Clive Barker’s Lord of Illusions

~ Release by Simon Boswell (see all versions of this release, 2 available)

Tracklist

1▼CD
#	Title	Length
1	Titles / Fire Said to Me engineer: Rick Winquest co-producer: Gergely Hubai producer: Simon Boswell and Robin Esterhammer editor: Paul Rabjohns phonographic copyright (℗) by: United Artists, Inc. recorded at: Kaye–Smith Studios in Seattle, Washington, United States recording of: Titles / Fire Said to Me orchestrator: Bill Kidd composer: Simon Boswell	3:47
2	About the House / Thumb Slicing engineer: Rick Winquest co-producer: Gergely Hubai producer: Simon Boswell and Robin Esterhammer editor: Paul Rabjohns phonographic copyright (℗) by: United Artists, Inc. recorded at: Kaye–Smith Studios in Seattle, Washington, United States recording of: About the House / Thumb Slicing orchestrator: Bill Kidd composer: Simon Boswell	4:13
3	Fingers in the Head engineer: Rick Winquest co-producer: Gergely Hubai producer: Simon Boswell and Robin Esterhammer editor: Paul Rabjohns phonographic copyright (℗) by: United Artists, Inc. recorded at: Kaye–Smith Studios in Seattle, Washington, United States recording of: Fingers in the Head orchestrator: Bill Kidd composer: Simon Boswell	3:41
4	You’ll Like LA / Discovering Quaid engineer: Rick Winquest co-producer: Gergely Hubai producer: Simon Boswell and Robin Esterhammer editor: Paul Rabjohns phonographic copyright (℗) by: United Artists, Inc. recorded at: Kaye–Smith Studios in Seattle, Washington, United States recording of: You’ll Like LA / Discovering Quaid orchestrator: Bill Kidd composer: Simon Boswell	1:38
5	Miller’s Exit engineer: Rick Winquest co-producer: Gergely Hubai producer: Simon Boswell and Robin Esterhammer editor: Paul Rabjohns phonographic copyright (℗) by: United Artists, Inc. recorded at: Kaye–Smith Studios in Seattle, Washington, United States recording of: Miller’s Exit orchestrator: Bill Kidd composer: Simon Boswell	3:05
6	The Graveyard engineer: Rick Winquest co-producer: Gergely Hubai producer: Simon Boswell and Robin Esterhammer editor: Paul Rabjohns phonographic copyright (℗) by: United Artists, Inc. recorded at: Kaye–Smith Studios in Seattle, Washington, United States recording of: The Graveyard orchestrator: Bill Kidd composer: Simon Boswell	2:30
7	Dorothea and the Show engineer: Rick Winquest co-producer: Gergely Hubai producer: Simon Boswell and Robin Esterhammer editor: Paul Rabjohns phonographic copyright (℗) by: United Artists, Inc. recorded at: Kaye–Smith Studios in Seattle, Washington, United States recording of: Dorothea and the Show orchestrator: Bill Kidd composer: Simon Boswell	4:14
8	Falling Swords engineer: Rick Winquest co-producer: Gergely Hubai producer: Simon Boswell and Robin Esterhammer editor: Paul Rabjohns phonographic copyright (℗) by: United Artists, Inc. recorded at: Kaye–Smith Studios in Seattle, Washington, United States recording of: Falling Swords orchestrator: Bill Kidd composer: Simon Boswell	2:11
9	Perforated Swann engineer: Rick Winquest co-producer: Gergely Hubai producer: Simon Boswell and Robin Esterhammer editor: Paul Rabjohns phonographic copyright (℗) by: United Artists, Inc. recorded at: Kaye–Smith Studios in Seattle, Washington, United States recording of: Perforated Swann orchestrator: Bill Kidd composer: Simon Boswell	1:00
10	Harry Kills Miller engineer: Rick Winquest co-producer: Gergely Hubai producer: Simon Boswell and Robin Esterhammer editor: Paul Rabjohns phonographic copyright (℗) by: United Artists, Inc. recorded at: Kaye–Smith Studios in Seattle, Washington, United States recording of: Harry Kills Miller orchestrator: Bill Kidd composer: Simon Boswell	1:25
