| # | Title | Artist | Length |
|---|
| 1 | The Best | Tina Turner | 4:10 |
| 2 | The Power of Love | Huey Lewis and the News | 3:53 |
| 3 | This Is Not America- engineer:
- Marcellus Frank and David Richards
- producer:
- David Bowie and Pat Metheny
- mixer:
- Bob Clearmountain
- analog synthesizer [Oberheim], analog synthesizer [Prophet-5], keyboard [Kurzweil] and marimba:
- Lyle Mays (from 1984-09 until 1984-10)
- drums (drum set):
- Paul Wertico (from 1984-09 until 1984-10)
- electric bass guitar:
- Steve Rodby (from 1984-09 until 1984-10)
- electric guitar, guitar synthesizer [Roland GR-300 guitar synthesizer] and synclavier:
- Pat Metheny (from 1984-09 until 1984-10)
- background vocals and lead vocals:
- David Bowie (from 1984-09 until 1984-10)
- performer:
- Pat Metheny Group (from 1984-09 until 1984-10)
- phonographic copyright (℗) by:
- David Bowie (in 1985)
- phonographic copyright (℗) by:
- EMI Records USA (in 1985)
- recorded at:
- Mountain Recording Studios in Montreux, Vaud, Switzerland (from 1984-09 until 1984-10)
- recording of:
- This Is Not America (from 1984-09 until 1984-10)
- lyricist and writer:
- David Bowie
- composer:
- Lyle Mays and Pat Metheny
- publisher:
- CBS Songs Ltd., Donna Dijon Music Publications, Jones Music, Jones Music America, OPC Music Publishing, Inc., Pat Meth Music Corp, Pat‐Meth Music, RZO Music Ltd, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing France, ソニー・ミュージックパブリッシング A事業部 and 渡辺音楽出版 CM事業部
| David Bowie | 3:48 |
| 4 | Here Comes the Rain Again | Eurythmics | 5:00 |
| 5 | Maneater- assistant engineer:
- Bruce Buckhalter, Barry Harris and Michael Somer-Abbott
- engineer:
- Neil Kernon
- co-producer:
- Neil Kernon
- producer:
- Daryl Hall and John Oates
- mixer:
- Hugh Padgham
- phonographic copyright (℗) by:
- BMG Ariola Hamburg GmbH (in 1982), BMG Music (in 1982), RCA Records (in 1982), Sony BMG Music Entertainment (in 1982) and Sony Music Entertainment (in 1982)
- recording of:
- Maneater (in 1981-12)
- lyricist:
- Sara Allen, Daryl Hall and John Oates
- composer:
- Daryl Hall and John Oates
- publisher:
- BMG Rights Management (UK) Ltd., Copyright Control, Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music and Warner/Chappell Music Ltd.
| Daryl Hall & John Oates | 4:27 |
| 6 | Manic Monday | The Bangles | 3:05 |
| 7 | Cruel Summer- producer:
- Steve Jolley and Tony Swain
- lead vocals:
- Sara Dallin (in 1983-04), Siobhan Fahey (in 1983-04) and Keren Woodward (in 1983-04)
- performer:
- Bananarama (in 1983-04)
- phonographic copyright (℗) by:
- London Records 90 Ltd. (in 1983) and London Records Ltd. (in 1984)
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 44) and Billboard: The 500 Best Pop Songs (number: 414)
- recording of:
- Cruel Summer (in 1983-04)
- lyricist:
- Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain and Keren Woodward
- composer:
- Leo Birenberg, Sara Dallin, Siobhan Fahey, Steve Jolley, Kari Kimmel, Tony Swain and Keren Woodward
- publisher:
- In a Bunch Music Ltd., PolyGram Songs, Red Bus Music Ltd., Reverb Music Ltd., Sony Music Publishing (UK) Ltd., Sony Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Chappell and Warner Chappell Music Ltd.
| Bananarama | 3:29 |
| 8 | Club Tropicana | Wham! | 4:28 |
| 9 | Stand by Me- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1961), Progressive Music Publishing Company Inc. (in 1981) and Trio Music Co., Inc. (in 1981)
- recording of:
- Stand by Me
- publisher:
- Mike Stoller
- writer:
- Ben E. King, Jerry Leiber and Mike Stoller
- publisher:
- A.D.T. Enterprises, Hornall Brothers Music, Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt, Melodie der Welt GmbH & Co. KG, Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music, Trio Music Co., Inc., Unichappell Music and Universal Music Publishing
| Ben E. King | 3:02 |
| 10 | Who Can It Be Now | Men at Work | 3:23 |
| 11 | Wouldn’t It Be Good- recording engineer:
- Julian Mendelsohn (in 1983)
- assistant engineer:
- Roger Howorth
- producer:
- Peter Collins
- mixer:
- Julian Mendelsohn
- lead vocals:
- Nik Kershaw (in 1983)
- horn arranger:
- Jerry Hey and Nik Kershaw
- arranger:
- Nik Kershaw
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1983, in 1984) and MCA Records Ltd. (in 1984)
- mixed at:
- Sarm East Studios in Aldgate, Tower Hamlets, London, England, United Kingdom
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 88)
- recording of:
- Wouldn’t It Be Good (in 1983)
- lyricist and composer:
- Nik Kershaw
- publisher:
- Arctic King, Imagem Music GmbH, Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing, Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
- part of:
- Gotcha!
