Serenade for Tenor, Horn & Strings / Les Illuminations / The Young Person’s Guide to the Orchestra

~ Release by Benjamin Britten - Robert Tear · Dale Clevenger, Carlo Maria Giulini, Lorin Maazel (see all versions of this release, 2 available)

Annotation

Op. 34 (track 19—33) without spoken text
(probably edited out since recording conductor Maazel has himself narrated it on same date 1962-01—2), cf https://musicbrainz.org/release-group/ed6d8d1b-f551-3e8d-b61b-a438143361f0

Tracklist

1▼CD
#TitleArtistLength
1Serenade for Tenor Solo, Horn and Strings, op. 31: I. Prologue. Andante
recording engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest
horn:
Dale Clevenger (in 1977-04)
tenor vocals:
Robert Tear
orchestra:
Chicago Symphony Orchestra
conductor:
Carlo Maria Giulini
balance engineer:
Cord Garben
phonographic copyright (℗) by:
Polydor International GmbH (in 1979)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1977-04)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: I. Prologue (for solo horn) (in 1977-04)
composer:
Benjamin Britten (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten1:31
2Serenade for Tenor Solo, Horn and Strings, op. 31: II. Pastoral. Lento
recording engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest
horn:
Dale Clevenger (in 1977-04)
tenor vocals:
Robert Tear (in 1977-04)
orchestra:
Chicago Symphony Orchestra (in 1977-04)
conductor:
Carlo Maria Giulini (in 1977-04)
balance engineer:
Cord Garben
phonographic copyright (℗) by:
Polydor International GmbH (in 1979)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1977-04)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: II. Pastoral (in 1977-04)
lyricist:
Charles Cotton
composer:
Benjamin Britten (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten3:21
3Serenade for Tenor Solo, Horn and Strings, op. 31: III. Nocturne. Maestoso
recording engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest
horn:
Dale Clevenger (in 1977-04)
tenor vocals:
Robert Tear (in 1977-04)
orchestra:
Chicago Symphony Orchestra (in 1977-04)
conductor:
Carlo Maria Giulini (in 1977-04)
balance engineer:
Cord Garben
phonographic copyright (℗) by:
Polydor International GmbH (in 1979)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1977-04)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: III. Nocturne (in 1977-04)
lyricist:
Lord Alfred Tennyson
composer:
Benjamin Britten (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten3:21
4Serenade for Tenor Solo, Horn and Strings, op. 31: IV. Elegy. Andante appassionato
recording engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest
horn:
Dale Clevenger (in 1977-04)
tenor vocals:
Robert Tear (in 1977-04)
orchestra:
Chicago Symphony Orchestra (in 1977-04)
conductor:
Carlo Maria Giulini (in 1977-04)
balance engineer:
Cord Garben
phonographic copyright (℗) by:
Polydor International GmbH (in 1979)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1977-04)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: IV. Elegy (in 1977-04)
lyricist:
William Blake
composer:
Benjamin Britten (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten5:00
5Serenade for Tenor Solo, Horn and Strings, op. 31: V. Dirge. Alla marcia grave
recording engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest
horn:
Dale Clevenger (in 1977-04)
tenor vocals:
Robert Tear (in 1977-04)
orchestra:
Chicago Symphony Orchestra (in 1977-04)
conductor:
Carlo Maria Giulini (in 1977-04)
balance engineer:
Cord Garben
phonographic copyright (℗) by:
Polydor International GmbH (in 1979)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1977-04)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: V. Dirge (in 1977-04)
lyricist:
[anonymous]
composer:
Benjamin Britten (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten3:19
6Serenade for Tenor Solo, Horn and Strings, op. 31: VI. Hymn. Presto e leggiero
recording engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest
horn:
Dale Clevenger (in 1977-04)
tenor vocals:
Robert Tear (in 1977-04)
orchestra:
Chicago Symphony Orchestra (in 1977-04)
conductor:
Carlo Maria Giulini (in 1977-04)
balance engineer:
Cord Garben
phonographic copyright (℗) by:
Polydor International GmbH (in 1979)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1977-04)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: VI. Hymn (in 1977-04)
lyricist:
Ben Jonson
composer:
Benjamin Britten (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten2:05
7Serenade for Tenor Solo, Horn and Strings, op. 31: VII. Sonnet. Adagio
recording engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest
horn:
Dale Clevenger (in 1977-04)
tenor vocals:
Robert Tear (in 1977-04)
orchestra:
Chicago Symphony Orchestra (in 1977-04)
conductor:
Carlo Maria Giulini (in 1977-04)
balance engineer:
Cord Garben
phonographic copyright (℗) by:
Polydor International GmbH (in 1979)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1977-04)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: VII. Sonnet (in 1977-04)
lyricist:
John Keats
composer:
Benjamin Britten (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten3:44
8Serenade for Tenor Solo, Horn and Strings, op. 31: VIII. Epilogue. Andante
