Pet Sounds

~ Release by The Beach Boys (see all versions of this release, 55 available)

Annotation

Original MONO program (tracks 1-13)
Track 14 is MONO, mixed from the original 4-track master tapes.
repeats in STEREO on tracks 15-27, remixed from the original 3-track, 4-track and 8-track master tapes.

Tracks 1 & 15: Instrumental recorded Jan. 22, 1965. Vocals recorded March-April 1966. Originally released as Capitol Single 5706 "God Only Knows."
Tracks 2 & 16: Instrumental Track recorded Nov. 1, 1965 . Instrumental Introduction recorded Jan. 24, 1966. Vocals recorded January-February 1966.
Tracks 3 & 17: Basic Track recorded Feb 15, 1966. Additional instrumentation and Vocals recorded February or March 1966.
Tracks 4 & 18: Instrumental track recorded Feb 11, 1966, String Overdub recorded April 3, 1966.
Tracks 5 & 19: Instrumental and String overdub recorded March 6 1966. Vocals recorded March 1966.
Tracks 6 & 20: Instrumental Recorded Jan 18, 1966. String and Flute overdubs recorded Jan 19, 1966. Released October 10, 1966 as B-Side of Capitol single 5676, "Good Vibrations."
Tracks 7 & 21: Instrumental recorded July 12, 1965. Vocals recorded Dec. 22, 1965. New Lead Vocals and 12-string electric guitar overdub recorded Dec 29, 1965. High Harmony lead and additional backing vocals recorded Jan. 1966. Released March 21, 1966 as Capitol Single 5602.
Tracks 8 & 22: Instrumental recorded March 10, 1966. Vocals recorded March-April 1966. Released July 18, 1966 as the B-Side of Capitol Single 5706 "Wouldn't It Be Nice."
Tracks 9 & 23: Instrumental recorded Feb 9, 1966. Vocals recorded February -March 1966. Originally Titled "Hang On to your Ego."
Tracks 10 & 24: Instrumental recorded March 11, 1966. Vocals recorded March 25, 1966.
Tracks 11 & 25: Instrumental recorded Feb 14, 1966. Vocals recored March-April 1966.
Tracks 12 & 26 recored Nov. 17, 1965.
Tracks 13 & 27 recorded Jan 31, 1966. Released March 7, 1966 as Capitol single 5610.
Track 14 recorded Feb. 9, 1966. Mixed December 1987.

Instrumentals on Tracks 1, 11, 15 & 25 recorded at Gold Star Recording Studios, Hollywood, CA.
Vocals on Tracks 1, 5, 8, 10, 11, 15, 19, 22, 24 & 25 recorded at Columbia Studios, Hollywood, CA.
Tracks 2 to 4, 5 (instrumental and string overdub), 6, 7, 8 (instrumental), 9, 12 to 14, 16, 17, 18, 19 (instrumental and string overdub), 20, 21, 22 (instrumental), 23, 26 & 27 Recorded at Western Recorders, Hollywood, CA.
Tracks 10 & 24 (Instrumental) recorded at Sunset Sound, Hollywood, CA.
Track 14 Mixed at capitol records, Hollywood, CA.

Tracks 15-27 Produced and Engineered at "Your Place or Mine" Recording Studios, Glendale CA.
Track 14 Mixed at Capitol Mastering, Hollywood, CA, 1987.

Remastered at Oceanview Digital Mastering, Los Angeles, CA, 2000 using the HDCD process.

℗© Capitol Records, Inc.

Manufactured and distributed by EMI Music Canada

Tracklist

1▼HDCD
#TitleLength
1Wouldn’t It Be Nice
engineer:
Larry Levine (on 1966-01-22) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Brian Wilson
12 string guitar:
Jerry Cole (on 1966-01-22)
accordion:
Carl Fortina (on 1966-01-22) and Frank Marocco (on 1966-01-22)
baritone saxophone:
Jay Migliori (on 1966-01-22)
bass guitar:
Lyle Ritz (on 1966-01-22)
drums (drum set):
Hal Blaine (on 1966-01-22)
electric bass guitar:
Carol Kaye (on 1966-01-22) and Ray Pohlman (on 1966-01-22)
guitar:
Bill Pitman (on 1966-01-22)
mandoguitar:
Barney Kessel (on 1966-01-22)
percussion:
Frank Capp (on 1966-01-22)
piano:
Al De Lory (on 1966-01-22)
piano [track piano]:
Larry Knechtel (on 1966-01-22)
tenor saxophone:
Steve Douglas (on 1966-01-22) and Plas Johnson (on 1966-01-22)
trumpet:
Roy Caton (on 1966-01-22)
background vocals:
Al Jardine (on 1966-01-22), Bruce Johnston (on 1966-01-22), Carl Wilson (on 1966-01-22) and Dennis Wilson (on 1966-01-22)
lead vocals:
Mike Love (on 1966-01-22) and Brian Wilson (on 1966-01-22)
arranger:
Brian Wilson
recorded at:
Columbia Studios in Hollywood, Los Angeles, California, United States (on 1966-01-22) and Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1966-01-22)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 297)
recording of:
Wouldn’t It Be Nice (on 1966-01-22)
lyricist:
Tony Asher, Mike Love and Brian Wilson
composer:
Brian Wilson
publisher:
Almo Music Corp., Irving Music, ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
2:26
2You Still Believe in Me
engineer:
Chuck Britz (on 1965-10-14)
producer:
Brian Wilson
bass clarinet:
Jay Migliori (on 1965-10-14)
bicycle bell and timpani:
Julius Wechter (on 1965-10-14)
clarinet:
Bill Green (on 1965-10-14), Jim Horn (on 1965-10-14) and Plas Johnson (on 1965-10-14)
double bass:
Lyle Ritz (on 1965-10-14)
