Zoot Suit Riot: The Swingin’ Hits of the Cherry Poppin’ Daddies

~ Release by Cherry Poppin’ Daddies (see all versions of this release, 13 available)

Tracklist

1▼Digital Media
#TitleLength
1Zoot Suit Riot
engineer and mixer:
Bill Barnett
producer:
Cherry Poppin’ Daddies and Steve Perry
alto saxophone:
Scott Hall
bass:
Darren Cassidy
brass:
Dana Heitman
guitar:
Steve Perry
guitar [lead guitar]:
Jason Moss
keyboard:
Dustin Lanker
membranophone:
Tim Donahue and Hans Wagner
saxophone:
Ian Early
tenor saxophone:
Sean Flannery
trombone:
Glen Bonney
vocals:
Steve Perry
arranger:
Cherry Poppin’ Daddies
phonographic copyright (℗) by:
Space Age Bachelor Pad Records
mixed at:
Gung Ho Studio in Eugene, Oregon, United States
recording of:
Zoot Suit Riot
lyricist and composer:
Steve Perry
3:53
2The Ding‐Dong Daddy of the D‐Car Line
recorded in:
United States (in 1994)
engineer and mixer:
Bill Barnett
producer:
Cherry Poppin’ Daddies and Steve Perry
additional reeds:
Brooks Brown (in 1994)
bass:
Dan Schmid (in 1994)
brass:
Dana Heitman (in 1994)
drums (drum set):
Tim Donahue (in 1994) and Brian West (in 1994)
guitar:
John Fohl (in 1994) and Steve Perry (in 1994)
guitar [lead guitar]:
Jason Moss (in 1994)
keyboard:
Chris Azorr (in 1994)
percussion:
Brian West (in 1994)
reeds:
Adrian Baxter (in 1994)
saxophone:
Ian Early (in 1994)
tenor saxophone:
Sean Flannery (in 1994) and James Phillips (in 1994)
vocals:
Steve Perry (in 1994)
arranger:
Cherry Poppin’ Daddies
phonographic copyright (℗) by:
Space Age Bachelor Pad Records
mixed at and engineered at:
Gung Ho Studio in Eugene, Oregon, United States
recording of:
The Ding-Dong Daddy of the D-Car Line (in 1994)
lyricist and composer:
Steve Perry
3:34
3When I Change Your Mind
engineer and mixer:
Bill Barnett
producer:
Cherry Poppin’ Daddies and Steve Perry
bass:
Darren Cassidy
brass:
Dana Heitman
guitar:
Steve Perry
guitar [lead guitar]:
Jason Moss
keyboard:
Chris Azorr
membranophone:
Tim Donahue and W. Sean Wagoner
saxophone:
Ian Early
tenor saxophone:
Sean Flannery
tuba:
Bud Chase
vocals:
Steve Perry
arranger:
Cherry Poppin’ Daddies
phonographic copyright (℗) by:
Space Age Bachelor Pad Records
mixed at:
Gung Ho Studio in Eugene, Oregon, United States
recording of:
When I Change Your Mind
lyricist and composer:
Steve Perry
2:32
4Here Comes the Snake
engineer and mixer:
Bill Barnett
producer:
Cherry Poppin’ Daddies and Steve Perry
alto saxophone:
Rex Trimm (in 1995)
bass:
Dan Schmid (in 1995)
brass:
Dana Heitman (in 1995)
drums (drum set):
Adam Glogauer (in 1995) and Sean Oldham (in 1995)
guitar:
Steve Perry (in 1995)
guitar [lead guitar]:
Jason Moss (in 1995)
keyboard:
Chris Azorr (in 1995)
membranophone:
Tim Donahue (in 1995)
saxophone:
Ian Early (in 1995)
tenor saxophone:
Adrian Baxter (in 1995) and Sean Flannery (in 1995)
vocals:
Steve Perry (in 1995)
arranger:
Cherry Poppin’ Daddies
phonographic copyright (℗) by:
Space Age Bachelor Pad Records
recorded at:
Gung Ho Studio in Eugene, Oregon, United States (in 1995)
mixed at:
Gung Ho Studio in Eugene, Oregon, United States
recording of:
Here Comes the Snake (in 1995)
lyricist and composer:
Steve Perry
3:19
5Mr. White Keys
recorded in:
United States (in 1994)
engineer and mixer:
Bill Barnett
producer:
Cherry Poppin’ Daddies and Steve Perry
additional reeds and alto saxophone:
Brooks Brown (in 1994)
bass:
Dan Schmid (in 1994)
brass:
Dana Heitman (in 1994)
drums (drum set):
Tim Donahue (in 1994) and Brian West (in 1994)
guitar:
Steve Perry (in 1994)
guitar [lead guitar]:
Jason Moss (in 1994)
keyboard:
Chris Azorr (in 1994)
percussion:
Brian West (in 1994)
reeds:
Adrian Baxter (in 1994)
saxophone:
Ian Early (in 1994)
tenor saxophone:
Adrian Baxter (in 1994) and Sean Flannery (in 1994)
vocals:
Steve Perry (in 1994)
arranger:
Cherry Poppin’ Daddies
phonographic copyright (℗) by:
Space Age Bachelor Pad Records
mixed at and engineered at:
Gung Ho Studio in Eugene, Oregon, United States
recording of:
Mister White Keys (in 1994)
lyricist and composer:
Steve Perry
3:11
6Come Back to Me
recorded in:
United States (in 1994)
engineer:
Dana Heitman
producer:
Cherry Poppin’ Daddies and Steve Perry
mixer:
Bill Barnett
alto saxophone:
Ross Warren (in 1994) and Tim Willcox (in 1994)
baritone saxophone:
Richard Coon (in 1994)
bass:
Dan Schmid (in 1994)
bass trombone:
Wayne Conkey (in 1994)
brass:
Dana Heitman (in 1994)
guitar:
Steve Perry (in 1994)
guitar [lead guitar]:
Jason Moss (in 1994)
keyboard:
Chris Azorr (in 1994)
membranophone:
Tim Donahue (in 1994) and Brian West (in 1994)
saxophone:
Ian Early (in 1994)
tenor saxophone:
Adrian Baxter (in 1994), Sean Flannery (in 1994) and James Phillips (in 1994)
trombone:
Dave Van Handel (in 1994)
trumpet:
Tim Allums (in 1994) and Mark Berney (in 1994)
vocals:
Steve Perry (in 1994)
performer:
The First Church Of Sinatra (in 1994)
arranger:
Ernie Freeman and George Rhodes
phonographic copyright (℗) by:
Space Age Bachelor Pad Records
mixed at:
Gung Ho Studio in Eugene, Oregon, United States
engineered at:
Space Age Bachelor Pad Studio
cover recording of:
Come Back to Me (On a Clear Day You Can See Forever) (in 1994)
lyricist:
Alan Jay Lerner (in 1965)
composer:
Burton Lane (in 1965)
publisher:
Chappell & Co., Inc. and Warner/Chappell Music, Inc.
