Opera Arias

~ Release by Wolfgang Amadeus Mozart; Elisabeth Schwarzkopf, Herbert von Karajan, Josef Krips, Sir John Pritchard, Warwick Braithwaite (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistLength
1Il re pastore: L'amero, saro costante
soprano vocals:
Elisabeth Schwarzkopf
orchestra:
Wiener Philharmoniker
conductor:
Josef Krips
recording of:
Il rè pastore, K. 208: Act II, Scene VI. Rondeaux "L'amerò, sarò costante" (Aminta)
composer:
Wolfgang Amadeus Mozart
librettist:
Pietro Metastasio
part of:
Il rè pastore, K. 208: Act II
Wolfgang Amadeus Mozart8:32
2Idomeneo, K. 366: Zeffiretti lusinghieri (Act 3)
soprano vocals [Ilia]:
Elisabeth Schwarzkopf (from 1952-09-09 until 1952-09-16)
orchestra:
Philharmonia Orchestra (from 1952-09-09 until 1952-09-16)
conductor:
Sir John Pritchard (from 1952-09-09 until 1952-09-16)
balance engineer:
Douglas Larter (from 1952-09-09 until 1952-09-16)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1953)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1952-09-09 until 1952-09-16)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene I. No. 19 Aria "Zeffiretti lusinghieri" (Ilia) (from 1952-09-09 until 1952-09-16)
composer:
Wolfgang Amadeus Mozart
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart5:54
3Die Entführung aus dem Serail, K. 384: Act 2: Welcher Kummer herrscht...Traurigkeit (Konstanze)
soprano vocals:
Elisabeth Schwarzkopf (on 1946-10-31)
orchestra:
Wiener Philharmoniker (on 1946-10-31)
conductor:
Josef Krips (on 1946-10-31)
balance engineer:
Douglas Larter (on 1946-10-31)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1950)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1946-10-31)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. No. 10a Rezitativ "Welcher Kummer herrscht in meiner Seele" (Konstanze) (on 1946-10-31)
composer:
Wolfgang Amadeus Mozart
additional librettist:
Johann Gottlieb Stephanie
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart9:10
4Die Entführung aus dem Serail, K. 384: Act 2: Martern aller Arten
soprano vocals:
Elisabeth Schwarzkopf (on 1946-10-23)
orchestra:
Wiener Philharmoniker (on 1946-10-23)
conductor:
Herbert von Karajan (on 1946-10-23)
balance engineer:
Douglas Larter (on 1946-10-23)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1981)
recorded at:
Brahms-Saal in Innere Stadt, Wien, Austria (on 1946-10-23)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) (on 1946-10-23)
composer:
Wolfgang Amadeus Mozart
additional librettist:
Johann Gottlieb Stephanie
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart8:59
5Le Nozze di Figaro: No. 6 : Aria: Non so più cosa son, cosa faccio (Act 1)
soprano vocals [Cherubino]:
Elisabeth Schwarzkopf (from 1952-07-01 until 1952-07-04)
orchestra:
Philharmonia Orchestra (from 1952-07-01 until 1952-07-04)
conductor:
Sir John Pritchard (from 1952-07-01 until 1952-07-04)
balance engineer:
Douglas Larter (from 1952-07-01 until 1952-07-04)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1953)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1952-07-01 until 1952-07-04)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (from 1952-07-01 until 1952-07-04)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:42
6Le Nozze di Figaro: No. 10: Cavatina: Porgi amor qualche ristoro (Act 2)
soprano vocals:
Elisabeth Schwarzkopf (from 1952-07-01 until 1952-07-04)
orchestra:
Philharmonia Orchestra (from 1952-07-01 until 1952-07-04)
conductor:
Sir John Pritchard (from 1952-07-01 until 1952-07-04)
balance engineer:
Douglas Larter (from 1952-07-01 until 1952-07-04)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1953)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1952-07-01 until 1952-07-04)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (from 1952-07-01 until 1952-07-04)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart4:14
7Le Nozze di Figaro: No. 11: Canzona: Voi, che sapete (Act 2)
soprano vocals [Cherubino]:
Elisabeth Schwarzkopf (from 1952-07-01 until 1952-07-04)
orchestra:
Philharmonia Orchestra (from 1952-07-01 until 1952-07-04)
conductor:
Sir John Pritchard (from 1952-07-01 until 1952-07-04)
balance engineer:
Douglas Larter (from 1952-07-01 until 1952-07-04)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1953)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1952-07-01 until 1952-07-04)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (from 1952-07-01 until 1952-07-04)
