Mahler: Kindertotenlieder / Lieder eines fahrenden Gesellen / Wagner: Wesendonk-Lieder

~ Release by Gustav Mahler, Richard Wagner; Kirsten Flagstad (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistLength
1Kindertotenlieder: "Nun will die Sonn' so hell aufgeh'n"
engineer:
James Brown (from 1957-05-17 until 1957-05-21) and Gordon Parry (from 1957-05-17 until 1957-05-21)
mixer:
Guy Flechter (in 1957)
soprano vocals:
Kirsten Flagstad (from 1957-05-17 until 1957-05-21)
orchestra:
Wiener Philharmoniker (from 1957-05-17 until 1957-05-21)
conductor:
Sir Adrian Boult (from 1957-05-17 until 1957-05-21)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1957-05-17 until 1957-05-21)
recording of:
Kindertotenlieder: I. “Nun will die Sonn’ so hell aufgeh’n” (from 1957-05-17 until 1957-05-21)
composer:
Gustav Mahler (in 1901)
librettist:
Friedrich Rückert (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler6:05
2Kindertotenlieder: "Nun seh' ich wohl, warum so dunkle Flammen"
engineer:
James Brown (from 1957-05-17 until 1957-05-21) and Gordon Parry (from 1957-05-17 until 1957-05-21)
soprano vocals:
Kirsten Flagstad (from 1957-05-17 until 1957-05-21)
orchestra:
Wiener Philharmoniker (from 1957-05-17 until 1957-05-21)
conductor:
Sir Adrian Boult (from 1957-05-17 until 1957-05-21)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1957-05-17 until 1957-05-21)
recording of:
Kindertotenlieder: II. “Nun seh’ ich wohl, warum so dunkle Flammen” (from 1957-05-17 until 1957-05-21)
composer:
Gustav Mahler (in 1904)
librettist:
Friedrich Rückert (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler5:57
3Kindertotenlieder: "Wenn dein Mütterlein"
engineer:
James Brown (from 1957-05-17 until 1957-05-21) and Gordon Parry (from 1957-05-17 until 1957-05-21)
soprano vocals:
Kirsten Flagstad (from 1957-05-17 until 1957-05-21)
orchestra:
Wiener Philharmoniker (from 1957-05-17 until 1957-05-21)
conductor:
Sir Adrian Boult (from 1957-05-17 until 1957-05-21)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1957-05-17 until 1957-05-21)
recording of:
Kindertotenlieder: III. “Wenn dein Mütterlein” (from 1957-05-17 until 1957-05-21)
composer:
Gustav Mahler (in 1901)
librettist:
Friedrich Rückert (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler5:36
4Kindertotenlieder: "Oft denk' ich, sie sind nur ausgegangen"
engineer:
James Brown (from 1957-05-17 until 1957-05-21) and Gordon Parry (from 1957-05-17 until 1957-05-21)
soprano vocals:
Kirsten Flagstad (from 1957-05-17 until 1957-05-21)
orchestra:
Wiener Philharmoniker (from 1957-05-17 until 1957-05-21)
conductor:
Sir Adrian Boult (from 1957-05-17 until 1957-05-21)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1957-05-17 until 1957-05-21)
recording of:
Kindertotenlieder: IV. “Oft denk’ ich, sie sind nur ausgegangen” (from 1957-05-17 until 1957-05-21)
composer:
Gustav Mahler (in 1901)
librettist:
Friedrich Rückert (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler3:45
5Kindertotenlieder: "In diesem Wetter"
engineer:
James Brown (from 1957-05-17 until 1957-05-21) and Gordon Parry (from 1957-05-17 until 1957-05-21)
soprano vocals:
Kirsten Flagstad (from 1957-05-17 until 1957-05-21)
orchestra:
Wiener Philharmoniker (from 1957-05-17 until 1957-05-21)
conductor:
Sir Adrian Boult (from 1957-05-17 until 1957-05-21)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1957-05-17 until 1957-05-21)
recording of:
Kindertotenlieder: V. “In diesem Wetter” (from 1957-05-17 until 1957-05-21)
composer:
Gustav Mahler (in 1904)
librettist:
Friedrich Rückert (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler6:31
6Lieder eines fahrenden Gesellen: "Wenn mein Schatz Hochzeit macht"
engineer:
James Brown (from 1957-05-17 until 1957-05-21) and Gordon Parry (from 1957-05-17 until 1957-05-21)
soprano vocals:
Kirsten Flagstad (from 1957-05-17 until 1957-05-21)
orchestra:
Wiener Philharmoniker (from 1957-05-17 until 1957-05-21)
conductor:
Sir Adrian Boult (from 1957-05-17 until 1957-05-21)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1957-05-17 until 1957-05-21)
recording of:
Lieder eines fahrenden Gesellen: I. "Wenn mein Schatz Hochzeit macht" (from 1957-05-17 until 1957-05-21)
