| # | Title | Artist | Length |
|---|
| 1 | (I've Had) The Time of My Life- assistant engineer:
- Jeff DeMorris (task: 2nd assistant engineer) and Dan Nebenzal (task: 1st assistant engineer)
- engineer:
- Carmine Rubino
- producer:
- Michael Lloyd
- vocals:
- Bill Medley and Jennifer Warnes
- remixer:
- Jimmy Ienner, Michael Lloyd, Dan Nebenzal and Carmine Rubino
- additional arranger:
- John D’Andrea and Michael Lloyd
- arranger:
- Gene Page
- phonographic copyright (℗) by:
- RCA Records, BMG Music (in 1987) and Vestron Music Inc. (in 1987)
- produced for:
- Mike Curb Productions
- recorded at:
- The Village Recorder in Los Angeles, California, United States
- recording of:
- (I’ve Had) The Time of My Life
- lyricist:
- Franke Previte
- composer:
- John DeNicola and Donald Markowitz
- publisher:
- ヤマハミュージックEH(CM) (ended), Calspen Music, Copyright Control, EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony Music Publishing (Japan) Inc., Sony/ATV Tunes LLC, ソニー・ミュージックパブリッシング A事業部, フジパシフィックミュージック, Donald Jay Music, Ltd. (in 1987), Jemava Music Corp. (in 1987), Knockout Music Inc. (in 1987) and R.U. Cyrius Publishing (in 1987)
- part of:
- The 60th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1987 winner)
| Bill Medley & Jennifer Warnes | 4:49 |
| 2 | Footloose- producer:
- Lee DeCarlo and Kenny Loggins
- bass guitar:
- Nathan East
- bass synthesizer:
- Michael Boddicker
- drums (drum set):
- Tris Imboden
- guitar:
- Buzz Feiten
- instruments:
- Michael Boddicker
- keyboard:
- Neil Larsen and Steven Wood
- percussion:
- Michael Boddicker and Paulinho da Costa
- background vocals:
- Marilyn Dorman, Richey Washington and Steven Wood
- lead vocals:
- Kenny Loggins
- remixer:
- Humberto Gatica
- phonographic copyright (℗) by:
- CBS, Inc. (in 1984), Columbia Records (in 1984), Sony BMG Music Entertainment Inc. (in 1984) and Sony Music Entertainment Inc. (in 1984)
- recording of:
- Footloose
- lyricist:
- Dean Pitchford
- composer:
- Kenny Loggins
- publisher:
- BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control, Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation, Island Music, Milk Money Music, Sony Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. and Universal Music Publishers MGB Australia Pty Ltd
- part of:
- The 57th Academy Award for Best Original Song (number: 2)
| Kenny Loggins | 3:42 |
| 3 | Maniac- producer:
- Phil Ramone and Michael Sembello
- vocals:
- Michael Sembello (in 1983)
- phonographic copyright (℗) by:
- Polygram Records, Inc. (New York) (in 1983) and The Island Def Jam Music Group (in 1983)
- recording of:
- Maniac (in 1983)
- writer:
- Dennis Matkosky and Michael Sembello
- publisher:
- Copyright Control, Famous Music Corporation, Intersong Music, Intersong Music Ltd., Intersong USA, Inc., Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. and WB Music Corp.
- part of:
- The 56th Academy Award for Best Original Song (number: 2)
| Michael Sembello | 4:04 |
| 4 | Unchained Melody- engineer:
- Larry Levine
- producer:
- Phil Spector
- solo lead vocals:
- Bobby Hatfield (in 1965-03)
- arranger:
- Jack Nitzsche
- phonographic copyright (℗) by:
- Spectrum Music, PolyGram Records, Inc. (in 1965, in 1968) and Universal Records (in 1966)
- recorded at:
- Radio Recorders Studios in West Hollywood, California, United States (in 1965-03)
- part of:
- The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (number: 366)
- cover recording of:
- Unchained Melody (in 1965-03)
- publisher:
- Hy Zaret
- lyricist:
- Hy Zaret
- composer:
- Alex North
- publisher:
- Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd., MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
- sub-publisher:
- 日音 Synch事業部
- part of:
- The 28th Academy Award for Best Original Song (number: 2)
| The Righteous Brothers | 3:38 |
| 5 | Nothing's Gonna Stop Us Now- performer:
- Starship (in 1987)
- phonographic copyright (℗) by:
- BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) and Sony Music Entertainment (in 1987)
- recording of:
- Nothing’s Gonna Stop Us Now (in 1987)
- writer:
- Albert Hammond and Diane Warren
- arranger:
- Narada Michael Walden
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control, EMI Music Publishing Ltd., Empire Music Ltd., Realsongs, Warner Bros. Music Ltd., WB Music Corp. and Windswept Pacific Music Ltd.
