| # | Title | Length |
|---|
| A1 | Get Over It- recording engineer, engineer and mixer:
- Rob Jacobs
- executive producer:
- Joel Stillerman
- producer:
- Eagles, Rob Jacobs and Elliot Scheiner
- acoustic guitar:
- Don Felder, Glenn Frey, Don Henley and Joe Walsh
- bass:
- Timothy B. Schmit
- drums (drum set) and percussion:
- Don Henley
- electric guitar:
- Don Felder, Glenn Frey and Joe Walsh
- keyboard and piano:
- Glenn Frey
- mandolin and pedal steel guitar:
- Don Felder
- organ and slide guitar:
- Joe Walsh
- vocals:
- Don Felder, Glenn Frey, Don Henley, Timothy B. Schmit and Joe Walsh
- phonographic copyright (℗) by:
- Geffen Records, Inc. (in 1994)
- recorded at:
- Sounds Interchange in Toronto, Ontario, Canada (from 1994-04-25 until 1994-04-26) and The Villager Recorders in Los Angeles, California, United States (from 1994-04-25 until 1994-04-26)
- mixed at:
- A&M Studios in Hollywood, Los Angeles, California, United States (from 1994-04-25 until 1994-04-26), Sounds Interchange in Toronto, Ontario, Canada (from 1994-04-25 until 1994-04-26) and The Villager Recorders in Los Angeles, California, United States (from 1994-04-25 until 1994-04-26)
- recording of:
- Get Over It
- composer:
- Glenn Frey and Don Henley
| 3:33 |
| A2 | Love Will Keep Us Alive- recording engineer, engineer and mixer:
- Rob Jacobs
- executive producer:
- Joel Stillerman
- producer:
- Eagles, Rob Jacobs and Elliot Scheiner
- acoustic guitar:
- Don Felder, Glenn Frey, Don Henley and Joe Walsh
- bass:
- Timothy B. Schmit
- drums (drum set) and percussion:
- Don Henley
- electric guitar:
- Don Felder, Glenn Frey and Joe Walsh
- keyboard and piano:
- Glenn Frey
- mandolin and pedal steel guitar:
- Don Felder
- organ and slide guitar:
- Joe Walsh
- vocals:
- Don Felder, Glenn Frey, Don Henley, Timothy B. Schmit and Joe Walsh
- phonographic copyright (℗) by:
- Geffen Records, Inc. (in 1994)
- recorded at:
- Sounds Interchange in Toronto, Ontario, Canada (from 1994-04-25 until 1994-04-26) and The Villager Recorders in Los Angeles, California, United States (from 1994-04-25 until 1994-04-26)
- mixed at:
- A&M Studios in Hollywood, Los Angeles, California, United States (from 1994-04-25 until 1994-04-26), Sounds Interchange in Toronto, Ontario, Canada (from 1994-04-25 until 1994-04-26) and The Villager Recorders in Los Angeles, California, United States (from 1994-04-25 until 1994-04-26)
- recording of:
- Love Will Keep Us Alive
- composer:
- Jim Capaldi, Paul Carrack and Peter Vale
- publisher:
- EMI-Virgin Songs and Warner–Tamerlane Publishing Corp.
