La Divina Complete

~ Release by Maria Callas (see all versions of this release, 1 available)

Annotation

Limited Edition Box Set

Consisting of

as they were released separately and

the interview CD

which is exclusive to this box set.
All discs are in jewel cases.

Tracklist

1▶CD: La Divina

2▼CD: La Divina 2
#	Title	Artist	Length
1	Alceste: Act I. "Divinités du Styx" soprano vocals: Maria Callas	Christoph Willibald Gluck	4:26
2	Carmen: Act II. "Les tringles des sistres tintaient (Chanson bohème)" producer: Michel Glotz mezzo-soprano vocals [Carmen]: Maria Callas (from 1964-07-06 until 1964-07-20) mezzo-soprano vocals [Mercédès]: Jane Berbié (from 1964-07-06 until 1964-07-20) soprano vocals [Frasquita]: Nadine Sautereau (from 1964-07-06 until 1964-07-20) orchestra: Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20) conductor: Georges Prêtre (from 1964-07-06 until 1964-07-20) balance engineer: Paul Vavasseur (from 1964-07-06 until 1964-07-20) phonographic copyright (℗) by: EMI Records Ltd. (in 1964) recorded at: Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20) recording of: Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) (from 1964-07-06 until 1964-07-20) composer: Georges Bizet librettist: Ludovic Halévy and Henri Meilhac part of: Carmen : Acte II	Georges Bizet	4:24
3	Ernani: Act I. "Surta è la Notte Ernani! Ernani, involami" soprano vocals: Maria Callas	Giuseppe Verdi	6:16
4	Manon Lescaut: Act II. "In quelle trine morbide" soprano vocals: Maria Callas	Giacomo Puccini	2:54
5	Aida: Act I. "Ritorna Vincitor" producer: Michel Glotz soprano vocals: Maria Callas (in 1964-04) orchestra: Orchestre de la Société des Concerts du Conservatoire (in 1964-04) conductor: Nicola Rescigno (in 1964-04) balance engineer: Paul Vavasseur phonographic copyright (℗) by: EMI Records Ltd. recording of: Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (in 1964-04) composer: Giuseppe Verdi librettist: Antonio Ghislanzoni part of: Aida: Atto I	Giuseppe Verdi	7:05
6	Orphée et Eurydice: Act IV. "J'ai perdu mon Eurydice" producer: Walter Legge editor: Jennifer Howells soprano vocals: Maria Callas (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05) soprano vocals [Orphée]: Maria Callas orchestra: Orchestre national de la Radiodiffusion Française (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05) conductor: Georges Prêtre (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05) balance engineer: Francis Dillnutt phonographic copyright (℗) by: EMI Records Ltd. recorded at: Salle Wagram in Paris, Île-de-France, France (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05) recording of: Orphée et Eurydice, Wq. 41 : Acte III, N° 43. Air “J’ai perdu mon Eurydice” (Orphée) (from 1961-03-28 until 1961-03-31) composer: Christoph Willibald Gluck additional librettist: Pierre-Louis Moline translator: Pierre-Louis Moline translated version of: Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo) part of: Orphée et Eurydice, Wq. 41 : Acte III recording of: Orphée et Eurydice, Wq. 41 : Acte III, N° 43. Air “J’ai perdu mon Eurydice” (Orphée) (from 1961-04-04 until 1961-04-05) composer: Christoph Willibald Gluck additional librettist: Pierre-Louis Moline translator: Pierre-Louis Moline translated version of: Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo) part of: Orphée et Eurydice, Wq. 41 : Acte III	Christoph Willibald Gluck	4:25
7	I vespiri siciliani: Act V. "Bolero: Mercè, Dilette Amiche" soprano vocals: Maria Callas	Giuseppe Verdi	4:01
8	Louise: Act III. "Depuis le jour" soprano vocals: Maria Callas	Gustave Charpentier	4:48
9	La Bohème: Act III. "Donde lieta uscì" soprano vocals: Maria Callas	Giacomo Puccini	3:22
