Sampler / Espanoleta

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistLength
1Si habra en este baldres
recording engineer:
José Miguel Moreno (in 1995-03)
producer:
Lourdes Uncilla (in 1995-03)
classical guitar:
Juan Carlos de Mulder (in 1995-03)
percussion:
Pedro Estevan (in 1995-03)
vihuela:
José Miguel Moreno (in 1995-03)
viola da gamba:
Paolo Pandolfo (in 1995-03)
soprano vocals:
Marta Almajano (in 1995-03)
conductor:
José Miguel Moreno (in 1995-03)
performer:
Romanesca (in 1995-03)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (in 1995-03)
Juan del Enzina1:14
2L'amor, dona, ch'io te porto
recording engineer:
José Miguel Moreno (in 1995-03)
producer:
Lourdes Uncilla (in 1995-03)
vihuela:
José Miguel Moreno (in 1995-03) and Juan Carlos de Mulder (in 1995-03)
viola da gamba:
Paolo Pandolfo (in 1995-03)
soprano vocals:
Marta Almajano (in 1995-03)
conductor:
José Miguel Moreno (in 1995-03)
performer:
Romanesca (in 1995-03)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (in 1995-03)
[anonymous]3:16
3La Rameau (Suite V)
recorded in:
Montevarchi, Arezzo, Toscana, Italy (from 1994-02 until 1995-04)
engineer:
Luciano Contini (from 1994-02 until 1995-04) and Valter Neri (from 1994-02 until 1995-04)
producer:
Luciano Contini (from 1994-02 until 1995-04) and Paolo Pandolfo (from 1994-02 until 1995-04)
classical guitar [baroque guitar] and theorbo:
Eduardo Egüez (from 1994-02 until 1995-04) and Rolf Lislevand (from 1994-02 until 1995-04)
harpsichord:
Guido Morini (from 1994-02 until 1995-04)
viola da gamba:
Guido Balestracci (from 1994-02 until 1995-04) and Paolo Pandolfo (from 1994-02 until 1995-04)
Antoine Forqueray4:43
4La du Vaucel (Suite III)
recorded in:
Montevarchi, Arezzo, Toscana, Italy (from 1994-02 until 1995-04)
engineer:
Luciano Contini (from 1994-02 until 1995-04) and Valter Neri (from 1994-02 until 1995-04)
producer:
Luciano Contini (from 1994-02 until 1995-04) and Paolo Pandolfo (from 1994-02 until 1995-04)
classical guitar [baroque guitar] and theorbo:
Eduardo Egüez (from 1994-02 until 1995-04) and Rolf Lislevand (from 1994-02 until 1995-04)
harpsichord:
Guido Morini (from 1994-02 until 1995-04)
viola da gamba:
Guido Balestracci (from 1994-02 until 1995-04) and Paolo Pandolfo (from 1994-02 until 1995-04)
Jean-Baptiste Antoine Forqueray4:09
5Passagaille (Suonata Re Mayor)
engineer and producer:
José Miguel Moreno (in 1993-06)
editor:
Carlos Céster (in 1993-03)
lute [baroque lute]:
José Miguel Moreno (in 1993-06)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1993-06)
edit of:
Suite 2 in D major, Sm 109: VII. Passacaille by José Miguel Moreno
Sylvius Leopold Weiss3:50
6Giga (Suonata Re Mayor)
engineer and producer:
José Miguel Moreno (in 1993-06)
editor:
Carlos Céster (in 1993-03)
lute [baroque lute]:
José Miguel Moreno (in 1993-06)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1993-06)
edit of:
Suite 2 in D major, Sm 17: VIII. Gigue by José Miguel Moreno
Sylvius Leopold Weiss2:58
7Klaglied
engineer:
Roberto Chinellato (in 1992-08)
producer:
Roberto Gini (in 1992-08)
countertenor vocals:
Roberto Balconi (in 1992-08) and Claudio Cavina (in 1992-08)
soprano vocals:
Rossana Bertini (in 1992-08)
orchestra:
Concerto delle Viole (in 1992-08)
conductor:
Roberto Gini (in 1992-08)
performer:
Concerto di Viole
recorded at:
Villa Pirelli in Induno Olona, Varese, Lombardia, Italy (in 1992-08)
recording of:
Fried- und Freudenreiche Hinfahrt, BuxWV 76b: Klagelied "Muß der Tod denn auch entbinden" (in 1992-08)
composer:
Dieterich Buxtehude
part of:
Fried- und Freudenreiche Hinfahrt, BuxWV 76
Dietrich Buxtehude8:15
8De las luces que en el mar
engineer:
José Carlos Cabello and José Miguel Moreno
producer:
Lourdes Uncilla
editor:
Carlos Céster
soprano vocals:
Marta Almajano
conductor:
José Miguel Moreno (from 1991-11 until 1992-04)
performer:
Romanesca and La Romanesca (from 1991-11 until 1992-04)
recorded at:
Ermita de Abantos (from 1991-11 until 1992-04) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1991-11 until 1992-04)
recording of:
De las luces que en el mar (from 1991-11 until 1992-04)
composer:
Juan Hidalgo
Juan Hidalgo2:23
9No piense Menguilla
engineer:
José Carlos Cabello and José Miguel Moreno
