| # | Title | Artist | Length |
|---|
| 1 | We Built This City- phonographic copyright (℗) by:
- BMG Entertainment (in 1985) and Sony BMG Music Entertainment (in 1985)
- recording of:
- We Built This City
- writer:
- Dennis Lambert, Martin Page, Bernie Taupin and Peter Wolf
- publisher:
- BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control, Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd., Universal Music–MGB Songs, Warner/Chappell Music Ltd., Zomba Enterprises and Zomba Enterprises, Inc.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Starship | 4:38 |
| 2 | You’re the Voice- recording engineer and mixer:
- Doug Brady
- drum machine programming and synthesizer [Fairlight] programming:
- Dave, Jack and Ross
- assistant engineer:
- Michael Wickow
- producer:
- Ross Fraser
- fretless bass:
- Roger McLachlan
- guitar:
- Brett Garsed
- keyboard and synthesizer [Fairlight]:
- David Hirschfelder
- background vocals:
- Rozzi Bazzani, Helen Cornish, Penny Dyer, David Hirschfelder, Colin Setches, Mal Stainton and Sandy Weekes
- lead vocals:
- Whispering Jack
- arranger:
- John Farnham, Ross Fraser and David Hirschfelder
- phonographic copyright (℗) by:
- BMG Arista / Ariola Limited (in 1986), BMG Australia Limited (in 1986), Sony BMG Music Entertainment (Australia) Pty Limited (in 1986), Wheatley Records Pty. Ltd. (in 1986) and RCA/Ariola (in 1987)
- recorded at and mixed at:
- AAV Studios in Melbourne, Victoria, Australia
- recording of:
- You’re the Voice
- writer:
- Andy Qunta, Keith Reid, Maggie Ryder and Chris Thompson
- publisher:
- A&G Songs Ltd., Almo Music Corp., Bluebeard Music Ltd., BMG Music, Bucks Music Group Ltd., Concord Songs Ltd., Copyright Control, CT Music, CT Music Ltd., David Platz Music Scandinavia AB, Fable Music Pty. Ltd., Imagem Songs Ltd., Polygram Music, PolyGram Music Publishing Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., Rondor Music Ltd., Universal Music, Universal Music Publishing and Universal Music Publishing AB
| John Farnham | 5:04 |
| 3 | (Don’t Fear) The Reaper- phonographic copyright (℗) by:
- CBS, Inc. (in 1976), Sony BMG Music Entertainment (in 1976), Sony Music Entertainment (in 1976) and Sony Music Entertainment Inc. (in 1976, in 1978)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 397) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 449)
- recording of:
- (Don’t Fear) The Reaper
- lyricist and composer:
- Donald Roeser
- publisher:
- Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC and Sony/ATV Tunes LLC (in 1976)
- sub-publisher:
- ソニー・ミュージックパブリッシング A事業部
| Blue Öyster Cult | 3:49 |
| 4 | Here I Go Again ’87- producer:
- Kevin Elson, Keith Olsen and Mike Stone
- mixer:
- Keith Olsen
- drums (drum set) and percussion:
- Aynsley Dunbar
- electric bass guitar:
- Neil Murray
- electric guitar and background vocals:
- John Sykes
- guest keyboard and keyboard:
- Don Airey and Bill Cuomo
- solo electric guitar:
- Adrian Vandenberg
- lead vocals:
- David Coverdale
- phonographic copyright (℗) by:
- Geffen Records (in 1987) and Whitesnake Productions (Overseas) Ltd. (in 1987)
- mixed at:
- Goodnight LA Studios in Van Nuys, California, United States
- music videos:
- Here I Go Again ’87 by Whitesnake
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 17)
- recording of:
- Here I Go Again
- writer:
- David Coverdale and Bernie Marsden
- publisher:
- Warner Chappell Music Ltd. (ended), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- 渡辺音楽出版, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Whitesnake | 4:33 |