lyricist and composer:
Gustav Mahler
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler4:07
7Lieder eines fahrenden Gesellen: "Ging heut' morgen übers Feld"
engineer:
James Brown (from 1957-05-17 until 1957-05-21) and Gordon Parry (from 1957-05-17 until 1957-05-21)
soprano vocals:
Kirsten Flagstad (from 1957-05-17 until 1957-05-21)
orchestra:
Wiener Philharmoniker (from 1957-05-17 until 1957-05-21)
conductor:
Sir Adrian Boult (from 1957-05-17 until 1957-05-21)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1957-05-17 until 1957-05-21)
recording of:
Lieder eines fahrenden Gesellen: II. "Ging heut morgen übers Feld" (from 1957-05-17 until 1957-05-21)
lyricist and composer:
Gustav Mahler
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler4:12
8Lieder eines fahrenden Gesellen: "Ich hab' ein glühend Messer"
engineer:
James Brown (from 1957-05-17 until 1957-05-21) and Gordon Parry (from 1957-05-17 until 1957-05-21)
soprano vocals:
Kirsten Flagstad (from 1957-05-17 until 1957-05-21)
orchestra:
Wiener Philharmoniker (from 1957-05-17 until 1957-05-21)
conductor:
Sir Adrian Boult (from 1957-05-17 until 1957-05-21)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1957-05-17 until 1957-05-21)
recording of:
Lieder eines fahrenden Gesellen: III. "Ich hab' ein glühend Messer" (from 1957-05-17 until 1957-05-21)
lyricist and composer:
Gustav Mahler
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler2:59
9Lieder eines fahrenden Gesellen: "Die zwei blauen Augen von meinem Schatz"
engineer:
James Brown (from 1957-05-17 until 1957-05-21) and Gordon Parry (from 1957-05-17 until 1957-05-21)
soprano vocals:
Kirsten Flagstad (from 1957-05-17 until 1957-05-21)
orchestra:
Wiener Philharmoniker (from 1957-05-17 until 1957-05-21)
conductor:
Sir Adrian Boult (from 1957-05-17 until 1957-05-21)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1957-05-17 until 1957-05-21)
recording of:
Lieder eines fahrenden Gesellen: IV. "Die zwei blauen Augen von meinem Schatz" (from 1957-05-17 until 1957-05-21)
lyricist and composer:
Gustav Mahler
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler4:54
10Wesendonk Lieder (Five Poems for Female Voice): "Der Engel"
engineer:
James Brown (from 1956-05-13 until 1956-05-15) and Gordon Parry (from 1956-05-13 until 1956-05-15)
producer:
Peter Andry and Victor Olof
soprano vocals:
Kirsten Flagstad (, from 1956-05-13 until 1956-05-15)
orchestra:
Wiener Philharmoniker (from 1956-05-13 until 1956-05-15)
conductor:
Hans Knappertsbusch (from 1956-05-13 until 1956-05-15)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1956-05-13 until 1956-05-15)
recording of:
Wesendonck-Lieder: I. Der Engel (for voice and large orchestra, Mottl) (from 1956-05-13 until 1956-05-15)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner
version of:
Wesendonck-Lieder: I. Der Engel (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner3:17
11Wesendonk Lieder (Five Poems for Female Voice): "Stehe still"
engineer:
James Brown (from 1956-05-13 until 1956-05-15) and Gordon Parry (from 1956-05-13 until 1956-05-15)
producer:
Peter Andry and Victor Olof
soprano vocals:
Kirsten Flagstad (, from 1956-05-13 until 1956-05-15)
orchestra:
Wiener Philharmoniker (from 1956-05-13 until 1956-05-15)
conductor:
Hans Knappertsbusch (from 1956-05-13 until 1956-05-15)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1956-05-13 until 1956-05-15)
recording of:
Wesendonck-Lieder: II. Stehe still (for voice and large orchestra, Mottl) (from 1956-05-13 until 1956-05-15)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner
version of:
Wesendonck-Lieder: II. Stehe still (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner3:56
12Wesendonk Lieder (Five Poems for Female Voice): "Im Treibhaus"
engineer:
James Brown (from 1956-05-13 until 1956-05-15) and Gordon Parry (from 1956-05-13 until 1956-05-15)
producer:
Peter Andry and Victor Olof
soprano vocals:
Kirsten Flagstad (, from 1956-05-13 until 1956-05-15)
orchestra:
Wiener Philharmoniker (from 1956-05-13 until 1956-05-15)
conductor:
