| # | Title | Length |
|---|
| 1 | Off the Ground- recording engineer:
- Bob Kraushaar (from 1991-12 until 1992-07)
- programming:
- Paul Wickens (from 1991-12 until 1992-07)
- producer:
- Paul McCartney and Julian Mendelsohn
- bass synthesizer, keyboard and piano:
- Paul Wickens (from 1991-12 until 1992-07)
- drums (drum set) and lead vocals:
- Paul McCartney (from 1991-12 until 1992-07)
- electric guitar:
- Robbie McIntosh (from 1991-12 until 1992-07)
- percussion:
- Paul McCartney (from 1991-12 until 1992-07), Robbie McIntosh (from 1991-12 until 1992-07) and Hamish Stuart (from 1991-12 until 1992-07)
- background vocals:
- Linda McCartney (from 1991-12 until 1992-07), Paul McCartney (from 1991-12 until 1992-07), Hamish Stuart (from 1991-12 until 1992-07) and Paul Wickens (from 1991-12 until 1992-07)
- recorded at:
- Hog Hill Mill in Rye, East Sussex, England, United Kingdom (from 1991-12 until 1992-07)
- mixed at:
- Hog Hill Mill in Rye, East Sussex, England, United Kingdom (from 1992-09 until 1992-10)
- recording of:
- Off the Ground (from 1991-12 until 1992-07)
- writer:
- Paul McCartney
| 3:41 |
| 2 | Looking for Changes- recording engineer:
- Bob Kraushaar (from 1991-12 until 1992-07)
- producer:
- Paul McCartney and Julian Mendelsohn
- acoustic guitar:
- Robbie McIntosh (from 1991-12 until 1992-07) and Hamish Stuart (from 1991-12 until 1992-07)
- bass and lead vocals:
- Paul McCartney (from 1991-12 until 1992-07)
- clavinet:
- Paul Wickens (from 1991-12 until 1992-07)
- drums (drum set):
- Blair Cunningham (from 1991-12 until 1992-07)
- electric guitar:
- Paul McCartney (from 1991-12 until 1992-07), Robbie McIntosh (from 1991-12 until 1992-07) and Hamish Stuart (from 1991-12 until 1992-07)
- background vocals:
- Blair Cunningham (from 1991-12 until 1992-07), Linda McCartney (from 1991-12 until 1992-07), Paul McCartney (from 1991-12 until 1992-07), Robbie McIntosh (from 1991-12 until 1992-07), Hamish Stuart (from 1991-12 until 1992-07) and Paul Wickens (from 1991-12 until 1992-07)
- recorded at:
- Hog Hill Mill in Rye, East Sussex, England, United Kingdom (from 1991-12 until 1992-07)
- mixed at:
- Hog Hill Mill in Rye, East Sussex, England, United Kingdom (from 1992-09 until 1992-10)
- recording of:
- Looking for Changes (from 1991-12 until 1992-07)
- writer:
- Paul McCartney
| 2:49 |
| 3 | Hope of Deliverance- recording engineer:
- Bob Kraushaar (from 1991-12 until 1992-07-17)
- programming:
- Paul Wickens (from 1991-12 until 1992-07)
- producer:
- Paul McCartney and Julian Mendelsohn
- acoustic guitar, electric guitar and guitar [Spanish guitar]:
- Paul McCartney (from 1991-12 until 1992-07) and Robbie McIntosh (from 1991-12 until 1992-07)
- autoharp:
- Linda McCartney (from 1991-12 until 1992-07)
- bass and lead vocals:
- Paul McCartney (from 1991-12 until 1992-07)
- drum machine and piano:
- Paul Wickens (from 1991-12 until 1992-07)
- drums (drum set):
- Blair Cunningham (from 1991-12 until 1992-07)
- percussion:
- Blair Cunningham (from 1991-12 until 1992-07), Paul Wickens (from 1991-12 until 1992-07), Davide Giovannini (on 1992-07-17), Dave Pattman (on 1992-07-17) and Maurizio Ravalico (on 1992-07-17)
- background vocals:
- Blair Cunningham (from 1991-12 until 1992-07), Linda McCartney (from 1991-12 until 1992-07), Paul McCartney (from 1991-12 until 1992-07), Robbie McIntosh (from 1991-12 until 1992-07), Hamish Stuart (from 1991-12 until 1992-07) and Paul Wickens (from 1991-12 until 1992-07)
- recorded at:
- Hog Hill Mill in Rye, East Sussex, England, United Kingdom (from 1991-12 until 1992-07) and Hog Hill Mill in Rye, East Sussex, England, United Kingdom (on 1992-07-17: percussion)
- mixed at:
- Hog Hill Mill in Rye, East Sussex, England, United Kingdom (from 1992-09 until 1992-10)
- recording of:
- Hope of Deliverance (from 1991-12 until 1992-07)
- lyricist and composer:
- Paul McCartney
| 3:22 |
| 4 | Mistress and Maid- recording engineer:
- Bob Kraushaar (from 1991-12 until 1992-07)
- producer:
- Paul McCartney and Julian Mendelsohn
- acoustic guitar:
- Robbie McIntosh (from 1991-12 until 1992-07)
- bass and lead vocals:
- Paul McCartney (from 1991-12 until 1992-07)
- drums (drum set):
- Blair Cunningham (from 1991-12 until 1992-07)
- electric guitar:
- Hamish Stuart (from 1991-12 until 1992-07)
- flute:
- Susan Milan (from 1991-12 until 1992-07)
- horn:
- Frank Lloyd (from 1991-12 until 1992-07)
- keyboard:
- Paul Wickens (from 1991-12 until 1992-07)
- oboe:
- Gordon Hunt (from 1991-12 until 1992-07)
- tambourine:
- Linda McCartney (from 1991-12 until 1992-07) and Paul McCartney (from 1991-12 until 1992-07)
- trombone:
- Colin Sheen (from 1991-12 until 1992-07)
- trumpet:
- Richard Martin (from 1991-12 until 1992-07) and Paul Stringsbald (from 1991-12 until 1992-07)
- tuba:
- Stephen Wick (from 1991-12 until 1992-07)
- violin:
- Belinda Bunt (from 1991-12 until 1992-07), Jonathan Evans‐Jones (from 1991-12 until 1992-07), Roger Garland (from 1991-12 until 1992-07), Roy Gillard (from 1991-12 until 1992-07), David Juritz (from 1991-12 until 1992-07), Pauline Lowbury (from 1991-12 until 1992-07), Brendan O’Reilly (from 1991-12 until 1992-07) and Maciej Rakowski (from 1991-12 until 1992-07)
- background vocals:
- Paul McCartney (from 1991-12 until 1992-07) and Hamish Stuart (from 1991-12 until 1992-07)
- conductor:
- Carl Davis (from 1991-12 until 1992-07)
- arranger:
- Carl Davis and Paul McCartney
- recorded at:
- Hog Hill Mill in Rye, East Sussex, England, United Kingdom (from 1991-12 until 1992-07) and The Hit Factory in London, England, United Kingdom (from 1991-12 until 1992-07)
- mixed at:
- Hog Hill Mill in Rye, East Sussex, England, United Kingdom (from 1992-09 until 1992-10)
- recording of:
- Mistress and Maid (from 1991-12 until 1992-07)
- lyricist and composer:
- Elvis Costello and Paul McCartney
| 3:01 |
| 5 | I Owe It All to You | 4:51 |
| 6 | Biker Like an Icon | 3:26 |
| 7 | Peace in the Neighbourhood- recording engineer:
- Bob Kraushaar (from 1991-11-25 until 1992-07)
- producer:
- Paul McCartney and Julian Mendelsohn
- acoustic guitar:
- Robbie McIntosh (from 1991-11-25 until 1992-07)
- bass:
- Hamish Stuart (from 1991-11-25 until 1992-07)
- congas and lead vocals:
- Paul McCartney (from 1991-11-25 until 1992-07)
- drums (drum set):
- Blair Cunningham (from 1991-11-25 until 1992-07)
- electric guitar:
- Paul McCartney (from 1991-11-25 until 1992-07) and Robbie McIntosh (from 1991-11-25 until 1992-07)
- percussion:
- Blair Cunningham (from 1991-11-25 until 1992-07) and Linda McCartney (from 1991-11-25 until 1992-07)
- piano:
- Paul Wickens (from 1991-11-25 until 1992-07)
- background vocals:
- Linda McCartney (from 1991-11-25 until 1992-07), Paul McCartney (from 1991-11-25 until 1992-07), Robbie McIntosh (from 1991-11-25 until 1992-07), Hamish Stuart (from 1991-11-25 until 1992-07) and Paul Wickens (from 1991-11-25 until 1992-07)
- spoken vocals:
- Eddie Klein (from 1991-11-25 until 1992-07) and Keith Smith (from 1991-11-25 until 1992-07)
- recorded at:
- Hog Hill Mill in Rye, East Sussex, England, United Kingdom (from 1991-11-25 until 1991-12-06, from 1991-12 until 1992-07)
- mixed at:
- Hog Hill Mill in Rye, East Sussex, England, United Kingdom (from 1992-09 until 1992-10)
- recording of:
- Peace in the Neighbourhood (from 1991-11-25 until 1992-07)
- writer:
- Paul McCartney
| 5:06 |
| 8 | Golden Earth Girl | 3:45 |
| 9 | The Lovers That Never Were- recording engineer:
- Bob Kraushaar (from 1991-12 until 1992-07)
- producer:
- Paul McCartney and Julian Mendelsohn
- acoustic guitar:
- Robbie McIntosh (from 1991-12 until 1992-07) and Hamish Stuart (from 1991-12 until 1992-07)
- bass and lead vocals:
- Paul McCartney (from 1991-12 until 1992-07)
- drums (drum set):
- Blair Cunningham (from 1991-12 until 1992-07)
- grand piano and Hammond organ:
- Paul Wickens (from 1991-12 until 1992-07)
- mandolin:
- Robbie McIntosh (from 1991-12 until 1992-07)
- percussion:
- Blair Cunningham (from 1991-12 until 1992-07), Linda McCartney (from 1991-12 until 1992-07), Paul McCartney (from 1991-12 until 1992-07), Robbie McIntosh (from 1991-12 until 1992-07), Hamish Stuart (from 1991-12 until 1992-07) and Paul Wickens (from 1991-12 until 1992-07)
- background vocals:
- Linda McCartney (from 1991-12 until 1992-07), Paul McCartney (from 1991-12 until 1992-07), Robbie McIntosh (from 1991-12 until 1992-07) and Hamish Stuart (from 1991-12 until 1992-07)
- recorded at:
- Hog Hill Mill in Rye, East Sussex, England, United Kingdom (from 1991-12 until 1992-07)
- mixed at:
- Hog Hill Mill in Rye, East Sussex, England, United Kingdom (from 1992-09 until 1992-10)
- recording of:
- The Lovers That Never Were (from 1991-12 until 1992-07)
- lyricist and composer:
- Elvis Costello (in 1987) and Paul McCartney (in 1987)
| 3:43 |
| 10 | Get Out of My Way | 3:33 |
| 11 | Winedark Open Sea | 5:27 |
| 12 | C'mon People- recording engineer:
- Bob Kraushaar (from 1991-12 until 1992-07)
- producer:
- Paul McCartney and Julian Mendelsohn
- acoustic guitar:
- Robbie McIntosh (from 1991-12 until 1992-07)
- bass:
- Hamish Stuart (from 1991-12 until 1992-07)
- celesta, piano, whistle and lead vocals:
- Paul McCartney (from 1991-12 until 1992-07)
- cello:
