The Complete Masters 1925–1945

~ Release by Louis Armstrong (see all versions of this release, 1 available)

Annotation

Track lengths on disc 2 are off.
According to one amazon.com commenter, "On my copy of Disc 2, the great Hot Sevens are not in the order shown on the sleeve and in the booklet, and not in the right date order."
Does anyone have / have access to this set?

edit 2022-10-24: Tried to look via the fingerprints and durations then here what I found (track. old name --> correct name)
6. Alligator Crawl --> Gully Low Blues
7. Potato Head Blues --> That's When I'll Come Back to You
8. Melancholy Blues --> Alligator Crawl
9. Weary Blues --> Potato Head Blues
10. Twelfth Street Rag --> Melancholy Blues
11. Keyhole Blues --> Weary Blues
12. S.O.L. Blues --> Twelfth Street Rag
13. Gully Low Blues --> Keyhole Blues
14. That's When I'll Come Back to You --> S.O.L. Blues

Tracklist

1CD: 1925–1926
2CD: 1926–1928
3CD: 1928–1929
4CD: 1929–1930
#TitleArtistLength
1Sweet Savannah Sue
alto saxophone:
Bert Curry (on 1929-07-22) and Crawford Wethington (on 1929-07-22)
banjo:
Mancy "Peck" Carr (on 1929-07-22)
drums (drum set):
Zutty Singleton (on 1929-07-22)
piano:
Gene Anderson (on 1929-07-22)
tenor saxophone:
Jimmy Strong (on 1929-07-22)
trombone:
Fred Robinson (on 1929-07-22)
trumpet:
Louis Armstrong (on 1929-07-22) and Homer Hobson (on 1929-07-22)
tuba:
Pete Briggs (on 1929-07-22)
violin:
Carroll Dickerson (on 1929-07-22)
vocals:
Louis Armstrong (on 1929-07-22)
conductor:
Carroll Dickerson (on 1929-07-22)
recording of:
Sweet Savannah Sue (on 1929-07-22)
composer:
Fats Waller
Louis Armstrong & His Orchestra3:14
2Some of These Days (vocal)
recording of:
Some of These Days (on 1929-10-10)
lyricist and composer:
Shelton Brooks
writer:
Spencer Williams
Louis Armstrong & His Orchestra3:14
3Some of These Days (instrumental)
instrumental recording of:
Some of These Days (on 1929-10-10)
lyricist and composer:
Shelton Brooks
writer:
Spencer Williams
Louis Armstrong & His Orchestra3:01
4When You’re Smiling (vocal)Louis Armstrong & His Orchestra3:28
5When You’re Smiling (instrumental)
instrumental recording of:
When You’re Smiling (the Whole World Smiles With You) (on 1929-10-11)
lyricist:
Mark Fisher and Joe Goodwin
composer:
Larry Shay
publisher:
Mills Music, Inc.
Louis Armstrong & His Orchestra2:59
6After You’re Gone (vocal)
recorded in:
New York, New York, United States (on 1929-11-26)
alto saxophone:
Bert Curry (on 1929-11-26) and Crawford Wethington (on 1929-11-26)
banjo:
Mancy "Peck" Carr (on 1929-11-26)
clarinet and tenor saxophone:
Jimmy Strong (on 1929-11-26)
drums (drum set):
Zutty Singleton (on 1929-11-26)
piano:
Gene Anderson (on 1929-11-26)
trombone:
Fred Robinson (on 1929-11-26)
trumpet:
Louis Armstrong (on 1929-11-26) and Homer Hobson (on 1929-11-26)
tuba:
Pete Briggs (on 1929-11-26)
vocals:
Louis Armstrong (on 1929-11-26)
conductor:
Carroll Dickerson (on 1929-11-26)
recording of:
After You’ve Gone (on 1929-11-26)
lyricist:
Henry Creamer (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
Louis Armstrong & His Orchestra3:23
7After You’re Gone (instrumental)
recorded in:
New York, New York, United States (on 1929-11-26)
alto saxophone:
Bert Curry (on 1929-11-26) and Crawford Wethington (on 1929-11-26)
banjo:
Mancy "Peck" Carr (on 1929-11-26)
clarinet and tenor saxophone:
Jimmy Strong (on 1929-11-26)
drums (drum set):
Zutty Singleton (on 1929-11-26)
piano:
Gene Anderson (on 1929-11-26)
trombone:
Fred Robinson (on 1929-11-26)
trumpet:
Louis Armstrong (on 1929-11-26) and Homer Hobson (on 1929-11-26)
tuba:
Pete Briggs (on 1929-11-26)
vocals:
Louis Armstrong (on 1929-11-26)
conductor:
Carroll Dickerson (on 1929-11-26)
recording of:
After You’ve Gone (on 1929-11-26)