| 4:03 |
| A3 | The Girl From Yesterday- recording engineer, engineer and mixer:
- Rob Jacobs
- executive producer:
- Joel Stillerman
- producer:
- Eagles, Rob Jacobs and Elliot Scheiner
- acoustic guitar:
- Don Felder, Glenn Frey, Don Henley and Joe Walsh
- bass:
- Timothy B. Schmit
- drums (drum set) and percussion:
- Don Henley
- electric guitar:
- Don Felder, Glenn Frey and Joe Walsh
- keyboard and piano:
- Glenn Frey
- mandolin and pedal steel guitar:
- Don Felder
- organ and slide guitar:
- Joe Walsh
- vocals:
- Don Felder, Glenn Frey, Don Henley, Timothy B. Schmit and Joe Walsh
- phonographic copyright (℗) by:
- Geffen Records, Inc. (in 1994)
- recorded at:
- Sounds Interchange in Toronto, Ontario, Canada (from 1994-04-25 until 1994-04-26) and The Villager Recorders in Los Angeles, California, United States (from 1994-04-25 until 1994-04-26)
- mixed at:
- A&M Studios in Hollywood, Los Angeles, California, United States (from 1994-04-25 until 1994-04-26), Sounds Interchange in Toronto, Ontario, Canada (from 1994-04-25 until 1994-04-26) and The Villager Recorders in Los Angeles, California, United States (from 1994-04-25 until 1994-04-26)
- recording of:
- The Girl From Yesterday
- composer:
- Glenn Frey and Jack Tempchin
| 3:24 |
| A4 | Learn to Be Still- recording engineer, engineer and mixer:
- Rob Jacobs
- co-producer:
- Rob Jacobs and Stan Lynch
- executive producer:
- Joel Stillerman
- producer:
- Eagles, Rob Jacobs and Stan Lynch
- acoustic guitar:
- Don Felder, Glenn Frey, Don Henley and Joe Walsh
- bass:
- Timothy B. Schmit
- drums (drum set) and percussion:
- Don Henley
- electric guitar:
- Don Felder, Glenn Frey and Joe Walsh
- keyboard and piano:
- Glenn Frey
- mandolin and pedal steel guitar:
- Don Felder
- organ and slide guitar:
- Joe Walsh
- vocals:
- Don Felder, Glenn Frey, Don Henley, Timothy B. Schmit and Joe Walsh
- phonographic copyright (℗) by:
- Geffen Records, Inc. (in 1994)
- recorded at:
- Sounds Interchange in Toronto, Ontario, Canada (from 1994-04-25 until 1994-04-26) and The Villager Recorders in Los Angeles, California, United States (from 1994-04-25 until 1994-04-26)
- mixed at:
- A&M Studios in Hollywood, Los Angeles, California, United States (from 1994-04-25 until 1994-04-26), Sounds Interchange in Toronto, Ontario, Canada (from 1994-04-25 until 1994-04-26) and The Villager Recorders in Los Angeles, California, United States (from 1994-04-25 until 1994-04-26)
- recording of:
- Learn to Be Still
- composer:
- Don Henley and Stan Lynch
| 4:28 |
| B1 | Tequila Sunrise- recording engineer, engineer and mixer:
- Elliot Scheiner
- executive producer:
- Joel Stillerman
- producer:
- Eagles, Rob Jacobs and Elliot Scheiner
- acoustic guitar:
- Don Felder, Glenn Frey, Don Henley and Joe Walsh
- bass:
- Timothy B. Schmit
- drums (drum set) and percussion:
- Don Henley
- electric guitar:
- Don Felder, Glenn Frey and Joe Walsh
- keyboard and piano:
- Glenn Frey
- mandolin and pedal steel guitar:
- Don Felder
- organ and slide guitar:
- Joe Walsh
- vocals:
- Don Felder, Glenn Frey, Don Henley, Timothy B. Schmit and Joe Walsh
- phonographic copyright (℗) by:
- Geffen Records, Inc. (in 1994)
- recorded at:
- Warner Burbank Studios in Burbank, California, United States (from 1994-04-25 until 1994-04-26)
- mixed at:
- A&M Studios in Hollywood, Los Angeles, California, United States (from 1994-04-25 until 1994-04-26), Sounds Interchange in Toronto, Ontario, Canada (from 1994-04-25 until 1994-04-26) and The Villager Recorders in Los Angeles, California, United States (from 1994-04-25 until 1994-04-26)
- live recording of:
- Tequila Sunrise (in 1994-04)
- composer:
- Glenn Frey and Don Henley
- publisher:
- Benchmark Music and Kicking Bear
| 3:28 |
| B2 | Hotel California- recording engineer, engineer and mixer:
- Elliot Scheiner
- executive producer:
- Joel Stillerman
