Mozart: Vespers / Faure: Requiem

~ Release by Mozart, Fauré; The Sixteen (see all versions of this release, 2 available)

Annotation

live performance at the Mostly Mozart Festival in London's Barbican Hall

Tracklist

1▼CD
#	Title	Artist	Length
1	Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus" choir vocals: The Sixteen orchestra: Academy of St Martin in the Fields and The Sixteen conductor: Harry Christophers recorded at: Barbican Centre: Barbican Hall in London, England, United Kingdom recording of: Ave verum corpus, K. 618 (for chorus, string and organ) composer: Wolfgang Amadeus Mozart (until 1791-06-18) part of: Köchelverzeichnis (number: K. 618), Köchelverzeichnis (number: K. 618), Köchelverzeichnis (number: K. 618), Köchelverzeichnis (number: 618) and Köchelverzeichnis (number: 618)	Wolfgang Amadeus Mozart	2:58
2	Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: I. "Dixit dominus" baritone vocals: Roderick Williams choir vocals: The Sixteen mezzo-soprano vocals: Ruth Massey soprano vocals: Elin Manahan Thomas tenor vocals: Mark Dobell orchestra: Academy of St Martin in the Fields and The Sixteen conductor: Harry Christophers recorded at: Barbican Centre: Barbican Hall in London, England, United Kingdom recording of: Vesperae solennes de confessore, K. 339: I. Dixit dominus composer: Wolfgang Amadeus Mozart (in 1780) part of: Vesperae solennes de confessore, K. 339	Wolfgang Amadeus Mozart	3:55
3	Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: II. "Confitebor" baritone vocals: Roderick Williams choir vocals: The Sixteen mezzo-soprano vocals: Ruth Massey soprano vocals: Elin Manahan Thomas tenor vocals: Mark Dobell orchestra: Academy of St Martin in the Fields and The Sixteen conductor: Harry Christophers recorded at: Barbican Centre: Barbican Hall in London, England, United Kingdom recording of: Vesperae solennes de confessore, K. 339: II. Confitebor composer: Wolfgang Amadeus Mozart (in 1780) part of: Vesperae solennes de confessore, K. 339	Wolfgang Amadeus Mozart	4:11
4	Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: III. "Beatus vir" baritone vocals: Roderick Williams choir vocals: The Sixteen mezzo-soprano vocals: Ruth Massey soprano vocals: Elin Manahan Thomas tenor vocals: Mark Dobell orchestra: Academy of St Martin in the Fields and The Sixteen conductor: Harry Christophers recorded at: Barbican Centre: Barbican Hall in London, England, United Kingdom recording of: Vesperae solennes de confessore, K. 339: III. Beatus vir composer: Wolfgang Amadeus Mozart (in 1780) part of: Vesperae solennes de confessore, K. 339	Wolfgang Amadeus Mozart	4:03
5	Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: IV. "Laudate pueri" choir vocals: The Sixteen orchestra: Academy of St Martin in the Fields and The Sixteen conductor: Harry Christophers recorded at: Barbican Centre: Barbican Hall in London, England, United Kingdom recording of: Vesperae solennes de confessore, K. 339: IV. Laudate pueri composer: Wolfgang Amadeus Mozart (in 1780) part of: Vesperae solennes de confessore, K. 339	Wolfgang Amadeus Mozart	3:55
6	Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: V. "Laudate dominum" choir vocals: The Sixteen soprano vocals: Elin Manahan Thomas orchestra: Academy of St Martin in the Fields and The Sixteen conductor: Harry Christophers recorded at: Barbican Centre: Barbican Hall in London, England, United Kingdom recording of: Vesperae solennes de confessore, K. 339: V. Laudate dominum composer: Wolfgang Amadeus Mozart (in 1780) part of: Vesperae solennes de confessore, K. 339	Wolfgang Amadeus Mozart	4:00
