Tracklist

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1Messiah: Part II No. 24 Surely he hath borne our griefs (chorus)
recording engineer:
Robert Auger (in 1970-07)
producer:
Seymour Solomon
harpsichord and organ:
Colin Tilney (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs” (in 1970-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:14
2Messiah: Part II No. 25 And with his stripes (chorus)
engineer:
Robert Auger
producer:
Seymour Solomon
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes” (in 1970-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:39
3Messiah: Part II No. 26 All we like sheep (chorus)
recording engineer:
Robert Auger (in 1970-07)
producer:
Seymour Solomon
harpsichord and organ:
Colin Tilney (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (in 1970-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:30
4Messiah: Part II No. 27 All they that see Him (tenor recit)
engineer:
Robert Auger
producer:
Seymour Solomon
solo tenor vocals:
Alexander Young (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) (in 1970-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:45
5Messiah: Part II No. 28 He trusted in God (chorus)
engineer:
Robert Auger
producer:
Seymour Solomon
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (in 1970-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:02
6Messiah: Part II No. 29 Thy rebuke hath broken His Heart (tenor recit)
engineer:
Robert Auger
producer:
Seymour Solomon
solo tenor vocals:
Alexander Young (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) (in 1970-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:53
7Messiah: Part II No. 30 Behold, and see if there be any sorrow (tenor air)
engineer:
Robert Auger
producer:
Seymour Solomon
solo tenor vocals:
Alexander Young (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (in 1970-07)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:45
8Messiah: Part II No. 31 He was cut off out of the land (tenor recit)
engineer:
Robert Auger
producer:
Seymour Solomon
solo tenor vocals:
Alexander Young (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano) (in 1970-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:23
9Messiah: Part II No. 32 Buth thou dids´t not leave
engineer:
Robert Auger
producer:
Seymour Solomon
solo tenor vocals:
Alexander Young (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano) (in 1970-07)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:38
10Messiah: Part II No. 33 Lift up your heads
engineer:
Robert Auger
producer:
Seymour Solomon
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (in 1970-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:13
11Messiah: Part II No. 34 Unto which of the angels (tenor recit)
engineer:
Robert Auger
producer:
Seymour Solomon
solo tenor vocals:
Alexander Young (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (in 1970-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:19
12Messiah: Part II No. 35 Let all the angels of God worship Him (chorus)
engineer:
Robert Auger
producer:
Seymour Solomon
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (in 1970-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:17
13Messiah: Part II No. 36 Thou art gone up on high (alto air)
engineer:
Robert Auger
producer:
Seymour Solomon
solo alto vocals:
Yvonne Minton (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (in 1970-07)
composer:
George Frideric Handel (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:19
14Messiah: Part II No. 37 The lord gave the word (chorus)
recording engineer:
Robert Auger (in 1970-07)
producer:
Seymour Solomon
harpsichord and organ:
Colin Tilney (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (in 1970-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:07
15Messiah: Part II No. 38 How beautiful are the feet (soprano air)
engineer:
Robert Auger
producer:
Seymour Solomon
solo soprano vocals:
Margaret Price (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus) (in 1970-07)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:00
16Messiah: Part II No. 39 Their sound is gone out (chorus)
engineer:
Robert Auger
producer:
Seymour Solomon
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 39. Chorus “Their sound is gone out” (version for chorus, not tenor solo) (in 1970-07)
composer:
George Frideric Handel (in 1745)
is based on:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:14
17Messiah: Part II No. 40 Why do the nations? (bass air)
recording engineer:
Robert Auger (in 1970-07)
producer:
Seymour Solomon
harpsichord and organ:
Colin Tilney (in 1970-07)
bass vocals and solo bass vocals:
Justino Díaz (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (in 1970-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:58
18Messiah: Part II No. 41 Let us break their bonds asunder (chorus)
engineer:
Robert Auger
producer:
Seymour Solomon
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder” (in 1970-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:51
19Messiah: Part II No. 42 He that dwelleth in heaven (tenor recit)
engineer:
Robert Auger
producer:
Seymour Solomon
solo tenor vocals:
Alexander Young (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor) (in 1970-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:16
20Messiah: Part II No. 43 Thou shalt break them (tenor air)
engineer:
Robert Auger
producer:
Seymour Solomon
solo tenor vocals:
Alexander Young (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (in 1970-07)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:15
21Messiah: Part II No. 44 Hallelujah (chorus)
recording engineer:
Robert Auger (in 1970-07)
producer:
Seymour Solomon
harpsichord and organ:
Colin Tilney
harpsichord and organ:
Colin Tilney (in 1970-07)
bass vocals:
Justino Díaz
choir vocals:
Amor Artis Chorale (in 1970-07)
contralto vocals:
Yvonne Minton
soprano vocals:
Margaret Price
tenor vocals:
Alexander Young
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1970-07)
composer:
George Frideric Handel (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:36
22Messiah: Part III No. 45 I know that my Redeemer liveth (soprano air)
recording engineer:
Robert Auger (in 1970-07)
producer:
Seymour Solomon
harpsichord and organ:
Colin Tilney (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
solo soprano vocals and soprano vocals:
Margaret Price (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (in 1970-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel7:17
23Messiah: Part III No. 46 Since by man came death (chorus)
engineer:
Robert Auger
producer:
Seymour Solomon
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (in 1970-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel1:58
24Messiah: Part III No. 47 Behold, I tell you a mystery (bass recit)
engineer:
Robert Auger
producer:
Seymour Solomon
solo bass vocals:
Justino Díaz (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass) (in 1970-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel0:42
25Messiah: Part III No. 48 The trumpeter shall sound (bass air)
engineer:
Robert Auger
producer:
Seymour Solomon
solo bass vocals:
Justino Díaz (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) (in 1970-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel8:44
26Messiah: Part III No. 49 Then shall be brough to pass (alto recit)
engineer:
Robert Auger
producer:
Seymour Solomon
solo alto vocals:
Yvonne Minton (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (in 1970-07)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel0:19
27Messiah: Part III No. 50 O death, where is thy sting? (alto/tenor duet)
engineer:
Robert Auger
producer:
Seymour Solomon
solo alto vocals:
Yvonne Minton (in 1970-07)
solo tenor vocals:
Alexander Young (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (in 1970-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel1:10
28Messiah: Part III No. 51 But thanks be to God (chorus)
engineer:
Robert Auger
producer:
Seymour Solomon
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (in 1970-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel2:24
29Messiah: Part III No. 52 If God be for us (soprano air)
engineer:
Robert Auger
producer:
Seymour Solomon
solo soprano vocals:
Margaret Price (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (in 1970-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel5:29
30Messiah: Part III No. 53 Worthy is the lamb...Amen (chorus)
recording engineer:
Robert Auger (in 1970-07)
producer:
Seymour Solomon
harpsichord and organ:
Colin Tilney
harpsichord and organ:
Colin Tilney (in 1970-07)
bass vocals:
Justino Díaz
choir vocals:
Amor Artis Chorale (in 1970-07)
contralto vocals:
Yvonne Minton
soprano vocals:
Margaret Price
tenor vocals:
Alexander Young
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall in Brent, London, England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (in 1970-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel6:41

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ASIN:UK: B000FFL31A [info]