drums (drum set):
Hal Blaine (on 1965-10-14)
electric bass guitar:
Carol Kaye (on 1965-10-14)
guitar:
Glen Campbell (on 1965-10-14) and Barney Kessel (on 1965-10-14)
harpsichord:
Al De Lory (from 1965-10-14 until 1966-01-24)
piano:
Steve Douglas (from 1965-10-14 until 1966-01-24)
lead vocals:
Brian Wilson (from 1966-01 until 1966-02)
arranger:
Brian Wilson
recorded at:
Western Recorders in Los Angeles, California, United States (on 1965-10-14, on 1966-01-24, from 1966-01 until 1966-02)
recording of:
You Still Believe in Me (from 1965-10-14 until 1966-02)
writer:
Tony Asher and Brian Wilson
2:35
3That’s Not Me
engineer:
Chuck Britz (on 1966-02-15)
producer:
Brian Wilson
12 string guitar [12-string Electric Guitar]:
Carl Wilson
drums (drum set):
Dennis Wilson (on 1966-02-15)
electric bass guitar:
Brian Wilson
guitar:
Carl Wilson (on 1966-02-15)
organ:
Brian Wilson (on 1966-02-15)
percussion:
Hal Blaine
lead vocals:
Mike Love (from 1966-02 until 1966-03) and Brian Wilson (from 1966-02 until 1966-03)
arranger:
Brian Wilson
recorded at:
Western Recorders in Los Angeles, California, United States (on 1966-02-15, from 1966-02 until 1966-03)
recording of:
That’s Not Me (from 1966-02-15 until 1966-03)
lyricist:
Tony Asher
composer:
Brian Wilson
2:30
4Don’t Talk (Put Your Head on My Shoulder)
engineer:
Chuck Britz (on 1966-02-11) and H. Bowen David (on 1966-04-03)
producer:
Brian Wilson
cello:
Joseph Saxon (on 1966-04-03)
double bass:
Lyle Ritz (on 1966-02-11)
drums (drum set):
Hal Blaine (on 1966-02-11)
electric bass guitar:
Carol Kaye (on 1966-02-11)
guitar:
Glen Campbell (on 1966-02-11) and Billy Strange (on 1966-02-11)
organ:
Al De Lory (on 1966-02-11)
piano:
Steve Douglas (on 1966-02-11)
timpani and vibraphone:
Frank Capp (on 1966-02-11)
viola:
Norman Botnick (on 1966-04-03)
violin:
Arnold Belnick (on 1966-04-03), Ralph Schaeffer (on 1966-04-03), Sid Sharp (on 1966-04-03) and Tibor Zelig (on 1966-04-03)
lead vocals:
Brian Wilson (on 1966-02-11)
arranger:
Brian Wilson
recorded at:
Western Recorders in Los Angeles, California, United States (on 1966-02-11, on 1966-04-03)
recording of:
Don’t Talk (Put Your Head on My Shoulder) (from 1966-02-11 until 1966-04-03)
lyricist:
Tony Asher
composer:
Brian Wilson
2:54
5I’m Waiting for the Day
engineer:
Ralph Valentin (in 1966-03) and H. Bowen David (on 1966-03-06)
producer:
Brian Wilson
bongos and timpani:
Gary Coleman (on 1966-03-06)
cello:
Justin Ditullio (on 1966-03-06)
cor anglais [english horn]:
Leonard Hartman (on 1966-03-06)
double bass:
Lyle Ritz (on 1966-03-06)
drums (drum set):
Jim Gordon (on 1966-03-06)
electric bass guitar:
Ray Pohlman (on 1966-03-06)
flute:
Bill Green (on 1966-03-06), Jim Horn (on 1966-03-06) and Jay Migliori (on 1966-03-06)
guitar:
Carol Kaye (on 1966-03-06)
organ:
Larry Knechtel (on 1966-03-06)
tack piano:
Al De Lory (on 1966-03-06)
viola:
Harry Hyams (on 1966-03-06)
violin:
William Kurasch (on 1966-03-06), Leonard Malarsky (on 1966-03-06), Ralph Schaeffer (on 1966-03-06) and Sid Sharp (on 1966-03-06)
lead vocals:
Brian Wilson (in 1966-03)
arranger:
Brian Wilson
recorded at:
Columbia Studios in Hollywood, Los Angeles, California, United States (in 1966-03) and Western Recorders in Los Angeles, California, United States (on 1966-03-06)
recording of:
I’m Waiting for the Day (in 1966-03)
lyricist:
Mike Love
composer:
Brian Wilson
3:06
6Let’s Go Away for Awhile
engineer:
Chuck Britz (on 1966-01-18)
producer:
Brian Wilson
alto saxophone:
Jim Horn (on 1966-01-18)
baritone saxophone:
Jay Migliori (on 1966-01-18)
cello:
Justin Ditullio (on 1966-01-19) and Joseph Saxon (on 1966-01-19)
double bass:
Lyle Ritz (on 1966-01-18)
drums (drum set):
Hal Blaine (on 1966-01-18)
electric bass guitar:
Carol Kaye (on 1966-01-18)
flute:
Steve Douglas (on 1966-01-19) and Jules Jacob (on 1966-01-19)
guitar:
Al Casey (on 1966-01-18) and Barney Kessel (on 1966-01-18)
piano:
Al De Lory (on 1966-01-18)
tenor saxophone:
Steve Douglas (on 1966-01-18) and Plas Johnson (on 1966-01-18)
timpani and vibraphone:
Julius Wechter (on 1966-01-18)
trumpet:
Roy Caton (on 1966-01-18)
viola:
Joseph DiFiore (on 1966-01-19) and Harry Hyams (on 1966-01-19)
violin:
Arnold Belnick (on 1966-01-19), James Getzoff (on 1966-01-19), William Kurasch (on 1966-01-19), Leonard Malarsky (on 1966-01-19), Jerome Reisler (on 1966-01-19), Ralph Schaeffer (on 1966-01-19), Sid Sharp (on 1966-01-19) and Tibor Zelig (on 1966-01-19)
arranger:
Brian Wilson
recorded at:
Western Recorders in Los Angeles, California, United States (on 1966-01-18, on 1966-01-19)
recording of:
Let’s Go Away for Awhile (from 1966-01-18 until 1966-01-19)
composer:
Brian Wilson
publisher:
Sea of Tunes Publishing Co.
