| # | Title | Length |
|---|
| A1 | Blue Room | 2:15 |
| A2 | A Fine Romance | 3:20 |
| A3 | Jalousie | 3:05 |
| A4 | Billy | 2:00 |
| A5 | Love Is Here to Stay- producer:
- Ronald Kinloch Anderson
- bass:
- Ken Baldock and Lennie Bush (from 1972-06-14 until 1972-06-15)
- drums (drum set):
- Tony Crombie and Chris Karan (from 1972-06-14 until 1972-06-15)
- piano:
- Alan Clare (from 1972-06-14 until 1972-06-15)
- violin:
- Stéphane Grappelli (from 1972-06-14 until 1972-06-15) and Yehudi Menuhin (from 1972-06-14 until 1972-06-15)
- conductor:
- Max Harris (from 1972-06-14 until 1972-06-15)
- balance engineer:
- Tony Clark
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1972-06-14 until 1972-06-15)
- instrumental recording of:
- Love Is Here to Stay (from 1972-06-14 until 1972-06-15)
- lyricist:
- Ira Gershwin
- composer:
- George Gershwin
- publisher:
- Chappell & Co Ltd., Chappell & Co., Inc., Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music, Warner Chappell Music Ltd., WB Music Corp. (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Chappell Music, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
- part of:
- The Goldwyn Follies
| 3:55 |
| A6 | Aurore | 2:34 |
| A7 | Pick Yourself Up | 2:15 |
| A8 | Night and Day- producer:
- Ronald Kinloch Anderson
- bass:
- Ken Baldock and Lennie Bush (from 1972-06-14 until 1972-06-15)
- drums (drum set):
- Tony Crombie and Chris Karan (from 1972-06-14 until 1972-06-15)
- piano:
- Alan Clare (from 1972-06-14 until 1972-06-15)
- violin:
- Stéphane Grappelli (from 1972-06-14 until 1972-06-15) and Yehudi Menuhin (from 1972-06-14 until 1972-06-15)
- conductor:
- Max Harris (from 1972-06-14 until 1972-06-15)
- arranger:
- Max Harris
- balance engineer:
- Tony Clark
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1972-06-14 until 1972-06-15) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1972-06-14 until 1972-06-15)
- instrumental cover recording of:
- Night and Day (from 1972-06-14 until 1972-06-15)
- lyricist and composer:
- Cole Porter (in 1932)
- publisher:
- Chappell & Co., Inc., Chappell Music Ltd., Warner Bros., Warner Bros. Music, Warner Bros., Inc., Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
- part of:
- Gay Divorce
| 2:05 |
| B1 | I Can't Believe That You're in Love With Me | 3:02 |
| B2 | These Foolish Things- producer:
- Ronald Kinloch Anderson
- bass:
- Ken Baldock (from 1973-03-06 until 1973-03-07)
- drums (drum set):
- Tony Crombie (from 1973-03-06 until 1973-03-07)
- piano:
- Alan Clare (from 1973-03-06 until 1973-03-07)
- violin:
- Stéphane Grappelli (from 1973-03-06 until 1973-03-07) and Yehudi Menuhin (from 1973-03-06 until 1973-03-07)
- conductor:
- Max Harris (from 1973-03-06 until 1973-03-07)
- balance engineer:
- Tony Clark
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1973-03-06 until 1973-03-07)
- instrumental recording of:
- These Foolish Things (Remind Me of You) (from 1973-03-06 until 1973-03-07)
- lyricist:
- Holt Marvell (in 1935)
- additional composer:
- Harry Link
- composer:
- Jack Strachey (in 1935)
- publisher:
- Boosey & Co., Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc., Bourne Co., Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
| 4:20 |
| B3 | Errol | 3:15 |
| B4 | Oh, Lady Be Good! | 3:55 |
| B5 | Jermyn Street | 4:00 |
| B6 | Cheek to Cheek- producer:
- Ronald Kinloch Anderson
- bass:
- Ken Baldock (from 1973-03-06 until 1973-03-07)
- drums (drum set):
- Tony Crombie (from 1973-03-06 until 1973-03-07)
- piano:
- Alan Clare (from 1973-03-06 until 1973-03-07)
- violin:
- Stéphane Grappelli (from 1973-03-06 until 1973-03-07) and Yehudi Menuhin (from 1973-03-06 until 1973-03-07)
- conductor:
- Max Harris (from 1973-03-06 until 1973-03-07)
- performer:
- Alan Clare Trio (from 1973-03-06 until 1973-03-07)
- arranger:
- Max Harris
- balance engineer:
- Tony Clark
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1973-03-06 until 1973-03-07) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1973-03-06 until 1973-03-07)
- instrumental recording of:
- Cheek to Cheek (from 1973-03-06 until 1973-03-07)
- lyricist and composer:
- Irving Berlin (in 1935)
- publisher:
- Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- Academy Award for Best Original Song (number: 1935 nominee)
- part of:
- Top Hat
| 3:43 |
| B7 | The Lady Is a Tramp- producer:
- Ronald Kinloch Anderson
- bass:
- Ken Baldock (from 1973-03-06 until 1973-03-07)
- drums (drum set):
- Tony Crombie (from 1973-03-06 until 1973-03-07)
- piano:
- Alan Clare (from 1973-03-06 until 1973-03-07)
- violin:
- Stéphane Grappelli (from 1973-03-06 until 1973-03-07) and Yehudi Menuhin (from 1973-03-06 until 1973-03-07)
- conductor:
- Max Harris (from 1973-03-06 until 1973-03-07)
- arranger:
- Max Harris
- balance engineer:
- Tony Clark
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1973-03-06 until 1973-03-07) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1973-03-06 until 1973-03-07)
- instrumental recording of:
- The Lady Is a Tramp (from 1973-03-06 until 1973-03-07)
- lyricist:
- Lorenz Hart (in 1937)
- composer:
- Richard Rodgers (in 1937)
- publisher:
- Chappell & Co., Chappell & Co., Inc. and Warner Chappell Music Ltd.
- part of:
- Babes in Arms
- part of:
- Pal Joey
| 3:15 |
