Soulsville U.S.A.: A Celebration of Stax

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistLength
1Fool in Love
recording of:
Fool in Love (doo-wop song)
composer:
Chips Moman
The Veltones1:59
2Gee Whiz
recorded in:
Memphis, Tennessee, United States (in 1960) and Nashville, Tennessee, United States (in 1960)
producer:
Jim Stewart
vocals:
Carla Thomas (in 1960)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 29)
recording of:
Gee Whiz (Look at His Eyes) (in 1960)
lyricist and composer:
Carla Thomas
publisher:
Irving Music, Inc.
Carla Thomas2:21
3Last Night
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Chips Moman and Jim Stewart
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (in 1961-09)
drums (drum set):
Terry Johnson (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (in 1961-09)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 28)
recording of:
Last Night (in 1961-09)
writer:
Charles Axton, Chip Moman, Gilbert Caple, Jerald Smith and Floyd Newman
composer:
The Mar‐Keys
The Mar‐Keys2:39
4You Don't Miss Your Water
recorded in:
Memphis, Tennessee, United States (in 1961)
producer:
Chips Moman
bass guitar [bass]:
Duck Dunn (in 1961)
drums (drum set) [drums]:
Howard Grimes (in 1961)
organ:
Spooky Butler (in 1961)
piano:
Marvell Thomas (in 1961)
tenor saxophone and trumpet:
[unknown] (in 1961)
vocals:
William Bell (in 1961)
recording of:
You Don’t Miss Your Water
lyricist and composer:
William Bell
publisher:
Irving Music, Inc.
William Bell3:01
5Green Onions
recorded in:
Memphis, Tennessee, United States (in 1962-06)
producer:
Jim Stewart
bass guitar [bass]:
Lewie Steinberg (in 1962-06)
drums (drum set) [drums]:
Al Jackson (in 1962-06)
guitar:
Steve Cropper (in 1962-06)
Hammond organ:
Booker T. Jones (in 1962-06)
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1967)
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 181) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 418)
recording of:
Green Onions (in 1962-06)
composer:
Al Jackson, Jr., Steve Cropper, Booker T. Jones and Lewie Steinberg
publisher:
Al Jackson Jr. Music, Bug Music, Carlin Music Corporation, East/Memphis Music Corp. and Irving Music
Booker T. & the MG’s2:55
6Walking the Dog
producer:
Jim Stewart
vocals:
Rufus Thomas
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 24)
recording of:
Walking the Dog (in 1963)
lyricist and composer:
Rufus Thomas
publisher:
Almo Music Corp. and East/Memphis Music
Rufus Thomas2:37
7After Laughter
recording of:
After Laughter (Comes Tears)
writer:
Johnnie Frierson and Mary Frierson
Wendy Rene2:54
8I've Been Loving You Too Long (To Stop Now)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (number: 25)
recording of:
I’ve Been Loving You Too Long
writer:
Jerry Butler (in 1965) and Otis Redding (in 1965)
publisher:
East, Time and Wildwood Music Ltd.
Otis Redding2:56
9Candy
The Astors3:00
10You Don't Know Like I Know
recording of:
You Don’t Know Like I Know
writer:
Isaac Hayes and David Porter
publisher:
Rondor Music and Warner Chappell
Sam & Dave2:39
11Don't Have to Shop Around
producer:
Charles “Packy” Axton
recording of:
Don’t Have to Shop Around
writer:
Allen Jones, Andrew Love and Richard Shann
The Mad Lads2:51
12Let Me Be Good To You
recording of:
Let Me Be Good to You
writer:
Isaac Hayes, David Porter and Carl Wells
Carla Thomas2:41
13Your Good Thing (Is About to End)
recording of:
Your Good Thing (Is About to End)
writer:
Isaac Hayes and David Porter
publisher:
Cotton Picking Soul Music, Irving Music, Inc., Primary Wave 3 Songs and East/Memphis Music (in 1967)
Mable John2:57
14Knock on Wood
recorded in:
Memphis, Tennessee, United States (on 1966-07-13)
producer:
Steve Cropper
baritone saxophone:
probably Floyd Newman
bass guitar [bass]:
Duck Dunn (on 1966-07-13)
drums (drum set) [drums]:
Al Jackson (on 1966-07-13)
guitar:
Steve Cropper (on 1966-07-13)
organ:
Booker T. Jones (on 1966-07-13)
piano:
Isaac Hayes (on 1966-07-13) and Booker T. Jones (on 1966-07-13)
tenor saxophone:
probably Andrew Love (on 1966-07-13)
trumpet:
Wayne Jackson (on 1966-07-13)
vocals:
Eddie Floyd (on 1966-07-13)
phonographic copyright (℗) by:
WEA International Inc. (in 1967)
recording of:
Knock on Wood (on 1966-07-13)
writer:
Steve Cropper and Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd., Warner Chappell Music, Warner Chappell Music Ltd. and Warner Chappell North America
adaptation of:
Potkraj na les
Eddie Floyd3:05
15Hold On! I'm Comin'
recorded in:
Memphis, Tennessee, United States (on 1966-03-08)
producer:
Jim Stewart
vocals:
Sam & Dave (on 1966-03-08)
recording of:
Hold On, I’m Comin’ (on 1966-03-08)
writer:
Isaac Hayes and David Porter
publisher:
Cotillion Music Inc., East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. and Warner Bros. Music
sub-publisher:
ヤマハミュージックEH(CM), ヤマハミュージックエンタテインメントホールディングス, ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
Sam & Dave2:34
16Try a Little Tenderness
producer:
Steve Cropper and Jim Stewart
bass guitar [bass]:
Donald “Duck” Dunn
drums (drum set) [drums]:
Al Jackson
electric bass guitar [electric bass], organ, piano and vibraphone [vibes]:
Booker T. Jones
guitar:
Steve Cropper
tenor saxophone:
Gilbert Caple and Andrew Love
trumpet:
Wayne Jackson
vocals:
Otis Redding
phonographic copyright (℗) by:
WEA International Inc. (in 1966)
cover recording of:
Try a Little Tenderness (in 1966)
lyricist:
James Campbell and Reginald Connelly
composer:
Harry M. Woods
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc., Robbins Music Corp., Warner Chappell and Campbell Connelly & Co. Ltd. (on 1932-11-04)
Otis Redding3:20
17B-A-B-Y
recording of:
B-A-B-Y
writer:
Isaac Hayes and David Porter
publisher:
Universal Music Publishing Ltd. and Warner/Chappell North America
Carla Thomas2:56
18Hip Hug-Her
recorded in:
Memphis, Tennessee, United States (on 1967-02-09)
producer:
Booker T. & the MG’s
drums (drum set):
Al Jackson (on 1967-02-09)
electric bass guitar [electric bass]:
Donald “Duck” Dunn (on 1967-02-09)
guitar:
Steve Cropper (on 1967-02-09)
organ:
Booker T. Jones (on 1967-02-09)
recording of:
Hip Hug‐Her (on 1967-02-09)
writer:
Steve Cropper, Donald “Duck” Dunn, Al Jackson, Jr. and Booker T. Jones
publisher:
Al Jackson Jr. Music, Cotillion Music Inc. and Irving Music, Inc.
Booker T. & the MG’s2:26
19Soul Finger
recorded in:
Memphis, Tennessee, United States (in 1967)
producer:
The Stax Staff
drums (drum set):
Carl Cunningham (in 1967)
electric bass guitar [electric bass]:
James Alexander (in 1967)
guitar:
Jimmy King (in 1967)
organ:
Ronnie Caldwell (in 1967)
tenor saxophone:
Phalon Jones (in 1967)
trumpet:
Ben Cauley (in 1967)
recording of:
Soul Finger (in 1967)
writer:
Ronnie Caldwell, Ben Cauley, Carl Cunningham, James Alexander, Phalon Jones and Jimmy King
The Bar‐Kays2:20
20Tramp
recorded in:
Memphis, Tennessee, United States (from 1967-01 until 1967-02)
producer:
Steve Cropper and Jim Stewart
drums (drum set):
Al Jackson (from 1967-01 until 1967-02)
electric bass guitar [electric bass]:
Donald “Duck” Dunn (from 1967-01 until 1967-02)
guitar:
Steve Cropper (from 1967-01 until 1967-02)
keyboard:
Isaac Hayes (from 1967-01 until 1967-02) and Booker T. Jones (from 1967-01 until 1967-02)
piano:
Booker T. Jones (from 1967-01 until 1967-02)
tenor saxophone:
Joe Arnold (from 1967-01 until 1967-02) and Andrew Love (from 1967-01 until 1967-02)
trumpet:
Wayne Jackson (from 1967-01 until 1967-02)
background vocals:
Carla Thomas (from 1967-01 until 1967-02)
vocals:
Otis Redding (from 1967-01 until 1967-02) and Carla Thomas (from 1967-01 until 1967-02)
performer:
Carla Thomas (from 1967-01 until 1967-02)
cover recording of:
Tramp (from 1967-01 until 1967-02)
writer:
Lowell Fulson and Jimmy McCracklin
publisher:
Budget Music, Careers–BMG Music Publishing, Inc. and Powerforce Music
Otis & Carla3:01
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