recording engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest
horn:
Dale Clevenger (in 1977-04)
tenor vocals:
Robert Tear
orchestra:
Chicago Symphony Orchestra
conductor:
Carlo Maria Giulini
balance engineer:
Cord Garben
phonographic copyright (℗) by:
Polydor International GmbH (in 1979)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1977-04)
recording of:
Serenade for Tenor, Horn and Strings, op. 31: VIII. Epilogue (for solo horn) (in 1977-04)
composer:
Benjamin Britten (in 1943)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten1:44
9Les Illuminations: I. Fanfare. Maestoso – Largamente
recording engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest
tenor vocals:
Robert Tear (in 1978-09)
orchestra:
Philharmonia Orchestra (in 1978-09)
conductor:
Carlo Maria Giulini (in 1978-09)
balance engineer:
Hans Weber
phonographic copyright (℗) by:
Polydor International GmbH (in 1979)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1978-09)
recording of:
Les Illuminations, op. 18: I. Fanfare (in 1978-09)
lyricist:
Arthur Rimbaud
composer:
Benjamin Britten (in 1939)
part of:
Les Illuminations, op. 18
Benjamin Britten2:08
10Les Illuminations: II. Villes. Allegro energico
recording engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest
tenor vocals:
Robert Tear (in 1978-09)
orchestra:
Philharmonia Orchestra (in 1978-09)
conductor:
Carlo Maria Giulini (in 1978-09)
balance engineer:
Hans Weber
phonographic copyright (℗) by:
Polydor International GmbH (in 1979)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1978-09)
recording of:
Les Illuminations, op. 18: II. Villes (in 1978-09)
lyricist:
Arthur Rimbaud
composer:
Benjamin Britten (in 1939)
part of:
Les Illuminations, op. 18
Benjamin Britten2:45
11Les Illuminations: III. A. Phrase. Lento ed estatico
recording engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest
tenor vocals:
Robert Tear (in 1978-09)
orchestra:
Philharmonia Orchestra (in 1978-09)
conductor:
Carlo Maria Giulini (in 1978-09)
balance engineer:
Hans Weber
phonographic copyright (℗) by:
Polydor International GmbH (in 1979)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1978-09)
recording of:
Les Illuminations, op. 18: IIIa. Phrase (in 1978-09)
lyricist:
Arthur Rimbaud
composer:
Benjamin Britten (in 1939)
part of:
Les Illuminations, op. 18
Benjamin Britten1:05
12Les Illuminations: III. B. Antique. Allegretto, un poco mosso
recording engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest
tenor vocals:
Robert Tear (in 1978-09)
orchestra:
Philharmonia Orchestra (in 1978-09)
conductor:
Carlo Maria Giulini (in 1978-09)
balance engineer:
Hans Weber
phonographic copyright (℗) by:
Polydor International GmbH (in 1979)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1978-09)
recording of:
Les Illuminations, op. 18: IIIb. Antique (in 1978-09)
lyricist:
Arthur Rimbaud
composer:
Benjamin Britten (in 1939)
part of:
Les Illuminations, op. 18
Benjamin Britten2:07
13Les Illuminations: IV. Royauté. Allegro maestoso
recording engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest
tenor vocals:
Robert Tear (in 1978-09)
orchestra:
Philharmonia Orchestra (in 1978-09)
conductor:
Carlo Maria Giulini (in 1978-09)
balance engineer:
Hans Weber
phonographic copyright (℗) by:
Polydor International GmbH (in 1979)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1978-09)
recording of:
Les Illuminations, op. 18: IV. Royauté (in 1978-09)
lyricist:
Arthur Rimbaud
composer:
Benjamin Britten (in 1939)
part of:
Les Illuminations, op. 18
Benjamin Britten1:38
14Les Illuminations: V. Marine. Allegro con brio
recording engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest
tenor vocals:
Robert Tear (in 1978-09)
orchestra:
Philharmonia Orchestra (in 1978-09)
conductor:
Carlo Maria Giulini (in 1978-09)
balance engineer:
Hans Weber
phonographic copyright (℗) by:
Polydor International GmbH (in 1979)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1978-09)
recording of:
Les Illuminations, op. 18: V. Marine (in 1978-09)
lyricist:
Arthur Rimbaud
composer:
Benjamin Britten (in 1939)
part of:
Les Illuminations, op. 18
Benjamin Britten1:05
15Les Illuminations: VI. Interlude. Moderato ma comodo
recording engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest
tenor vocals:
Robert Tear (in 1978-09)
orchestra:
Philharmonia Orchestra (in 1978-09)
conductor:
Carlo Maria Giulini (in 1978-09)
balance engineer:
Hans Weber
phonographic copyright (℗) by:
Polydor International GmbH (in 1979)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1978-09)
recording of:
Les Illuminations, op. 18: VI. Interlude (in 1978-09)
lyricist:
Arthur Rimbaud
composer:
Benjamin Britten (in 1939)
part of:
Les Illuminations, op. 18
Benjamin Britten3:39
16Les Illuminations: VII. Being Beauteous. Lento ma comodo
recording engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest
tenor vocals:
Robert Tear (in 1978-09)
orchestra:
Philharmonia Orchestra (in 1978-09)
conductor:
Carlo Maria Giulini (in 1978-09)
balance engineer:
Hans Weber
phonographic copyright (℗) by:
Polydor International GmbH (in 1979)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1978-09)
recording of:
Les Illuminations, op. 18: VII. Being Beauteous (in 1978-09)
