| # | Title | Artist | Length |
|---|
| 1 | I'm Just a Lucky So and So | Louis Armstrong & Duke Ellington | 3:10 |
| 2 | The Best Things in Life Are Free | Bing Crosby | 2:26 |
| 3 | Angel Eyes | Jack Jones | 3:13 |
| 4 | Let's Face the Music and Dance | Nelson Riddle and His Orchestra | 2:33 |
| 5 | Anything Goes | Count Basie and Tony Bennett | 2:21 |
| 6 | I Get a Kick Out of You | Shirley Bassey | 2:48 |
| 7 | I've Got You Under My Skin | Danny Williams | 3:16 |
| 8 | Love Me Tender | Vince Hill | 2:57 |
| 9 | (I'll Be With You in) Apple Blossom Time | The Andrews Sisters | 2:54 |
| 10 | You Don't Have to Say You Love Me | Vikki Carr | 2:38 |
| 11 | Georgia on My Mind | Lou Rawls | 3:20 |
| 12 | 's Wonderful | Ray Anthony | 2:44 |
| 13 | Words (Based on Last Movement of Symphony 9 by Beethoven) | Andy Williams & Royal Philharmonic Orchestra | 4:32 |
| 14 | April in Paris | Dinah Shore | 2:57 |
| 15 | Let's Fly Away | Jeri Southern | 2:31 |
| 16 | Ev'ry Time We Say Goodbye | Sarah Vaughan | 2:26 |
| 17 | The Very Thought of You | The Four Freshmen | 2:22 |
| 18 | Call Me Irresponsible | Dinah Washington | 2:19 |
| 19 | Cry Me a River- engineer:
- John Kraus (in 1955-08)
- producer:
- Bobby Troup
- double bass [bass]:
- Ray Leatherwood
- guitar:
- Barney Kessel
- vocals:
- Julie London (in 1955-08)
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1957)
- recorded at and mixed at:
- AIR Studios in Hampstead, Camden, London, England, United Kingdom
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 15)
- recording of:
- Cry Me a River (in 1955-08)
- lyricist and composer:
- Arthur Hamilton
- publisher:
- Chappell & Co., Inc., Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd., Warner/Chappell North America Limited, Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
- sub-publisher:
- Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
| Julie London | 2:49 |
| 20 | Yesterday | Matt Monro | 2:48 |