- Robert Bailey (from 1991-12 until 1992-07), Paul Kegg (from 1991-12 until 1992-07), Ben Kennard (from 1991-12 until 1992-07), Anthony Pleeth (from 1991-12 until 1992-07), Roger Smith (from 1991-12 until 1992-07) and Jonathan Williams (from 1991-12 until 1992-07)
- congas:
- Blair Cunningham (from 1991-12 until 1992-07) and Paul Wickens (from 1991-12 until 1992-07)
- double bass:
- Paul Cullington (from 1991-12 until 1992-07) and Chris Laurence (from 1991-12 until 1992-07)
- drums (drum set):
- Blair Cunningham (from 1991-12 until 1992-07)
- electric guitar:
- Paul McCartney (from 1991-12 until 1992-07) and Robbie McIntosh (from 1991-12 until 1992-07)
- flute:
- Martin Parry (from 1991-12 until 1992-07) and Jane Pickles (from 1991-12 until 1992-07)
- harp:
- Skaila Kanga (from 1991-12 until 1992-07)
- horn:
- Nicholas Busch (from 1991-12 until 1992-07) and Frank Lloyd (from 1991-12 until 1992-07)
- Moog:
- Linda McCartney (from 1991-12 until 1992-07)
- oboe:
- Josephine Lively (from 1991-12 until 1992-07) and Richard Morgan (from 1991-12 until 1992-07)
- percussion:
- Terence Emery (from 1991-12 until 1992-07) and Tristan Fry (from 1991-12 until 1992-07)
- synthesizer:
- Paul Wickens (from 1991-12 until 1992-07)
- trumpet:
- Guy Barker (from 1991-12 until 1992-07) and Derek Watkins (from 1991-12 until 1992-07)
- viola:
- Roger Chase (from 1991-12 until 1992-07), Ken Essex (from 1991-12 until 1992-07), Andrew Parker (from 1991-12 until 1992-07), George Robertson (from 1991-12 until 1992-07), Graeme Scott (from 1991-12 until 1992-07) and John Underwood (from 1991-12 until 1992-07)
- violin:
- Irvine Arditti (from 1991-12 until 1992-07), Alan Brind (from 1991-12 until 1992-07), Ben Cruft (from 1991-12 until 1992-07), Miranda Fulleylove (from 1991-12 until 1992-07), Roger Garland (from 1991-12 until 1992-07), Roy Gillard (from 1991-12 until 1992-07), Pauline Lowbury (from 1991-12 until 1992-07), Rita Manning (from 1991-12 until 1992-07), David Ogden (from 1991-12 until 1992-07), Bernard Partridge (from 1991-12 until 1992-07), Jonathan Rees (from 1991-12 until 1992-07), Michael Rennie (from 1991-12 until 1992-07), Celia Sheen (from 1991-12 until 1992-07), Galina Solodchin (from 1991-12 until 1992-07), Donald Weekes (from 1991-12 until 1992-07), Barry Wilde (from 1991-12 until 1992-07), Jeremy Williams (from 1991-12 until 1992-07) and David Woodcock (from 1991-12 until 1992-07)
- background vocals:
- Linda McCartney (from 1991-12 until 1992-07), Paul McCartney (from 1991-12 until 1992-07) and Hamish Stuart (from 1991-12 until 1992-07)
- conductor:
- George Martin (from 1991-12 until 1992-07)
- arranger:
- George Martin and Paul McCartney
- recorded at:
- Hog Hill Mill in Rye, East Sussex, England, United Kingdom (from 1991-12 until 1992-07) and Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (on 1992-06-30)
- mixed at:
- Hog Hill Mill in Rye, East Sussex, England, United Kingdom (from 1992-09 until 1992-10)
- recording of:
- C’mon People (from 1991-12 until 1992-07)
- written in:
- Jamaica
- writer:
- Paul McCartney
| 7:42 |