2:21
7Sloop John B
engineer:
Chuck Britz (on 1965-07-12)
producer:
Brian Wilson
12 string guitar [12-string electric guitar]:
Billy Strange (on 1965-12-29)
bass saxophone:
Jack Nimitz (on 1965-07-12)
double bass:
Lyle Ritz (on 1965-07-12)
drums (drum set):
Hal Blaine (on 1965-07-12)
electric bass guitar:
Carol Kaye (on 1965-07-12)
flute:
Jim Horn (on 1965-07-12) and Jay Migliori (on 1965-07-12)
glockenspiel:
Frank Capp (on 1965-07-12)
guitar:
Al Casey (on 1965-07-12), Jerry Cole (on 1965-07-12) and Billy Strange (on 1965-07-12)
tack piano:
Al De Lory (on 1965-07-12)
temple blocks:
Steve Douglas (on 1965-07-12)
lead vocals:
Mike Love (from 1965-12-22 until 1965-12-29) and Brian Wilson (from 1965-12-22 until 1965-12-29)
arranger:
Brian Wilson
recorded at:
Western Recorders in Los Angeles, California, United States (on 1965-07-12, on 1965-12-22, on 1965-12-29)
recording of:
Sloop John B (from 1965-07-12 until 1965-12-29)
lyricist and composer:
Brian Wilson
publisher:
EMI Music Publishing, EMI United Partnership Ltd., Irving Music, Inc. and New Executive Music
version of:
The John B. Sails
3:00
8God Only Knows
engineer:
Chuck Britz (on 1966-03-10) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Brian Wilson
accordion:
Carl Fortina (on 1966-03-10) and Frank Marocco (on 1966-03-10)
bass clarinet:
Leonard Hartman (on 1966-03-10)
bell and drums (drum set):
Hal Blaine (on 1966-03-10)
cello:
Jesse Erlich (on 1966-03-10)
clarinet:
Leonard Hartman (on 1966-03-10) and Jay Migliori (on 1966-03-10)
double bass:
Lyle Ritz (on 1966-03-10)
electric bass guitar:
Ray Pohlman (on 1966-03-10)
flute:
Bill Green (on 1966-03-10) and Jim Horn (on 1966-03-10)
French horn:
Alan Robinson (on 1966-03-10)
guitar:
Carol Kaye (on 1966-03-10)
harpsichord:
Larry Knechtel (on 1966-03-10)
percussion:
Jim Gordon (on 1966-03-10)
tack piano:
Don Randi (on 1966-03-10)
tambourine:
Terry Melcher (on 1966-03-10)
viola:
Darrel Terwilliger (on 1966-03-10)
violin:
Leonard Malarsky (on 1966-03-10) and Sid Sharp (on 1966-03-10)
lead vocals:
Carl Wilson (from 1966-03 until 1966-04)
vocals:
Bruce Johnston (from 1966-03 until 1966-04) and Brian Wilson (from 1966-03 until 1966-04)
arranger:
Brian Wilson
recorded at:
Western Recorders in Los Angeles, California, United States (on 1966-03-10) and Columbia Studios in Hollywood, Los Angeles, California, United States (from 1966-03 until 1966-04)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 11), Helsingin Sanomat: 100 maailman parasta laulua (number: 17), Rolling Stone: 500 Greatest Songs of All Time (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (number: 130)
recording of:
God Only Knows (from 1966-03 until 1966-04)
lyricist:
Tony Asher
composer:
Brian Wilson
publisher:
Irving Music, Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co., Universal Music Publishing Ltd., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
2:53
9I Know There’s an Answer
engineer:
Chuck Britz (on 1966-02-09)
producer:
Brian Wilson
banjo:
Glen Campbell (on 1966-02-09)
bass clarinet:
Jay Migliori (on 1966-02-09)
bass harmonica:
Tommy Morgan (on 1966-02-09)
clarinet:
Steve Douglas (on 1966-02-09) and Bobby Klein (on 1966-02-09)
double bass:
Lyle Ritz (on 1966-02-09)
electric bass guitar:
Ray Pohlman (on 1966-02-09)
flute:
Jim Horn (on 1966-02-09) and Paul Horn (on 1966-02-09)
guitar:
Glen Campbell (on 1966-02-09) and Barney Kessel (on 1966-02-09)
organ:
Larry Knechtel (on 1966-02-09)
tack piano:
Al De Lory (on 1966-02-09)
tambourine:
Julius Wechter (on 1966-02-09)
timpani:
Hal Blaine (on 1966-02-09)
lead vocals:
Al Jardine (from 1966-02 until 1966-04) and Mike Love (from 1966-02 until 1966-04)
vocals:
Brian Wilson (from 1966-02 until 1966-04)
arranger:
Brian Wilson
recorded at:
Western Recorders in Los Angeles, California, United States (on 1966-02-09, from 1966-02 until 1966-04)
recording of:
I Know There’s an Answer (from 1966-02 until 1966-04)
lyricist:
Mike Love and Terry Sachen
composer:
Brian Wilson
publisher:
Irving Music and Rondor Music (London) Ltd.
