| # | Title | Artist | Length |
|---|
| 1 | Oh Pretty Woman- producer:
- Fred Foster
- 12 string guitar [12 string guitar Epiphone] and lead vocals:
- Roy Orbison (on 1964-08-01)
- double bass [upright bass]:
- Bob Moore (on 1964-08-01)
- drums (drum set):
- Buddy Harman (on 1964-08-01)
- guitar:
- Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (on 1964-08-01)
- harmonica:
- Charlie McCoy (on 1964-08-01)
- percussion:
- Paul Garrison (on 1964-08-01)
- piano:
- Floyd Cramer (on 1964-08-01)
- saxophone:
- Boots Randolph (on 1964-08-01)
- vocals:
- Roy Orbison
- phonographic copyright (℗) by:
- Orbison Records, Orbison Records, Inc. and Monument Record Corp. (in 1964)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 20), Billboard: The 500 Best Pop Songs (number: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (number: 222)
- recording of:
- Oh, Pretty Woman (on 1964-08-01)
- lyricist and composer:
- Bill Dees and Roy Orbison
- publisher:
- Acuff-Rose Music Limited, Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd., Acuff-Rose Publications, Inc. (on 1964-08-26) and Acuff-Rose (in 1972)
| Roy Orbison | 3:01 |
| 2 | Don't Rock the Jukebox | Alan Jackson | 2:55 |
| 3 | Margaritaville | Jimmy Buffett | 4:15 |
| 4 | Brown Eyed Girl- recording engineer:
- Brooks Arthur (on 1967-03-28)
- producer:
- Bert Russell Berns
- bass guitar:
- Eric Gale (on 1967-03-28)
- drums (drum set):
- Gary Chester (on 1967-03-28)
- guitar:
- Al Gorgoni (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
- organ:
- Garry Sherman (on 1967-03-28)
- background vocals:
- The Sweet Inspirations (on 1967-03-28)
- lead vocals:
- Van Morrison (on 1967-03-28)
- performer:
- Van Morrison (on 1967-03-28)
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (in 1973)
- recorded at:
- A&R Recording Studio A in New York, New York, United States (on 1967-03-28) and A&R Recording Studio in New York, New York, United States (on 1967-04-07)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 71) and Rolling Stone: 500 Greatest Songs of All Time (number: 109)
- recording of:
- Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
- lyricist and composer:
- Van Morrison
- publisher:
- Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing, Universal Music Publishing Ltd., Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
| Van Morrison | 3:11 |
| 5 | You Shook Me All Night Long | AC/DC | 3:35 |
| 6 | Move This | Technotronic | 3:44 |
| 7 | La Bamba | Los Lobos | 2:21 |
| 8 | Pink Cadillac | Bruce Springsteen | 3:37 |
| 9 | Mustang Sally- recorded in:
- Muscle Shoals, Alabama, United States (on 1966-10-13)
- engineer:
- Tom Dowd and Rick Hall
- producer:
- Rick Hall and Jerry Wexler
- drums (drum set):
- Roger Hawkins (from 1966-10-13 until 1966-10-14)
- electric bass guitar [electric bass]:
- Tommy Cogbill (from 1966-10-13 until 1966-10-14)
- guitar:
- Jimmy Johnson (from 1966-10-13 until 1966-10-14)
- guitar [lead guitar]:
- Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
- keyboard [piano, organ]:
- Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
- tenor saxophone:
- Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
- trumpet:
- Gene “Bowlegs” Miller (from 1966-10-13 until 1966-10-14)
- vocals:
- Wilson Pickett (from 1966-10-13 until 1966-10-14)
- recorded at:
- Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 434)
- cover recording of:
- Mustang Sally (from 1966-10-13 until 1966-10-14)
- lyricist and composer:
- Sir Mack Rice
- publisher:
- EMI Music Publishing Ltd., EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. and フジパシフィックミュージック SBK事業部
| Wilson Pickett | 3:10 |
| 10 | Last Dance | Donna Summer | 3:23 |
| 11 | The One You Love | Glenn Frey | 4:36 |
| 12 | Turn the Beat Around | Gloria Estefan | 3:57 |
| 13 | The Stroll | The Diamonds | 2:31 |
| 14 | Wooly Bully | Sam the Sham & the Pharaohs | 2:24 |
| 15 | After the Lovin' | Engelbert Humperdinck | 3:58 |
| 16 | I Just Called to Say I Love You | Stevie Wonder | 4:27 |
| 17 | Everybody Everybody | Black Box | 4:12 |
| 18 | Love Can Build a Bridge | The Judds | 3:59 |
| 19 | Takin' Care of Business- assistant engineer:
- Marc Sterling
- engineer:
- Buzz Richmond
- producer:
- Randy Bachman
- bass guitar:
- C.F. Turner (from 1973-09 until 1973-10)
- drums (drum set) and percussion:
- Rob Bachman (from 1973-09 until 1973-10)
- guitar [lead guitar] and lead vocals:
- Randy Bachman (from 1973-09 until 1973-10)
- guitar [second lead guitar]:
- Tim Bachman (from 1973-09 until 1973-10)
- piano:
- Norman Durkee (from 1973-09 until 1973-10)
- background vocals:
- C.F. Turner (from 1973-09 until 1973-10), Randy Bachman (from 1973-09 until 1973-10) and Tim Bachman (from 1973-09 until 1973-10)
- phonographic copyright (℗) by:
- Phonogram, Inc. (in 1973), PolyGram Records, Inc. (in 1973) and The Island Def Jam Music Group (in 1973)
- recorded at:
- Kaye–Smith Studios in Seattle, Washington, United States (from 1973-09 until 1973-10)
- mixed at:
- Kaye–Smith Studios in Seattle, Washington, United States
- part of:
- Huffington Post: 100 Best Canadian Songs Ever (number: 59)
- recording of:
- Takin’ Care of Business (from 1973-09 until 1973-10)
- lyricist and composer:
- Randy Bachman
- publisher:
- Ranbach Music, Sony Songs Inc., Sony/ATV Songs LLC and Top Soil Music
| Bachman–Turner Overdrive | 4:56 |
| 20 | Long Cool Woman (In a Black Dress) | The Hollies | 3:16 |
