Messiah

~ Release by George Frideric Handel; Sir Neville Marriner, Academy of St. Martin in the Fields (see all versions of this release, 5 available)

Annotation

Copyright: © 1995 Decca Music Group Limited
℗ 1976 Decca Music Group Limited

Tracklist

1▶Digital Media
2▼Digital Media
#TitleArtistLength
1Messiah, HWV 56, Pt. 2: No. 24, Chorus. Surely He Hath Borne Our Griefs
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:07
2Messiah, HWV 56, Pt. 2: No. 25, Chorus. And with His Stripes We Are Healed
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:26
3Messiah, HWV 56, Pt. 2: No. 26, Chorus. All We Like Sheep Have Gone Astray
engineer:
Stanley Goodall (in 1976-07)
producer:
Chris Hazell (in 1976-07)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:27
4Messiah, HWV 56, Pt. 2: No. 27, Recit. All They That See Him Laugh Him to Scorn (Tenor) - No. 28, Chorus. He Trusted in God That He Would Deliver Him
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
tenor vocals:
Philip Langridge (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:51
5Messiah, HWV 56, Pt. 2: No. 29, Recit. Thy Rebuke Hath Broken His Heart (Soprano/Tenor) - No. 30, Aria. Behold and See If There Be Any Sorrow Like Unto His Sorrow (Soprano/Tenor)
producer:
Chris Hazell
soprano vocals:
Elly Ameling (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (in 1976-07)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:49
6Messiah, HWV 56, Pt. 2: No. 31, Recit. He Was Cut Off Out of the Land of the Living (Soprano/Tenor) - No. 32, Aria. But Thou Didst Not Leave His Soul in Hell (Soprano/Tenor)
producer:
Chris Hazell
tenor vocals:
Philip Langridge (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano) (in 1976-07)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:23
7Messiah, HWV 56, Pt. 2: No. 33, Chorus. Lift Up Your Heads, O Ye Gates
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:58
8Messiah, HWV 56, Pt. 2: No. 34, Recit. Unto Which of the Angels Said He at Any Time? (Tenor) - No. 35, Chorus. Let All the Angels of God Worship Him
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
tenor vocals:
Philip Langridge (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:42
9Messiah, HWV 56, Pt. 2: No. 36, Aria. Thou Art Gone Up on High (Alto/Bass)
producer:
Chris Hazell
bass vocals:
Gwynne Howell (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (in 1976-07)
composer:
George Frideric Handel (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:11
10Messiah, HWV 56, Pt. 2: No. 37, Chorus. The Lord Gave the Word
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:03
11Messiah, HWV 56, Pt. 2: No. 38, Aria. How Beautiful Are the Feet of Them That Preach (Soprano)
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
mezzo-soprano vocals:
Anna Reynolds (in 1976-07)
soprano vocals:
Elly Ameling (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) (in 1976-07)
composer:
George Frideric Handel (in 1741)
is based on:
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:17
12Messiah, HWV 56, Pt. 2: No. 39, Chorus. Their Sound Is Gone Out into All Lands
producer:
Chris Hazell
tenor vocals:
Philip Langridge (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:09
13Messiah, HWV 56, Pt. 2: No. 40, Aria. Why Do the Nations So Furiously Rage Together? (Bass) - No. 41, Chorus. Let Us Break Their Bonds Asunder
producer:
Chris Hazell
bass vocals:
Gwynne Howell (in 1976-07)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:08
14Messiah, HWV 56, Pt. 2: No. 42, Recit. He That Dwelleth in Heaven Shall Laugh Them to Scorn (Tenor) - No. 43, Aria. Thou Shalt Break Them with a Rod of Iron (Tenor)
producer:
Chris Hazell
tenor vocals:
Philip Langridge (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (in 1976-07)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:34
15Messiah, HWV 56, Pt. 2: No. 44, Chorus. Hallelujah, for the Lord God Omnipotent Reigneth
engineer:
Simon Eadon (in 1976-07) and Stanley Goodall (in 1976-07)
producer:
Chris Hazell (in 1976-07)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
chorus master:
László Heltay (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1976)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1976-07)
composer:
George Frideric Handel (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:39
16Messiah, HWV 56, Pt. 3: No. 45, Aria. I Know That My Redeemer Liveth (Soprano)
engineer:
Stanley Goodall (in 1976-07)
producer:
Chris Hazell (in 1976-07)
soprano vocals:
Elly Ameling (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel5:14
17Messiah, HWV 56, Pt. 3: No. 46, Chorus. Since By Man Came Death
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel1:51
18Messiah, HWV 56, Pt. 3: No. 47, Recit. Behold, I Tell You a Mystery (Bass) - No. 48, Aria. The Trumpet Shall Sound (Bass)
producer:
Chris Hazell
bass vocals:
Gwynne Howell (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel10:10
19Messiah, HWV 56, Pt. 3: No. 49, Recit. Then Shall Be Brought to Pass (Alto) - No. 50, Aria. O Death, Where Is Thy Sting? (Alto/Tenor) - No. 51, Chorus. But Thanks Be to God Who Giveth Us the Victory
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
mezzo-soprano vocals:
Anna Reynolds (in 1976-07)
tenor vocals:
Philip Langridge (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (in 1976-07)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel4:57
20Messiah, HWV 56, Pt. 3: No. 52, Aria. If God Be For Us, Who Can Be Against Us? (Soprano)
producer:
Chris Hazell
mezzo-soprano vocals:
Anna Reynolds (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel4:40
21Messiah, HWV 56, Pt. 3: No. 53, Chorus. Worthy Is the Lamb That Was Slain - Amen
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel6:36