Asylum Years

~ Release by Tom Waits (see all versions of this release, 6 available)

Tracklist

1▼Medium
#TitleArtistLength
1Diamonds on My Windshield
sound engineer and producer:
Dayton “Bones” Howe
assistant engineer:
Geoff Howe
double bass:
Jim Hughart (in 1974)
drums (drum set):
Bill Goodwin (in 1974)
piano:
Tom Waits (in 1974)
tenor saxophone:
Pete Christlieb (in 1974)
vocals:
Tom Waits (in 1974)
arranger:
Bob Alcivar
phonographic copyright (℗) by:
Elektra/Asylum Records
recorded at:
Wally Heider Recording Studio in Hollywood, Los Angeles, California, United States (in 1974)
recording of:
Diamonds on My Windshield (in 1974)
lyricist and composer:
Tom Waits
Tom Waits3:08
2(Looking for) The Heart of Saturday Night
sound engineer, engineer and producer:
Dayton “Bones” Howe
assistant engineer:
Geoff Howe
double bass:
Jim Hughart (in 1974)
drums (drum set):
Bill Goodwin (in 1974)
piano:
Tom Waits (in 1974)
tenor saxophone:
Pete Christlieb (in 1974)
vocals:
Tom Waits (in 1974)
arranger:
Bob Alcivar
phonographic copyright (℗) by:
Elektra/Asylum Records
recorded at:
Wally Heider Recording Studio in Hollywood, Los Angeles, California, United States (in 1974)
recording of:
(Looking for) The Heart of Saturday Night (in 1974)
lyricist and composer:
Tom Waits
Tom Waits3:56
3Martha
recorded in:
Hollywood, Los Angeles, California, United States (in 1972)
sound engineer:
Dayton “Bones” Howe
engineer and mixer:
Richie Moore
producer:
Jerry Yester
drums (drum set):
John Seiter (in 1972)
guest cello:
Jesse Ehrlich (in 1972)
guitar:
Shep Cooke (in 1972)
piano:
Tom Waits (in 1972)
trumpet:
Delbert Bennett (in 1972)
vocals:
Tom Waits (in 1972)
recorded at:
Sunset Hills Studio in Hollywood, Los Angeles, California, United States (in 1972)
mixed at:
Wally Heider Recording Studio in Hollywood, Los Angeles, California, United States
recording of:
Martha (in 1972)
lyricist and composer:
Thomas Alan Waits
Tom Waits4:29
4The Ghosts of Saturday Night (After Hours at Napoleone's Pizza House)
sound engineer and producer:
Dayton “Bones” Howe
assistant engineer:
Geoff Howe
double bass:
Jim Hughart (in 1974)
drums (drum set):
Bill Goodwin (in 1974)
piano:
Tom Waits (in 1974)
tenor saxophone:
Pete Christlieb (in 1974)
vocals:
Tom Waits (in 1974)
arranger:
Bob Alcivar
phonographic copyright (℗) by:
Elektra/Asylum Records
recorded at:
Wally Heider Recording Studio in Hollywood, Los Angeles, California, United States (in 1974)
recording of:
The Ghosts of Saturday Night (After Hours at Napoleone’s Pizza House) (in 1974)
lyricist and composer:
Tom Waits
Tom Waits3:14
5Grapefruit Moon
recorded in:
Hollywood, Los Angeles, California, United States (in 1972)
sound engineer:
Dayton “Bones” Howe
engineer and mixer:
Richie Moore
producer:
Jerry Yester
cello:
Jesse Ehrlich (in 1972)
drums (drum set):
John Seiter (in 1972)
guitar:
Shep Cooke (in 1972)
piano:
Tom Waits (in 1972)
trumpet:
Delbert Bennett (in 1972)
vocals:
Tom Waits (in 1972)
recorded at:
Sunset Hills Studio in Hollywood, Los Angeles, California, United States (in 1972)
mixed at:
Wally Heider Recording Studio in Hollywood, Los Angeles, California, United States
recording of:
Grapefruit Moon (in 1972)
lyricist and composer:
Tom Waits
Tom Waits4:49
6Small Change
sound engineer and producer:
Dayton “Bones” Howe
vocals:
Tom Waits
recording of:
Small Change
lyricist and composer:
Tom Waits
publisher:
Fifth Floor Music, Inc.
Tom Waits5:05
7Burma Shave
sound engineer and producer:
Dayton “Bones” Howe
assistant engineer:
Geoff Howe
vocals:
Tom Waits (from 1977-07-28 until 1977-08-15)
conductor:
Bob Alcivar (from 1977-07-28 until 1977-08-15)
recording of:
Burma Shave (from 1977-07-28 until 1977-08-15)
orchestrator:
Bob Alcivar
lyricist and composer:
Tom Waits
Tom Waits6:34
8I Never Talk to Strangers
sound engineer and producer:
Dayton “Bones” Howe
assistant engineer:
Geoff Howe
vocals:
Bette Midler (from 1977-07-28 until 1977-08-15) and Tom Waits (from 1977-07-28 until 1977-08-15)
conductor:
Bob Alcivar (from 1977-07-28 until 1977-08-15)
performer:
Bette Midler (from 1977-07-28 until 1977-08-15)
recording of:
I Never Talk to Strangers (from 1977-07-28 until 1977-08-15)
orchestrator:
Bob Alcivar
lyricist and composer:
Tom Waits
Tom Waits feat. Bette Midler3:41
9Tom Traubert's Blues
sound engineer and producer:
Dayton “Bones” Howe
vocals:
Tom Waits
recording of:
Tom Traubert’s Blues (Four Sheets to the Wind in Copenhagen)
lyricist and composer:
Tom Waits
publisher:
Fifth Floor Music, Inc.
is based on:
Waltzing Matilda
Tom Waits6:34
10Blue Valentines
sound engineer and producer:
Dayton “Bones” Howe
vocals:
Tom Waits
recording of:
Blue Valentines
lyricist and composer:
Tom Waits
Tom Waits5:54
11Potter's Field
sound engineer and producer:
Dayton “Bones” Howe
vocals:
Tom Waits
conductor:
Bob Alcivar
recording of:
Potter's Field
orchestrator:
Bob Alcivar
lyricist:
Tom Waits
composer:
Bob Alcivar and Tom Waits
Tom Waits8:45
12Kentucky Avenue
assistant sound engineer:
Geoff Howe (from 1978-07 until 1978-08) and Ralph Osborn (from 1978-07 until 1978-08)
sound engineer:
Dayton “Bones” Howe (from 1978-07 until 1978-08)
producer:
Dayton “Bones” Howe
piano:
Tom Waits (from 1978-07 until 1978-08)
vocals:
Tom Waits (from 1978-07 until 1978-08)
phonographic copyright (℗) by:
Asylum Records (in 1978), Elektra/Asylum Records (in 1978) and WEA International Inc. (in 1978)
recorded at:
Filmways/Heider Recording in Hollywood, Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
Kentucky Avenue (from 1978-07 until 1978-08)
lyricist and composer:
Tom Waits
Tom Waits4:51
13Somewhere (from 'West Side Story')
assistant sound engineer:
Geoff Howe (from 1978-07 until 1978-08) and Ralph Osborn (from 1978-07 until 1978-08)
sound engineer:
Dayton “Bones” Howe (from 1978-07 until 1978-08)
producer:
Dayton “Bones” Howe
vocals:
Tom Waits (from 1978-07 until 1978-08)
phonographic copyright (℗) by:
Asylum Records (in 1978), Elektra/Asylum Records (in 1978) and WEA International Inc. (in 1978)
recorded at:
Filmways/Heider Recording in Hollywood, Los Angeles, California, United States (from 1978-07 until 1978-08)
cover recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company) (from 1978-07 until 1978-08)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc., G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram and Universal Music Publishing Ltd.
part of:
West Side Story: Ballet Sequence
Tom Waits3:53
14Ruby's Arms
sound engineer and producer:
Dayton “Bones” Howe
engineer:
Dayton “Bones” Howe (from 1980-06-16 until 1980-07-15) and Geoff Howe (from 1980-06-16 until 1980-07-15)
12 string guitar:
Roland Bautista (from 1980-06-16 until 1980-07-15)
bass:
Greg Cohen (from 1980-06-16 until 1980-07-15)
piano:
Tom Waits (from 1980-06-16 until 1980-07-15)
vocals:
Tom Waits (from 1980-06-16 until 1980-07-15)
conductor:
Jerry Yester (from 1980-06-16 until 1980-07-15)
arranger:
Jerry Yester
phonographic copyright (℗) by:
WEA International Inc. (in 1980)
recorded at:
Filmways/Heider Recording in Hollywood, Los Angeles, California, United States (from 1980-06-16 until 1980-07-15)
recording of:
Ruby’s Arms (from 1980-06-16 until 1980-07-15)
lyricist and composer:
Tom Waits
Tom Waits5:35

Credits

Release

sound engineer:Dayton “Bones” Howe
mastering:Lee Herschberg
ASIN:US: B000E6G1QC [info]

Release group

Discogs:https://www.discogs.com/master/26090 [info]
Wikidata:Q1939924 [info]