The Complete Deutsche Grammophon Recordings II

~ Release by Claudio Abbado, Berliner Philharmoniker (see all versions of this release, 4 available)

Tracklist

21▶CD: Brahms: Violin Concerto / Academic Festival Overture (Mintz)
22▶CD: Brahms: Violin Concerto (Mullova)
23▶CD: Brahms: Violin Concerto / Concerto for Violin, Cello and Orchestra (Shaham / Wang)
24▶CD: Brahms: Ein deutsches Requiem
25▶CD: Debussy: Prélude à l'après-midi d'un faune / Trois Nocturnes / Pelléas et Melisande - Concert Suite
26▶CD: Dvořák: Concert Overture “Othello” / Symphony no. 9 “From the New World”
27▶CD: Hindemith: Symphony “Mathis der Maler” / Nobilissima visione / Symphonische Metamorphosen nach Themen von Carl Maria von Weber
28▶CD: Janáček: Zápisník zmizelého / Sinfonietta
29▶CD: Kurtág: Grabstein für Stephan / Stele / Stockhausen: Gruppen
30▶CD: Mahler: Symphony no. 1
31▶CD: Mahler: Symphony no. 3 (Part I)
32▶CD: Mahler: Symphony no. 3 (Part II)
33▶CD: Mahler: Symphony no. 4 / Berg: Sieben frühe Lieder
34▶CD: Mahler: Symphony no. 5
35▶CD: Mahler: Symphony no. 6
36▶CD: Mahler: Symphony no. 7
37▶CD: Mahler: Symphony no. 8 (Part I)
38▼CD: Mahler: Symphony no. 8 (Part II)
#TitleArtistLength
1Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Poco adagio
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (in 1994-02)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:50
2Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Più mosso. (Allegro moderato)
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (in 1994-02)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:16
3Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Wieder langsam. Chor und Echo: »Waldung, sie schwankt heran« (chorus I/II)
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder
choir vocals:
Prager Philharmonischer Chor (in 1994-02) and Rundfunkchor Berlin (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
chorus master:
Dietrich Knothe (in 1994-02) and Pavel Kühn (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (in 1994-02)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:46
4Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Moderato. Pater ecstaticus: »Ewiger Wonnebrand« (baritone)
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder and Pål Christian Moe
baritone vocals [Pater ecstaticus]:
Bryn Terfel (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1994-02) and Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (in 1994-02)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:54
5Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Allegro - (Allegro appassionato). Pater profundus: »Wie Felsenabgrund mir zu Füßen« (bass)
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder
bass vocals [Pater profundus]:
Jan‐Hendrik Rootering (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (in 1994-02)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:42
6Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Allegro deciso. (Im Anfang noch nicht eilen). Chor der Engel: »Gerettet ist das edle Glied der Geisterwelt vom Bösen« / Chor seliger Knaben: »Hände verschlinget euch« (chorus I/II, soprano, alto, boys' choir)
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (in 1994-02)
choir vocals:
Prager Philharmonischer Chor (in 1994-02), Rundfunkchor Berlin (in 1994-02) and Tölzer Knabenchor (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
chorus master:
Dietrich Knothe (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (in 1994-02)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:03
7Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Molto leggiero. Chor der jüngeren Engel: »Jene Rosen aus den Händen« (chorus I, soprano, alto)
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (in 1994-02)
choir vocals:
Rundfunkchor Berlin (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
chorus master:
Dietrich Knothe (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor) (in 1994-02)
composer:
Gustav Mahler
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:53
8Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Schon etwas langsamer und immer noch mäßiger - Wie die gleiche Stelle im I. Teil. Die vollendeteren Engel: »Uns bleibt ein Erdenrest« (chorus II, soprano, alto, tenor, alto solo)
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (in 1994-02)
choir vocals:
Prager Philharmonischer Chor (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
chorus master:
Pavel Kühn (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (in 1994-02)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler2:04
9Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: »Ich spür’ soeben nebelnd um Felsenhöh« / Doctor Marianus: »Hier ist die Aussicht frei« / Chor seliger Knaben: »Freudig empfangen wir« (chorus I, soprano, alto, tenor, boys' choir)
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (in 1994-02)
choir vocals:
Rundfunkchor Berlin (in 1994-02) and Tölzer Knabenchor (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (in 1994-02)
tenor vocals [Doctor Manianus]:
Peter Seifert (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
chorus master:
Dietrich Knothe (in 1994-02) and Gerhard Schmidt‐Gaden (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (in 1994-02)