11	Harry and the Doves engineer: Rick Winquest co-producer: Gergely Hubai producer: Simon Boswell and Robin Esterhammer editor: Paul Rabjohns phonographic copyright (℗) by: United Artists, Inc. recorded at: Kaye–Smith Studios in Seattle, Washington, United States recording of: Harry and the Doves orchestrator: Bill Kidd composer: Simon Boswell	1:24
12	Harry Back at Quaid’s engineer: Rick Winquest co-producer: Gergely Hubai producer: Simon Boswell and Robin Esterhammer editor: Paul Rabjohns phonographic copyright (℗) by: United Artists, Inc. recorded at: Kaye–Smith Studios in Seattle, Washington, United States recording of: Harry Back at Quaid’s orchestrator: Bill Kidd composer: Simon Boswell	1:39
13	Jennifer Decorates Car engineer: Rick Winquest co-producer: Gergely Hubai producer: Simon Boswell and Robin Esterhammer editor: Paul Rabjohns phonographic copyright (℗) by: United Artists, Inc. recorded at: Kaye–Smith Studios in Seattle, Washington, United States recording of: Jennifer Decorates Car orchestrator: Bill Kidd composer: Simon Boswell	1:14
14	Homecoming Time engineer: Rick Winquest co-producer: Gergely Hubai producer: Simon Boswell and Robin Esterhammer editor: Paul Rabjohns phonographic copyright (℗) by: United Artists, Inc. recorded at: Kaye–Smith Studios in Seattle, Washington, United States recording of: Homecoming Time orchestrator: Bill Kidd composer: Simon Boswell	0:53
15	Repository Break In engineer: Rick Winquest co-producer: Gergely Hubai producer: Simon Boswell and Robin Esterhammer editor: Paul Rabjohns phonographic copyright (℗) by: United Artists, Inc. recorded at: Kaye–Smith Studios in Seattle, Washington, United States recording of: Repository Break In orchestrator: Bill Kidd composer: Simon Boswell	2:07
16	Brainhead Projected engineer: Rick Winquest co-producer: Gergely Hubai producer: Simon Boswell and Robin Esterhammer editor: Paul Rabjohns phonographic copyright (℗) by: United Artists, Inc. recorded at: Kaye–Smith Studios in Seattle, Washington, United States recording of: Brainhead Projected orchestrator: Bill Kidd composer: Simon Boswell	1:43
17	Harry and Dorothea Rutt engineer: Rick Winquest co-producer: Gergely Hubai producer: Simon Boswell and Robin Esterhammer editor: Paul Rabjohns phonographic copyright (℗) by: United Artists, Inc. recorded at: Kaye–Smith Studios in Seattle, Washington, United States recording of: Harry and Dorothea Rutt orchestrator: Bill Kidd composer: Simon Boswell	2:09
18	Origami Man engineer: Rick Winquest co-producer: Gergely Hubai producer: Simon Boswell and Robin Esterhammer editor: Paul Rabjohns phonographic copyright (℗) by: United Artists, Inc. recorded at: Kaye–Smith Studios in Seattle, Washington, United States recording of: Origami Man orchestrator: Bill Kidd composer: Simon Boswell	2:37
19	Harry Follows Swann engineer: Rick Winquest co-producer: Gergely Hubai producer: Simon Boswell and Robin Esterhammer editor: Paul Rabjohns phonographic copyright (℗) by: United Artists, Inc. recorded at: Kaye–Smith Studios in Seattle, Washington, United States recording of: Harry Follows Swann orchestrator: Bill Kidd composer: Simon Boswell	1:51
20	You’ll Do More Than That engineer: Rick Winquest co-producer: Gergely Hubai producer: Simon Boswell and Robin Esterhammer editor: Paul Rabjohns phonographic copyright (℗) by: United Artists, Inc. recorded at: Kaye–Smith Studios in Seattle, Washington, United States recording of: You’ll Do More Than That orchestrator: Bill Kidd composer: Simon Boswell	1:29
