Bach: Weihnachtsarien

~ Release by Johann Sebastian Bach; Helmuth Rilling (see all versions of this release, 1 available)

Tracklist

1▼CD
#	Title	Artist	Length
1	Weihnachtsoratorium BWV 248 - Ach Mein Herzliebes Jesulein choir vocals: Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recording of: Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (from 1999-12 until 2000-01) premiered in: Leipzig, Sachsen, Germany (on 1734-12-25) composed in: Leipzig, Sachsen, Germany (from 1734 until 1735) composer: Johann Sebastian Bach part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach; Gächinger Kantorei Stuttgart	1:08
2	Unser Mund Sei Voll Lachens BWV 110 - Ihr Gedanken Und Ihr Sinnen tenor vocals: Aldo Baldin orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02) recording of: Kantate, BWV 110 "Unser Mund sei voll Lachens": II. Aria (Tenor) "Ihr Gedanken und ihr Sinnen" (in 1974-01) composer: Johann Sebastian Bach (in 1725) librettist: Georg Christian Lehms (in 1711) part of: Kantate, BWV 110 "Unser Mund sei voll Lachens"	Johann Sebastian Bach; Gächinger Kantorei Stuttgart	3:49
3	Ich Freue Mich in Dir BWV 133 - Wie Lieblich Klingt Es in Den Ohren soprano vocals: Arleen Augér orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04) recording of: Kantate, BWV 133 "Ich freue mich in dir": IV. Aria (Sopran) "Wie lieblich klingt es in den Ohren" (from 1980-02 until 1980-04) composer: Johann Sebastian Bach (in 1724) part of: Kantate, BWV 133 "Ich freue mich in dir"	Johann Sebastian Bach; Gächinger Kantorei Stuttgart	7:15
4	Unser Mund Sei Voll Lachens BWV 110 - Wacht Auf, Ihr Adern Und Ihr Glieder bass vocals: Wolfgang Schöne orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02) recording of: Kantate, BWV 110 "Unser Mund sei voll Lachens": VI. Aria (Bass) "Wacht auf, ihr Adern und ihr Glieder" (in 1974-01) composer: Johann Sebastian Bach (in 1725) librettist: Georg Christian Lehms (in 1711) part of: Kantate, BWV 110 "Unser Mund sei voll Lachens"	Johann Sebastian Bach; Gächinger Kantorei Stuttgart	4:20
5	Christen, Ätzet Diesen Tag BWV 63 - Gott, Du Hast Es Whole Gefüget bass vocals: Wolfgang Schöne soprano vocals: Arleen Augér orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1981-02) recording of: Kantate, BWV 63 "Christen, ätzet diesen Tag": III. Aria (Duetto: Soprano, Basso) "Gott, du hast es wohl gefüget" (in 1971-02) composer: Johann Sebastian Bach (in 1713) part of: Kantate, BWV 63 "Christen, ätzet diesen Tag"	Johann Sebastian Bach; Gächinger Kantorei Stuttgart	6:41
6	Nun Komm Der Heiden Heiland BWV 62 - Nun Komm Der Heiden Heiland choir vocals: Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-10 until 1980-02) recording of: Kantate, BWV 62 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (from 1979-10 until 1980-02) composer: Johann Sebastian Bach (in 1724) part of: Kantate, BWV 62 "Nun komm, der Heiden Heiland"	Johann Sebastian Bach; Gächinger Kantorei Stuttgart	4:42
7	Weihnachtsoratorium BWV 248 - Bereite Dich, Zion alto vocals: Ingeborg Danz orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recording of: Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (from 1999-12 until 2000-01) premiered in: Leipzig, Sachsen, Germany (on 1734-12-25) composed in: Leipzig, Sachsen, Germany (from 1734 until 1735) composer: Johann Sebastian Bach part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach; Gächinger Kantorei Stuttgart	5:15
8	Nun Komm Der Heiden Heiland BWV 62 - Streite, Siege, Starker Held! bass vocals: Philippe Huttenlocher orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-10 until 1980-02) recording of: Kantate, BWV 62 "Nun komm, der Heiden Heiland": IV. Aria (Basso) "Streite, siege, starker Held!" (from 1979-10 until 1980-02) composer: Johann Sebastian Bach (in 1724) part of: Kantate, BWV 62 "Nun komm, der Heiden Heiland"	Johann Sebastian Bach; Gächinger Kantorei Stuttgart	5:40