7	Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: VI. "Magnificat" baritone vocals: Roderick Williams choir vocals: The Sixteen mezzo-soprano vocals: Ruth Massey soprano vocals: Elin Manahan Thomas tenor vocals: Mark Dobell orchestra: Academy of St Martin in the Fields and The Sixteen conductor: Harry Christophers recorded at: Barbican Centre: Barbican Hall in London, England, United Kingdom recording of: Vesperae solennes de confessore, K. 339: VI. Magnificat composer: Wolfgang Amadeus Mozart (in 1780) part of: Vesperae solennes de confessore, K. 339	Wolfgang Amadeus Mozart	4:06
8	Requiem, op. 48: I. Introït et Kyrie choir vocals: The Sixteen orchestra: Academy of St Martin in the Fields and The Sixteen conductor: Harry Christophers recorded at: Barbican Centre: Barbican Hall in London, England, United Kingdom recording of: Requiem, op. 48: I. Introït et Kyrie (1890, second version) composer: Gabriel Fauré (from 1886 until 1900) part of: Requiem, op. 48 (1890, second version)	Gabriel Fauré	5:19
9	Requiem, op. 48: II. Offertoire choir vocals: The Sixteen orchestra: Academy of St Martin in the Fields and The Sixteen conductor: Harry Christophers recorded at: Barbican Centre: Barbican Hall in London, England, United Kingdom recording of: Requiem, op. 48: II. Offertoire (1890, second version) composer: Gabriel Fauré (from 1886 until 1900) part of: Requiem, op. 48 (1890, second version)	Gabriel Fauré	7:21
10	Requiem, op. 48: III. Sanctus choir vocals: The Sixteen orchestra: Academy of St Martin in the Fields and The Sixteen conductor: Harry Christophers recorded at: Barbican Centre: Barbican Hall in London, England, United Kingdom recording of: Requiem, op. 48: III. Sanctus (1890, second version) composer: Gabriel Fauré (from 1886 until 1900) part of: Requiem, op. 48 (1890, second version)	Gabriel Fauré	3:12
11	Requiem, op. 48: IV. Pie Jesu choir vocals: The Sixteen soprano vocals: Elin Manahan Thomas orchestra: Academy of St Martin in the Fields and The Sixteen conductor: Harry Christophers recorded at: Barbican Centre: Barbican Hall in London, England, United Kingdom recording of: Requiem, op. 48: IV. Pie Jesu (1890, second version) composer: Gabriel Fauré (from 1886 until 1900) part of: CHAPTER IV PIE JESU (REST) part of: Requiem, op. 48 (1890, second version)	Gabriel Fauré	3:22
12	Requiem, op. 48: V. Agnus Dei et Lux Aeterna choir vocals: The Sixteen orchestra: Academy of St Martin in the Fields and The Sixteen conductor: Harry Christophers recorded at: Barbican Centre: Barbican Hall in London, England, United Kingdom recording of: Requiem, op. 48: V. Agnus Dei et Lux Aeterna (1890, second version) composer: Gabriel Fauré (from 1886 until 1900) part of: Requiem, op. 48 (1890, second version)	Gabriel Fauré	5:15
13	Requiem, op. 48: VI. Libera me choir vocals: The Sixteen orchestra: Academy of St Martin in the Fields and The Sixteen conductor: Harry Christophers recorded at: Barbican Centre: Barbican Hall in London, England, United Kingdom recording of: Requiem, op. 48: VI. Libera me (1890, second version) composer: Gabriel Fauré (from 1886 until 1900) part of: Requiem, op. 48 (1890, second version)	Gabriel Fauré	4:48
14	Requiem, op. 48: VII. In Paradisum choir vocals: The Sixteen orchestra: Academy of St Martin in the Fields and The Sixteen conductor: Harry Christophers recorded at: Barbican Centre: Barbican Hall in London, England, United Kingdom recording of: Requiem, op. 48: VII. In Paradisum (1890, second version) composer: Gabriel Fauré (from 1886 until 1900) publisher: Éditions Durand part of: 28 Days Later part of: Requiem, op. 48 (1890, second version)	Gabriel Fauré	3:09

Credits

Release

discography entry:	http://thesixteen.com/page/3152/COR16057-Faure-Requiem/123 [info]

Release group

discography entry:	https://cororecords.com/products/faure-requiem [info]