| # | Title | Length |
|---|
| 1 | Arnold Layne- recorded in:
- England, United Kingdom
- engineer:
- John Woods
- producer:
- Joe Boyd and Norman Smith
- acoustic guitar and electric guitar and lead vocals:
- Syd Barrett (on 1967-01-29)
- bass guitar:
- Roger Waters (on 1967-01-29)
- drums (drum set):
- Nick Mason (on 1967-01-29)
- farfisa and background vocals:
- Richard Wright (on 1967-01-29)
- phonographic copyright (℗) by:
- Joe Boyd (in 1967)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1967, in 1974, in 2007) and Capitol Records, Inc. (in 1983)
- recorded at:
- Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom (on 1967-01-29) and EMI Studios in St John's Wood, Westminster, London, England, United Kingdom (on 1967-02-27)
- music videos:
- Arnold Layne by Pink Floyd
- recording of:
- Arnold Layne (from 1967-01-29 until 1967-02-27)
- lyricist and composer:
- Syd Barrett
- publisher:
- Dunmo Music, Ltd., Peermusic and Southern Music Publishing
| 2:57 |
| 2 | See Emily Play- recording engineer:
- Peter Bown (on 1967-05-21)
- engineer:
- John Woods
- producer and phonographic copyright (℗) by:
- Norman Smith (in 1967)
- bass guitar:
- Roger Waters (on 1967-05-21)
- drums (drum set):
- Nick Mason (on 1967-05-21)
- electric guitar, slide guitar and lead vocals:
- Syd Barrett (on 1967-05-21)
- farfisa, harpsichord [Baldwin Spinet electric harpsichord], piano and tack piano:
- Richard Wright (on 1967-05-21)
- background vocals:
- Roger Waters (on 1967-05-21) and Richard Wright (on 1967-05-21)
- conductor:
- Norman Smith
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1967, in 1974, in 2007)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (on 1967-05-21) and Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom (on 1967-05-21)
- recording of:
- See Emily Play (on 1967-05-21)
- lyricist and composer:
- Syd Barrett
- publisher:
- Essex Music International, Essex Music, Inc., Magdalene Music, TRO-Essex Music, Inc. and Westminster Music Ltd.
| 2:55 |
| 3 | Matilda Mother (2010 remix)- producer:
- Hurricane Smith
- mixer:
- Damon Iddins and Andy Jackson
- remixer:
- Damon Iddins (in 2010) and Andy Jackson (in 2010)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom
- remix of:
- Matilda Mother (alternative version) by Pink Floyd
- recording of:
- Matilda Mother
- lyricist and composer:
- Syd Barrett
- publisher:
- Essex Music, Essex Music International, Essex Music, Inc., Magdalene Music, TRO-Essex Music, Inc., TRO-Hampshire House Publishing Corp. and Westminster Music Ltd.
| 3:59 |
| 4 | Jugband Blues (2010 remix)- producer:
- Norman Smith
- remixer:
- Damon Iddins (in 2010) and Andy Jackson (in 2010)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom
- recording of:
- Jugband Blues
- lyricist and composer:
- Syd Barrett
- publisher:
- Essex, Essex Music International, Lupus Music Co. Ltd, Magdalene Music, TRO-Essex Music, Inc., TRO-Hampshire House Publishing Corp. and Westminster Music Ltd.
| 3:02 |
| 5 | Paintbox | 3:47 |
| 6 | Flaming (BBC session, 25 September 1967)- drums (drum set):
- Nick Mason (on 1967-09-25)
- electric bass guitar:
- Roger Waters (on 1967-09-25)
- guitar:
- Syd Barrett (on 1967-09-25)
- keyboard:
- Richard Wright (on 1967-09-25)
- vocals:
- Syd Barrett (on 1967-09-25)
- recorded at:
- Playhouse Theatre in Westminster, London, England, United Kingdom (on 1967-09-25)
- live recording of:
- Flaming (on 1967-09-25)
- lyricist and composer:
- Syd Barrett
- publisher:
- Essex Music, Essex Music International, Essex Music, Inc., TRO Essex Music Ltd., TRO-Essex Music, Inc., TRO-Hampshire House Publishing Corp. and Westminster Music Ltd.
| 2:42 |
| 7 | In the Beechwoods (2010 mix) | 4:43 |
| 8 | Point Me at the Sky | 3:41 |
| 9 | Careful With That Axe, Eugene (single version)- producer:
- Norman Smith
- bass guitar:
- Roger Waters
- drums (drum set):
- Nick Mason
- guitar:
- David Gilmour
- Hammond organ and vibraphone:
- Richard Wright
- vocals:
- David Gilmour and Roger Waters
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (on 1968-11-04)
- recording of:
- Careful With That Axe, Eugene (on 1968-11-04)
- composer:
- David Gilmour, Nick Mason, Roger Waters and Richard Wright
- publisher:
- Hampshire House Publishing Corp., Lupus Music, Lupus Music Co. Ltd, Lupus Music Ltd. and TRO-Hampshire House Publishing Corp.
| 5:48 |
| 10 | Embryo (from “Picnic”)- recorded in:
- England, United Kingdom
- producer:
- Norman Smith
- acoustic guitar, electric guitar [wah electric guitar], background vocals and lead vocals:
- David Gilmour (in 1968-11)
- cymbal:
- Nick Mason (in 1968-11)
- effects [tape effects, sped up voice] and electric bass guitar:
- Roger Waters (in 1968-11)
- farfisa, mellotron and piano:
- Richard Wright (in 1968-11)
- phonographic copyright (℗) by:
- EMI Records Limited (in 1970) and Capitol Records, Inc. (in 1983)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1968-11)
- recording of:
- Embryo (in 1968-11)
- lyricist and composer:
- Roger Waters
- publisher:
- TRO-Hampshire House Publishing Corp.
| 4:42 |
| 11 | Ummagumma Radio Ad (Capitol US) | 0:22 |
| 12 | Grantchester Meadows (BBC session, 12 May 1969) | 3:46 |
| 13 | Cymbaline (BBC session, 12 May 1969) | 3:39 |
| 14 | Interstellar Overdrive (live at the Paradiso, Amsterdam, 9 August 1969)- recorded at:
- Paradiso in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (on 1969-08-09)
- live recording of:
- Interstellar Overdrive (on 1969-08-09)
- composer:
- Syd Barrett, Nick Mason, Roger Waters and Richard Wright
- publisher:
- Essex, Essex Music, Essex Music International, Essex Music, Inc., Magdalene Music, TRO-Essex Music, Inc., TRO-Hampshire House Publishing Corp. and Westminster Music Ltd.
| 4:24 |
| 15 | Green Is the Colour (BBC session, 12 May 1969) | 3:21 |
| 16 | Careful With That Axe, Eugene (BBC session, 12 May 1969) | 3:28 |