9	Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget BWV 64 - Was Die Welt in Sich Hält soprano vocals: Arleen Augér orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01) recording of: Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": V. Aria (Soprano) "Was die Welt in sich hält" (from 1977-09 until 1978-01) composer: Johann Sebastian Bach (in 1723) part of: Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"	Johann Sebastian Bach; Gächinger Kantorei Stuttgart	5:31
10	Christen, Ätzet Diesen Tag BWV 63 - Ruft Und Fleht Den Himmel An alto vocals: Hildegard Laurich tenor vocals: Adalbert Kraus orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02) recording of: Kantate, BWV 63 "Christen, ätzet diesen Tag": V. Aria (Duetto: Alto, Tenore) "Ruft und fleht den Himmel an" (in 1971-02) composer: Johann Sebastian Bach (in 1713) part of: Kantate, BWV 63 "Christen, ätzet diesen Tag"	Johann Sebastian Bach; Gächinger Kantorei Stuttgart	4:25
11	Unser Mund Sei Voll Lachens BWV 110 - Alleluja Gelobt Sei Gott choir vocals: Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02) recording of: Kantate, BWV 110 "Unser Mund sei voll Lachens": VII. Choral "Alleluja! Gelobt sei Gott" (in 1974-01) composer: Johann Sebastian Bach (in 1725) librettist: Kaspar Füger (in 1592) part of: Breitkopf 389 Choralgesänge (number: 380) part of: Kantate, BWV 110 "Unser Mund sei voll Lachens"	Johann Sebastian Bach; Gächinger Kantorei Stuttgart	0:58
12	Schau, Lieber Gott, Wie Meine Feind BWV 153 - Stürmt Nur, Stürmt, Ihr Trübslaswetter vocals: Adalbert Kraus orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09) recording of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VI. Aria (Tenor) "Stürmt nur, stürmt, ihr Trübsalswetter" (in 1978-09) premiered in: Leipzig, Sachsen, Germany (on 1724-01-02) composer: Johann Sebastian Bach (in 1724) librettist: [anonymous] part of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"	Johann Sebastian Bach; Gächinger Kantorei Stuttgart	2:34
13	Weihnachtsoratorium BWV 248 - Großer Herr, o Starker König bass vocals: Hanno Müller‐Brachmann orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recording of: Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (from 1999-12 until 2000-01) premiered in: Leipzig, Sachsen, Germany (on 1734-12-25) composed in: Leipzig, Sachsen, Germany (from 1734 until 1735) composer: Johann Sebastian Bach part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach; Gächinger Kantorei Stuttgart	4:29
14	Süßer Trost, Mein Jesus Kömmt BWV 151 - Süßer Trost, Mein Jesus Kömmt soprano vocals: Nobuko Gamo-Yamamoto orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02) recording of: Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": I. Aria (Sopran) "Süßer Trost, mein Jesus kömmt" (in 1971-02) premiered in: Leipzig, Sachsen, Germany (on 1725-12-27) composer: Johann Sebastian Bach (in 1725) librettist: Georg Christian Lehms (in 1711) part of: Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"	Johann Sebastian Bach; Gächinger Kantorei Stuttgart	9:47
15	Weihnachtsoratorium BWV 248 - Schlafe, Mein Liebster alto vocals: Ingeborg Danz orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recording of: Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (from 1999-12 until 2000-01) premiered in: Leipzig, Sachsen, Germany (on 1734-12-26) composed in: Leipzig, Sachsen, Germany (from 1734 until 1735) composer: Johann Sebastian Bach part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach; Gächinger Kantorei Stuttgart	10:03
16	Nun Komm Der Heiden Heiland BWV 62 - Lob Sei Gott Dem Vater Ton choir vocals: Gächinger Kantorei Stuttgart orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling recorded at: Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-10 until 1980-02) recording of: Kantate, BWV 62 "Nun komm, der Heiden Heiland": VI. Choral "Lob sei Gott, dem Vater, g'ton" (from 1979-10 until 1980-02) composer: Johann Sebastian Bach (in 1724) part of: Breitkopf 389 Choralgesänge (number: 265) part of: Kantate, BWV 62 "Nun komm, der Heiden Heiland"	Johann Sebastian Bach; Gächinger Kantorei Stuttgart	0:44