| 5 | Heaven Is a Place on Earth- recording engineer:
- Steve McMillan
- drums (drum set) [drum] programming:
- Charles Judge and Rick Nowels
- additional engineer:
- Stacy Baird and Robert Feist
- assistant engineer:
- Matthew Freeman, Clark Germaine, Brian Scheuble and Joe Schiff
- additional producer:
- Robert Feist (other vocals [vocal]) and Ellen Shipley (other vocals [vocal])
- producer:
- Rick Nowels
- mixer:
- Shelly Yakus
- acoustic guitar [acoustic guitars]:
- Rick Nowels
- additional guitar:
- Tim Pierce
- additional guitar [guitars]:
- Michael Landau
- additional keyboard [keyboards]:
- Thomas Dolby
- additional percussion:
- Jimmy Bralower and Paulinho da Costa
- bass:
- John Pierce
- drums (drum set) [drums]:
- Kenny Aronoff and Curly Smith
- electric guitar [electric guitars]:
- Dan Huff, John McCurry and Rick Nowels
- guitar [air guitar] and lead vocals:
- Belinda Carlisle
- keyboard [keyboards]:
- Charles Judge and Rick Nowels
- other instruments [fairlight]:
- Rhett Lawrence
- piano [acoustic piano]:
- Charles Judge
- vocals:
- Beth Anderson, Charlotte Caffey, Donna Davidson, Donna Delory, Edie Lehmann, Rick Nowels, Michelle Phillips and Ellen Shipley
- arranger:
- Rick Nowels
- phonographic copyright (℗) by:
- Artist Management Services Ltd. (in 1987), MCA Records, Inc. (in 1987) and Virgin Records Ltd (in 1987)
- additionally recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States, Hollywood Sound in Los Angeles, California, United States and Music Grinder Studios in Hollywood, Los Angeles, California, United States
- recorded at:
- American Recording and Ocean Way Studio in Hollywood, Los Angeles, California, United States
- mixed at:
- A&M Studios in Hollywood, Los Angeles, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 400)
- recording of:
- Heaven Is a Place on Earth
- writer:
- Rick Nowels and Ellen Shipley
- publisher:
- BMG Bumblebee, BMG Rights Management, Bug Music Ltd., EMI Music Publishing, EMI Virgin Music Publishing Australia P/L, EMI Virgin Music Publishing Australia Pty Ltd, Spirit Music Publishing Limited, Virgin Songs, Inc., Future Furniture Music (in 1987) and Shipwreck Music (in 1987)
- sub-publisher:
- Fujipacific Music, Inc.
| Belinda Carlisle | 4:05 |
| 6 | The Power of Love- recording engineer:
- Jim Gaines and Robert Missbach
- additional engineer:
- Michael Christopher, Phil Kaffel and Malcolm Pollack
- assistant engineer:
- Rob Beaton, Alex Haas, Tom Size and Jim “Watts” Vereecke
- producer:
- Bob Clearmountain, Jellybean and Huey Lewis and the News
- mixer:
- Robert Missbach
- bass guitar:
- Mario Cipollina
- drums (drum set) and percussion:
- Bill Gibson
- guitar:
- Johnny Colla and Chris Hayes
- harmonica:
- Huey Lewis
- keyboard:
- Sean Hopper
- saxophone:
- Johnny Colla
- vocals:
- Johnny Colla, Bill Gibson, Chris Hayes, Sean Hopper and Huey Lewis
- phonographic copyright (℗) by:
- Chrysalis Records, Inc. (in 1984, in 1985, in 1986) and Chrysalis (in 1985)
- recorded at:
- Fantasy Studios in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios in Sausalito, California, United States
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States
- music videos:
- The Power of Love by Huey Lewis and the News
- part of:
- Billboard: The 500 Best Pop Songs (number: 108)
- recording of:
- The Power of Love
- writer:
- Johnny Colla, Chris Hayes and Huey Lewis
- publisher:
- Cause and Effect Music, Copyright Control, Huey Lewis Music, Hulex Music, Kinda Blue Music, Mushroom Music and WB Music Corp.