21	The Maid’s Dead engineer: Rick Winquest co-producer: Gergely Hubai producer: Simon Boswell and Robin Esterhammer editor: Paul Rabjohns phonographic copyright (℗) by: United Artists, Inc. recorded at: Kaye–Smith Studios in Seattle, Washington, United States recording of: The Maid’s Dead orchestrator: Bill Kidd composer: Simon Boswell	0:31
22	Butterfield’s Tools / Digging Up Nix engineer: Rick Winquest co-producer: Gergely Hubai producer: Simon Boswell and Robin Esterhammer editor: Paul Rabjohns phonographic copyright (℗) by: United Artists, Inc. recorded at: Kaye–Smith Studios in Seattle, Washington, United States recording of: Butterfield’s Tools / Digging Up Nix orchestrator: Bill Kidd composer: Simon Boswell	3:27
23	Finding Valentin engineer: Rick Winquest co-producer: Gergely Hubai producer: Simon Boswell and Robin Esterhammer editor: Paul Rabjohns phonographic copyright (℗) by: United Artists, Inc. recorded at: Kaye–Smith Studios in Seattle, Washington, United States recording of: Finding Valentin orchestrator: Bill Kidd composer: Simon Boswell	1:48
24	Resurrection Part 1 engineer: Rick Winquest co-producer: Gergely Hubai producer: Simon Boswell and Robin Esterhammer editor: Paul Rabjohns phonographic copyright (℗) by: United Artists, Inc. recorded at: Kaye–Smith Studios in Seattle, Washington, United States recording of: Resurrection Part 1 orchestrator: Bill Kidd composer: Simon Boswell	5:31
25	Resurrection Part 2 engineer: Rick Winquest co-producer: Gergely Hubai producer: Simon Boswell and Robin Esterhammer editor: Paul Rabjohns phonographic copyright (℗) by: United Artists, Inc. recorded at: Kaye–Smith Studios in Seattle, Washington, United States recording of: Resurrection Part 2 orchestrator: Bill Kidd composer: Simon Boswell	2:00
26	I Do Know You Child engineer: Rick Winquest co-producer: Gergely Hubai producer: Simon Boswell and Robin Esterhammer editor: Paul Rabjohns phonographic copyright (℗) by: United Artists, Inc. recorded at: Kaye–Smith Studios in Seattle, Washington, United States recording of: I Do Know You Child orchestrator: Bill Kidd composer: Simon Boswell	1:10
27	My Wisdom / Nix Stomps His Foot engineer: Rick Winquest co-producer: Gergely Hubai producer: Simon Boswell and Robin Esterhammer editor: Paul Rabjohns phonographic copyright (℗) by: United Artists, Inc. recorded at: Kaye–Smith Studios in Seattle, Washington, United States recording of: My Wisdom / Nix Stomps His Foot orchestrator: Bill Kidd composer: Simon Boswell	8:22
28	Nix Fingers Harry / Nix Undresses / Nix Up His Own Hole engineer: Rick Winquest co-producer: Gergely Hubai producer: Simon Boswell and Robin Esterhammer editor: Paul Rabjohns phonographic copyright (℗) by: United Artists, Inc. recorded at: Kaye–Smith Studios in Seattle, Washington, United States recording of: Nix Fingers Harry / Nix Undresses / Nix Up His Own Hole orchestrator: Bill Kidd composer: Simon Boswell	6:19
29	Harry’s Theme (alternate end titles) engineer: Rick Winquest co-producer: Gergely Hubai producer: Simon Boswell and Robin Esterhammer editor: Paul Rabjohns phonographic copyright (℗) by: United Artists, Inc. recorded at: Kaye–Smith Studios in Seattle, Washington, United States recording of: Harry’s Theme (alternate end titles) orchestrator: Bill Kidd composer: Simon Boswell	2:18

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illustration:	Steve Hardie Martin Mercer

Discogs:	https://www.discogs.com/release/3335950 [info]

Clive Barker’s Lord of Illusions

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