It Ain’t Necessarily So: Legendary Classic and Jazz Studio Takes

~ Release by Heifetz (see all versions of this release, 2 available)

Tracklist

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#TitleArtistLength
1From the Canebrake, op. 5 no. 1
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
From the Canebrake, op. 5 no. 1 (for violin and piano) (in 1944-10)
composer:
Samuel Gardner (in 1918)
Samuel Gardner1:35
2Jamaican Rumba
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
Jamaican Rumba (for violin or viola and piano, arr. Primrose) (in 1944-10)
composer:
Arthur Benjamin
arranger:
William Primrose
arrangement of:
Jamaican Rumba (for orchestra)
Arthur Benjamin arr. William Primrose1:39
3Beau Soir
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
Beau soir, L. 6, CD 84 (for violin and piano, Heifetz) (in 1944-10)
composer:
Claude Debussy (from 1890 until 1891)
piano and violin arranger:
Jascha Heifetz
arrangement of:
Beau soir, L. 6, CD 84 “Lorsque au soleil couchant les rivières sont roses” (for voice and piano)
Claude Debussy2:09
4Pièce en forme de habanera
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
Pièce en forme de habanera (for violin and piano, Catherine) (in 1944-10)
composer:
Maurice Ravel
piano and violin arranger:
Georges Catherine
arrangement of:
Pièce en forme de habañera (original version for bass vocals and piano)
Maurice Ravel2:39
5Levee Dance op. 27 no. 2 (based on “Go down, Moses”)
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
Levee Dance op. 27 no. 2 (for violin and piano) (in 1944-10)
composer:
Clarence Cameron White
is based on:
Go Down Moses (spiritual)
Clarence Cameron White3:07
6Paraphrase on “Largo al factotum” from G. Rossini’s opera “Il barbiere di Siviglia”
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
Figaro (for violin and piano) (in 1944-10)
composer:
Mario Castelnuovo‐Tedesco
is based on:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro)
Mario Castelnuovo‐Tedesco5:22
7Jeanie with the Light Brown Hair
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
Jeanie With the Light Brown Hair (for violin and piano, arr. Heifetz) (in 1944-10)
composer:
Stephen Foster
piano and violin arranger:
Jascha Heifetz
arrangement of:
Jeanie With the Light Brown Hair
Stephen Collins Foster2:58
8A la valse
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
3 Pieces, No. 3: A la valse (in 1944-10)
composer:
Victor Herbert
Victor Herbert1:38
9Humoresque in G-flat major, op. 101 no. 7
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
Humoresque in G-flat major, op. 101 no. 7 (for violin and piano, arr. Heifetz) (in 1944-10)
composer:
Antonín Dvořák (in 1894)
piano and violin arranger:
Jascha Heifetz
arrangement of:
Humoresque no. 7 for Piano in G-flat major, B. 187/7, op. 101 no. 7: Poco lento e grazioso (for piano)
Antonín Dvořák3:35
10Gweedore Brae
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
Gweedore Brae (for violin and piano, arr. Crowther) (in 1944-10)
composer:
[traditional]
piano and violin arranger:
John Crowther
[traditional]3:13
11Old Folks at Home
piano:
Milton Kaye (on 1944-10-18)
violin:
Jascha Heifetz (on 1944-10-18)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-18)
recording of:
Old Folks at Home (for violin and piano, arr. Heifetz) (on 1944-10-18)
composer:
Stephen Foster
piano and violin arranger:
Jascha Heifetz
arrangement of:
Old Folks at Home (Swanee River)
Stephen Collins Foster3:20
12Traditional: Deep River
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
Deep River (arr. Heifetz, for violin and piano) (in 1944-10)
composer:
[traditional]
arranger:
Jascha Heifetz
arrangement of:
Deep River
[traditional]2:24
13Viennese · Wienerisch
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
12 Impressions for Violin and Piano: Viennese (Wienerisch) (in 1944-10)
composer:
Leopold Godowsky
part of:
12 Impressions for Violin and Piano
Leopold Godowsky3:47
14White Christmas
violin:
Jascha Heifetz (on 1944-10-17)
orchestra:
[unknown] (on 1944-10-17)
conductor:
Salvador Camarata (on 1944-10-17)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-17)