Hans Knappertsbusch (from 1956-05-13 until 1956-05-15)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1956-05-13 until 1956-05-15)
recording of:
Wesendonck-Lieder: III. Im Treibhaus (for voice and large orchestra, Mottl) (from 1956-05-13 until 1956-05-15)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner
arrangement of:
Wesendonck-Lieder: III. Im Treibhaus (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner6:08
13Wesendonk Lieder (Five Poems for Female Voice): "Schmerzen"
engineer:
James Brown (from 1956-05-13 until 1956-05-15) and Gordon Parry (from 1956-05-13 until 1956-05-15)
producer:
Peter Andry and Victor Olof
soprano vocals:
Kirsten Flagstad (, from 1956-05-13 until 1956-05-15)
orchestra:
Wiener Philharmoniker (from 1956-05-13 until 1956-05-15)
conductor:
Hans Knappertsbusch (from 1956-05-13 until 1956-05-15)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1956-05-13 until 1956-05-15)
recording of:
Wesendonck-Lieder: IV. Schmerzen (for voice and large orchestra, Mottl) (from 1956-05-13 until 1956-05-15)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner
version of:
Wesendonck-Lieder: IV. Schmerzen (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner2:27
14Wesendonk Lieder (Five Poems for Female Voice): "Träume"
engineer:
James Brown (from 1956-05-13 until 1956-05-15) and Gordon Parry (from 1956-05-13 until 1956-05-15)
producer:
Peter Andry and Victor Olof
soprano vocals:
Kirsten Flagstad (from 1956-05-13 until 1956-05-15)
orchestra:
Wiener Philharmoniker (from 1956-05-13 until 1956-05-15)
conductor:
Hans Knappertsbusch (from 1956-05-13 until 1956-05-15)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1956-05-13 until 1956-05-15)
instrumental recording of:
Wesendonck-Lieder: V. Träume (for voice and large orchestra, Wagner) (from 1956-05-13 until 1956-05-15)
orchestrator and composer:
Richard Wagner
lyricist:
Mathilde Wesendonck
arrangement of:
Wesendonck-Lieder: V. Träume (for voice and piano)
is based on:
Träume, WWV 91b (for violin and orchestra)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner4:45
15Lohengrin: Act I. "Einsam in trüben Tagen"
engineer:
James Brown (from 1956-05-13 until 1956-05-15)
producer:
Peter Andry and Victor Olof
soprano vocals:
Kirsten Flagstad (, from 1956-05-13 until 1956-05-15)
orchestra:
Wiener Philharmoniker (from 1956-05-13 until 1956-05-15)
conductor:
Hans Knappertsbusch (from 1956-05-13 until 1956-05-15)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1956-05-13 until 1956-05-15)
recording of:
Lohengrin, WWV 75: Akt I, Scene II. “Seht hin! Sie naht, die hart Beklagte!” (Elsas Traum „Einsam in trüben Tagen”) (from 1956-05-13 until 1956-05-15)
composer:
Richard Wagner (from 1846 until 1848)
librettist:
Richard Wagner
part of:
Lohengrin, WWV 75: Akt I
Richard Wagner6:45
16Parsifal: Act II. "Ich sah das Kind an seiner Mutter Brust"
engineer:
James Brown (from 1956-05-13 until 1956-05-15)
producer:
Peter Andry and Victor Olof
soprano vocals:
Kirsten Flagstad (, from 1956-05-13 until 1956-05-15)
orchestra:
Wiener Philharmoniker (from 1956-05-13 until 1956-05-15)
conductor:
Hans Knappertsbusch (from 1956-05-13 until 1956-05-15)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1956-05-13 until 1956-05-15)
recording of:
Parsifal, WWV 111: II. Aufzug, 2. Szene (from 1956-05-13 until 1956-05-15)
composer:
Richard Wagner (from 1877-09 until 1882-01)
librettist:
Richard Wagner (from 1865-08-27 until 1877-04-19)
part of:
Parsifal, WWV 111: II. Aufzug
Richard Wagner5:50
17Die Walküre: "Erster Aufzug" - "Du bist der Lenz"
engineer:
James Brown (from 1956-05-13 until 1956-05-15)
producer:
Peter Andry and Victor Olof
soprano vocals:
Kirsten Flagstad (, from 1956-05-13 until 1956-05-15)
orchestra:
Wiener Philharmoniker (from 1956-05-13 until 1956-05-15)
conductor:
Hans Knappertsbusch (from 1956-05-13 until 1956-05-15)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1956-05-13 until 1956-05-15)
recording of:
Die Walküre, WWV 86B: Akt I, Scene III. “Ein Schwert verhieß mir der Vater“ (from 1956-05-13 until 1956-05-15)
composer:
Richard Wagner (from 1854-06-28 until 1856-03-23)
librettist:
Richard Wagner
part of:
Die Walküre, WWV 86B: Akt I
Richard Wagner2:32