Arie antiche: Se tu m’ami

~ Release by Cecilia Bartoli, György Fischer (see all versions of this release, 5 available)

Annotation

Recorded Nov 1990 and Jul 1991 in the Mozart Saal, Konzerthaus, Vienna.

Disc ID lVvAdGIy3N1bWgNEpnBG2ssUJzs- is associated with London 436 257-2.

label: London(436267)

Tracklist

1▼CD
#TitleArtistLength
1L’honestà negli amori: “Gia il sole dal Gange”
engineer:
Jonathan Stokes
producer:
Christopher Raeburn
editor:
Jenni Whiteside
piano:
György Fischer (from 1990-11 until 1991-07)
mezzo-soprano vocals:
Cecilia Bartoli (from 1990-11 until 1991-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1992)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1990-11 until 1991-07)
recording of:
L'honestà negli amori: "Già il sole dal Gange" (from 1990-11 until 1991-07)
lyricist:
Felice Parnasso
composer:
Alessandro Scarlatti
publisher:
G. Schirmer Inc.
part of:
L'honestà negli amori
Alessandro Scarlatti1:53
2La donna ancora è fedele: “Son tutta duolo”
engineer:
Jonathan Stokes
producer:
Christopher Raeburn
editor:
Jenni Whiteside
piano:
György Fischer (from 1990-11 until 1991-07)
mezzo-soprano vocals:
Cecilia Bartoli (from 1990-11 until 1991-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1992)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1990-11 until 1991-07)
recording of:
La donna ancora è fedele: "Son tutta duolo" (from 1990-11 until 1991-07)
composer:
Alessandro Scarlatti
librettist:
Domenico Filippo Contini
part of:
La donna ancora è fedele
Alessandro Scarlatti3:00
3La donna ancora è fedele: “Se Florindo è fedele”
engineer:
Jonathan Stokes
producer:
Christopher Raeburn
editor:
Jenni Whiteside
piano:
György Fischer (from 1990-11 until 1991-07)
mezzo-soprano vocals:
Cecilia Bartoli (from 1990-11 until 1991-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1992)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1990-11 until 1991-07)
recording of:
La donna ancora è fedele: "Se Florindo è fedele" (from 1990-11 until 1991-07)
composer:
Alessandro Scarlatti (until 1698)
librettist:
Domenico Filippo Contini (until 1698)
publisher:
G. Schirmer Inc.
part of:
La donna ancora è fedele
Alessandro Scarlatti2:31
4Il Pompeo: “O, cessate di piagarmi”
engineer:
Jonathan Stokes
producer:
Christopher Raeburn
editor:
Jenni Whiteside
piano:
György Fischer (from 1990-11 until 1991-07)
mezzo-soprano vocals:
Cecilia Bartoli (from 1990-11 until 1991-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1992)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1990-11 until 1991-07)
recording of:
Il Pompeo: "O, cessate di piagarmi" (from 1990-11 until 1991-07)
composer:
Alessandro Scarlatti
librettist:
Nicolò Minato
publisher:
G. Schirmer Inc.
part of:
Il Pompeo
Alessandro Scarlatti2:19
5Spesso vibra per suo gioco
engineer:
Jonathan Stokes
producer:
Christopher Raeburn
editor:
Jenni Whiteside
piano:
György Fischer (from 1990-11 until 1991-07)
mezzo-soprano vocals:
Cecilia Bartoli (from 1990-11 until 1991-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1992)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1990-11 until 1991-07)
recording of:
La caduta de’ Decemviri: "Spesso vibra per suo gioco" (from 1990-11 until 1991-07)
composer:
Alessandro Scarlatti
librettist:
Silvio Stampiglia
part of:
La caduta de’ Decemviri
Alessandro Scarlatti1:06
6Caro mio ben
engineer:
Jonathan Stokes
producer:
Christopher Raeburn
editor:
Jenni Whiteside
piano:
György Fischer (from 1990-11 until 1991-07)
mezzo-soprano vocals:
Cecilia Bartoli (from 1990-11 until 1991-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1992)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1990-11 until 1991-07)
recording of:
Caro mio ben (from 1990-11 until 1991-07)
lyricist:
[anonymous]
previously attributed to:
Giuseppe Giordani and Tommaso Giordani
publisher:
G. Schirmer Inc.
Giuseppe Giordani2:46
7Arminio: “Pur dicesti, o bocca bella”
engineer:
Jonathan Stokes
producer:
Christopher Raeburn
editor:
Jenni Whiteside
piano:
György Fischer (from 1990-11 until 1991-07)
mezzo-soprano vocals:
Cecilia Bartoli (from 1990-11 until 1991-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1992)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1990-11 until 1991-07)
