The Complete Wilhelm Furtwängler on Record

~ Release by Wilhelm Furtwängler (see all versions of this release, 1 available)

Annotation

A 55-CD collection of Wilhelm Furtwängler's complete studio recordings. Remastered in high definition (192 kHz/24-bit) from the original tapes or best available sources by Art & Son Studio, Annecy.

Fidelio (discs 48-49) is listed in the collection booklet and CD sleeve notes as op. 62. The tracklist entered here was corrected to be the proper op. 72.

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Tracklist

1▶CD: Weber / Beethoven / Mendelssohn / Bach / Schubert
2▶CD: Wagner / Schubert / R. Strauss
3▶CD: Mendelssohn / Berlioz / Dvořák / Bach / Rossini / Brahms / Weber
4▶CD: Wagner / Beethoven / Mozart / Rossini / Weber / J. Strauss II
5▶CD: Beethoven: Symphony no. 9
6▶CD: Wagner: Die Walküre Act III
7▶CD: Wagner: Die Götterdämmerung Excerpts I
8▶CD: Wagner: Die Götterdämmerung Excerpts II
9▶CD: Beethoven: Symphony no. 5 / Wagner: Tristan und Isolde Excerpts / Parsifal Excerpts
10▶CD: Tchaikovsky: Symphony no. 6 “Pathétique”
11▶CD: Furtwängler / Beethoven / Bruckner / Gluck
12▶CD: Brahms: Haydn Variations / Beethoven: Symphony no. 6 “Pastoral”
13▶CD: Beethoven: Violin Concerto
14▶CD: Beethoven: Symphony no. 3 “Eroica” / Coriolan Overture
15▶CD: Mozart: Serenade “Gran Partita”
16▶CD: Brahms: Symphony no. 1
17▶CD: Brahms: Symphony no. 2
18▶CD: Wagner: Die Götterdämmerung, Act III / Mendelssohn: Hebrides Overture / Mozart: Symphony no. 40
19▶CD: Wagner: Siegfried Idyll / Tannhäuser / Die Götterdämmerung / Der fliegende Holländer Excerpts
20▶CD: Brahms / Wagner / Berlioz / Mozart / Brahms / Wagner
21▶CD: Wagner: Lohengrin (Prelude to Act I) / Brahms: Violin Concerto
22▶CD: Beethoven: Symphony no. 7 / Schubert: Symphony no. 8 “Unfinished”
23▶CD: R. Strauss / J. Strauss II / Beethoven
24▶CD: Wagner / Weber / Schubert / Tchaikovsky / Strauss / Mozart
25▶CD: Schubert / Tchaikovsky / Cherubini
26▶CD: Haydn / Nicolai / Schumann / Smetana
27▶CD: Beethoven: Piano Concerto no. 5 “Emperor” / Mendelssohn: Violin Concerto
28▶CD: Beethoven: Symphony no. 9 “Choral”
29▶CD: Schubert / Furtwängler
30▶CD: Furtwängler / Haydn
31▶CD: Wagner: Die Götterdämmerung (Immolation Scene) / Mahler: Lieder eines fahrenden Gesellen
32▶CD: Beethoven: Symphony no. 1 / Symphony no. 6 “Pastoral”
33▶CD: Beethoven: Symphony no. 3 “Eroica”
34▶CD: Beethoven: Symphony no. 4 / Wagner: Tannhäuser Overture
35▶CD: Beethoven: Violin Concerto / Romances nos. 1 & 2
36▶CD: Schumann: Symphony no. 4 / Franck: Symphony in D minor
37▶CD: Bartók: Violin Concerto no. 2
38▶CD: Beethoven: Symphony no. 5
39▶CD: Wagner / R. Strauss / Liszt
40▶CD: Wagner / Weber / Gluck / Beethoven
41▶CD: Bach: Matthäus-Passion (First Part)
42▶CD: Bach: Matthäus-Passion (Second Part beginning)
43▶CD: Bach: Matthäus-Passion (Second Part conclusion)
44▶CD: Wagner: Tristan und Isolde (Act I beginning)
45▶CD: Wagner: Tristan und Isolde (Act I conclusion, Act II beginning)
46▶CD: Wagner: Tristan und Isolde (Act II conclusion, Act III beginning)
47▶CD: Wagner: Tristan und Isolde (Act III conclusion)
48▶CD: Beethoven: Fidelio (Act I)
49▼CD: Beethoven: Fidelio (Act II)
#TitleArtistLength
1Fidelio, op. 72: Act II. Introduction
producer:
Lawrance Collingwood
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11a. Introduction (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (in 1814)
Ludwig van Beethoven4:06
2Fidelio, op. 72: Act II. Aria: “Gott, welch Dunkel hier!” (Florestan)
producer:
Lawrance Collingwood
tenor vocals [Florestan]:
Wolfgang Windgassen (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11a. Recitative "Gott! Welch Dunkel hier!" (Florestan) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (in 1814)
Ludwig van Beethoven7:31
3Fidelio, op. 72: Act II. Melodram: “Wie kalt ist es” (Leonore, Rocco)
producer:
Lawrance Collingwood
bass vocals [Rocco]:
Gottlob Frick (from 1953-10-13 until 1953-10-19)
soprano vocals [Leonore]:
Martha Mödl (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Akt II, Szene I, Nr. 12a. Melodram und Duett „Wie kalt ist es in diesem unterirdischen Gewölbe!“ (Leonore, Rocco) (dialogue w/ music) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven2:16
4Fidelio, op. 72: Act II. Duet: “Nur hurtig fort, nur frisch gegraben” (Leonore, Rocco)
producer:
Lawrance Collingwood
bass vocals [Rocco]:
Gottlob Frick (from 1953-10-13 until 1953-10-19)
soprano vocals:
Martha Mödl (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven4:41
5Fidelio, op. 72: Act II. Trio: “Euch werde Lohn in bessern Welten” (Leonore, Florestan, Rocco)
