Mass in B Minor, BWV 232

~ Release by J. S. Bach; Lott, von Otter, Blochwitz, Shimell, Howell, Chicago Symphony Orchestra & Chorus, Sir Georg Solti (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistLength
1Messe in h-Moll, BWV 232: Symbolum nicenum (Credo): Credo in unum Deum
engineer:
Simon Eadon and Stanley Goodall
producer:
Michael Haas
choir vocals:
Chicago Symphony Chorus (from 1990-01-25 until 1990-01-28)
orchestra:
Chicago Symphony Orchestra (from 1990-01-25 until 1990-01-28)
conductor:
Sir Georg Solti (from 1990-01-25 until 1990-01-28)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1990-01-25 until 1990-01-28)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (from 1990-01-25 until 1990-01-28)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:50
2Messe in h-Moll, BWV 232: Symbolum nicenum (Credo): Patrem omnipotentem
engineer:
Simon Eadon and Stanley Goodall
producer:
Michael Haas
choir vocals:
Chicago Symphony Chorus (from 1990-01-25 until 1990-01-28)
orchestra:
Chicago Symphony Orchestra (from 1990-01-25 until 1990-01-28)
conductor:
Sir Georg Solti (from 1990-01-25 until 1990-01-28)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1990-01-25 until 1990-01-28)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (from 1990-01-25 until 1990-01-28)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:42
3Messe in h-Moll, BWV 232: Symbolum nicenum (Credo): Et in unum Dominum
engineer:
Simon Eadon and Stanley Goodall
producer:
Michael Haas
oboe d'amore:
Richard Kanter (from 1990-01-25 until 1990-01-28) and Ray Still (from 1990-01-25 until 1990-01-28)
soprano vocals [Sop I]:
Felicity Lott (from 1990-01-25 until 1990-01-28)
soprano vocals [Sop II]:
Anne Sofie von Otter (from 1990-01-25 until 1990-01-28)
orchestra:
Chicago Symphony Orchestra (from 1990-01-25 until 1990-01-28)
conductor:
Sir Georg Solti (from 1990-01-25 until 1990-01-28)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1990-01-25 until 1990-01-28)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (from 1990-01-25 until 1990-01-28)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:09
4Messe in h-Moll, BWV 232: Symbolum nicenum (Credo): Et incarnatus est
engineer:
Simon Eadon and Stanley Goodall
producer:
Michael Haas
choir vocals:
Chicago Symphony Chorus (from 1990-01-25 until 1990-01-28)
orchestra:
Chicago Symphony Orchestra (from 1990-01-25 until 1990-01-28)
conductor:
Sir Georg Solti (from 1990-01-25 until 1990-01-28)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1990-01-25 until 1990-01-28)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (from 1990-01-25 until 1990-01-28)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:34
5Messe in h-Moll, BWV 232: Symbolum nicenum (Credo): Crucifixus
engineer:
Simon Eadon and Stanley Goodall
producer:
Michael Haas
choir vocals:
Chicago Symphony Chorus (from 1990-01-25 until 1990-01-28)
orchestra:
Chicago Symphony Orchestra (from 1990-01-25 until 1990-01-28)
conductor:
Sir Georg Solti (from 1990-01-25 until 1990-01-28)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1990-01-25 until 1990-01-28)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (from 1990-01-25 until 1990-01-28)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:05
6Messe in h-Moll, BWV 232: Symbolum nicenum (Credo): Et resurrexit
engineer:
Simon Eadon and Stanley Goodall
producer:
Michael Haas
choir vocals:
Chicago Symphony Chorus (from 1990-01-25 until 1990-01-28)
orchestra:
Chicago Symphony Orchestra (from 1990-01-25 until 1990-01-28)
conductor:
Sir Georg Solti (from 1990-01-25 until 1990-01-28)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1990-01-25 until 1990-01-28)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (from 1990-01-25 until 1990-01-28)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:02
7Messe in h-Moll, BWV 232: Symbolum nicenum (Credo): Et in Spiritum sanctum
engineer:
Simon Eadon and Stanley Goodall
producer:
Michael Haas
oboe d'amore:
Richard Kanter (from 1990-01-25 until 1990-01-28) and Ray Still (from 1990-01-25 until 1990-01-28)
bass vocals:
William Shimell (from 1990-01-25 until 1990-01-28)
orchestra:
Chicago Symphony Orchestra (from 1990-01-25 until 1990-01-28)
conductor:
Sir Georg Solti (from 1990-01-25 until 1990-01-28)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1990-01-25 until 1990-01-28)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (from 1990-01-25 until 1990-01-28)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:38
8Messe in h-Moll, BWV 232: Symbolum nicenum (Credo): Confiteor unum baptisma
engineer:
Simon Eadon and Stanley Goodall
producer:
Michael Haas
choir vocals:
Chicago Symphony Chorus (from 1990-01-25 until 1990-01-28)
orchestra:
Chicago Symphony Orchestra (from 1990-01-25 until 1990-01-28)
conductor:
Sir Georg Solti (from 1990-01-25 until 1990-01-28)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1990-01-25 until 1990-01-28)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (from 1990-01-25 until 1990-01-28)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:16
9Messe in h-Moll, BWV 232: Symbolum nicenum (Credo): Et expecto
engineer:
Simon Eadon and Stanley Goodall
producer:
Michael Haas
choir vocals:
Chicago Symphony Chorus (from 1990-01-25 until 1990-01-28)
orchestra:
Chicago Symphony Orchestra (from 1990-01-25 until 1990-01-28)
conductor:
Sir Georg Solti (from 1990-01-25 until 1990-01-28)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1990-01-25 until 1990-01-28)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (from 1990-01-25 until 1990-01-28)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:10
10Messe in h-Moll, BWV 232: Sanctus
engineer:
Simon Eadon and Stanley Goodall
producer:
Michael Haas
choir vocals:
Chicago Symphony Chorus (from 1990-01-25 until 1990-01-28)
orchestra:
Chicago Symphony Orchestra (from 1990-01-25 until 1990-01-28)
conductor:
Sir Georg Solti (from 1990-01-25 until 1990-01-28)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1990-01-25 until 1990-01-28)
live recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (from 1990-01-25 until 1990-01-28)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:13
11Messe in h-Moll, BWV 232: Osanna, Benedictus, Agnus Dei et Dona nobis pacem: Osanna
engineer:
Simon Eadon and Stanley Goodall
producer:
Michael Haas
choir vocals:
Chicago Symphony Chorus (from 1990-01-25 until 1990-01-28)
orchestra:
Chicago Symphony Orchestra (from 1990-01-25 until 1990-01-28)
conductor:
Sir Georg Solti (from 1990-01-25 until 1990-01-28)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1990-01-25 until 1990-01-28)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (from 1990-01-25 until 1990-01-28)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:48
12Messe in h-Moll, BWV 232: Osanna, Benedictus, Agnus Dei et Dona nobis pacem: Benedictus
engineer:
Simon Eadon and Stanley Goodall
producer:
Michael Haas
flute:
Donald Peck (from 1990-01-25 until 1990-01-28)
tenor vocals:
Hans Peter Blochwitz (from 1990-01-25 until 1990-01-28)
orchestra:
Chicago Symphony Orchestra (from 1990-01-25 until 1990-01-28)
conductor:
Sir Georg Solti (from 1990-01-25 until 1990-01-28)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1990-01-25 until 1990-01-28)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (from 1990-01-25 until 1990-01-28)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:14
13Messe in h-Moll, BWV 232: Osanna, Benedictus, Agnus Dei et Dona nobis pacem: Osanna da capo
engineer:
Simon Eadon and Stanley Goodall
producer:
Michael Haas
choir vocals:
Chicago Symphony Chorus (from 1990-01-25 until 1990-01-28)
orchestra:
Chicago Symphony Orchestra (from 1990-01-25 until 1990-01-28)
conductor:
Sir Georg Solti (from 1990-01-25 until 1990-01-28)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1990-01-25 until 1990-01-28)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (from 1990-01-25 until 1990-01-28)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:54
14Messe in h-Moll, BWV 232: Osanna, Benedictus, Agnus Dei et Dona nobis pacem: Agnus Dei
engineer:
Simon Eadon and Stanley Goodall
producer:
Michael Haas
alto vocals:
Anne Sofie von Otter (from 1990-01-25 until 1990-01-28)
orchestra:
Chicago Symphony Orchestra (from 1990-01-25 until 1990-01-28)
conductor:
Sir Georg Solti (from 1990-01-25 until 1990-01-28)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1990-01-25 until 1990-01-28)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (from 1990-01-25 until 1990-01-28)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:12
15Messe in h-Moll, BWV 232: Osanna, Benedictus, Agnus Dei et Dona nobis pacem: Dona nobis pacem
engineer:
Simon Eadon and Stanley Goodall
producer:
Michael Haas
choir vocals:
Chicago Symphony Chorus (from 1990-01-25 until 1990-01-28)
orchestra:
Chicago Symphony Orchestra (from 1990-01-25 until 1990-01-28)
conductor:
Sir Georg Solti (from 1990-01-25 until 1990-01-28)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1990-01-25 until 1990-01-28)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (from 1990-01-25 until 1990-01-28)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:48