- sub-publisher:
- Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
- part of:
- The 58th Academy Award for Best Original Song (number: 2)
- part of:
- Back to the Future: the Musical
| Huey Lewis and the News | 3:55 |
| 7 | Bitch | Meredith Brooks | 3:58 |
| 8 | Crazy Crazy Nights | KISS | 3:48 |
| 9 | Cold as Ice- associate engineer:
- Jimmy Douglass, Michael Getlin, Kevin Herron and Randy Mason
- engineer:
- Gary Lyons
- co-producer:
- Mick Jones and Ian McDonald
- producer:
- Gary Lyons and John Sinclair
- mixer:
- Jimmy Douglass, Mick Jones and Ian McDonald
- bass guitar:
- Ed Gagliardi
- drums (drum set):
- Dennis Elliott
- guitar:
- Mick Jones and Ian McDonald
- horn:
- Ian McDonald
- keyboard:
- Al Greenwood and Ian McDonald
- synthesizer:
- Al Greenwood
- background vocals:
- Ed Gagliardi, Mick Jones, Ian Lloyd and Ian McDonald
- lead vocals:
- Lou Gramm
- vocals:
- Ed Gagliardi, Mick Jones and Ian McDonald
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1977), WEA International Inc. (in 1977) and Rhino Entertainment Company (in 2009)
- recording of:
- Cold as Ice
- writer:
- Lou Gramm and Mick Jones
- publisher:
- Intersong Music Ltd., MVA Music, Somerset Songs Publishing Inc., Universal Music Publishing Pty Ltd., Warner/Chappell Music Ltd., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Warner/Chappell Music Japan, Synch division, Fuji Pacific Music inc. (until 2014-12-31), Yamaha Music Publishing (until 2017-03-31), Fujipacific Music, Inc. (from 2015-01-01 to present) and Yamaha Music Entertainment Holdings, Inc. (from 2017-04-01 to present)
| Foreigner | 3:21 |
| 10 | Owner of a Lonely Heart- engineer:
- Gary Langan
- producer:
- Trevor Horn
- bass guitar:
- Chris Squire (in 1983)
- drums (drum set):
- Alan White (in 1983)
- guitar:
- Trevor Rabin (in 1983)
- keyboard:
- Tony Kaye (in 1983)
- lead vocals:
- Jon Anderson (in 1983)
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1983, in 2003) and WEA International Inc. (in 1983, in 2003)
- recorded at:
- Sarm Studios in Aldgate, Tower Hamlets, London, England, United Kingdom (in 1983)
- recording of:
- Owner of a Lonely Heart (in 1983)
- writer:
- Jon Anderson, Trevor Horn, Trevor Rabin and Chris Squire
- publisher:
- Affirmative Music, BMG Chrysalis Scandinavia AB, BMG Rights Management (UK) Ltd., Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC, Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc., Tremander Songs, Unforgettable Songs, Unforgettable Songs Ltd., Warner Bros. Music, Warner Bros. Music Ltd., Warner Chappell Music, Warner Chappell Music Ltd., Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp., Warner/Chappell and Warner/Chappell North America Limited
- sub-publisher:
- エイベックス・ミュージック・パブリッシング 第7出版事業部, ワーナー・チャペル音楽出版 Synch事業部, フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
| Yes | 4:25 |
| 11 | I Found Someone | Cher | 3:43 |
| 12 | I Want You to Want Me- engineer:
- Antonio Reale
- producer:
- Tom Werman
- phonographic copyright (℗) by:
- CBS, Inc. (in 1977), Sony Music Entertainment (in 1977) and Sony Music Entertainment Inc. (in 1977)
- recorded at:
- Kendun Recorders in Burbank, California, United States (in 1977)
- mixed at:
- Westlake Audio in Los Angeles, California, United States (in 1977)
- part of:
- Billboard: The 500 Best Pop Songs (number: 266)
- recording of:
- I Want You to Want Me (in 1977)
- lyricist and composer:
- Rick Nielsen
- publisher:
- Copyright Control, EMI Music Publishing, Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (in 1977) and Screen Gems–EMI Music, Inc. (in 1977)
- part of:
- 10 Things I Hate About You
| Cheap Trick | 3:12 |
| 13 | Telephone Line- engineer:
- Mack, Dick Plant, John Richards and Duane Scott
- producer:
- Jeff Lynne
- bass and background vocals:
- Kelly Groucutt (in 1976-07)
- cello:
- Melvyn Gale (in 1976-07) and Hugh McDowell (in 1976-07)
- clavinet, Moog and piano:
- Richard Tandy (in 1976-07)
- drums (drum set) and percussion:
- Bev Bevan (in 1976-07)
- guitar:
- Jeff Lynne (in 1976-07) and Richard Tandy (in 1976-07)
- violin:
- Mik Kaminski (in 1976-07)
- lead vocals:
- Jeff Lynne (in 1976-07)
- conductor:
- Louis Clark (in 1976-07)
- phonographic copyright (℗) by:
- United Artists Music and Records Group, Inc. (in 1974), Jet Records (in 1976), Sony Music Entertainment (in 1976, in 2005) and Sony Music Entertainment Inc. (in 1976)
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States (in 1976-07), De Lane Lea Studios in Soho, Westminster, London, England, United Kingdom (in 1976-07) and Musicland Studios in München, Bayern, Germany (in 1976-07)
- mixed at:
- Musicland Studios in München, Bayern, Germany
- edited at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States
- recording of:
- Telephone Line (in 1976-07)
- lyricist and composer:
- Jeff Lynne
- publisher:
- Copyright Control, EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., Jet Music Ltd. and Polygon Publishing Ltd.
- sub-publisher:
- イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Electric Light Orchestra | 4:42 |
| 14 | She’s Not There- producer:
- Tom Coster, David Rubinson & Friends, Inc. and Carlos Santana
- phonographic copyright (℗) by:
- CBS, Inc. (in 1977), Columbia Records (in 1977) and Sony Music Entertainment Inc. (in 1977)
- cover recording of:
- She’s Not There
- lyricist and composer:
- Rod Argent
- publisher:
- Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA and Parker Music
- sub-publisher:
- Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. and シンコーミュージック・パブリッシャーズ
| Santana | 3:20 |
| 15 | Badge- recording engineer:
- Adrian Barber (in 1968-12), Bill Halverson (in 1968-12) and Damon Lyon-Shaw (in 1968-12)
- engineer:
- Damon Lyon-Shaw
- producer:
- Felix Pappalardi
- bass:
- Jack Bruce (in 1968-12)
- drums (drum set):
- Ginger Baker (in 1968-12)
- guest guitar [rhythm]:
- George Harrison (in 1968-12)
- guitar:
- Eric Clapton (in 1968-12)
- mellotron and piano:
- Felix Pappalardi (in 1968-12)
- vocals:
- Eric Clapton (in 1968-12)
- phonographic copyright (℗) by:
- Robert Stigwood Group Ltd. (in 1969), Robert Stigwood Organisation Ltd. (in 1969) and Universal International Music B.V. (in 1969)
- recorded at:
- IBC Studios in London, England, United Kingdom (in 1968-12)
- recording of:
- Badge (in 1968-12)
- lyricist and composer:
- Eric Clapton and George Harrison
- publisher:
- Apple Music Publishing Co., Inc., Casserole Music Corp., E.C. Music, EMI Music, Harrisongs Ltd., Throat Music, Warner Chappell Music Ltd., Warner Chappell Music, Inc. and Wixen Music Publishing, Inc.
