| # | Title | Artist | Length |
|---|
| 1 | California Girls | David Lee Roth | 2:47 |
| 2 | Johnny Come Home | Fine Young Cannibals | 3:36 |
| 3 | The Reflex | Duran Duran | 5:29 |
| 4 | Underneath the Radar | Underworld | 6:03 |
| 5 | Live It Up | Mental as Anything | 3:50 |
| 6 | White Wedding, Part 1- assistant engineer:
- Steve Bates
- engineer:
- Brian Reeves
- producer:
- Keith Forsey
- bass guitar:
- Phil Feit
- drums (drum set):
- Steve Missal
- guitar:
- Billy Idol and Steve Stevens
- lead vocals:
- Billy Idol
- arranger:
- Billy Idol and Steve Stevens
- phonographic copyright (℗) by:
- Capitol Records (in 1982), Capitol Records, Inc. (in 1982), Capitol Records, LLC (in 1982) and Chrysalis Records, Inc. (in 1982, in 2002)
- recorded at and mixed at:
- Westlake Audio in Los Angeles, California, United States
- music videos:
- White Wedding, Pt. 1 by Billy Idol
- recording of:
- White Wedding
- lyricist and composer:
- Billy Idol
- publisher:
- Boneidol Music, Chrysalis Music, Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH, Chrysalis Music Ltd., Chrysalis Music Publishing Ltd., Copyright Control and Rare Blue Music Inc
| Billy Idol | 4:14 |
| 7 | You I Know | Jenny Morris | 4:09 |
| 8 | Breakaway | Big Pig | 3:40 |
| 9 | We’re Not Gonna Take It- recording engineer and mixer:
- Geoff Workman
- assistant engineer:
- Gary McGachan
- engineer:
- John Agnello, Greg Laney and Geoff Workman
- producer:
- Tom Werman
- bass guitar:
- Mark Mendoza
- drums (drum set):
- A.J. Pero
- electric guitar:
- Jay Jay French and Eddie Ojeda
- background vocals:
- Jay Jay French, Mark Mendoza, Eddie Ojeda, A.J. Pero and Dee Snider
- lead vocals:
- Dee Snider
- arranger:
- Twisted Sister and Tom Werman
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1984-02 until 1984-03), The Record Plant in Midtown Manhattan, New York, New York, United States (from 1984-02 until 1984-03) and Westlake Audio in Los Angeles, California, United States (from 1984-02 until 1984-03)
- mixed at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 21), VH1: 100 Greatest Songs of the 80’s (number: 47) and Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 81)
- recording of:
- We’re Not Gonna Take It
- lyricist and composer:
- Dee Snider
- publisher:
- Copyright Control and Universal Tunes
- part of:
- “The Filthy Fifteen” (number: 7)
| Twisted Sister | 3:39 |
| 10 | Urgent- assistant engineer:
- Edwin Hobgood and Michael Sauvage
- engineer:
- Tony Platt, Brad Samuelsohn and Dave Wittman
- producer:
- Mick Jones and Robert John “Mutt” Lange
- bass guitar:
- Rick Wills
- drums (drum set):
- Dennis Elliott
- electric guitar [lead guitar]:
- Mick Jones
- keyboard:
- Michael Fonfara and Mick Jones
- saxophone:
- Mark Rivera
- solo saxophone:
- Junior Walker
- synthesizer:
- Thomas Dolby
- background vocals:
- Dennis Elliott, Mick Jones, Robert John “Mutt” Lange, Ian Lloyd, Mark Rivera and Rick Wills
- lead vocals:
- Lou Gramm
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1981, in 2002), WEA International Inc. (in 1981) and Rhino Entertainment Company (in 2009)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- Urgent
- lyricist and composer:
- Mick Jones
- publisher:
- Intersong Music Ltd., Somerset Songs Publishing Inc., Fuji Pacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Foreigner | 4:29 |
| 11 | Blister in the Sun | Violent Femmes | 2:26 |
| 12 | Boys Will Be Boys | Choirboys | 3:29 |
| 13 | Arthur’s Theme (Best That You Can Do)- additional engineer:
- John Guess, Lee Herschberg, Mark Linett and Richard Mullen
- assistant engineer:
- Stuart Gitlin and Margaret Gwynne
- producer:
- Michael Omartian
- mixer:
- Chet Himes
- lead vocals:
- Christopher Cross
- conductor:
- Michael Omartian
- strings arranger:
- Michael Omartian
- arranger:
- Christopher Cross, Rob Meurer and Michael Omartian
- concertmaster:
- Assa Drori
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1981, in 1983)
- recorded at and mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- part of:
- Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
- recording of:
- Arthur’s Theme (Best That You Can Do)
- writer:
- Peter Allen, Burt Bacharach, Carole Bayer Sager and Christopher Cross
- publisher:
- Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing, Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1981 winner)
| Christopher Cross | 3:53 |
| 14 | Stuck on You | Paul Norton | 4:00 |
| 15 | Too Shy | Kajagoogoo | 3:43 |
| 16 | Private Idaho | The B‐52s | 3:37 |
| 17 | Ain’t Nobody | Chaka Khan | 4:39 |
| 18 | Wanna Be Up | The Chantoozies | 3:42 |
| 19 | Morning Train (Nine to Five) | Sheena Easton | 3:17 |
| 20 | The Rose | Bette Midler | 3:40 |
