| # | Title | Artist | Length |
|---|
| 1 | Up Where We Belong | Joe Cocker & Jennifer Warnes | 3:53 |
| 2 | Summer Wine | Ville Valo & Natalia Avelon | 3:54 |
| 3 | Flames of Paradise- assistant engineer:
- Steve Antibe, Debi Cornish, George Karras, Barbara Milne and Paul Hemingson
- engineer:
- Graham Dickson, Glenn Hoalguin, Mike Brooks, Steve Peck, Jay Rifkin and Peter Robbins
- producer:
- Andy Goldmark and Bruce Roberts
- mixer:
- Chris Lord‐Alge
- additional keyboard [keyboards]:
- Greg Phillinganes and Robby Kilgore
- bass:
- Nathan East
- drum machine and synthesizer [synthesizers]:
- Bobby Kazouri, Billy Cobin, Andy Goldmark and Bruce Roberts
- drums (drum set):
- John Robinson
- guitar [guitars]:
- J J Belle and Paul Jackson
- percussion:
- Jimmy Maelen
- background vocals:
- Andy Goldmark, Gordon Grody, Elton John, Bruce Roberts and Jennifer Rush
- performer:
- Elton John
- recorded at:
- Mayfair Studio in London, England, United Kingdom, Right Track Studio in Manhattan, New York, New York, United States, Skyline Studios in New York, United States and Studio 55 in Los Angeles, California, United States
- mixed at:
- Unique Recording Studio in Manhattan, New York, New York, United States
- recording of:
- Flames of Paradise
- lyricist and composer:
- Andy Goldmark and Bruce Roberts
- publisher:
- Broozertoones Inc., Nonpareil Music Inc., Reservoir Media Music and Shapiro, Bernstein & Co., Inc.
| Jennifer Rush with Elton John | 4:44 |
| 4 | How Many Times Can We Say Goodbye | Dionne Warwick & Luther Vandross | 3:28 |
| 5 | To All the Girls I’ve Loved Before | Julio Iglesias & Willie Nelson | 3:32 |
| 6 | Tonight, I Celebrate My Love- recording engineer:
- Alan R. Hirshberg (in 1983)
- engineer:
- Howard Wolin and Jeremy Smith
- producer:
- Michael Masser
- mixer:
- Dick Bogart and Russ Terrano
- bass guitar [bass]:
- Nathan East (in 1983)
- drums (drum set):
- Carlos Vega (in 1983)
- guitar:
- Paul Jackson (in 1983)
- piano:
- Randy Kerber (in 1983)
- vocals:
- Peabo Bryson (in 1983) and Roberta Flack (in 1983)
- arranger:
- Michael Masser and Gene Page
- orchestrator:
- Gene Page
- phonographic copyright (℗) by:
- EMI USA and Capitol Records, Inc. (in 1983)
- recorded at:
- A&M Records Studios in Hollywood, Los Angeles, California, United States (in 1983) and Studio Sound in North Hollywood, Los Angeles, California, United States (in 1983)
- mixed at:
- Motown Hitsville in West Hollywood, California, United States
- recording of:
- Tonight, I Celebrate My Love (in 1983)
- lyricist:
- Gerry Goffin
- composer:
- Michael Masser
- publisher:
- Almo Music Corp., Chelsea Music Publishing Co., Ltd., Lauren Wesley Music, Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc., Universal Music Corp. and Warner Chappell Music Publishing
- sub-publisher:
- Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント, ソニー・ミュージックパブリッシング フジパシフィック事業部, ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Peabo Bryson & Roberta Flack | 3:30 |
| 7 | Think I’m in Love Again | Paul Anka & Gloria Estefan | 5:05 |
| 8 | The Next Time I Fall | Peter Cetera with Amy Grant | 3:45 |
| 9 | Islands in the Stream- producer:
- Albhy Galuten, Barry Gibb and Karl Richardson
- vocals:
- Dolly Parton and Kenny Rogers
- phonographic copyright (℗) by:
- Sony Music Entertainment (in 1983)
- produced for:
- Karlbhy Productions
- recording of:
- Islands in the Stream
- writer:
- Barry Gibb, Maurice Gibb and Robin Gibb
- publisher:
- BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Copyright Control, Crompton Songs, Gibb Brothers Music, Screen Gems–EMI Music, Summerhill Songs, Unichappel Music, Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Dolly Parton & Kenny Rogers | 4:10 |
| 10 | I Will Still Love You | Britney Spears & Don Phillips | 4:04 |
| 11 | How Could an Angel Break My Heart- assistant recording engineer:
- Kyle Bess, Paul Boutin, Jin Choi, Brad Haehnel, Brandon Harris, Bill Kinsley, Richard Huredia, Jon Shriver and Robbes Steiglitz
- recording engineer:
- Brad Gilderman
- additional programming:
- Randy Walker
- drum machine programming and keyboard programming:
- Babyface
- additional engineer:
- Al Schmitt (strings)
- producer:
- Babyface
- mixer:
- Mick Guzauski
- bass:
- Nathan East
- piano and Rhodes piano:
- Greg Phillinganes
- saxophone:
- Kenny G
- vocals:
- Toni Braxton
- additional conductor:
- Jeremy Lubbock
- strings arranger:
- Jeremy Lubbock
- recorded at:
- Oceanway Recording Studios in Hollywood, Los Angeles, California, United States, The Hit Factory in Manhattan, New York, New York, United States and The TracKen Place in Hollywood, Los Angeles, California, United States
- mixed at:
- Conway Recording Studios in Hollywood, Los Angeles, California, United States
- recording of:
- How Could an Angel Break My Heart
- lyricist and composer:
- Babyface and Toni Braxton
- publisher:
- Braxtoni Music, ECAF Music, Jay Bird Alley Music, Inc., Lady Ashlee, Inc. and Sony/ATV Songs LLC
| Kenny G with Toni Braxton | 4:21 |
| 12 | Valentine | Jim Brickman & Martina McBride | 3:14 |
| 13 | Can’t Stay Away From You | Gloria Estefan & Miami Sound Machine | 3:57 |
| 14 | The Door to Your Heart | Taylor Dayne feat. Keith Washington | 4:11 |
| 15 | Wherever Would I Be? | Dusty Springfield & Daryl Hall | 3:51 |
| 16 | Delicate | Terence Trent D’Arby feat. Des’ree | 4:16 |
| 17 | Music’s Too Sad Without You | Kylie Minogue & Jack Savoretti | 4:09 |
| 18 | Love Will Keep Us Alive | Paul Carrack feat. Timothy B. Schmit | 4:01 |
| 19 | Dream a Little Dream of Me- cover recording of:
- Dream a Little Dream of Me
- lyricist:
- Gus Kahn (in 1931)
- composer:
- Fabian André (in 1931) and Wilbur Schwandt (in 1931)
- publisher:
- EMI Music Publishing Ltd., Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. and ティー・アール・オー・エセックス・ジャパン A事業部
- part of:
- The Real Book
| Tony Bennett & k.d. lang | 3:53 |
| 20 | Stumblin’ In | Chris Norman & Suzi Quatro | 3:57 |