- producer:
- Eagles, Rob Jacobs and Elliot Scheiner
- acoustic guitar:
- Don Felder, Glenn Frey, Don Henley and Joe Walsh
- bass:
- Timothy B. Schmit
- drums (drum set) and percussion:
- Don Henley
- electric guitar:
- Don Felder, Glenn Frey and Joe Walsh
- keyboard and piano:
- Glenn Frey
- mandolin and pedal steel guitar:
- Don Felder
- organ and slide guitar:
- Joe Walsh
- vocals:
- Don Felder, Glenn Frey, Don Henley, Timothy B. Schmit and Joe Walsh
- phonographic copyright (℗) by:
- Geffen Records, Inc. (in 1994)
- recorded at:
- Warner Burbank Studios in Burbank, California, United States (from 1994-04-25 until 1994-04-26)
- mixed at:
- A&M Studios in Hollywood, Los Angeles, California, United States (from 1994-04-25 until 1994-04-26), Sounds Interchange in Toronto, Ontario, Canada (from 1994-04-25 until 1994-04-26) and The Villager Recorders in Los Angeles, California, United States (from 1994-04-25 until 1994-04-26)
- live recording of:
- Hotel California (in 1994-04)
- writer:
- Don Felder, Glenn Frey and Don Henley
- publisher:
- Cass County Music, Red Cloud Music, Universal Music Publishing Ltd., Warner/Chappell Music, Hong Kong Limited, Fingers Music (in 1976), Long Run Music (in 1976) and WB Music Corp. (in 1976)
- is based on:
- Això és Fàcil
| 7:12 |
| B3 | Wasted Time- recording engineer, engineer and mixer:
- Elliot Scheiner
- executive producer:
- Joel Stillerman
- producer:
- Eagles, Rob Jacobs and Elliot Scheiner
- acoustic guitar:
- Don Felder, Glenn Frey, Don Henley and Joe Walsh
- bass:
- Timothy B. Schmit
- drums (drum set) and percussion:
- Don Henley
- electric guitar:
- Don Felder, Glenn Frey and Joe Walsh
- keyboard and piano:
- Glenn Frey
- mandolin and pedal steel guitar:
- Don Felder
- organ and slide guitar:
- Joe Walsh
- vocals:
- Don Felder, Glenn Frey, Don Henley, Timothy B. Schmit and Joe Walsh
- orchestra:
- Burbank Philharmonic Orchestra
- phonographic copyright (℗) by:
- Geffen Records, Inc. (in 1994)
- recorded at:
- Warner Burbank Studios in Burbank, California, United States (from 1994-04-25 until 1994-04-26)
- mixed at:
- A&M Studios in Hollywood, Los Angeles, California, United States (from 1994-04-25 until 1994-04-26), Sounds Interchange in Toronto, Ontario, Canada (from 1994-04-25 until 1994-04-26) and The Villager Recorders in Los Angeles, California, United States (from 1994-04-25 until 1994-04-26)
- live recording of:
- Wasted Time (in 1994-04)
- writer:
- Glenn Frey, Don Henley and Jim Ed Norman
- publisher:
- Cass Country Music and Red Cloud Music
| 5:19 |
| B4 | Pretty Maids All in a Row- recording engineer, engineer and mixer:
- Elliot Scheiner
- executive producer:
- Joel Stillerman
- producer:
- Eagles, Rob Jacobs and Elliot Scheiner
- acoustic guitar:
- Don Felder, Glenn Frey, Don Henley and Joe Walsh
- bass:
- Timothy B. Schmit
- drums (drum set) and percussion:
- Don Henley
- electric guitar:
- Don Felder, Glenn Frey and Joe Walsh
- keyboard and piano:
- Glenn Frey
- mandolin and pedal steel guitar:
- Don Felder
- organ and slide guitar:
- Joe Walsh
- vocals:
- Don Felder, Glenn Frey, Don Henley, Timothy B. Schmit and Joe Walsh
- orchestra:
- Burbank Philharmonic Orchestra
- phonographic copyright (℗) by:
- Geffen Records, Inc. (in 1994)
- recorded at:
- Warner Burbank Studios in Burbank, California, United States (from 1994-04-25 until 1994-04-26)
- mixed at:
- A&M Studios in Hollywood, Los Angeles, California, United States (from 1994-04-25 until 1994-04-26), Sounds Interchange in Toronto, Ontario, Canada (from 1994-04-25 until 1994-04-26) and The Villager Recorders in Los Angeles, California, United States (from 1994-04-25 until 1994-04-26)
- live recording of:
- Pretty Maids All in a Row (in 1994-04)
- writer:
- Joe Vitale and Joe Walsh
- publisher:
- Fingers Music (in 1976), Long Run Music (in 1976) and WB Music Corp. (in 1976)
| 4:26 |
