1957-01-03)
electric guitar:
Barney Kessel (on 1957-01-03)
piano:
Jimmy Rowles (on 1957-01-03)
tenor saxophone:
Ben Webster (on 1957-01-03)
trumpet:
Harry “Sweets” Edison (on 1957-01-03)
vocals:
Billie Holiday (on 1957-01-03)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-01-03)
cover recording of:
A Foggy Day (in London Town) (on 1957-01-03)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc., Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
4:44
12Didn't Know What Time It Was
producer:
Norman Granz (in 1957-01)
double bass [bass]:
Red Mitchell (in 1957-01)
drums (drum set):
Alvin Stoller (in 1957-01)
guitar:
Barney Kessel (in 1957-01)
piano:
Jimmy Rowles (in 1957-01)
tenor saxophone:
Ben Webster (in 1957-01)
trumpet:
Harry “Sweets” Edison (in 1957-01)
vocals:
Billie Holiday (in 1957-01)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (from 1957-01-03 until 1957-01-04)
recording of:
I Didn’t Know What Time It Was (Pal Joey) (in 1957-01)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
6:02
13Just One of Those Things
producer:
Norman Granz
double bass:
Red Mitchell (on 1957-01-04)
drums (drum set):
Alvin Stoller (on 1957-01-04)
guitar:
Barney Kessel (on 1957-01-04)
piano:
Jimmy Rowles (on 1957-01-04)
tenor saxophone:
Ben Webster (on 1957-01-04)
trumpet:
Harry “Sweets” Edison (on 1957-01-04)
vocals:
Billie Holiday (on 1957-01-04)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-01-04)
recording of:
Just One of Those Things (on 1957-01-04)
lyricist and composer:
Cole Porter (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
5:34
14Comes Love (alternate)
producer:
Norman Granz (in 1957-01)
double bass [bass]:
Red Mitchell (in 1957-01)
drums (drum set):
Alvin Stoller (in 1957-01)
guitar:
Barney Kessel (in 1957-01)
piano:
Jimmy Rowles (in 1957-01)
tenor saxophone:
Ben Webster (in 1957-01)
trumpet:
Harry “Sweets” Edison (in 1957-01)
vocals:
Billie Holiday (in 1957-01)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (from 1957-01-03 until 1957-01-04)
recording of:
Comes Love (in 1957-01)
lyricist:
Lew Brown
composer:
Sam H. Stept and Charles Tobias
4:01
15Comes Love
producer:
Norman Granz (in 1957-01)
double bass:
Red Mitchell (on 1957-01-04)
drums (drum set):
Alvin Stoller (on 1957-01-04)
guitar:
Barney Kessel (on 1957-01-04)
piano:
Jimmy Rowles (on 1957-01-04)
tenor saxophone:
Ben Webster (on 1957-01-04)
trumpet:
Harry “Sweets” Edison (on 1957-01-04)
vocals:
Billie Holiday (on 1957-01-04)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-01-04)
recording of:
Comes Love (on 1957-01-04)
lyricist:
Lew Brown
composer:
Sam H. Stept and Charles Tobias
4:00
2▶CD