instrumental recording of:
White Christmas (on 1944-10-17)
lyricist and composer:
Irving Berlin (from 1938 until 1940)
publisher:
Copyright Control, EMI Allans Music Australia Pty Ltd, Irving Berlin Music Corp., Universal Music Publishing Pty Ltd., Williamson Music Company and Irving Berlin Music Company (from 1940 to present)
sub-publisher:
Irving Berlin Music Ltd., Warner/Chappell Music Ltd., Warner/Chappell Music, Hong Kong Limited, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 15th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1942 winner)
Irving Berlin3:23
15Porgy and Bess: Summertime
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Porgy and Bess: Summertime (for violin and piano, arr. Heifetz) (in 1945-11)
composer:
George Gershwin
piano and violin arranger:
Jascha Heifetz
arrangement of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
George Gershwin1:44
16Porgy and Bess: A Woman Is A Sometime Thing
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Porgy and Bess: A Woman Is a Sometime Thing (for violin and piano, arr. Heifetz) (in 1945-11)
composer:
George Gershwin
piano and violin arranger:
Jascha Heifetz
arrangement of:
Porgy and Bess: Act Ⅰ, Scene Ⅰ. “Lissen to yo’ daddy warn you … A woman is a sometime thing”
George Gershwin1:50
17Porgy and Bess: My Man’s Gone Now
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Porgy and Bess: My Man's Gone Now (for violin and piano, arr. Heifetz) (in 1945-11)
composer:
George Gershwin
piano and violin arranger:
Jascha Heifetz
arrangement of:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
George Gershwin3:54
18Porgy and Bess: It Ain’t Necessarily So
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Porgy and Bess: It Ain’t Necessarily So (for piano and violin, arr. Heifetz) (in 1945-11)
composer:
George Gershwin
piano and violin arranger:
Jascha Heifetz
arrangement of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
George Gershwin2:32
19Porgy and Bess: Tempo di Blues “There’s A Boat That’s Leavin’ Soon For New York”
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Porgy and Bess: Tempo di Blues (for violin and piano, arr. Heifetz) (in 1945-11)
composer:
George Gershwin
piano and violin arranger:
Jascha Heifetz
arrangement of:
Porgy and Bess: Act III, Scene II. “There’s a Boat Dat’s Leavin’ Soon for New York”
George Gershwin2:55
20Porgy and Bess: Bess, You Is My Woman Now
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Porgy and Bess: Bess, You Is My Woman Now (for violin and piano, arr. Heifetz) (in 1945-11)
composer:
George Gershwin
piano and violin arranger:
Jascha Heifetz
arrangement of:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
George Gershwin3:07
21Three Preludes: I. Allegro ben ritmato e deciso
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Three Preludes: No. 1. Allegro ben ritmato e deciso (for violin and piano, Heifetz) (in 1945-11)
composer:
George Gershwin
arranger:
Jascha Heifetz
arrangement of:
Three Preludes: No. 1. Allegro ben ritmato e deciso (original version for piano)
part of:
Three Preludes (for violin and piano, Heifetz)
George Gershwin1:33
22Three Preludes: II. Andante con moto e poco rubato
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Three Preludes: No. 2. Andante con moto e poco rubato (for violin and piano, Heifetz) (in 1945-11)
composer:
George Gershwin
arranger:
Jascha Heifetz
arrangement of:
Three Preludes: No. 2. Andante con moto e poco rubato (original version for piano)
part of:
Three Preludes (for violin and piano, Heifetz)
George Gershwin2:53
23Three Preludes: III. Allegro ben ritmato e deciso
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Three Preludes: No. 3. Allegro ben ritmato e deciso (for violin and piano, Heifetz) (in 1945-11)
composer:
George Gershwin
arranger:
Jascha Heifetz
arrangement of:
Three Preludes: No. 3. Allegro ben ritmato e deciso (original version for piano)
part of:
Three Preludes (for violin and piano, Heifetz)
George Gershwin1:27
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