recording of:
Pur dicesti, o bocca bella (from 1990-11 until 1991-07)
lyricist:
[anonymous]
composer:
Antonio Lotti
publisher:
G. Schirmer Inc.
Antonio Lotti5:08
8Orontea: “Intorno all’idol mio”
engineer:
Jonathan Stokes
producer:
Christopher Raeburn
editor:
Jenni Whiteside
piano:
György Fischer (from 1990-11 until 1991-07)
mezzo-soprano vocals:
Cecilia Bartoli (from 1990-11 until 1991-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1992)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1990-11 until 1991-07)
recording of:
Orontea: "Intorno all'idol mio" (from 1990-11 until 1991-07)
composer:
Antonio Cesti
librettist:
Giacinto Andrea Cicognini
part of:
Orontea
Antonio Cesti3:51
9La Molinara: “Nel cor più non mi sento”
engineer:
Jonathan Stokes
producer:
Christopher Raeburn
editor:
Jenni Whiteside
piano:
György Fischer (from 1990-11 until 1991-07)
mezzo-soprano vocals:
Cecilia Bartoli (from 1990-11 until 1991-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1992)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1990-11 until 1991-07)
recording of:
La molinara: Atto III, scena 1. “Nel cor più non mi sento” (Rachelina, Calloandro) (from 1990-11 until 1991-07)
composer:
Giovanni Paisiello (in 1788)
librettist:
Giuseppe Palomba (in 1788)
publisher:
G. Schirmer Inc.
part of:
La molinara
part of:
La molinara: Atto III
Giovanni Paisiello3:00
10Nina, o sia La pazza per amore: “Il mio ben quando verrà”
engineer:
Jonathan Stokes
producer:
Christopher Raeburn
editor:
Jenni Whiteside
piano:
György Fischer (from 1990-11 until 1991-07)
mezzo-soprano vocals:
Cecilia Bartoli (from 1990-11 until 1991-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1992)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1990-11 until 1991-07)
recording of:
Nina, o sia La pazza per amore: Atto I, scena sesta. “Il mio ben quando verrà” (from 1990-11 until 1991-07)
composer:
Giovanni Paisiello
librettist:
Giovanni Battista Lorenzi
part of:
Nina, o sia La pazza per amore: Atto I.
Giovanni Paisiello6:41
11O leggiadri occhi belli
engineer:
Jonathan Stokes
producer:
Christopher Raeburn
editor:
Jenni Whiteside
piano:
György Fischer (from 1990-11 until 1991-07)
mezzo-soprano vocals:
Cecilia Bartoli (from 1990-11 until 1991-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1992)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1990-11 until 1991-07)
recording of:
O leggiadri occhi belli (from 1990-11 until 1991-07)
lyricist and composer:
[anonymous]
[anonymous]2:03
12Quella fiamma che m’accende
engineer:
Jonathan Stokes
producer:
Christopher Raeburn
editor:
Jenni Whiteside
piano:
György Fischer (from 1990-11 until 1991-07)
mezzo-soprano vocals:
Cecilia Bartoli (from 1990-11 until 1991-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1992)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1990-11 until 1991-07)
recording of:
Quella fiamma che m'accende (catch-all) (from 1990-11 until 1991-07)
composer:
Benedetto Marcello (attributed) and Francesco Conti
Benedetto Marcello4:00
13Selve amiche
engineer:
Jonathan Stokes
producer:
Christopher Raeburn
editor:
Jenni Whiteside
piano:
György Fischer (from 1990-11 until 1991-07)
mezzo-soprano vocals:
Cecilia Bartoli (from 1990-11 until 1991-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1992)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1990-11 until 1991-07)
recording of:
La costanza in amor vince l'inganno: "Selve amiche" (from 1990-11 until 1991-07)
lyricist:
[anonymous]
composer:
Antonio Caldara
part of:
La costanza in amor vince l'inganno
Antonio Caldara3:10
14La costanza in amor: “Sebben, crudele”
engineer:
Jonathan Stokes
producer:
Christopher Raeburn
editor:
Jenni Whiteside
piano:
György Fischer (from 1990-11 until 1991-07)
mezzo-soprano vocals:
Cecilia Bartoli (from 1990-11 until 1991-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1992)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1990-11 until 1991-07)
recording of:
La costanza in amor vince l'inganno: "Sebben, crudele" (from 1990-11 until 1991-07)
lyricist:
[anonymous] (until 1710)
composer:
Antonio Caldara (until 1710)
publisher:
G. Schirmer Inc.
part of:
La costanza in amor vince l'inganno
Antonio Caldara3:02