lyricist:
Henry Creamer (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
Louis Armstrong & His Orchestra3:19
8I Ain’t Got Nobody
recording of:
I Ain’t Got Nobody (on 1929-12-10)
lyricist:
Roger Graham
composer:
Spencer Williams
Louis Armstrong & His Orchestra2:46
9Dallas Blues
recording of:
Dallas Blues (on 1929-12-10)
lyricist and composer:
Lloyd Garrett and Hart Wand
Louis Armstrong & His Orchestra3:17
10St. Louis Blues
recording of:
St. Louis Blues (on 1929-12-13)
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
Louis Armstrong & His Orchestra3:03
11Rockin’ Chair
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song) (on 1929-12-13)
lyricist:
Hoagy Carmichael
composer:
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd.
Louis Armstrong & His Orchestra3:23
12Song of the Islands
recording of:
Song of the Islands (Na Lei O Hawaii) (on 1930-01-24)
lyricist and composer:
Charles E. King
Louis Armstrong & His Orchestra3:24
13Bessie Couldn’t Help It
recorded in:
New York, New York, United States (on 1930-02-01)
alto saxophone:
Charlie Holmes (on 1930-02-01) and William Thornton Blue (on 1930-02-01)
double bass:
George "Pops" Foster (on 1930-02-01)
drums (drum set):
Paul Barbarin (on 1930-02-01)
guitar:
Will Johnson (on 1930-02-01)
piano:
Luis Russell (on 1930-02-01)
tenor saxophone:
Teddy Hill (on 1930-02-01)
trombone:
J.C. Higginbotham (on 1930-02-01)
trumpet:
Henry “Red” Allen (on 1930-02-01), Louis Armstrong (on 1930-02-01) and Otis Johnson (on 1930-02-01)
vocals:
Louis Armstrong (on 1930-02-01)
orchestra:
Louis Armstrong and His Orchestra (in 1930)
recording of:
Bessie Couldn’t Help It (on 1930-02-01)
writer:
Charles A. Bayha, Jacques Richmond and Byron Warner
Louis Armstrong3:24
14Blue Turning Grey Over You
recorded in:
New York, New York, United States (on 1930-02-01)
clarinet:
Teddy Hill (on 1930-02-01), Charlie Holmes (on 1930-02-01) and William Thornton Blue (on 1930-02-01)
double bass:
George "Pops" Foster (on 1930-02-01)
drums (drum set):
Paul Barbarin (on 1930-02-01)
guitar:
Will Johnson (on 1930-02-01)
piano:
Luis Russell (on 1930-02-01)
trombone:
J.C. Higginbotham (on 1930-02-01)
trumpet:
Henry “Red” Allen (on 1930-02-01), Louis Armstrong (on 1930-02-01) and Otis Johnson (on 1930-02-01)
vocals:
Louis Armstrong (on 1930-02-01)
recording of:
Blue, Turning Grey Over You (on 1930-02-01)
lyricist:
Andy Razaf
composer:
Thomas Waller
Louis Armstrong3:30
15Dear Old Southland
orchestra:
Louis Armstrong and His Orchestra (on 1930-04-05)
recording of:
Dear Old Southland (jazz standard) (on 1930-04-05)
lyricist:
Henry Creamer (in 1921)
composer:
Turner Layton (in 1921)
publisher:
Mills Music
Louis Armstrong3:19
16My Sweet
recorded in:
New York, New York, United States (on 1930-04-05)
alto saxophone:
Bobby Holmes (on 1930-04-05) and Ted McCord (on 1930-04-05)
drums (drum set):
Willie Lynch (on 1930-04-05)
guitar:
Bernard Addison (on 1930-04-05)
piano:
Joe Turner (on 1930-04-05) and Buck Washington (on 1930-04-05)
tenor saxophone:
Castor McCord (on 1930-04-05)
trombone:
Henry Hicks (on 1930-04-05)
trumpet:
Ed Anderson (on 1930-04-05) and Louis Armstrong (on 1930-04-05)
tuba:
Lavert Hutchinson (on 1930-04-05)
vibraphone:
Unknown, probably Joe Turner (on 1930-04-05)
vocals:
Louis Armstrong (on 1930-04-05)
recording of:
My Sweet (on 1930-04-05)
lyricist:
Stuart Gorrell
composer:
Hoagy Carmichael
Louis Armstrong & His Orchestra3:23
17I Can’t Believe That You’re in Love With Me
recorded in:
New York, New York, United States (on 1930-04-05)
alto saxophone:
Bobby Holmes (on 1930-04-05) and Ted McCord (on 1930-04-05)
drums (drum set):
Willie Lynch (on 1930-04-05)
guitar:
Bernard Addison (on 1930-04-05)
piano:
Joe Turner (on 1930-04-05)
tenor saxophone:
Castor McCord (on 1930-04-05)
trombone:
Henry Hicks (on 1930-04-05)
trumpet:
Ed Anderson (on 1930-04-05) and Louis Armstrong (on 1930-04-05)
tuba:
Lavert Hutchinson (on 1930-04-05)
vocals:
Louis Armstrong (on 1930-04-05)
recording of:
I Can’t Believe That You’re in Love With Me (on 1930-04-05)
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh
publisher:
Mills Music, Inc.
Louis Armstrong & His Orchestra3:10
18Indian Cradle Song
recorded in:
New York, New York, United States (on 1930-05-04)
alto saxophone:
Bobby Holmes (on 1930-05-04) and Ted McCord (on 1930-05-04)
drums (drum set):
Willie Lynch (on 1930-05-04)
guitar:
Bernard Addison (on 1930-05-04)
piano:
Joe Turner (on 1930-05-04)
tenor saxophone:
Castor McCord (on 1930-05-04)
trombone:
Henry Hicks (on 1930-05-04)
trumpet:
Ed Anderson (on 1930-05-04) and Louis Armstrong (on 1930-05-04)
tuba:
Lavert Hutchinson (on 1930-05-04)
vocals:
Louis Armstrong (on 1930-05-04)
Louis Armstrong & His Orchestra3:01
19Exactly Like You
recorded in:
New York, New York, United States (on 1930-05-04)
alto saxophone:
Bobby Holmes (on 1930-05-04) and Ted McCord (on 1930-05-04)
drums (drum set):
Willie Lynch (on 1930-05-04)
guitar:
Bernard Addison (on 1930-05-04)
piano:
Joe Turner (on 1930-05-04)
tenor saxophone:
Castor McCord (on 1930-05-04)
trombone:
Henry Hicks (on 1930-05-04)
trumpet:
Ed Anderson (on 1930-05-04) and Louis Armstrong (on 1930-05-04)
tuba:
Lavert Hutchinson (on 1930-05-04)
vibraphone:
Unknown, probably Joe Turner (on 1930-05-04)
vocals:
Louis Armstrong (on 1930-05-04)
recording of:
Exactly Like You (on 1930-05-04)
lyricist:
Dorothy Fields (in 1930)
writer:
Fritz Löhner-Beda
composer:
Jimmy McHugh (in 1930)
Louis Armstrong & His Orchestra3:31
20Dinah
recorded in:
New York, New York, United States (on 1930-05-04)
alto saxophone:
Bobby Holmes (on 1930-05-04) and Ted McCord (on 1930-05-04)
drums (drum set):
Willie Lynch (on 1930-05-04)
guitar:
Bernard Addison (on 1930-05-04)
piano:
Joe Turner (on 1930-05-04)
tenor saxophone:
Castor McCord (on 1930-05-04)
trombone:
Henry Hicks (on 1930-05-04)
trumpet:
Ed Anderson (on 1930-05-04) and Louis Armstrong (on 1930-05-04)
tuba:
Lavert Hutchinson (on 1930-05-04)
vocals:
Louis Armstrong (on 1930-05-04)
recording of:
Dinah (on 1930-05-04)
lyricist:
Sam M. Lewis and Joe Young
composer:
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. and Morley Music Corp.
part of:
The Girl’s Suite
Louis Armstrong & His Orchestra3:19
21Tiger Rag
recorded in:
New York, New York, United States (on 1930-05-04)
alto saxophone:
Bobby Holmes (on 1930-05-04) and Ted McCord (on 1930-05-04)
drums (drum set):
Willie Lynch (on 1930-05-04)
guitar:
Bernard Addison (on 1930-05-04)
piano:
Joe Turner (on 1930-05-04)
tenor saxophone:
Castor McCord (on 1930-05-04)
trombone:
Henry Hicks (on 1930-05-04)
trumpet:
Ed Anderson (on 1930-05-04) and Louis Armstrong (on 1930-05-04)
tuba:
Lavert Hutchinson (on 1930-05-04)
recording of:
Tiger Rag (original 1917 instrumental version) (on 1930-05-04)
composer:
Eddie Edwards, Nick LaRocca, Henry Ragas, Tony Sbarbaro and Larry Shields
Louis Armstrong & His Orchestra3:12
22Blue Yodel Number 9: Standin’ on the CornerJimmie Rodgers2:43
23I’m a Ding Dong Daddy (From Dumas)
recording of:
I'm a Ding Dong Daddy (on 1930-07-21)
writer:
Phil Baxter
Louis Armstrong & His Sebastian New Cotton Club Orchestra3:12
24I’m in the Market for You
recording of:
I’m in the Market for You (on 1930-07-21)
lyricist:
Joseph McCarthy
composer:
James F. Hanley
Louis Armstrong & His Sebastian New Cotton Club Orchestra3:17
5CD: 1930–1931
6CD: 1932–1933
7CD: 1933–1935
8CD: 1935–1936
9CD: 1936–1937
10CD: 1937–1938
11CD: 1938–1939
12CD: 1939–1941
13CD: 1941–1945
14CD: 1923–1927 Selected Tracks