10	Mignon: Act II. "Ah, pour ce soir … je suis Titania (Polonaise)" soprano vocals: Maria Callas	Ambroise Thomas	5:12
11	La traviata: Act III. "Teneste la Promessa … Addio, del Passato" soprano vocals: Maria Callas orchestra: Orquestra sinfónica do Teatro Nacional de São Carlos conductor: Franco Ghione recording of: La traviata: Atto III. “Addio, del passato bei sogni ridenti” (Violetta) composer: Giuseppe Verdi librettist: Francesco Maria Piave part of: La traviata: Atto III (La traviata: Act III)	Giuseppe Verdi	5:19
12	Don Carlo: Act III. "O don fatale" soprano vocals: Maria Callas orchestra: Orchestre de la Société des Concerts du Conservatoire conductor: Nicola Rescigno recording of: Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli) composer: Giuseppe Verdi librettist: Camille du Locle and Joseph Méry part of: Don Carlo: Atto III (IV)	Giuseppe Verdi	4:46
13	Samson et Dalila: Act I. "Printemps qui commence" producer: Walter Legge soprano vocals: Maria Callas (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05) orchestra: Orchestre national de la Radiodiffusion Française (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05) conductor: Georges Prêtre (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05) balance engineer: Francis Dillnutt recorded at: Salle Wagram in Paris, Île-de-France, France (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05) recording of: Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila, un vieillard hébreu) (from 1961-03-28 until 1961-03-31) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte I recording of: Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila, un vieillard hébreu) (from 1961-04-04 until 1961-04-05) composer: Camille Saint‐Saëns part of: Samson et Dalila : Acte I	Camille Saint‐Saëns	5:17
14	La sonnambula: Act I. "Compagne, teneri amici … Come per me sereno" soprano vocals: Maria Callas	Vincenzo Bellini	5:49
15	Adriana Lecouvreur: Act I. "Ecco: respiro appena … Io son l'umile ancella" producer: Walter Legge soprano vocals: Maria Callas (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21) orchestra: Philharmonia Orchestra (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21) conductor: Tullio Serafin (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21) balance engineer: Robert Beckett phonographic copyright (℗) by: EMI Records Ltd. (in 1955) recorded at: Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21) recording of: Adriana Lecouvreur: Atto I. Aria “Ecco: respiro appena” … “Io son l'umile ancella“ (Adriana) (from 1954-09-17 until 1954-09-18) composer: Francesco Cilea librettist: Arturo Colautti publisher: Ascherberg, Hopwood & Crew and MCPS part of: Adriana Lecouvreur: Atto I recording of: Adriana Lecouvreur: Atto I. Aria “Ecco: respiro appena” … “Io son l'umile ancella“ (Adriana) (from 1954-09-20 until 1954-09-21) composer: Francesco Cilea librettist: Arturo Colautti publisher: Ascherberg, Hopwood & Crew and MCPS part of: Adriana Lecouvreur: Atto I	Francesco Cilea	3:47
16	Lucia di Lammermoor: Act III. "Spargi d'amaro pianto" soprano vocals: Maria Callas recording of: Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Spargi d’amaro pianto” (Lucia, Enrico, Raimondo, Coro) composer: Gaetano Donizetti librettist: Salvadore Cammarano part of: Lucia di Lammermoor: Atto III	Gaetano Donizetti	4:07

3▶CD: La Divina 3

4▶CD: Maria Callas in conversation with Edward Downes

Credits

Release

Discogs:	https://www.discogs.com/release/1343940 [info] https://www.discogs.com/release/7655865 [info]
ASIN:	US: B000002S6V [info]
Allmusic:	https://www.allmusic.com/album/release/mr0002103254 [info]

Release group

includes:	La Divina La Divina 2 La Divina 3