producer:
Lawrance Collingwood
bass vocals [Rocco]:
Gottlob Frick (from 1953-10-13 until 1953-10-19)
soprano vocals [Leonore]:
Martha Mödl (from 1953-10-13 until 1953-10-19)
tenor vocals [Florestan]:
Wolfgang Windgassen (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven6:42
6Fidelio, op. 72: Act II. Quartet: “Er sterbe!” (Leonore, Florestan, Pizarro, Rocco, Jaquino)
producer:
Lawrance Collingwood
baritone vocals [Pizarro]:
Otto Edelmann (from 1953-10-13 until 1953-10-19)
bass vocals [Rocco]:
Gottlob Frick (from 1953-10-13 until 1953-10-19)
soprano vocals [Leonore]:
Martha Mödl (from 1953-10-13 until 1953-10-19)
tenor vocals [Florestan]:
Wolfgang Windgassen (from 1953-10-13 until 1953-10-19)
tenor vocals [Jaquino]:
Rudolf Schock (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14b. "Vater Rocco! Der Herr Minister ist angekommen" (Jaquino, Rocco) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (in 1814)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven5:22
7Fidelio, op. 72: Act II. Duet: “O namenlose Freude!” (Leonore, Florestan)
producer:
Lawrance Collingwood
soprano vocals [Leonore]:
Martha Mödl (from 1953-10-13 until 1953-10-19)
tenor vocals [Florestan]:
Wolfgang Windgassen (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven2:48
8Fidelio, op. 72: Act II. Leonore Overture no. 3
producer:
Lawrance Collingwood
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
recording of:
Overture “Leonore” no. 3 in C major, op. 72b (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (from 1805 until 1806)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72b)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven15:19
9Fidelio, op. 72: Act II. Finale: “Heil sei dem Tag!” (chorus)
producer:
Lawrance Collingwood
choir vocals:
Chor der Wiener Staatsoper (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16a. "Heil sei dem Tag" (Chor) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven2:00
10Fidelio, op. 72: Act II. Finale: “Des besten Königs Wink und Wille” (Don Fernando, Leonore, Marzelline, Pizarro, Rocco, chorus)
producer:
Lawrance Collingwood
baritone vocals [Pizarro]:
Otto Edelmann (from 1953-10-13 until 1953-10-19)
bass vocals [Don Fernando]:
Alfred Poell (from 1953-10-13 until 1953-10-19)
bass vocals [Rocco]:
Gottlob Frick (from 1953-10-13 until 1953-10-19)
choir vocals:
Chor der Wiener Staatsoper (from 1953-10-13 until 1953-10-19)
soprano vocals [Leonore]:
Martha Mödl (from 1953-10-13 until 1953-10-19)
soprano vocals [Marzelline]:
Sena Jurinac (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven4:43
11Fidelio, op. 72: Act II. Finale: “O Gott! Welch'ein Augenblick!” (Leonore, Florestan, Marzelline, Don Fernando, Rocco, chorus)
producer:
Lawrance Collingwood
bass vocals [Don Fernando]:
Alfred Poell (from 1953-10-13 until 1953-10-19)
bass vocals [Rocco]:
Gottlob Frick (from 1953-10-13 until 1953-10-19)
choir vocals:
Chor der Wiener Staatsoper (from 1953-10-13 until 1953-10-19)
soprano vocals [Leonore]:
Martha Mödl (from 1953-10-13 until 1953-10-19)
soprano vocals [Marzelline]:
Sena Jurinac (from 1953-10-13 until 1953-10-19)
tenor vocals [Florestan]:
Wolfgang Windgassen (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16d. "Du schlossest auf des Edlen Grab (Don Fernando) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven3:02
12Fidelio, op. 72: Act II. Finale: “Wer ein holdes Weib errungen” (Leonore, Florestan, Marzelline, Don Fernando, Rocco, chorus)
producer:
Lawrance Collingwood
bass vocals [Don Fernando]:
Alfred Poell (from 1953-10-13 until 1953-10-19)
bass vocals [Rocco]:
Gottlob Frick (from 1953-10-13 until 1953-10-19)
choir vocals:
Chor der Wiener Staatsoper (from 1953-10-13 until 1953-10-19)
soprano vocals [Leonore]:
Martha Mödl (from 1953-10-13 until 1953-10-19)
soprano vocals [Marzelline]:
Sena Jurinac (from 1953-10-13 until 1953-10-19)
tenor vocals [Florestan]:
Wolfgang Windgassen (from 1953-10-13 until 1953-10-19)
orchestra:
Wiener Philharmoniker (from 1953-10-13 until 1953-10-19)
conductor:
Wilhelm Furtwängler (from 1953-10-13 until 1953-10-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1953-10-13 until 1953-10-19)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino) (from 1953-10-13 until 1953-10-19)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven4:03
50▶CD: Wagner: Die Walküre (Act I)
51▶CD: Wagner: Die Walküre (Act II beginning)
52▶CD: Wagner: Die Walküre (Act II conclusion)
53▶CD: Wagner: Die Walküre (Act III)
54▶CD: Bonus - Previously Unissued: Schubert / J. Strauss II / Wagner / Tchaikovsky
55▶CD: Bonus - Documentary: Wilhelm Furtwängler - A Memoir