| Nik Kershaw | 4:30 |
| 12 | An Angel | The Kelly Family | 3:45 |
| 13 | Kyrie- engineer:
- Paul DeVilliers and Lois Oki
- producer:
- Paul DeVilliers and Mr. Mister
- mixer:
- Mick Guzauski
- bass guitar and lead vocals:
- Richard Page
- drums (drum set):
- Pat Mastelotto
- guitar:
- Steve Farris
- keyboard:
- Steve George
- vocals:
- Steve George
- phonographic copyright (℗) by:
- BMG Entertainment (in 1985), BMG Music (in 1985), RCA Records (in 1985) and Sony Music Entertainment UK Limited (in 1985)
- recording of:
- Kyrie
- lyricist:
- John Lang
- composer:
- Steve George and Richard Page
- publisher:
- Ali‐Aja Music, Entente Music, Indolent Sloth Music, Panola Park Music, Poppy‐Due Music, Stemwa Famo Music, Warner Chappell Music, Warner Chappell Music Ltd., Warner–Tamerlane Publishing Corp., Warner/Chappell North America Limited, WB Music Corp., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Mr. Mister | 4:23 |
| 14 | Karma Chameleon- engineer:
- Simon Frith, Simon Humphrey, Gordon Milne and Mike Ross‐Trevor
- producer:
- Steve Levine
- mixer:
- Steve Levine and Jon Moss
- bass guitar:
- Mikey Craig (in 1983)
- drums (drum set) and percussion:
- Jon Moss (in 1983)
- electric sitar, guitar, keyboard, piano and sitar:
- Roy Hay (in 1983)
- guest harmonica:
- Judd Lander (in 1983)
- guest keyboard:
- Phil Pickett (in 1983)
- background vocals:
- Helen Terry (in 1983)
- lead vocals:
- Boy George (in 1983)
- phonographic copyright (℗) by:
- Virgin Records Ltd. (in 1983, in 2002, in 2003)
- recorded at:
- CBS Studios in London, England, United Kingdom (in 1983) and Red Bus Studios in London, England, United Kingdom (in 1983)
- music videos:
- Karma Chameleon by Culture Club
- recording of:
- Karma Chameleon (in 1983)
- writer:
- Mikey Craig, George O’Dowd, Roy Hay, Jon Moss and Phil Pickett
- publisher:
- BMG Music Publishing Ltd., Copyright Control, EMI Virgin Music Ltd., EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd., Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. and BMG VM Music Ltd. (from 2013-05 to present)
| Culture Club | 4:13 |
| 15 | Twist in My Sobriety | Tanita Tikaram | 3:55 |
| 16 | Fading Like a Flower | Roxette | 3:47 |
| 17 | You’re the Voice- recording engineer and mixer:
- Doug Brady
- drum machine programming and synthesizer [Fairlight] programming:
- Dave, Jack and Ross
- assistant engineer:
- Michael Wickow
- producer:
- Ross Fraser
- fretless bass:
- Roger McLachlan
- guitar:
- Brett Garsed
- keyboard and synthesizer [Fairlight]:
- David Hirschfelder
- background vocals:
- Rozzi Bazzani, Helen Cornish, Penny Dyer, David Hirschfelder, Colin Setches, Mal Stainton and Sandy Weekes
- lead vocals:
- Whispering Jack
- arranger:
- John Farnham, Ross Fraser and David Hirschfelder
- phonographic copyright (℗) by:
- BMG Arista / Ariola Limited (in 1986), BMG Australia Limited (in 1986), Sony BMG Music Entertainment (Australia) Pty Limited (in 1986), Wheatley Records Pty. Ltd. (in 1986) and RCA/Ariola (in 1987)
- recorded at and mixed at:
- AAV Studios in Melbourne, Victoria, Australia
- recording of:
- You’re the Voice
- writer:
- Andy Qunta, Keith Reid, Maggie Ryder and Chris Thompson
- publisher:
- A&G Songs Ltd., Almo Music Corp., Bluebeard Music Ltd., BMG Music, Bucks Music Group Ltd., Concord Songs Ltd., Copyright Control, CT Music, CT Music Ltd., David Platz Music Scandinavia AB, Fable Music Pty. Ltd., Imagem Songs Ltd., Polygram Music, PolyGram Music Publishing Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., Rondor Music Ltd., Universal Music, Universal Music Publishing and Universal Music Publishing AB
| John Farnham | 5:03 |
| 18 | The Final Countdown- recording engineer and mixer:
- Wally Buck and Kevin Elson
- producer:
- Kevin Elson
- bass guitar [bass]:
- John Levén
- drums (drum set) [drums]:
- Ian Haugland
- guitar:
- John Norum
- keyboard:
- Mic Michaeli
- background vocals:
- Ian Haugland, Mic Michaeli and John Norum
- lead vocals:
- Joey Tempest
- phonographic copyright (℗) by:
- CBS, Inc. (in 1986), Sony BMG Music Entertainment (in 1986) and Sony Music Entertainment Inc. (in 1986)
- produced for:
- Elson Music Vision, Inc.
- recorded at and mixed at:
- Fantasy Studios in Berkeley, California, United States, Powerplay Studios in Maur, Zürich, Switzerland and Soundtrade Studios in Solna City, Stockholms län, Sweden
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 66) and Cachitos Nochevieja 2022 (number: 155)
- recording of:
- The Final Countdown
- lyricist and composer:
- Joey Tempest
- publisher:
- Copyright Control, EMI, EMI Music Publishing Australia Pty Ltd, EMI Music Publishing Ltd., EMI Music Sweden AB, Screen Gems–EMI Music, Inc. and Seven Doors Music
| Europe | 5:10 |
| 19 | Weil ich dich liebe | Marius Müller‐Westernhagen | 3:47 |