| Cream | 2:45 |
| 16 | Maybe I’m Amazed- engineer and mixer:
- Phil McDonald
- producer:
- Paul McCartney
- drums (drum set), electric bass guitar, electric guitar, organ, piano and lead vocals:
- Paul McCartney (on 1970-02-22)
- background vocals:
- Linda McCartney (on 1970-02-22) and Paul McCartney (on 1970-02-22)
- phonographic copyright (℗) by:
- MPL Communications Inc. (in 1970, in 2014) and MPL Communications Ltd. (in 2014)
- recorded at:
- Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London, England, United Kingdom (on 1970-02-22)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 339)
- recording of:
- Maybe I’m Amazed (on 1970-02-22)
- written in:
- London, England, United Kingdom (in 1969)
- lyricist and composer:
- Paul McCartney (in 1969)
- publisher:
- Northern Songs Ltd. and Sony/ATV Tunes LLC
| Paul McCartney | 3:50 |
| 17 | Reason to Believe- producer:
- Rod Stewart
- acoustic guitar:
- Martell Brandy (in 1971-01), Martin Quittenton (in 1971-01) and Rod Stewart (in 1971-01)
- bass:
- Andy Pyle (in 1971-01)
- bass guitar, guitar and pedal steel guitar:
- Ronnie Wood (in 1971-01)
- double bass:
- Danny Thompson (in 1971-01)
- drums (drum set):
- Micky Waller (in 1971-01)
- organ:
- Ian McLagan (in 1971-01)
- piano:
- Pete Sears (in 1971-01)
- slide guitar:
- Sam Mitchell (in 1971-01)
- violin:
- Dick Powell (in 1971-01)
- lead vocals:
- Rod Stewart (in 1971-01)
- vocals:
- Madeline Bell (in 1971-01)
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1971)
- cover recording of:
- Reason to Believe (in 1971-01)
- lyricist and composer:
- Tim Hardin
- publisher:
- Allen Stanton Productions, Alley Music Corp., EMI Music, Faithful Virtue Music Co. Inc., Hudson Bay Music Inc., Robbins Music Co. Ltd., Robbins Music Corp. and Trio Music Co., Inc.
| Rod Stewart | 4:08 |
| 18 | He Ain’t Heavy, He’s My Brother- producer:
- Ron Richards
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1969) and The Hollies Ltd. (from 1969 until 1970)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (on 1969-06-25)
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 46)
- cover recording of:
- He Ain’t Heavy, He’s My Brother (on 1969-06-25)
- writer:
- Bob Russell and Bobby Scott
- publisher:
- Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation, Warner/Chappell Music Ltd. and ミュージック・セールス
- live cover recording of:
- He Ain’t Heavy, He’s My Brother
- writer:
- Bob Russell and Bobby Scott
- publisher:
- Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation, Warner/Chappell Music Ltd. and ミュージック・セールス
- recording of:
- He Ain’t Heavy, He’s My Brother
- writer:
- Bob Russell and Bobby Scott
- publisher:
- Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation, Warner/Chappell Music Ltd. and ミュージック・セールス
| The Hollies | 4:17 |
| 19 | Over My Shoulder | Mike + the Mechanics | 3:38 |
| 20 | Follow You Follow Me- assistant producer:
- Pierre Geoffroy Chateau
- producer:
- Genesis and David Hentschel
- assistant mixer:
- Steve Short
- bass guitar and guitar:
- Mike Rutherford (from 1977-09 until 1977-10)
- drums (drum set), percussion and lead vocals:
- Phil Collins (from 1977-09 until 1977-10)
- keyboard:
- Tony Banks (from 1977-09 until 1977-10)
- phonographic copyright (℗) by:
- Charisma Records Ltd.
- recorded at:
- Relight Studio in Hilvarenbeek, Noord-Brabant, Netherlands, Kingdom of the Netherlands (from 1977-09 until 1977-10)
- mixed at:
- Trident Studios in Soho, Westminster, London, England, United Kingdom
- recording of:
- Follow You Follow Me (from 1977-09 until 1977-10)
- lyricist:
- Mike Rutherford
- composer:
- Tony Banks, Phil Collins and Mike Rutherford
- publisher:
- Concord Copyrights, Concord Sounds, Imagem Music GmbH, Michael Rutherford Ltd., Philip Collins Ltd., Run It Music, Inc., Gelring Ltd. (in 1978) and Hit and Run Music (in 1978)
| Genesis | 3:58 |