version of:
Hang On to Your Ego
3:11
10Here Today
engineer:
Ralph Valentin (in 1966-03) and Bruce Botnick (on 1966-03-11)
producer:
Brian Wilson
baritone saxophone:
Jay Migliori (on 1966-03-11) and Jack Nimitz (on 1966-03-11)
bass trombone:
Gail Martin (on 1966-03-11) and Ernie Tack (on 1966-03-11)
double bass:
Lyle Ritz (on 1966-03-11)
drums (drum set):
Nick Martinis (on 1966-03-11)
electric bass guitar:
Ray Pohlman (on 1966-03-11)
guitar:
Al Casey (on 1966-03-11) and Mike Deasy (on 1966-03-11)
organ:
Larry Knechtel (on 1966-03-11)
tack piano:
Don Randi (on 1966-03-11)
tambourine:
Frank Capp (on 1966-03-11)
lead vocals:
Mike Love (in 1966-03)
arranger:
Brian Wilson
recorded at:
Columbia Studios in Hollywood, Los Angeles, California, United States (in 1966-03) and Sunset Sound in Hollywood, Los Angeles, California, United States (on 1966-03-11)
recording of:
Here Today (in 1966-03)
lyricist:
Tony Asher
composer:
Brian Wilson
2:55
11I Just Wasn’t Made for These Times
engineer:
Larry Levine (on 1966-02-14) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Brian Wilson
bass clarinet:
Jay Migliori (on 1966-02-14)
bass harmonica:
Tommy Morgan (on 1966-02-14)
clarinet:
Steve Douglas (on 1966-02-14) and Bobby Klein (on 1966-02-14)
double bass:
Chuck Berghofer (on 1966-02-14)
drums (drum set) and timpani:
Hal Blaine (on 1966-02-14)
electric bass guitar:
Ray Pohlman (on 1966-02-14)
guitar:
Glen Campbell (on 1966-02-14) and Barney Kessel (on 1966-02-14)
harpsichord:
Mike Melvoin (on 1966-02-14)
percussion [cups] and temple blocks:
Frank Capp (on 1966-02-14)
piccolo:
Plas Johnson (on 1966-02-14)
tack piano:
Don Randi (on 1966-02-14)
theremin [electro-theremin]:
Paul Tanner (on 1966-02-14)
lead vocals:
Brian Wilson (from 1966-03 until 1966-04)
arranger:
Brian Wilson
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1966-02-14) and Columbia Studios in Hollywood, Los Angeles, California, United States (from 1966-03 until 1966-04)
recording of:
I Just Wasn’t Made for These Times (from 1966-02-14 until 1966-04)
lyricist:
Tony Asher
composer:
Brian Wilson
publisher:
Irving Music
3:16
12Pet Sounds
engineer:
Chuck Britz (on 1965-11-17)
producer:
Brian Wilson
acoustic guitar:
Tommy Tedesco (on 1965-11-17)
alto saxophone:
Bill Green (on 1965-11-17)
baritone saxophone:
Jay Migliori (on 1965-11-17)
double bass:
Lyle Ritz (on 1965-11-17)
electric bass guitar:
Carol Kaye (on 1965-11-17)
electric guitar:
Jerry Cole (on 1965-11-17) and Billy Strange (on 1965-11-17)
percussion:
Bill Green (on 1965-11-17), Plas Johnson (on 1965-11-17) and Ritchie Frost (on 1965-11-17)
piano:
Brian Wilson (on 1965-11-17)
tenor saxophone:
Plas Johnson (on 1965-11-17)
trumpet:
Roy Caton (on 1965-11-17)
arranger:
Brian Wilson
recorded at:
Western Recorders in Los Angeles, California, United States (on 1965-11-17)
recording of:
Pet Sounds (on 1965-11-17)
composer:
Brian Wilson
2:23
13Caroline, No
engineer:
Chuck Britz (on 1966-01-31)
producer:
Brian Wilson
alto saxophone and tambourine:
Steve Douglas (on 1966-01-31)
double bass:
Lyle Ritz (on 1966-01-31)
drums (drum set) and percussion:
Hal Blaine (on 1966-01-31)
electric bass guitar [Dano bass]:
Carol Kaye (on 1966-01-31)
flute:
Bill Green (on 1966-01-31), Jim Horn (on 1966-01-31), Plas Johnson (on 1966-01-31) and Jay Migliori (on 1966-01-31)
guitar:
Glen Campbell (on 1966-01-31), Carol Kaye (on 1966-01-31) and Barney Kessel (on 1966-01-31)
harpsichord:
Al De Lory (on 1966-01-31)
vibraphone:
Frank Capp (on 1966-01-31)
lead vocals:
Brian Wilson (on 1966-01-31)
arranger:
Brian Wilson
recorded at:
Western Recorders in Los Angeles, California, United States (on 1966-01-31)
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 211)
recording of:
Caroline, No (on 1966-01-31)
lyricist:
Tony Asher
composer:
Brian Wilson
publisher:
Irving Music, Inc. and Sea of Tunes Publishing Co.
