| # | Title | Length |
|---|
| 1 | Soy gitano (tangos)- sound engineer:
- Jesús Bola, John Kurlander and Manuel Salas
- producer:
- Ricardo Pachón
- mixer:
- Jesús Bola and Tony Harris
- bass:
- Carles Benavent
- guitar:
- Vicente Amigo and Tomatito
- percussion:
- Tino di Geraldo and Manuel Soler
- vocals:
- Carmen Amaya, Joaquina Amaya, Marta Amaya, José Fernández, Paco Fernández, Luis Carrasco, Manglis and Eva Scotto
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom and Pañoleta Records in Sevilla, Sevilla, Andalucía, Spain
- mixed at:
- Livingston Studios in Wood Green, Haringey, London, England, United Kingdom
- recording of:
- Soy gitano (Tangos)
- lyricist:
- José Monje
- composer:
- Vicente Amigo and José Fernández Torres
| 4:14 |
| 2 | Casida de las palomas oscuras (alegrías)- sound engineer:
- Jesús Bola, John Kurlander and Manuel Salas
- mixer:
- Jesús Bola and Tony Harris
- bass:
- Carles Benavent
- guitar:
- Vicente Amigo and Tomatito
- percussion:
- Tino di Geraldo and Manuel Soler
- vocals:
- Carmen Amaya, Joaquina Amaya, Marta Amaya, José Fernández, Paco Fernández, Luis Carrasco, Manglis and Eva Scotto
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom and Pañoleta Records in Sevilla, Sevilla, Andalucía, Spain
- mixed at:
- Livingston Studios in Wood Green, Haringey, London, England, United Kingdom
- recording of:
- Casida de las palomas oscuras
- lyricist:
- Federico García Lorca
- composer:
- R. Pachón
- is based on:
- Casida de las palomas oscuras
| 3:59 |
| 3 | Thamar y Amnon (bulerías)- sound engineer:
- Jesús Bola, John Kurlander and Manuel Salas
- mixer:
- Jesús Bola and Tony Harris
- bass:
- Carles Benavent
- guitar:
- Raimundo Amador, Vicente Amigo and Tomatito
- percussion:
- Tino di Geraldo and Manuel Soler
- vocals:
- Carmen Amaya, Joaquina Amaya, Marta Amaya, José Fernández, Paco Fernández, Luis Carrasco, Manglis and Eva Scotto
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom and Pañoleta Records in Sevilla, Sevilla, Andalucía, Spain
- mixed at:
- Livingston Studios in Wood Green, Haringey, London, England, United Kingdom
- recording of:
- Thamar y Amnon
- lyricist:
- Federico García Lorca
- composer:
- R. Pachón
| 3:21 |
| 4 | Dicen de mí (bulería por seguiriya)- sound engineer:
- Jesús Bola, John Kurlander and Manuel Salas
- mixer:
- Jesús Bola and Tony Harris
- bass:
- Carles Benavent
- percussion:
- Tino di Geraldo and Manuel Soler
- vocals:
- Carmen Amaya, Joaquina Amaya, Marta Amaya, José Fernández, Paco Fernández, Luis Carrasco, Manglis and Eva Scotto
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom and Pañoleta Records in Sevilla, Sevilla, Andalucía, Spain
- mixed at:
- Livingston Studios in Wood Green, Haringey, London, England, United Kingdom
- recording of:
- Dicen de mí
- composer:
- Diego Carrasco and Rafael Fernández
| 4:33 |
| 5 | Luna llena (bulerías)- sound engineer:
- Jesús Bola, John Kurlander and Manuel Salas
- mixer:
- Jesús Bola and Tony Harris
- bass:
- Carles Benavent
- percussion:
- Tino di Geraldo and Manuel Soler
- vocals:
- Carmen Amaya, Joaquina Amaya, Marta Amaya, José Fernández, Paco Fernández, Luis Carrasco, Manglis and Eva Scotto
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom and Pañoleta Records in Sevilla, Sevilla, Andalucía, Spain
- mixed at:
- Livingston Studios in Wood Green, Haringey, London, England, United Kingdom
- recording of:
- Luna llena
- lyricist:
- César Cadaval
- composer:
- M. Magüesin
| 3:48 |
| 6 | El pez más viejo del río (fandangos)- sound engineer:
- Jesús Bola, John Kurlander and Manuel Salas
- mixer:
- Jesús Bola and Tony Harris
- bass:
- Carles Benavent
- percussion:
- Tino di Geraldo and Manuel Soler
- vocals:
- Carmen Amaya, Joaquina Amaya, Marta Amaya, José Fernández, Paco Fernández, Luis Carrasco, Manglis and Eva Scotto
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom and Pañoleta Records in Sevilla, Sevilla, Andalucía, Spain
- mixed at:
- Livingston Studios in Wood Green, Haringey, London, England, United Kingdom
- recording of:
- El pez más viejo del río
- writer:
- M. Hernandez and J. Monge
| 2:43 |
| 7 | Amor de conuco (rumba)- sound engineer:
- Jesús Bola, John Kurlander and Manuel Salas
- mixer:
- Jesús Bola and Tony Harris
- bass:
- Carles Benavent
- percussion:
- Tino di Geraldo and Manuel Soler
- vocals:
- Carmen Amaya, Joaquina Amaya, Marta Amaya, José Fernández, Paco Fernández, Luis Carrasco, Manglis and Eva Scotto
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom and Pañoleta Records in Sevilla, Sevilla, Andalucía, Spain
- mixed at:
- Livingston Studios in Wood Green, Haringey, London, England, United Kingdom
- recording of:
- Amor de conuco
- writer:
- Juan Luis Guerra
| 3:33 |
| 8 | Nana del caballo grande- sound engineer:
- Jesús Bola, John Kurlander and Manuel Salas
- mixer:
- Jesús Bola and Tony Harris
- bass:
- Carles Benavent
- percussion:
- Tino di Geraldo and Manuel Soler
- vocals:
- Carmen Amaya, Joaquina Amaya, Marta Amaya, José Fernández, Paco Fernández, Luis Carrasco, Manglis and Eva Scotto
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom and Pañoleta Records in Sevilla, Sevilla, Andalucía, Spain
- mixed at:
- Livingston Studios in Wood Green, Haringey, London, England, United Kingdom
- recording of:
- Nana del caballo grande
- lyricist:
- Federico García Lorca
- composer:
- Ricardo Pachón
- version of:
- Nana del caballo grande
| 5:51 |