composer:
Wolfgang Amadeus Mozart (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:59
8Le Nozze di Figaro: No. 19 : Aria: Dove sono i bei momenti (Act 3)
soprano vocals:
Elisabeth Schwarzkopf (from 1952-09-09 until 1952-09-16)
orchestra:
Philharmonia Orchestra (from 1952-09-09 until 1952-09-16)
conductor:
Sir John Pritchard (from 1952-09-09 until 1952-09-16)
balance engineer:
Douglas Larter (from 1952-09-09 until 1952-09-16)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1953)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1952-09-09 until 1952-09-16)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (from 1952-09-09 until 1952-09-16)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart4:54
9Le Nozze di Figaro: No. 27: Recit: Giunse alfin il momento! ... Aria: Deh vieni, non tardar (Act 4)
soprano vocals:
Elisabeth Schwarzkopf (from 1952-07-01 until 1952-07-04)
orchestra:
Philharmonia Orchestra (from 1952-07-01 until 1952-07-04)
conductor:
Sir John Pritchard (from 1952-07-01 until 1952-07-04)
balance engineer:
Douglas Larter (from 1952-07-01 until 1952-07-04)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1953)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1952-07-01 until 1952-07-04)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna) (from 1952-07-01 until 1952-07-04)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart5:22
10Don Giovanni: Act I: Aria: Batti, batti, o bel Masetto (Zerlina)
soprano vocals [Zerlina]:
Elisabeth Schwarzkopf (from 1952-07-01 until 1952-07-04)
orchestra:
Philharmonia Orchestra (from 1952-07-01 until 1952-07-04)
conductor:
Sir John Pritchard (from 1952-07-01 until 1952-07-04)
balance engineer:
Douglas Larter (from 1952-07-01 until 1952-07-04)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1953)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1952-07-01 until 1952-07-04)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (from 1952-07-01 until 1952-07-04)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:32
11Don Giovanni: Act Two: Aria: Vedrai, carino, se sei buonino (Zerlina)
soprano vocals [Zerlina]:
Elisabeth Schwarzkopf (from 1952-07-01 until 1952-07-04)
orchestra:
Philharmonia Orchestra (from 1952-07-01 until 1952-07-04)
conductor:
Sir John Pritchard (from 1952-07-01 until 1952-07-04)
balance engineer:
Douglas Larter (from 1952-07-01 until 1952-07-04)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1953)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1952-07-01 until 1952-07-04)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) (from 1952-07-01 until 1952-07-04)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:34
12Don Giovanni: Act Two: In quali eccessi...Mi tradi quell'alma igrata
soprano vocals:
Elisabeth Schwarzkopf
orchestra:
Philharmonia Orchestra
conductor:
Josef Krips
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1]
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
Wolfgang Amadeus Mozart6:51
13Don Giovanni: Act Two: Recitative & Aria
soprano vocals [Donna Anna]:
Elisabeth Schwarzkopf (from 1952-07-01 until 1952-07-04)
orchestra:
Philharmonia Orchestra (from 1952-07-01 until 1952-07-04)
conductor:
Sir John Pritchard (from 1952-07-01 until 1952-07-04)
balance engineer:
Douglas Larter (from 1952-07-01 until 1952-07-04)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1953)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1952-07-01 until 1952-07-04)
recording of:
Don Giovanni: Atto II. No. 23 Recitativo accompagnato “Crudele! - Ah no, mio bene!” (Donna Anna) (from 1952-07-01 until 1952-07-04)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna) (from 1952-07-01 until 1952-07-04)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart7:21
14Die Zauberflöte, K. 620: Ach, ich fühl's (Act 2)
soprano vocals:
Elisabeth Schwarzkopf (on 1948-04-12)
orchestra:
Philharmonia Orchestra (on 1948-04-12)
conductor:
Warwick Braithwaite (on 1948-04-12)
balance engineer:
Robert Beckett (on 1948-04-12)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1983)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (on 1948-04-12)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden“ (Pamina) (on 1948-04-12)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:26