2:54
14Hang On to Your Ego
producer:
Brian Wilson
mixer:
Mark Linett (in 1987-12) and Larry Walsh (in 1987-12)
lead vocals:
Brian Wilson (on 1966-02-09)
recorded at:
Western Recorders in Los Angeles, California, United States (on 1966-02-09)
mixed at:
Capitol Mastering in Hollywood, Los Angeles, California, United States (in 1987-12)
recording of:
Hang On to Your Ego (on 1966-02-09)
composer:
Mike Love, Terry Sachen and Brian Wilson
3:04
15Wouldn’t It Be Nice
engineer:
Larry Levine (on 1966-01-22) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Mark Linett and Brian Wilson
mixer:
Mark Linett (in 1996)
accordion:
Carl Fortina (on 1966-01-22) and Frank Marocco (on 1966-01-22)
baritone saxophone:
Jay Migliori (on 1966-01-22)
bell, percussion and timpani:
Frank Capp (on 1966-01-22)
double bass:
Lyle Ritz (on 1966-01-22)
drums (drum set):
Hal Blaine (on 1966-01-22)
electric bass guitar:
Carol Kaye (on 1966-01-22)
electric bass guitar [Dano Bass]:
Ray Pohlman (on 1966-01-22)
guitar:
Jerry Cole (on 1966-01-22), Barney Kessel (on 1966-01-22) and Bill Pitman (on 1966-01-22)
piano:
Al De Lory (on 1966-01-22)
tack piano:
Larry Knechtel (on 1966-01-22)
tenor saxophone:
Steve Douglas (on 1966-01-22) and Plas Johnson (on 1966-01-22)
trumpet:
Roy Caton (on 1966-01-22)
lead vocals:
Brian Wilson (from 1966-03 until 1966-04)
arranger:
Brian Wilson
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1966-01-22) and Columbia Studios in Hollywood, Los Angeles, California, United States (from 1966-03 until 1966-04)
mixed at:
Your Place or Mine Recording in Glendale, California, United States (in 1996)
remix of:
Wouldn’t It Be Nice by The Beach Boys
recording of:
Wouldn’t It Be Nice (from 1966-01-22 until 1966-04)
lyricist:
Tony Asher, Mike Love and Brian Wilson
composer:
Brian Wilson
publisher:
Almo Music Corp., Irving Music, ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
2:33
16You Still Believe in Me
engineer:
Chuck Britz (on 1965-10-14)
producer:
Mark Linett and Brian Wilson
mixer:
Mark Linett
bass clarinet:
Jay Migliori (on 1965-10-14)
bicycle bell and timpani:
Julius Wechter (on 1965-10-14)
clarinet:
Bill Green (on 1965-10-14), Jim Horn (on 1965-10-14) and Plas Johnson (on 1965-10-14)
contrabass clarinet [contra-clarinet]:
Bill Green
double bass:
Lyle Ritz (on 1965-10-14)
drums (drum set):
Hal Blaine (on 1965-10-14)
electric bass guitar:
Carol Kaye (on 1965-10-14)
electric guitar [12-string electric lead guitars]:
Glen Campbell
finger cymbals and horn [bicycle horn]:
Hal Blaine
grand piano [acoustic grand piano]:
Steve Douglas
guitar:
Glen Campbell (on 1965-10-14) and Barney Kessel (on 1965-10-14)
harpsichord:
Al De Lory (from 1965-10-14 until 1966-01-24)
mandoguitar [12-string electric mando-guitars]:
Barney Kessel
piano:
Steve Douglas (from 1965-10-14 until 1966-01-24)
piano [plucked piano strings]:
Tony Asher and Brian Wilson
additional vocals:
Marilyn Wilson
background vocals:
Al Jardine, Bruce Johnston, Mike Love, Carl Wilson and Dennis Wilson
bass vocals:
Mike Love
lead vocals:
Brian Wilson (from 1966-01 until 1966-02)
arranger:
Brian Wilson
recorded at:
Western Recorders in Los Angeles, California, United States (on 1965-10-14, on 1966-01-24, from 1966-01 until 1966-02), Columbia Studio A in Hollywood, Los Angeles, California, United States (in 1966-01) and Western Recorders, Studio 3 in Hollywood, Los Angeles, California, United States (on 1966-01-24)
remix of:
You Still Believe in Me by The Beach Boys
recording of:
You Still Believe in Me (from 1965-10-14 until 1966-02)
writer:
Tony Asher and Brian Wilson
2:36
17That’s Not Me
engineer:
Chuck Britz (on 1966-02-15)
producer:
Mark Linett and Brian Wilson
mixer:
Mark Linett
12 string guitar [12-string Electric Guitar]:
Carl Wilson
drums (drum set):
Dennis Wilson (on 1966-02-15)
electric bass guitar:
Brian Wilson
guitar:
Carl Wilson (on 1966-02-15)
organ:
Brian Wilson (on 1966-02-15)
percussion:
Hal Blaine
lead vocals:
Mike Love (from 1966-02 until 1966-03) and Brian Wilson (from 1966-02 until 1966-03)
arranger:
Brian Wilson