composer:
Gustav Mahler
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h2. "Hier ist die Aussicht frei" (Doctor Marianus, Knaben Chor) (in 1994-02)
composer:
Gustav Mahler
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:19
10Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Sempre l'istesso tempo. Doctor Marianus: »Höchste Herrscherin der Welt!« (tenor, chorus I/II)
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder
choir vocals:
Prager Philharmonischer Chor (in 1994-02) and Rundfunkchor Berlin (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seifert (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
chorus master:
Dietrich Knothe (in 1994-02) and Pavel Kühn (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (in 1994-02)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:02
11Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Äußerst langsam. Adagissimo. »Dir, der Unberührbaren« (chorus I/II) / Chor der Büßerinnen und Una poenitentium: »Du schwebst zu Höhen der ewigen Reiche« (chorus II, soprano I)
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder
choir vocals:
Prager Philharmonischer Chor (in 1994-02) and Rundfunkchor Berlin (in 1994-02)
solo soprano vocals [Una Poenitentium]:
Cheryl Studer (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
chorus master:
Dietrich Knothe (in 1994-02) and Pavel Kühn (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (in 1994-02)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:53
12Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Fließend. Magna Peccatrix: »Bei der Liebe, die den Füßen« / Mulier Samaritana: »Bei dem Bronn, zu dem schon weiland« / Maria Aegyptiaca: »Bei dem hochgeweihten Orte« (soprano II, alto I, alto II)
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder
alto vocals [Maria Aegyptiaca]:
Rosemarie Lang (in 1994-02)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (in 1994-02)
soprano vocals [Magna Peccatrix]:
Sylvia McNair (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (in 1994-02)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:57
13Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Una poenitentium: »Neige, neige, du Ohnegleiche« (soprano I)
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder
soprano vocals [Una poenitentium]:
Cheryl Studer (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (in 1994-02)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler0:54
14Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Unmerklich frischer werden. Selige Knaben: »Er überwächst uns schon« / Una poenitentium: »Vom edlen Geisterchor umgeben« (boys' choir, chorus II, soprano, soprano I)
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder
choir vocals:
Prager Philharmonischer Chor (in 1994-02) and Tölzer Knabenchor (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (in 1994-02)
soprano vocals [Una poenitentium]:
Cheryl Studer (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
chorus master:
Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (in 1994-02)
composer:
Gustav Mahler
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (in 1994-02)
composer:
Gustav Mahler
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:24
15Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Sehr langsam. Mater gloriosa: »Komm! hebe dich zu höhern Sphären!« / Hymnenartig (Ungefähr im selben Zeitmaß weiter). Doctor Marianus: »Blicket auf zum Retterblick, alle reuig Zarten« (soprano, tenor, chorus I/II, boys' choir)
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder
choir vocals:
Prager Philharmonischer Chor (in 1994-02), Rundfunkchor Berlin (in 1994-02) and Tölzer Knabenchor (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
chorus master:
Dietrich Knothe (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (in 1994-02)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler7:16
16Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Sehr langsam beginnend. Chorus mysticus: »Alles Vergängliche ist nur ein Gleichnis« (chorus I/II, soprano I/II, alto I/II, tenor, baritone, bass, boys' choir)
engineer:
Jobst Eberhardt, Stephan Flock, Klaus Hiemann and Rainer Maillard
executive producer:
Christopher Alder and Pål Christian Moe
producer:
Christopher Alder
alto vocals [Maria Aegyptiaca]:
Rosemarie Lang (in 1994-02)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (in 1994-02)
baritone vocals [Pater ecstaticus]:
Bryn Terfel (in 1994-02)
bass vocals [Pater profundus]:
Jan‐Hendrik Rootering (in 1994-02)
choir vocals:
Prager Philharmonischer Chor (in 1994-02), Rundfunkchor Berlin (in 1994-02) and Tölzer Knabenchor (in 1994-02)
soprano vocals [Magna Peccatrix]:
Sylvia McNair (in 1994-02)
soprano vocals [Una poenitentium]:
Cheryl Studer (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (in 1994-02)
chorus master:
Dietrich Knothe (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (in 1994-02)
balance engineer:
Klaus Hiemann and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (in 1994-02)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:43
39▶CD: Mahler: Symphony no. 9
40▶CD: Mahler: Lieder nach Gedichten aus Des Knaben Wunderhorn