Oper auf Deutsch – legendäre Opernquerschnitte

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD: Carmen (Querschnitt)
2CD: Tiefland (Querschnitt)
3CD: Cavalleria rusticana / Der Bajazzo (Querschnitte)
#TitleArtistLength
1Cavalleria rusticana: Arie „O Lola, rosengleich blühn deine Wangen“ (Turiddu)
recording engineer:
Heinrich Keilholz
producer:
Hans Ritter
tenor vocals [Turiddu]:
Sándor Kónya (in 1962-01)
orchestra:
Orchester der Deutschen Oper Berlin (in 1962-01)
conductor:
Kulka János (in 1962-01)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1962-01)
recording of:
Cavalleria Rusticana: Vorspiel und Siziliana „O Lola” (in 1962-01)
composer:
Pietro Mascagni
translated version of:
Cavalleria rusticana: “O Lola ch'hai di latti la cammisa” (Turiddu) (“Siciliana”)
version of:
Cavalleria rusticana: Preludio
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni2:19
2Cavalleria rusticana: Lied „Rossestampfen, Peitschenknall und der muntre Glockenschall“ (Alfio, Chor)
recording engineer:
Heinrich Keilholz
producer:
Hans Ritter
bass-baritone vocals [Alfio]:
Walter Berry (in 1962-01)
choir vocals:
Chor der Deutschen Oper Berlin (in 1962-01)
orchestra:
Orchester der Deutschen Oper Berlin (in 1962-01)
conductor:
Kulka János (in 1962-01)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1962-01)
recording of:
Cavalleria Rusticana: Nr. 3. Lied des Alfio „Rossestampfen, Peitschenknall” (Alfio, Chor) (in 1962-01)
composer:
Pietro Mascagni
translated version of:
Cavalleria rusticana: “Il cavallo scalpita” (Alfio, Coro)
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni2:30
3Cavalleria rusticana: „Regina coeli!“ – „Lasst uns preisen den Herrn“ (Chor, Santuzza, Lucia)
recording engineer:
Heinrich Keilholz
producer:
Hans Ritter
alto vocals [Lucia]:
Yonako Nagano (in 1962-01)
choir vocals:
Chor der Deutschen Oper Berlin (in 1962-01)
soprano vocals [Santuzza]:
Gloria Davy (in 1962-01)
orchestra:
Orchester der Deutschen Oper Berlin (in 1962-01)
conductor:
Kulka János (in 1962-01)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1962-01)
recording of:
Cavalleria Rusticana: Nr. 4a. Gebet „Lasst uns preisen” (in 1962-01)
composer:
Pietro Mascagni
translated version of:
Cavalleria rusticana: “Inneggiamo …” (Santuzza, Lucia, coro esterno) (preghiera)
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni6:03
4Cavalleria rusticana: Romanze „Als euer Sohn einst fortzog“ (Santuzza, Lucia)
recording engineer:
Heinrich Keilholz
producer:
Hans Ritter
alto vocals [Lucia]:
Yonako Nagano (in 1962-01)
soprano vocals [Santuzza]:
Gloria Davy (in 1962-01)
orchestra:
Orchester der Deutschen Oper Berlin (in 1962-01)
conductor:
Kulka János (in 1962-01)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1962-01)
recording of:
Cavalleria Rusticana: Nr. 5. Romanze und Szene „Als euer Sohn einst fortzog” (Santuzza, Lucia) (in 1962-01)
composer:
Pietro Mascagni
translated version of:
Cavalleria rusticana: “Voi lo sapete, o mamma” (Santuzza, Lucia)
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni5:17
5Cavalleria rusticana: Duett „Nun, da siehst du, was du getan hast“ (Turiddu, Santuzza)
recording engineer:
Heinrich Keilholz
producer:
Hans Ritter
soprano vocals [Santuzza]:
Gloria Davy (in 1962-01)
tenor vocals [Turiddu]:
Sándor Kónya (in 1962-01)
orchestra:
Orchester der Deutschen Oper Berlin (in 1962-01)
conductor:
Kulka János (in 1962-01)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1962-01)
recording of:
Cavalleria rusticana: „Ha, da siehst du was du getan hast” (Turiddu, Santuzza) (in 1962-01)
composer:
Pietro Mascagni
translated version of:
Cavalleria rusticana: "Ah! Lo vedi che hai tu detto?" (Turiddu, Santuzza)
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni5:05
6Cavalleria rusticana: Arie „Mutter, der Rote war allzu feurig“ (Turiddu, Lucia)
recording engineer:
Heinrich Keilholz
producer:
Hans Ritter
alto vocals [Lucia]:
Yonako Nagano (in 1962-01)
tenor vocals [Turiddu]:
Sándor Kónya (in 1962-01)