lyricist:
Arthur Rimbaud
composer:
Benjamin Britten (in 1939)
part of:
Les Illuminations, op. 18
Benjamin Britten3:46
17Les Illuminations: VIII. Parade. Alla marcia – Sempre ritmico, quasi senza espressione – Animato – Poco largamente – A tempo vivace
recording engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest
tenor vocals:
Robert Tear (in 1978-09)
orchestra:
Philharmonia Orchestra (in 1978-09)
conductor:
Carlo Maria Giulini (in 1978-09)
balance engineer:
Hans Weber
phonographic copyright (℗) by:
Polydor International GmbH (in 1979)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1978-09)
recording of:
Les Illuminations, op. 18: VIII. Parade (in 1978-09)
lyricist:
Arthur Rimbaud
composer:
Benjamin Britten (in 1939)
part of:
Les Illuminations, op. 18
Benjamin Britten2:41
18Les Illuminations: IX. Départ. Largo mesto – Largamente
recording engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest
tenor vocals:
Robert Tear (in 1978-09)
orchestra:
Philharmonia Orchestra (in 1978-09)
conductor:
Carlo Maria Giulini (in 1978-09)
balance engineer:
Hans Weber
phonographic copyright (℗) by:
Polydor International GmbH (in 1979)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1978-09)
recording of:
Les Illuminations, op. 18: IX. Départ (in 1978-09)
lyricist:
Arthur Rimbaud
composer:
Benjamin Britten (in 1939)
part of:
Les Illuminations, op. 18
Benjamin Britten2:13
19The Young Person’s Guide to the Orchestra, op. 34: Theme. Allegro maestoso e largamente
miscellaneous support:
Hans Ritter (task: recording supervision)
orchestra:
Orchestre National, Paris (in 1962-02)
conductor:
Lorin Maazel (in 1962-02)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Polydor International GmbH (in 1962)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1962-02)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (in 1962-02)
composer:
Benjamin Britten (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten2:40
20The Young Person’s Guide to the Orchestra, op. 34: Variation A. Presto
miscellaneous support:
Hans Ritter (task: recording supervision)
orchestra:
Orchestre National, Paris (in 1962-02)
conductor:
Lorin Maazel (in 1962-02)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Polydor International GmbH (in 1962)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1962-02)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: II. Variation A. Presto (flute and piccolo) (in 1962-02)
composer:
Benjamin Britten (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten0:31
21The Young Person’s Guide to the Orchestra, op. 34: Var. B. Lento
miscellaneous support:
Hans Ritter (task: recording supervision)
orchestra:
Orchestre National, Paris (in 1962-02)
conductor:
Lorin Maazel (in 1962-02)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Polydor International GmbH (in 1962)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1962-02)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: III. Variation B. Lento (oboe) (in 1962-02)
composer:
Benjamin Britten (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten0:40
22The Young Person’s Guide to the Orchestra, op. 34: Var. C. Moderato
miscellaneous support:
Hans Ritter (task: recording supervision)
orchestra:
Orchestre National, Paris (in 1962-02)
conductor:
Lorin Maazel (in 1962-02)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Polydor International GmbH (in 1962)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1962-02)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: IV. Variation C. Moderato (clarinet) (in 1962-02)
composer:
Benjamin Britten (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten0:42
23The Young Person’s Guide to the Orchestra, op. 34: Var. D. Allegro alla marcia
miscellaneous support:
Hans Ritter (task: recording supervision)
orchestra:
Orchestre National, Paris (in 1962-02)
conductor:
Lorin Maazel (in 1962-02)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Polydor International GmbH (in 1962)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1962-02)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: V. Variation D. Allegro alla marcia (bassoon) (in 1962-02)
composer:
Benjamin Britten (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten1:01
24The Young Person’s Guide to the Orchestra, op. 34: Var. E. Brillante – Alla polacca
miscellaneous support:
Hans Ritter (task: recording supervision)
orchestra:
Orchestre National, Paris (in 1962-02)
conductor:
Lorin Maazel (in 1962-02)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Polydor International GmbH (in 1962)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1962-02)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VI. Variation E. Brillante - Alla polacca (violin) (in 1962-02)
composer:
Benjamin Britten (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten0:31
25The Young Person’s Guide to the Orchestra, op. 34: Var. F. Meno mosso
miscellaneous support:
Hans Ritter (task: recording supervision)
orchestra:
Orchestre National, Paris (in 1962-02)
conductor:
Lorin Maazel (in 1962-02)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Polydor International GmbH (in 1962)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1962-02)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VII. Variation F. Meno mosso (viola) (in 1962-02)