premiered at:
Mark Hellinger Theatre in Manhattan, New York, New York, United States (on 1965-10-17)
part of:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
part of:
On a Clear Day You Can See Forever (1970 film soundtrack)
2:42
7Brown Derby Jump
engineer and mixer:
Bill Barnett
producer:
Cherry Poppin’ Daddies and Steve Perry
bass:
Darren Cassidy
brass:
Dana Heitman
guitar:
Steve Perry
guitar [lead guitar]:
Jason Moss
keyboard:
Dustin Lanker
membranophone:
Tim Donahue and W. Sean Wagoner
saxophone:
Ian Early
tenor saxophone:
Sean Flannery
vocals:
Steve Perry
arranger:
Cherry Poppin’ Daddies
phonographic copyright (℗) by:
Space Age Bachelor Pad Records
mixed at:
Gung Ho Studio in Eugene, Oregon, United States
recording of:
Brown Derby Jump
lyricist and composer:
Steve Perry
3:00
8Dr. Bones
engineer and mixer:
Bill Barnett
producer:
Cherry Poppin’ Daddies and Steve Perry
alto saxophone:
Brooks Brown
bass:
Dan Schmid
brass:
Dana Heitman
guitar:
John Fohl, James Gossard and Steve Perry
guitar [lead guitar]:
Jason Moss
membranophone:
Tim Arnold and Tim Donahue
saxophone:
Ian Early
tenor saxophone:
Sean Flannery and James Phillips
vocals:
Steve Perry
arranger:
Cherry Poppin’ Daddies
phonographic copyright (℗) by:
Space Age Bachelor Pad Records
mixed at:
Gung Ho Studio in Eugene, Oregon, United States
recording of:
Dr. Bones
lyricist and composer:
Steve Perry
3:40
9Pink Elephant
recorded in:
United States (in 1994)
engineer:
Dana Heitman
producer:
Cherry Poppin’ Daddies and Steve Perry
mixer:
Bill Barnett
additional reeds and alto saxophone:
Brooks Brown (in 1994)
bass:
Dan Schmid (in 1994)
brass:
Dana Heitman (in 1994)
drums (drum set):
Tim Donahue (in 1994) and Brian West (in 1994)
guitar:
Steve Perry (in 1994)
guitar [lead guitar]:
Jason Moss (in 1994)
keyboard:
Chris Azorr (in 1994)
percussion:
Brian West (in 1994)
reeds:
Adrian Baxter (in 1994)
saxophone:
Ian Early (in 1994)
tenor saxophone:
Adrian Baxter (in 1994) and Sean Flannery (in 1994)
vocals:
Steve Perry (in 1994)
arranger:
Cherry Poppin’ Daddies
phonographic copyright (℗) by:
Space Age Bachelor Pad Records
mixed at:
Gung Ho Studio in Eugene, Oregon, United States
engineered at:
Space Age Bachelor Pad Studio
recording of:
Pink Elephant (in 1994)
lyricist and composer:
Steve Perry
3:44
10Master and Slave
engineer and mixer:
Bill Barnett
producer:
Cherry Poppin’ Daddies and Steve Perry
alto saxophone:
Brooks Brown
bass:
Dan Schmid
brass:
Dana Heitman
guitar:
John Fohl and Steve Perry
guitar [lead guitar]:
Jason Moss
keyboard:
Chris Azorr
membranophone:
Tim Donahue and Brian West
saxophone:
Ian Early
tenor saxophone:
Sean Flannery and James Phillips
vocals:
Steve Perry
arranger:
Cherry Poppin’ Daddies
phonographic copyright (℗) by:
Space Age Bachelor Pad Records
mixed at:
Gung Ho Studio in Eugene, Oregon, United States
recording of:
Master and Slave
lyricist and composer:
Steve Perry
4:10
11Drunk Daddy
engineer and mixer:
Bill Barnett
producer:
Bill Barnett, Cherry Poppin’ Daddies and Steve Perry
editor:
Tony Lash
alto saxophone:
Brooks Brown (from 1990-08 until 1990-09)
bass:
Dan Schmid (from 1990-08 until 1990-09)
drums (drum set):
Tim Donahue (from 1990-08 until 1990-09) and Brian West (from 1990-08 until 1990-09)
guitar:
John Fohl (from 1990-08 until 1990-09) and Steve Perry (from 1990-08 until 1990-09)
guitar [lead guitar]:
Jason Moss (from 1990-08 until 1990-09)
keyboard:
Chris Azorr (from 1990-08 until 1990-09)
saxophone:
Ian Early (from 1990-08 until 1990-09)
tenor saxophone:
Sean Flannery (from 1990-08 until 1990-09) and James Phillips (from 1990-08 until 1990-09)
trumpet:
Dana Heitman (from 1990-08 until 1990-09)
vocals:
Steve Perry (from 1990-08 until 1990-09)
arranger:
Cherry Poppin’ Daddies
phonographic copyright (℗) by:
Space Age Bachelor Pad Records
recorded at:
Gung Ho Studio in Eugene, Oregon, United States (from 1990-08 until 1990-09)
mixed at:
Gung Ho Studio in Eugene, Oregon, United States
recording of:
Drunk Daddy
lyricist and composer:
Steve Perry
5:12
12No Mercy for Swine
engineer and mixer:
Bill Barnett
producer:
Cherry Poppin’ Daddies and Steve Perry
bass:
Darren Cassidy
brass:
Dana Heitman
guitar:
Steve Perry
guitar [lead guitar]:
Jason Moss
keyboard:
Dustin Lanker
membranophone:
Tim Donahue and W. Sean Wagoner
saxophone:
Ian Early
tenor saxophone:
Sean Flannery
vocals:
Steve Perry
arranger:
Cherry Poppin’ Daddies
phonographic copyright (℗) by:
Space Age Bachelor Pad Records
mixed at:
Gung Ho Studio in Eugene, Oregon, United States
recording of:
No Mercy for Swine
lyricist and composer:
Steve Perry
4:04
13Cherry Poppin’ Daddy Strut
engineer and mixer:
Bill Barnett
producer:
Bill Barnett, Cherry Poppin’ Daddies and Steve Perry
editor:
Tony Lash
alto saxophone:
Brooks Brown (from 1990-08 until 1990-09)
bass:
Dan Schmid (from 1990-08 until 1990-09)
drums (drum set):
Tim Arnold (from 1990-08 until 1990-09) and Brian West (from 1990-08 until 1990-09)
guitar:
John Fohl (from 1990-08 until 1990-09), James Gossard (from 1990-08 until 1990-09) and Steve Perry (from 1990-08 until 1990-09)
guitar [lead guitar]:
Jason Moss (from 1990-08 until 1990-09)
keyboard:
Chris Azorr (from 1990-08 until 1990-09)
membranophone:
Tim Donahue (from 1990-08 until 1990-09)
saxophone:
Ian Early (from 1990-08 until 1990-09)
tenor saxophone:
Sean Flannery (from 1990-08 until 1990-09) and James Phillips (from 1990-08 until 1990-09)
trumpet:
Dana Heitman (from 1990-08 until 1990-09)
vocals:
Steve Perry (from 1990-08 until 1990-09)
arranger:
Cherry Poppin’ Daddies
phonographic copyright (℗) by:
Space Age Bachelor Pad Records
recorded at:
Gung Ho Studio in Eugene, Oregon, United States (from 1990-08 until 1990-09)
mixed at:
Gung Ho Studio in Eugene, Oregon, United States
recording of:
Cherry Poppin’ Daddy Strut
lyricist and composer:
Steve Perry
3:06
14Shake Your Lovemaker
engineer and mixer:
Bill Barnett
producer:
Bill Barnett, Cherry Poppin’ Daddies and Steve Perry
editor:
Tony Lash
alto saxophone:
Brooks Brown (from 1990-08 until 1990-09)
bass:
Dan Schmid (from 1990-08 until 1990-09)
drums (drum set):
Tim Donahue (from 1990-08 until 1990-09) and Brian West (from 1990-08 until 1990-09)
guitar:
John Fohl (from 1990-08 until 1990-09) and Steve Perry (from 1990-08 until 1990-09)
guitar [lead guitar]:
Jason Moss (from 1990-08 until 1990-09)
keyboard:
Chris Azorr (from 1990-08 until 1990-09)
saxophone:
Ian Early (from 1990-08 until 1990-09)
tenor saxophone:
Sean Flannery (from 1990-08 until 1990-09) and James Phillips (from 1990-08 until 1990-09)
trumpet:
Dana Heitman (from 1990-08 until 1990-09)
vocals:
Steve Perry (from 1990-08 until 1990-09)
arranger:
Cherry Poppin’ Daddies
phonographic copyright (℗) by:
Space Age Bachelor Pad Records
recorded at:
Gung Ho Studio in Eugene, Oregon, United States (from 1990-08 until 1990-09)
mixed at:
Gung Ho Studio in Eugene, Oregon, United States
recording of:
Shake Your Lovemaker
lyricist and composer:
Steve Perry
5:54