orchestra:
Orchester der Deutschen Oper Berlin (in 1962-01)
conductor:
Kulka János (in 1962-01)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1962-01)
recording of:
Cavalleria rusticana: „Mutter, der Rote war allzu feurig” (Turiddu, Lucia) (in 1962-01)
composer:
Pietro Mascagni
translated version of:
Cavalleria Rusticana: "A voi tutti salute!" (Alfio, Coro, Lola)
translated version of:
Cavalleria rusticana: “Mamma, quel vino è generoso, è certo” (Turiddu, Lucia, Donne) (Addio alla madre)
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni5:01
7Der Bajazzo: Vorspiel. Arie „Schaut her! Ich bin’s“ (Tonio)
recording engineer:
Heinrich Keilholz
producer:
Hans Ritter
bass-baritone vocals [Tonio]:
Walter Berry (in 1962-01)
orchestra:
Radio-Symphonie-Orchester Berlin (in 1962-01)
conductor:
Kulka János (in 1962-01)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1962-01)
recording of:
Der Bajazzo: Vorspiel. Arie „Schaut her! Ich bin’s“ (Tonio) (in 1962-01)
composer:
Ruggero Leoncavallo
translated version of:
Pagliacci: Atto I. “Eh! Son qua! Ritornano” (Canio, Coro, Beppe)
part of:
Der Bajazzo: Akt I
Ruggero Leoncavallo5:39
8Der Bajazzo: Akt I. „Nun kommt zum Haus des Herrn“ – „Bim bam ruft der Glocke Ton“ (Chor)Ruggero Leoncavallo2:59
9Der Bajazzo: Akt I. Arie „Wie flammte auf sein Auge“ – „Wie die Vöglein schweben“ (Nedda)Ruggero Leoncavallo4:35
10Der Bajazzo: Akt I. Duett „Was gibt’s? Du sagtest doch, du gingst zum Weine“ (Nedda, Tonio)Ruggero Leoncavallo4:55
11Der Bajazzo: Akt I. Arie „Jetzt spielen? Wo mich Wahnsinn umkrallet?“ (Canio)
recording engineer:
Heinrich Keilholz
producer:
Hans Ritter
tenor vocals [Canio]:
Sándor Kónya (in 1962-01)
orchestra:
Radio-Symphonie-Orchester Berlin (in 1962-01)
conductor:
Kulka János (in 1962-01)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1962-01)
recording of:
Der Bajazzo: Akt I. „Jetzt spielen!” / „Hüll dich in Tand nur” (Canio) (in 1962-01)
composer:
Ruggero Leoncavallo
translated version of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio)
part of:
Der Bajazzo: Akt I
Ruggero Leoncavallo3:25
12Der Bajazzo: Akt II. Serenade „O Colombine, hör den treuen Harlekin“ (Beppo)
recording engineer:
Heinrich Keilholz
producer:
Hans Ritter
tenor vocals [Beppo]:
Donald Grobe (in 1962-01)
orchestra:
Radio-Symphonie-Orchester Berlin (in 1962-01)
conductor:
Kulka János (in 1962-01)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1962-01)
recording of:
Der Bajazzo: Akt II. Serenade „O Colombine“ (Beppo) (in 1962-01)
composer:
Ruggero Leoncavallo
part of:
Der Bajazzo: Akt II
Ruggero Leoncavallo1:52
13Der Bajazzo: Akt II. Finale „Bajazzo!” – „Nein! Bin Bajazzo nicht mehr“ (Nedda, Canio, Silvio, Beppo, Tonio)
recording engineer:
Heinrich Keilholz
producer:
Hans Ritter
baritone vocals [Silvio]:
Helmut Winkenstern (in 1962-01)
bass-baritone vocals [Tonio]:
Walter Berry (in 1962-01)
choir vocals:
Chor der Deutschen Oper Berlin (in 1962-01)
soprano vocals [Nedda]:
Anny Schlemm (in 1962-01)
tenor vocals [Beppo]:
Donald Grobe (in 1962-01)
tenor vocals [Canio]:
Sándor Kónya (in 1962-01)
orchestra:
Radio-Symphonie-Orchester Berlin (in 1962-01)
conductor:
Kulka János (in 1962-01)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1962-01)
recording of:
Der Bajazzo: Akt II. „Nein, bin Bajazzo nicht bloß” (Canio, Chor, Silvio, Nedda) (in 1962-01)
composer:
Ruggero Leoncavallo
translated version of:
Pagliacci: Atto II. “No, Pagliaccio non son” (Canio, Coro, Silvio, Nedda)
part of:
Der Bajazzo: Akt II
Ruggero Leoncavallo6:04
4CD: Zar und Zimmermann (Querschnitt)
5CD: Die Hochzeit des Figaro (Querschnitt)
6CD: Hoffmanns Erzählungen (Querschnitt)
7CD: La Bohème (Querschnitt)
8CD: Der Barbier von Sevilla (Querschnitt)
9CD: Eugen Onegin (Querschnitt)
10CD: Mignon (Querschnitt)
11CD: Aida (Querschnitt)
12CD: Die Macht des Schicksals (Querschnitt)
13CD: La Traviata (Querschnitt)
14CD: Nabucco (Querschnitt)
15CD: Rigoletto (Querschnitt)

Credits

Release

ASIN:DE: B07YMDZZS1 [info]