composer:
Benjamin Britten (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten0:53
26The Young Person’s Guide to the Orchestra, op. 34: Var. G. No Tempo Marking
miscellaneous support:
Hans Ritter (task: recording supervision)
orchestra:
Orchestre National, Paris (in 1962-02)
conductor:
Lorin Maazel (in 1962-02)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Polydor International GmbH (in 1962)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1962-02)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VIII. Variation G. (cello) (in 1962-02)
composer:
Benjamin Britten (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten1:11
27The Young Person’s Guide to the Orchestra, op. 34: Var. H. Cominciando lento ma poco a poco accelerando
miscellaneous support:
Hans Ritter (task: recording supervision)
orchestra:
Orchestre National, Paris (in 1962-02)
conductor:
Lorin Maazel (in 1962-02)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Polydor International GmbH (in 1962)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1962-02)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: IX. Variation H. Cominciando lento ma poco a poco accelerando (double-bass) (in 1962-02)
composer:
Benjamin Britten (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten1:04
28The Young Person’s Guide to the Orchestra, op. 34: Var. I. Maestoso
miscellaneous support:
Hans Ritter (task: recording supervision)
orchestra:
Orchestre National, Paris (in 1962-02)
conductor:
Lorin Maazel (in 1962-02)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Polydor International GmbH (in 1962)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1962-02)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: X. Variation I. Maestoso (harp) (in 1962-02)
composer:
Benjamin Britten (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten0:58
29The Young Person’s Guide to the Orchestra, op. 34: Var. J. L’Istesso tempo
miscellaneous support:
Hans Ritter (task: recording supervision)
orchestra:
Orchestre National, Paris (in 1962-02)
conductor:
Lorin Maazel (in 1962-02)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Polydor International GmbH (in 1962)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1962-02)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XI. Variation J. L’istesso tempo (horn) (in 1962-02)
composer:
Benjamin Britten (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten1:01
30The Young Person’s Guide to the Orchestra, op. 34: Var. K. Vivace
miscellaneous support:
Hans Ritter (task: recording supervision)
orchestra:
Orchestre National, Paris (in 1962-02)
conductor:
Lorin Maazel (in 1962-02)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Polydor International GmbH (in 1962)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1962-02)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XII. Variation K. Vivace (trumpet) (in 1962-02)
composer:
Benjamin Britten (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten0:33
31The Young Person’s Guide to the Orchestra, op. 34: Var. L. Allegro pomposo
miscellaneous support:
Hans Ritter (task: recording supervision)
orchestra:
Orchestre National, Paris (in 1962-02)
conductor:
Lorin Maazel (in 1962-02)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Polydor International GmbH (in 1962)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1962-02)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XIII. Variation L. Allegro pomposo (trombone) (in 1962-02)
composer:
Benjamin Britten (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten1:01
32The Young Person’s Guide to the Orchestra, op. 34: Var. M. Moderato
miscellaneous support:
Hans Ritter (task: recording supervision)
orchestra:
Orchestre National, Paris (in 1962-02)
conductor:
Lorin Maazel (in 1962-02)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Polydor International GmbH (in 1962)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1962-02)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XIV. Variation M. Moderato (percussion) (in 1962-02)
composer:
Benjamin Britten (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten1:48
33The Young Person’s Guide to the Orchestra, op. 34: Fugue. Allegro molto
miscellaneous support:
Hans Ritter (task: recording supervision)
orchestra:
Orchestre National, Paris (in 1962-02)
conductor:
Lorin Maazel (in 1962-02)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Polydor International GmbH (in 1962)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1962-02)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XV. Fugue. Allegro molto (in 1962-02)
composer:
Benjamin Britten (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten2:44

Credits

Release

manufactured in:West Germany
printed in:Wittingen, Niedersachsen, Germany
art direction:Hartmut Pfeiffer
liner notes:Michele Girardi (in 1988)
Stephen Banfield (in 1988)
liner notes translator:Bernadette Mey
Jost Stettien
design:Holger Matthies
rights society:BIEM
STEMRA
printed by:Neef
part of:20th Century Classics (order: 3)
Discogs:https://www.discogs.com/release/8706755 [info]