recorded at:
Western Recorders in Los Angeles, California, United States (on 1966-02-15, from 1966-02 until 1966-03)
remix of:
That’s Not Me by The Beach Boys
recording of:
That’s Not Me (from 1966-02-15 until 1966-03)
lyricist:
Tony Asher
composer:
Brian Wilson
2:31
18Don’t Talk (Put Your Head on My Shoulder)
engineer:
Chuck Britz (on 1966-02-11) and H. Bowen David (on 1966-04-03)
producer:
Mark Linett and Brian Wilson
mixer:
Mark Linett (in 1996)
cello:
Joseph Saxon (on 1966-04-03)
double bass:
Lyle Ritz (on 1966-02-11)
drums (drum set):
Hal Blaine (on 1966-02-11)
electric bass guitar:
Carol Kaye (on 1966-02-11)
guitar:
Glen Campbell (on 1966-02-11) and Billy Strange (on 1966-02-11)
organ:
Al De Lory (on 1966-02-11)
piano:
Steve Douglas (on 1966-02-11)
timpani and vibraphone:
Frank Capp (on 1966-02-11)
viola:
Norman Botnick (on 1966-04-03)
violin:
Arnold Belnick (on 1966-04-03), Ralph Schaeffer (on 1966-04-03), Sid Sharp (on 1966-04-03) and Tibor Zelig (on 1966-04-03)
lead vocals:
Brian Wilson (on 1966-02-11)
arranger:
Brian Wilson
recorded at:
Western Recorders in Los Angeles, California, United States (on 1966-02-11, on 1966-04-03)
mixed at:
Your Place or Mine Recording in Glendale, California, United States (in 1996)
remix of:
Don’t Talk (Put Your Head on My Shoulder) by The Beach Boys
recording of:
Don’t Talk (Put Your Head on My Shoulder) (from 1966-02-11 until 1966-04-03)
lyricist:
Tony Asher
composer:
Brian Wilson
2:58
19I’m Waiting for the Day
engineer:
Ralph Valentin (in 1966-03) and H. Bowen David (on 1966-03-06)
producer:
Mark Linett and Brian Wilson
mixer:
Mark Linett
bongos and timpani:
Gary Coleman (on 1966-03-06)
cello:
Justin Ditullio (on 1966-03-06)
cor anglais [english horn]:
Leonard Hartman (on 1966-03-06)
double bass:
Lyle Ritz (on 1966-03-06)
drums (drum set):
Jim Gordon (on 1966-03-06)
electric bass guitar:
Ray Pohlman (on 1966-03-06)
flute:
Bill Green (on 1966-03-06), Jim Horn (on 1966-03-06) and Jay Migliori (on 1966-03-06)
guitar:
Carol Kaye (on 1966-03-06)
organ:
Larry Knechtel (on 1966-03-06)
tack piano:
Al De Lory (on 1966-03-06)
viola:
Harry Hyams (on 1966-03-06)
violin:
William Kurasch (on 1966-03-06), Leonard Malarsky (on 1966-03-06), Ralph Schaeffer (on 1966-03-06) and Sid Sharp (on 1966-03-06)
lead vocals:
Brian Wilson (in 1966-03)
arranger:
Brian Wilson
recorded at:
Columbia Studios in Hollywood, Los Angeles, California, United States (in 1966-03) and Western Recorders in Los Angeles, California, United States (on 1966-03-06)
remix of:
I’m Waiting for the Day by The Beach Boys
recording of:
I’m Waiting for the Day (in 1966-03)
lyricist:
Mike Love
composer:
Brian Wilson
3:07
20Let’s Go Away for Awhile
engineer:
Chuck Britz (on 1966-01-18)
producer:
Mark Linett and Brian Wilson
mixer:
Mark Linett
alto saxophone:
Jim Horn (on 1966-01-18)
baritone saxophone:
Jay Migliori (on 1966-01-18)
cello:
Justin Ditullio (on 1966-01-19) and Joseph Saxon (on 1966-01-19)
double bass:
Lyle Ritz (on 1966-01-18)
drums (drum set):
Hal Blaine (on 1966-01-18)
electric bass guitar:
Carol Kaye (on 1966-01-18)
flute:
Steve Douglas (on 1966-01-19) and Jules Jacob (on 1966-01-19)
guitar:
Al Casey (on 1966-01-18) and Barney Kessel (on 1966-01-18)
piano:
Al De Lory (on 1966-01-18)
tenor saxophone:
Steve Douglas (on 1966-01-18) and Plas Johnson (on 1966-01-18)
timpani and vibraphone:
Julius Wechter (on 1966-01-18)
trumpet:
Roy Caton (on 1966-01-18)
viola:
Joseph DiFiore (on 1966-01-19) and Harry Hyams (on 1966-01-19)
violin:
Arnold Belnick (on 1966-01-19), James Getzoff (on 1966-01-19), William Kurasch (on 1966-01-19), Leonard Malarsky (on 1966-01-19), Jerome Reisler (on 1966-01-19), Ralph Schaeffer (on 1966-01-19), Sid Sharp (on 1966-01-19) and Tibor Zelig (on 1966-01-19)
arranger:
Brian Wilson
recorded at:
Western Recorders in Los Angeles, California, United States (on 1966-01-18, on 1966-01-19)
remix of:
Let’s Go Away for Awhile by The Beach Boys
recording of:
Let’s Go Away for Awhile (from 1966-01-18 until 1966-01-19)
composer:
Brian Wilson
publisher:
Sea of Tunes Publishing Co.
