Tracklist

1CD
2CD
#TitleArtistLength
1The Dream of Gerontius, op. 38, Part 2: Introduction
assistant engineer:
Mike Clements
engineer:
Mike Hatch
producer:
Andrew Keener
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley
chorus master:
Brian Kay and Ian Tracey
concertmaster:
Malcolm Stewart
phonographic copyright (℗) by:
EMI Records Ltd. (in 1993)
recorded at:
Philharmonic Hall in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
Elgar2:06
2The Dream of Gerontius, op. 38, Part 2: I Went to Sleep (Soul of Gerontius)
assistant engineer:
Mike Clements
engineer:
Mike Hatch
producer:
Andrew Keener
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley
chorus master:
Brian Kay and Ian Tracey
concertmaster:
Malcolm Stewart
phonographic copyright (℗) by:
EMI Records Ltd. (in 1993)
recorded at:
Philharmonic Hall in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part II, I. I went to sleep (cues 1–15)
composer:
Edward Elgar (in 1900)
part of:
The Dream of Gerontius, op. 38
Elgar2:55
3The Dream of Gerontius, op. 38, Part 2: Another Marvel……My Work Is Done (Soul / Angel)
assistant engineer:
Mike Clements
engineer:
Mike Hatch
producer:
Andrew Keener
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley
chorus master:
Brian Kay and Ian Tracey
concertmaster:
Malcolm Stewart
phonographic copyright (℗) by:
EMI Records Ltd. (in 1993)
recorded at:
Philharmonic Hall in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
Elgar3:44
4The Dream of Gerontius, op. 38, Part 2: It Is a Member of That Family (Soul / Angel)
assistant engineer:
Mike Clements
engineer:
Mike Hatch
producer:
Andrew Keener
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley
chorus master:
Brian Kay and Ian Tracey
concertmaster:
Malcolm Stewart
phonographic copyright (℗) by:
EMI Records Ltd. (in 1993)
recorded at:
Philharmonic Hall in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part II, II. It is a member of that family (cues 16–28)
composer:
Edward Elgar (in 1900)
part of:
The Dream of Gerontius, op. 38
Elgar5:56
5The Dream of Gerontius, op. 38, Part 2: But Hark!……Low‐born Clods of Brute Earth (Soul / Angel / Chorus)
assistant engineer:
Mike Clements
engineer:
Mike Hatch
producer:
Andrew Keener
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley
chorus master:
Brian Kay and Ian Tracey
concertmaster:
Malcolm Stewart
phonographic copyright (℗) by:
EMI Records Ltd. (in 1993)
recorded at:
Philharmonic Hall in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
Elgar1:34
6The Dream of Gerontius, op. 38, Part 2: Dispossessed, Aside Thrust (Chorus)
assistant engineer:
Mike Clements
engineer:
Mike Hatch
producer:
Andrew Keener
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley
chorus master:
Brian Kay and Ian Tracey
concertmaster:
Malcolm Stewart
phonographic copyright (℗) by:
EMI Records Ltd. (in 1993)
recorded at:
Philharmonic Hall in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
Elgar3:55
7The Dream of Gerontius, op. 38, Part 2: I See Not Those False Spirits (Soul / Angel)
assistant engineer:
Mike Clements
engineer:
Mike Hatch
producer:
Andrew Keener
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley
chorus master:
Brian Kay and Ian Tracey
concertmaster:
Malcolm Stewart
phonographic copyright (℗) by:
EMI Records Ltd. (in 1993)
recorded at:
Philharmonic Hall in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part II, IV. I see not those false spirits (cues 55–70)
composer:
Edward Elgar (in 1900)
part of:
The Dream of Gerontius, op. 38
Elgar1:48
8The Dream of Gerontius, op. 38, Part 2: There Was a Mortal……Praise to the Holiest (Angel / Semi‐chorus / Chorus)
assistant engineer:
Mike Clements
engineer:
Mike Hatch
producer:
Andrew Keener
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley
chorus master:
Brian Kay and Ian Tracey
concertmaster:
Malcolm Stewart
phonographic copyright (℗) by:
EMI Records Ltd. (in 1993)
recorded at:
Philharmonic Hall in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
Elgar6:00
9The Dream of Gerontius, op. 38, Part 2: But Hark! A Grand Mysterious Harmony (Soul / Angel / Chorus)
assistant engineer:
Mike Clements
engineer:
Mike Hatch
producer:
Andrew Keener
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley
chorus master:
Brian Kay and Ian Tracey
concertmaster:
Malcolm Stewart
phonographic copyright (℗) by:
EMI Records Ltd. (in 1993)
recorded at:
Philharmonic Hall in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part II, V. But hark! a grand mysterious harmony (cues 71–101)
composer:
Edward Elgar (in 1900)
part of:
The Dream of Gerontius, op. 38
Elgar1:19
10The Dream of Gerontius, op. 38, Part 2: Praise to the Holiest (Chorus)
assistant engineer:
Mike Clements
engineer:
Mike Hatch
producer:
Andrew Keener
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley
chorus master:
Brian Kay and Ian Tracey
concertmaster:
Malcolm Stewart
phonographic copyright (℗) by:
EMI Records Ltd. (in 1993)
recorded at:
Philharmonic Hall in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
Elgar7:23
11The Dream of Gerontius, op. 38, Part 2: Thy Judgement Now Is Near (Angel / Soul)
assistant engineer:
Mike Clements
engineer:
Mike Hatch
producer:
Andrew Keener
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley
chorus master:
Brian Kay and Ian Tracey
concertmaster:
Malcolm Stewart
phonographic copyright (℗) by:
EMI Records Ltd. (in 1993)
recorded at:
Philharmonic Hall in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part II, VI. Thy judgment now is near (cues 102–113)
composer:
Edward Elgar (in 1900)
part of:
The Dream of Gerontius, op. 38
Elgar2:14
12The Dream of Gerontius, op. 38, Part 2: Jesu! By That Shudd’ring Dread (Angel of the Agony / Soul / Semi‐chorus / Chorus)
assistant engineer:
Mike Clements
engineer:
Mike Hatch
producer:
Andrew Keener
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley
chorus master:
Brian Kay and Ian Tracey
concertmaster:
Malcolm Stewart
phonographic copyright (℗) by:
EMI Records Ltd. (in 1993)
recorded at:
Philharmonic Hall in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
Elgar5:47
13The Dream of Gerontius, op. 38, Part 2: Praise to His Name!……Take Me Away (Angel / Soul / Chorus)
assistant engineer:
Mike Clements
engineer:
Mike Hatch
producer:
Andrew Keener
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley
chorus master:
Brian Kay and Ian Tracey
concertmaster:
Malcolm Stewart
phonographic copyright (℗) by:
EMI Records Ltd. (in 1993)
recorded at:
Philharmonic Hall in Liverpool, Merseyside, England, United Kingdom (on 1993-01-16, on 1993-01-19)
Elgar5:20
14The Dream of Gerontius, op. 38, Part 2: Softly and Gently (Angel / Chorus / Semi‐chorus)
assistant engineer:
Mike Clements
engineer:
Mike Hatch
producer:
Andrew Keener
organ:
Stephen Disley
bass vocals [The Angel of Agony]:
Michael George
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
mezzo-soprano vocals [The Angel]:
Catherine Wyn-Rogers
tenor vocals [The Soul of Gerontius]:
Anthony Rolfe Johnson
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley
chorus master:
Brian Kay and Ian Tracey
concertmaster:
Malcolm Stewart
phonographic copyright (℗) by:
EMI Records Ltd. (in 1993)
recorded at:
Philharmonic Hall in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part II, VIII. Softly and gently, dearly-ransomed soul (cues 127–137)
composer:
Edward Elgar (in 1900)
part of:
The Dream of Gerontius, op. 38
Elgar6:38

Credits

Release

printed in:United Kingdom
illustration:Giovanni Guercino
distributed by:EMI
EMI Records Ltd.
copyrighted (©) by and phonographic copyright (℗) by:EMI Records Ltd. (in 1993)
marketed by:EMI
ASIN:UK: B000025XWS [info]