Four Classic Albums

~ Release by Nat Adderley (see all versions of this release, 1 available)

Tracklist

1▶CD: That's Nat
2▼CD: Introducing Nat Adderley
#TitleLength
1Blues For Bohemia
recorded in:
New York, New York, United States (on 1955-09-06)
producer:
Bob Shad
alto saxophone:
Julian “Cannonball” Adderley (on 1955-09-06)
cornet:
Nat Adderley (on 1955-09-06)
double bass:
Paul Chambers (on 1955-09-06)
drums (drum set):
Roy Haynes (on 1955-09-06)
piano:
Horace Silver (on 1955-09-06)
recording of:
Blues for Bohemia (on 1955-09-06)
composer:
J. Adderley and N. Adderley
publisher:
Drexall Music
5:25
2#251
recorded in:
New York, New York, United States (on 1956-07-18)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-18)
cornet:
Nat Adderley (on 1956-07-18)
double bass:
Al McKibbon (on 1956-07-18)
drums (drum set):
Charles Wright (on 1956-07-18)
piano:
Junior Mance (on 1956-07-18)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (in 1995)
2:44
3Sam's Tune
recorded in:
New York, New York, United States (on 1956-07-23)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-23)
cello:
Sam Jones (on 1956-07-23)
cornet:
Nat Adderley (on 1956-07-23)
double bass:
Al McKibbon (on 1956-07-23)
drums (drum set):
Charles Wright (on 1956-07-23)
piano:
Junior Mance (on 1956-07-23)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (in 1995, in 1999)
3:23
4Bimini
recorded in:
New York, New York, United States (on 1956-07-12)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-12)
cornet:
Nat Adderley (on 1956-07-12)
double bass:
Sam Jones (on 1956-07-12)
drums (drum set):
Charles Wright (on 1956-07-12)
piano:
Junior Mance (on 1956-07-12)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (in 1995)
3:39
5The Fat Man
recorded in:
New York, New York, United States (on 1956-07-23)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-23)
cornet:
Nat Adderley (on 1956-07-23)
double bass:
Al McKibbon (on 1956-07-23)
drums (drum set):
Charles Wright (on 1956-07-23)
piano:
Junior Mance (on 1956-07-23)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (in 1995)
3:29
6Sermonette
recorded in:
New York, New York, United States (on 1956-07-12)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-12)
cornet:
Nat Adderley (on 1956-07-12)
double bass:
Sam Jones (on 1956-07-12)
drums (drum set):
Charles Wright (on 1956-07-12)
piano:
Junior Mance (on 1956-07-12)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (in 1995)
3:35
7Jackleg
recorded in:
New York, New York, United States (on 1956-07-18)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-18)
cornet:
Nat Adderley (on 1956-07-18)
double bass:
Sam Jones (on 1956-07-18)
drums (drum set):
Charles Wright (on 1956-07-18)
piano:
Junior Mance (on 1956-07-18)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (in 1995)
3:49
8The Nearness Of You
recorded in:
New York, New York, United States (on 1956-07-23)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-23)
cornet:
Nat Adderley (on 1956-07-23)
double bass:
Al McKibbon (on 1956-07-23)
drums (drum set):
Charles Wright (on 1956-07-23)
piano:
Junior Mance (on 1956-07-23)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (in 1995)
6:12
9Rattler's Groove
recorded in:
New York, New York, United States (on 1956-07-18)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-18)
cornet:
Nat Adderley (on 1956-07-18)
double bass:
Sam Jones (on 1956-07-18)
drums (drum set):
Charles Wright (on 1956-07-18)
piano:
Junior Mance (on 1956-07-18)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (in 1995)
3:25
10Hayseed
recorded in:
New York, New York, United States (on 1956-07-12)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-12)
cornet:
Nat Adderley (on 1956-07-12)
double bass:
Sam Jones (on 1956-07-12)
drums (drum set):
Charles Wright (on 1956-07-12)
piano:
Junior Mance (on 1956-07-12)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (in 1995)
3:03
11Blue Concept
recorded in:
New York, New York, United States (on 1959-03-23)
bass:
Laymon Jackson (on 1959-03-23)
cello:
Sam Jones (on 1959-03-23)
cornet:
Nat Adderley (on 1959-03-23)
drums (drum set):
Albert “Tootie” Heath (on 1959-03-23)
piano:
Wynton Kelly (on 1959-03-23)
tuba:
Slide Hampton (on 1959-03-23)
7:39
12Little Miss
recorded in:
New York, New York, United States (from 1959-03-23 until 1959-03-27)
engineer:
Jack Higgins
producer:
Orrin Keepnews
bass:
Sam Jones (from 1959-03-23 until 1959-03-27)
cornet:
Nat Adderley (from 1959-03-23 until 1959-03-27)
drums (drum set):
Albert “Tootie” Heath (from 1959-03-23 until 1959-03-27)
piano:
Wynton Kelly (from 1959-03-23 until 1959-03-27)
trombone:
Slide Hampton (from 1959-03-23 until 1959-03-27)
tuba:
Laymon Jackson (from 1959-03-23 until 1959-03-27)
4:30
13Israel
recorded in:
New York, New York, United States (from 1959-03-23 until 1959-03-27)
engineer:
Jack Higgins
producer:
Orrin Keepnews
bass:
Sam Jones (from 1959-03-23 until 1959-03-27)
cornet:
Nat Adderley (from 1959-03-23 until 1959-03-27)
drums (drum set):
Albert “Tootie” Heath (from 1959-03-23 until 1959-03-27)
piano:
Wynton Kelly (from 1959-03-23 until 1959-03-27)
trombone:
Slide Hampton (from 1959-03-23 until 1959-03-27)
tuba:
Laymon Jackson (from 1959-03-23 until 1959-03-27)
3:52
14What Next?
recorded in:
New York, New York, United States (from 1959-03-23 until 1959-03-27)
engineer:
Jack Higgins
producer:
Orrin Keepnews
bass:
Sam Jones (from 1959-03-23 until 1959-03-27)
cornet:
Nat Adderley (from 1959-03-23 until 1959-03-27)
drums (drum set):
Albert “Tootie” Heath (from 1959-03-23 until 1959-03-27)
piano:
Wynton Kelly (from 1959-03-23 until 1959-03-27)
trombone:
Slide Hampton (from 1959-03-23 until 1959-03-27)
tuba:
Laymon Jackson (from 1959-03-23 until 1959-03-27)
3:20
15Moving
recorded in:
New York, New York, United States (from 1959-03-23 until 1959-03-27)
engineer:
Jack Higgins
producer:
Orrin Keepnews
bass:
Sam Jones (from 1959-03-23 until 1959-03-27)
cornet:
Nat Adderley (from 1959-03-23 until 1959-03-27)
drums (drum set):
Albert “Tootie” Heath (from 1959-03-23 until 1959-03-27)
piano:
Wynton Kelly (from 1959-03-23 until 1959-03-27)
trombone:
Slide Hampton (from 1959-03-23 until 1959-03-27)
tuba:
Laymon Jackson (from 1959-03-23 until 1959-03-27)
5:01
16Blue Brass Groove
recorded in:
New York, New York, United States (from 1959-03-23 until 1959-03-27)
engineer:
Jack Higgins
producer:
Orrin Keepnews
bass:
Sam Jones (from 1959-03-23 until 1959-03-27)
cornet:
Nat Adderley (from 1959-03-23 until 1959-03-27)
drums (drum set):
Albert “Tootie” Heath (from 1959-03-23 until 1959-03-27)
piano:
Wynton Kelly (from 1959-03-23 until 1959-03-27)
trombone:
Slide Hampton (from 1959-03-23 until 1959-03-27)
tuba:
Laymon Jackson (from 1959-03-23 until 1959-03-27)
5:40
17Accents
recorded in:
New York, New York, United States (from 1959-03-23 until 1959-03-27)
engineer:
Jack Higgins
producer:
Orrin Keepnews
bass:
Sam Jones (from 1959-03-23 until 1959-03-27)
cornet:
Nat Adderley (from 1959-03-23 until 1959-03-27)
drums (drum set):
Albert “Tootie” Heath (from 1959-03-23 until 1959-03-27)
piano:
Wynton Kelly (from 1959-03-23 until 1959-03-27)
trombone:
Slide Hampton (from 1959-03-23 until 1959-03-27)
tuba:
Laymon Jackson (from 1959-03-23 until 1959-03-27)
5:40
18Sometimes I Feel Like A Motherless Child
recorded in:
New York, New York, United States (from 1959-03-23 until 1959-03-27)
engineer:
Jack Higgins
producer:
Orrin Keepnews
bass:
Sam Jones (from 1959-03-23 until 1959-03-27)
cornet:
Nat Adderley (from 1959-03-23 until 1959-03-27)
drums (drum set):
Albert “Tootie” Heath (from 1959-03-23 until 1959-03-27)
piano:
Wynton Kelly (from 1959-03-23 until 1959-03-27)
tuba:
Laymon Jackson (from 1959-03-23 until 1959-03-27)
4:10