2:25
21Sloop John B
engineer:
Chuck Britz (on 1965-07-12)
producer:
Mark Linett and Brian Wilson
mixer:
Mark Linett
12 string guitar [12-string electric guitar]:
Billy Strange (on 1965-12-29)
bass saxophone:
Jack Nimitz (on 1965-07-12)
double bass:
Lyle Ritz (on 1965-07-12)
drums (drum set):
Hal Blaine (on 1965-07-12)
electric bass guitar:
Carol Kaye (on 1965-07-12)
flute:
Jim Horn (on 1965-07-12) and Jay Migliori (on 1965-07-12)
glockenspiel:
Frank Capp (on 1965-07-12)
guitar:
Al Casey (on 1965-07-12), Jerry Cole (on 1965-07-12) and Billy Strange (on 1965-07-12)
tack piano:
Al De Lory (on 1965-07-12)
temple blocks:
Steve Douglas (on 1965-07-12)
lead vocals:
Mike Love (from 1965-12-22 until 1965-12-29) and Brian Wilson (from 1965-12-22 until 1965-12-29)
arranger:
Brian Wilson
recorded at:
Western Recorders in Los Angeles, California, United States (on 1965-07-12, on 1965-12-22, on 1965-12-29)
remix of:
Sloop John B by The Beach Boys
recording of:
Sloop John B (from 1965-07-12 until 1965-12-29)
lyricist and composer:
Brian Wilson
publisher:
EMI Music Publishing, EMI United Partnership Ltd., Irving Music, Inc. and New Executive Music
version of:
The John B. Sails
2:59
22God Only Knows
engineer:
Chuck Britz (on 1966-03-10) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Mark Linett and Brian Wilson
mixer:
Mark Linett (in 1996)
accordion:
Carl Fortina (on 1966-03-10) and Frank Marocco (on 1966-03-10)
bass clarinet:
Leonard Hartman (on 1966-03-10)
bell and drums (drum set):
Hal Blaine (on 1966-03-10)
cello:
Jesse Erlich (on 1966-03-10)
clarinet:
Leonard Hartman (on 1966-03-10) and Jay Migliori (on 1966-03-10)
double bass:
Lyle Ritz (on 1966-03-10)
electric bass guitar:
Ray Pohlman (on 1966-03-10)
flute:
Bill Green (on 1966-03-10) and Jim Horn (on 1966-03-10)
French horn:
Alan Robinson (on 1966-03-10)
guitar:
Carol Kaye (on 1966-03-10)
harpsichord:
Larry Knechtel (on 1966-03-10)
percussion:
Jim Gordon (on 1966-03-10)
tack piano:
Don Randi (on 1966-03-10)
tambourine:
Terry Melcher (on 1966-03-10)
viola:
Darrel Terwilliger (on 1966-03-10)
violin:
Leonard Malarsky (on 1966-03-10) and Sid Sharp (on 1966-03-10)
lead vocals:
Carl Wilson (from 1966-03 until 1966-04)
vocals:
Bruce Johnston (from 1966-03 until 1966-04) and Brian Wilson (from 1966-03 until 1966-04)
arranger:
Brian Wilson
recorded at:
Western Recorders in Los Angeles, California, United States (on 1966-03-10) and Columbia Studios in Hollywood, Los Angeles, California, United States (from 1966-03 until 1966-04)
mixed at:
Your Place or Mine Recording in Glendale, California, United States (in 1996)
remix of:
God Only Knows by The Beach Boys
recording of:
God Only Knows (from 1966-03 until 1966-04)
lyricist:
Tony Asher
composer:
Brian Wilson
publisher:
Irving Music, Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co., Universal Music Publishing Ltd., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
2:55
23I Know There’s an Answer
engineer:
Chuck Britz (on 1966-02-09)
producer:
Mark Linett and Brian Wilson
mixer:
Mark Linett
banjo:
Glen Campbell (on 1966-02-09)
bass clarinet:
Jay Migliori (on 1966-02-09)
bass harmonica:
Tommy Morgan (on 1966-02-09)
clarinet:
Steve Douglas (on 1966-02-09) and Bobby Klein (on 1966-02-09)
double bass:
Lyle Ritz (on 1966-02-09)
electric bass guitar:
Ray Pohlman (on 1966-02-09)
flute:
Jim Horn (on 1966-02-09) and Paul Horn (on 1966-02-09)
guitar:
Glen Campbell (on 1966-02-09) and Barney Kessel (on 1966-02-09)
organ:
Larry Knechtel (on 1966-02-09)
tack piano:
Al De Lory (on 1966-02-09)
tambourine:
Julius Wechter (on 1966-02-09)
timpani:
Hal Blaine (on 1966-02-09)
lead vocals:
Al Jardine (from 1966-02 until 1966-04) and Mike Love (from 1966-02 until 1966-04)
vocals:
Brian Wilson (from 1966-02 until 1966-04)
arranger:
Brian Wilson
recorded at:
Western Recorders in Los Angeles, California, United States (on 1966-02-09, from 1966-02 until 1966-04)
remix of:
I Know There’s an Answer by The Beach Boys
recording of:
I Know There’s an Answer (from 1966-02 until 1966-04)
lyricist:
Mike Love and Terry Sachen
composer:
Brian Wilson
publisher:
Irving Music and Rondor Music (London) Ltd.