15Tu ch’hai le penne, Amore
engineer:
Jonathan Stokes
producer:
Christopher Raeburn
editor:
Jenni Whiteside
piano:
György Fischer (from 1990-11 until 1991-07)
mezzo-soprano vocals:
Cecilia Bartoli (from 1990-11 until 1991-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1992)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1990-11 until 1991-07)
recording of:
Nuove musiche e nuova maniera di scriverle : Tu ch'ai le penne amore (from 1990-11 until 1991-07)
composer:
Giulio Caccini
part of:
Nuove musiche e nuova maniera di scriverle
Giulio Caccini2:11
16Se tu m’ami
engineer:
Jonathan Stokes
producer:
Christopher Raeburn
editor:
Jenni Whiteside
piano:
György Fischer (from 1990-11 until 1991-07)
mezzo-soprano vocals:
Cecilia Bartoli (from 1990-11 until 1991-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1992)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1990-11 until 1991-07)
recording of:
Se tu m'ami (from 1990-11 until 1991-07)
lyricist:
Paolo Antonio Rolli (until 1727)
composer:
Alessandro Parisotti (until 1885)
Alessandro Parisotti2:33
17Zingari in fiera: “Chi vuol la zingarella”
engineer:
Jonathan Stokes
producer:
Christopher Raeburn
editor:
Jenni Whiteside
piano:
György Fischer (from 1990-11 until 1991-07)
mezzo-soprano vocals:
Cecilia Bartoli (from 1990-11 until 1991-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1992)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1990-11 until 1991-07)
recording of:
Zingari in Fiera: "Chi vuol la zingarella" (from 1990-11 until 1991-07)
composer:
Giovanni Paisiello
librettist:
Giuseppe Palomba
part of:
I zingari in fiera, R.1.79
Giovanni Paisiello2:24
18Le nuove musiche: “Amarilli”
engineer:
Jonathan Stokes
producer:
Christopher Raeburn
editor:
Jenni Whiteside
piano:
György Fischer (from 1990-11 until 1991-07)
mezzo-soprano vocals:
Cecilia Bartoli (from 1990-11 until 1991-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1992)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1990-11 until 1991-07)
recording of:
Le nuove musiche: 8. Amarilli, mia bella (original, for voice and continuo) (from 1990-11 until 1991-07)
lyricist:
Elisabeth von Hessen-Kassel
composer:
Giulio Caccini
publisher:
G. Schirmer Inc.
part of:
Le nuove musiche
Giulio Caccini3:12
19Delizie contente
engineer:
Jonathan Stokes
producer:
Christopher Raeburn
editor:
Jenni Whiteside
piano:
György Fischer (from 1990-11 until 1991-07)
mezzo-soprano vocals:
Cecilia Bartoli (from 1990-11 until 1991-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1992)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1990-11 until 1991-07)
recording of:
Il Giasone: Act 1: Delizie contente (from 1990-11 until 1991-07)
composer:
Francesco Cavalli
librettist:
Giacinto Andrea Cicognini
part of:
Il Giasone: Act 1
Francesco Cavalli3:05
20Ottone in villa: “Sposa son disprezzata”
engineer:
Jonathan Stokes
producer:
Christopher Raeburn
editor:
Jenni Whiteside
piano:
György Fischer (from 1990-11 until 1991-07)
mezzo-soprano vocals:
Cecilia Bartoli (from 1990-11 until 1991-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1992)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1990-11 until 1991-07)
recording of:
Bajazet, RV 703: Sposa, son disprezzata (from 1990-11 until 1991-07)
composer:
Geminiano Giacomelli and Antonio Vivaldi
previously attributed to:
Antonio Vivaldi
is based on:
Merope: Atto III. “Sposa, non mi conosci” (Epitide)
part of:
Bajazet, RV 703: Act II
Antonio Vivaldi5:53
21Vittoria, mio core: “Vittoria, vittoria!”
engineer:
Jonathan Stokes
producer:
Christopher Raeburn
editor:
Jenni Whiteside
piano:
György Fischer (from 1990-11 until 1991-07)
mezzo-soprano vocals:
Cecilia Bartoli (from 1990-11 until 1991-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1992)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1990-11 until 1991-07)
recording of:
Vittoria, mio core (from 1990-11 until 1991-07)
lyricist:
Domenico Benigni
composer:
Giacomo Carissimi
publisher:
G. Schirmer Inc.
Giacomo Carissimi2:31

Credits

Release

art direction:Jeremy Tilston
liner notes:Kenneth Chalmers
engineer:Jonathan Stokes
producer:Christopher Raeburn
editor:Jenni Whiteside
mezzo-soprano vocals:Cecilia Bartoli
ASIN:US: B00000420F [info]