- part of:
- The 60th Academy Award for Best Original Song (number: 2)
| Starship | 4:31 |
| 6 | When the Going Gets Tough, the Tough Get Going- executive producer:
- Robert John “Mutt” Lange
- producer:
- Barry J. Eastmond and Wayne Brathwaite
- mixer:
- Nigel Green
- phonographic copyright (℗) by:
- Zomba Records Limited (in 1986)
- music videos:
- When the Going Gets Tough, the Tough Get Going by Billy Ocean
- recording of:
- When the Going Gets Tough, the Tough Get Going
- writer:
- Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange and Billy Ocean
- publisher:
- Aqua Music, Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd., Zomba Enterprises, Inc. and Zomba Music Publishers Ltd.
| Billy Ocean | 4:10 |
| 7 | 9 to 5 | Dolly Parton | 2:46 |
| 8 | I'm So Excited- recorded in:
- Los Angeles, California, United States (in 1983)
- synthesizer programming:
- Michael Boddicker
- engineer:
- Gabe Veltri
- associate producer:
- Trevor Lawrence
- producer:
- Richard Perry
- bass:
- Nathan Watts (in 1983)
- drums (drum set):
- John “JR” Robinson (in 1983)
- guitar:
- George Doering (in 1983) and Lee Ritenour (in 1983)
- organ:
- William D. “Smitty” Smith (in 1983)
- percussion:
- Paulinho da Costa (in 1983)
- piano:
- John Barnes (in 1983)
- reeds:
- Gary Herbig (in 1983) and Jim Horn (in 1983)
- synthesizer:
- Greg Phillinganes (in 1983)
- trombone:
- Dick Hyde (in 1983)
- trumpet:
- Chuck Findley (in 1983) and Gary Grant (in 1983)
- lead vocals:
- Anita Pointer (in 1983)
- horn arranger:
- Trevor Lawrence
- remix of:
- I’m So Excited by The Pointer Sisters
- recording of:
- I’m So Excited (in 1983)
- writer:
- Anita Pointer, June Pointer, Ruth Pointer and Trevor Lawrence
- publisher:
- ’Til Dawn Music, Braintree Music, Copyright Control, EMI Blackwood Music Inc., EMI Music Publishing, EMI Songs, EMI Songs Ltd. and SBK Blackwood Music Inc.
- sub-publisher:
- Fujipacific Music Inc. SBK Division (until 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30), Fuji Pacific Music SBK Department (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| The Pointer Sisters | 4:53 |
| 9 | Everybody Needs Somebody to Love | Solomon Burke | 2:45 |
| 10 | Say You, Say Me | Lionel Richie | 4:02 |
| 11 | Lead Me On | Teena Marie | 3:48 |
| 12 | Axel F | Harold Faltermeyer | 3:03 |
| 13 | Living in America | James Brown | 5:59 |
| 14 | Pretty in Pink | The Psychedelic Furs | 3:55 |
| 15 | People Are Strange | Echo & the Bunnymen | 3:39 |
| 16 | You're the Best | Joe Esposito | 3:00 |
| 17 | In the Name of Love | Thompson Twins | 3:54 |
| 18 | Crockett's Theme | Jan Hammer | 3:33 |
| 19 | Arthur's Theme (Best That You Can Do)- additional engineer:
- John Guess, Lee Herschberg, Mark Linett and Richard Mullen
- assistant engineer:
- Stuart Gitlin and Margaret Gwynne
- producer:
- Michael Omartian
- mixer:
- Chet Himes
- lead vocals:
- Christopher Cross
- conductor:
- Michael Omartian
- strings arranger:
- Michael Omartian
- arranger:
- Christopher Cross, Rob Meurer and Michael Omartian
- concertmaster:
- Assa Drori
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1981, in 1983)
- recorded at and mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- part of:
- Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
- recording of:
- Arthur’s Theme (Best That You Can Do)
- writer:
- Peter Allen, Burt Bacharach, Carole Bayer Sager and Christopher Cross
- publisher:
- Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing, Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1981 winner)
| Christopher Cross | 3:55 |
| 20 | Holding Out for a Hero- phonographic copyright (℗) by:
- Sony Music Entertainment (in 1984), Sony Music Entertainment Inc. (in 1984), Sony Music Entertainment UK Limited (in 1984) and Sony Music Entertainment (UK) Ltd. (in 1985)
- recording of:
- Holding Out for a Hero
- lyricist:
- Dean Pitchford
- composer:
- Jim Steinman
- publisher:
- BMG Music Publishing Ltd., Ensign Music Corp., Famous Chappell, Famous Chappell Ltd., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Harmony UK, Sony/ATV Melody and Sony/ATV Music Publishing LLC
- is based on:
- Stark Raving Love
| Bonnie Tyler | 4:23 |