version of:
Hang On to Your Ego
3:18
24Here Today
engineer:
Ralph Valentin (in 1966-03) and Bruce Botnick (on 1966-03-11)
producer:
Mark Linett and Brian Wilson
mixer:
Mark Linett
baritone saxophone:
Jay Migliori (on 1966-03-11) and Jack Nimitz (on 1966-03-11)
bass trombone:
Gail Martin (on 1966-03-11) and Ernie Tack (on 1966-03-11)
double bass:
Lyle Ritz (on 1966-03-11)
drums (drum set):
Nick Martinis (on 1966-03-11)
electric bass guitar:
Ray Pohlman (on 1966-03-11)
guitar:
Al Casey (on 1966-03-11) and Mike Deasy (on 1966-03-11)
organ:
Larry Knechtel (on 1966-03-11)
tack piano:
Don Randi (on 1966-03-11)
tambourine:
Frank Capp (on 1966-03-11)
lead vocals:
Mike Love (in 1966-03)
arranger:
Brian Wilson
recorded at:
Columbia Studios in Hollywood, Los Angeles, California, United States (in 1966-03) and Sunset Sound in Hollywood, Los Angeles, California, United States (on 1966-03-11)
remix of:
Here Today by The Beach Boys
recording of:
Here Today (in 1966-03)
lyricist:
Tony Asher
composer:
Brian Wilson
3:07
25I Just Wasn’t Made for These Times
engineer:
Larry Levine (on 1966-02-14) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Mark Linett and Brian Wilson
mixer:
Mark Linett
bass clarinet:
Jay Migliori (on 1966-02-14)
bass harmonica:
Tommy Morgan (on 1966-02-14)
clarinet:
Steve Douglas (on 1966-02-14) and Bobby Klein (on 1966-02-14)
double bass:
Chuck Berghofer (on 1966-02-14)
drums (drum set) and timpani:
Hal Blaine (on 1966-02-14)
electric bass guitar:
Ray Pohlman (on 1966-02-14)
guitar:
Glen Campbell (on 1966-02-14) and Barney Kessel (on 1966-02-14)
harpsichord:
Mike Melvoin (on 1966-02-14)
percussion [cups] and temple blocks:
Frank Capp (on 1966-02-14)
piccolo:
Plas Johnson (on 1966-02-14)
tack piano:
Don Randi (on 1966-02-14)
theremin [electro-theremin]:
Paul Tanner (on 1966-02-14)
lead vocals:
Brian Wilson (from 1966-03 until 1966-04)
arranger:
Brian Wilson
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1966-02-14) and Columbia Studios in Hollywood, Los Angeles, California, United States (from 1966-03 until 1966-04)
remix of:
I Just Wasn’t Made for These Times by The Beach Boys
recording of:
I Just Wasn’t Made for These Times (from 1966-03 until 1966-04)
lyricist:
Tony Asher
composer:
Brian Wilson
publisher:
Irving Music
3:21
26Pet Sounds
engineer:
Chuck Britz (on 1965-11-17)
producer:
Mark Linett and Brian Wilson
mixer:
Mark Linett
acoustic guitar:
Tommy Tedesco (on 1965-11-17)
alto saxophone:
Bill Green (on 1965-11-17)
baritone saxophone:
Jay Migliori (on 1965-11-17)
double bass:
Lyle Ritz (on 1965-11-17)
electric bass guitar:
Carol Kaye (on 1965-11-17)
electric guitar:
Jerry Cole (on 1965-11-17) and Billy Strange (on 1965-11-17)
percussion:
Bill Green (on 1965-11-17), Plas Johnson (on 1965-11-17) and Ritchie Frost (on 1965-11-17)
piano:
Brian Wilson (on 1965-11-17)
tenor saxophone:
Plas Johnson (on 1965-11-17)
trumpet:
Roy Caton (on 1965-11-17)
arranger:
Brian Wilson
recorded at:
Western Recorders in Los Angeles, California, United States (on 1965-11-17)
remix of:
Pet Sounds by The Beach Boys
recording of:
Pet Sounds (on 1965-11-17)
composer:
Brian Wilson
2:38
27Caroline, No
engineer:
Chuck Britz (on 1966-01-31)
producer:
Mark Linett and Brian Wilson
mixer:
Mark Linett
alto saxophone and tambourine:
Steve Douglas (on 1966-01-31)
double bass:
Lyle Ritz (on 1966-01-31)
drums (drum set) and percussion:
Hal Blaine (on 1966-01-31)
electric bass guitar [Dano bass]:
Carol Kaye (on 1966-01-31)
flute:
Bill Green (on 1966-01-31), Jim Horn (on 1966-01-31), Plas Johnson (on 1966-01-31) and Jay Migliori (on 1966-01-31)
guitar:
Glen Campbell (on 1966-01-31), Carol Kaye (on 1966-01-31) and Barney Kessel (on 1966-01-31)
harpsichord:
Al De Lory (on 1966-01-31)
vibraphone:
Frank Capp (on 1966-01-31)
lead vocals:
Brian Wilson (on 1966-01-31)
arranger:
Brian Wilson
recorded at:
Western Recorders in Los Angeles, California, United States (on 1966-01-31)
remix of:
Caroline, No by The Beach Boys
recording of:
Caroline, No (on 1966-01-31)
lyricist:
Tony Asher
composer:
Brian Wilson
publisher:
Irving Music, Inc. and Sea of Tunes Publishing Co.
2:52

Credits

Release

manufactured in:Canada
remastering:Mark Linett (in 1987-12)
Larry Walsh (in 1987-12)
copyrighted (©) by and phonographic copyright (℗) by:Capitol Records, Inc. (in 2001)
Discogs:https://www.discogs.com/release/3070780 [info]
ASIN:CA: B00005ASHM [info]
other databases:https://rateyourmusic.com/release/album/the_beach_boys/pet_sounds__mono___stereo_/ [info]