producer:
Lourdes Uncilla
editor:
Carlos Céster
soprano vocals:
Marta Almajano
conductor:
José Miguel Moreno (from 1991-11 until 1992-04)
performer:
Romanesca and La Romanesca (from 1991-11 until 1992-04)
recorded at:
Ermita de Abantos (from 1991-11 until 1992-04) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1991-11 until 1992-04)
recording of:
No piense Menguilla (from 1991-11 until 1992-04)
composer:
José Marin
José Marin3:09
10El lamento
recorded in:
Cuenca, Cuenca, Castilla-La Mancha, Spain (in 1995-04)
engineer:
Carlos Céster (in 1995-04) and José Luís Crespo (in 1995-04)
producer:
Carlos Céster (in 1995-04) and María Díaz (in 1995-04)
piano:
Patrick Cohen (in 1995-04)
recording of:
El lamento, op. 9 (in 1995-04)
composer:
Marcial del Adalid
Marcial del Adalid7:22
11Placidissime catene
engineer:
Carlos Céster (in 1994-06)
producer:
Claudio Cavina (in 1994-06) and Attilio Cremonesi (in 1994-06)
countertenor vocals:
Claudio Cavina (in 1994-06)
soprano vocals:
Rossana Bertini (in 1994-06)
conductor:
Attilio Cremonesi (in 1994-06)
performer:
Arcadia (in 1994-06)
recorded at:
Chiesa di San Martino in Forlì, Forlì-Cesena, Emilia-Romagna, Italy (in 1994-06)
Agostino Steffani7:26
12Cinco diferencias sobre vacas
engineer and producer:
José Miguel Moreno (in 1992-05)
vihuela:
José Miguel Moreno (in 1992-05)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1992-05)
Luis Venegas de Henestrosa4:04
13Pues no me quereis hablar
engineer and producer:
José Miguel Moreno (in 1992-05)
vihuela:
José Miguel Moreno (in 1992-05)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1992-05)
Luis Venegas de Henestrosa2:29
14Adagio (Trio G93)
engineer:
Carlos Céster (in 1994-07)
producer:
Amaya Oliver (in 1994-07)
cello:
Wouter Möller (in 1994-07)
violin:
Enrico Gatti (in 1994-07) and Emilio Moreno (in 1994-07)
performer:
La Real Cámara (in 1994-07)
recorded at:
Capilla de Nuestra Senora de la Esperanza (in 1994-07)
recording of:
Trio in G minor op. 6 no. 5, G. 93: I. Adagio
composer:
Luigi Boccherini
part of:
Trio in G minor op. 6 no. 5, G. 93
Luigi Boccherini3:32
15La bona notte (Duo G62)Luigi Boccherini2:12
16La costanza
recording engineer:
José Miguel Moreno (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-10 until 1995-01)
recording of:
12 canzonette italiane: No. 7. La constanza (from 1994-10 until 1995-01)
composer:
Vicente Martín y Soler
part of:
12 canzonette italiane
Vicente Martín y Soler2:33
17Lied ohne Worte
recording engineer:
José Miguel Moreno (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-10 until 1995-01)
recording of:
Bardenklänge, op. 13: Lied ohne Worte (from 1994-10 until 1995-01)
composer:
Johann Kaspar Mertz
part of:
Bardenklänge, op. 13
Johann Kaspar Mertz4:51
18Confuso, smarrito
recording engineer:
José Miguel Moreno (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-10 until 1995-01)
recording of:
Sei cavatine, op. 39: No. 2. Confuso, smarrito (from 1994-10 until 1995-01)
composer:
Mauro Giuliani
part of:
Sei cavatine, op. 39
Mauro Giuliani1:13
19Lantururu
recording engineer and producer:
José Miguel Moreno (from 1994-03 until 1996-06)
editor:
Carlos Céster (from 1994-03 until 1996-06)
baroque guitar and classical guitar:
José Miguel Moreno (from 1994-03 until 1996-06)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-03 until 1996-06)
recording of:
Lantururu (from 1994-03 until 1996-06)
composer:
Gaspar Sanz
Gaspar Sanz1:38
20Canarios
recording engineer and producer:
José Miguel Moreno (from 1994-03 until 1996-06)
editor:
Carlos Céster (from 1994-03 until 1996-06)
baroque guitar:
José Miguel Moreno (from 1994-03 until 1996-06)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-03 until 1996-06)
recording of:
Canarios (from 1994-03 until 1996-06)
composer:
Gaspar Sanz
part of:
Instrucción de música sobre la guitarra española, volumen 1
Gaspar Sanz3:50
21Finale_Allegro Vivo (Trio G118)
engineer:
Carlos Céster (in 1995-09)
producer:
Emilio Moreno (in 1995-09)
assistant editor:
María Díaz (in 1995-09)
cello:
Wouter Möller
violin:
Enrico Gatti and Emilio Moreno
performer:
La Real Cámara
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (in 1995-09)
Luigi Boccherini3:17