Hitstory

~ Release by Elvis Presley (see all versions of this release, 5 available)

Annotation

packaging: "double jewel case" with a cardboard cover around it.

Tracklist

1CD: Elv1s 30 #1 Hits
2CD: Elvis 2nd to None
3CD: The Story Continues
#TitleLength
1Blue Moon2:44
2Mystery Train
engineer and producer:
Sam Phillips
bass:
Bill Black (in 1955-07)
electric guitar:
Scotty Moore (in 1955-07)
guitar:
Elvis Presley (in 1955-07)
vocals:
Elvis Presley (in 1955-07)
phonographic copyright (℗) by:
BMG Music (in 1955)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1955-07)
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 77)
cover recording of:
Mystery Train (on 1955-07-11)
writer:
Junior Parker and Sam Phillips
publisher:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. and Hilo Music Inc. (in 1953)
2:29
3Rip It Up
engineer:
Thorne Nogar
bass:
Bill Black (on 1956-09-03)
drums (drum set):
D.J. Fontana (on 1956-09-03)
guitar:
Scotty Moore (on 1956-09-03) and Elvis Presley (on 1956-09-03)
piano:
Gordon Stoker (on 1956-09-03)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1956-09-03)
cover recording of:
Rip It Up (on 1956-09-03)
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC and Venice Music
1:55
4Got a Lot o’ Livin’ to Do2:34
5Trying to Get to You2:33
6Lawdy, Miss Clawdy
bass:
Bill Black (on 1956-02-03)
drums (drum set):
D.J. Fontana (on 1956-02-03)
guitar:
Scotty Moore (on 1956-02-03) and Elvis Presley (on 1956-02-03)
piano:
Shorty Long (on 1956-02-03)
recorded at:
RCA Studios in New York, New York, United States (on 1956-02-03)
cover recording of:
Lawdy Miss Clawdy (on 1956-02-03)
lyricist and composer:
Lloyd Price (in 1952-03)
publisher:
ATV Music, Carlin Music Corporation, Sony/ATV Songs LLC and Venice Music
2:10
7Paralysed2:26
8Party
bass:
Bill Black (from 1957-01-15 until 1957-01-18)
drums (drum set):
D.J. Fontana (from 1957-01-15 until 1957-01-18)
guitar:
Scotty Moore (from 1957-01-15 until 1957-01-18) and Tiny Timbrell (from 1957-01-15 until 1957-01-18)
piano:
Dudley Brooks (from 1957-01-15 until 1957-01-18)
lead vocals:
Elvis Presley
vocals:
The Jordanaires (from 1957-01-15 until 1957-01-18)
phonographic copyright (℗) by:
BMG Music (in 1957) and RCA/Ariola International (in 1957)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1957-01-15 until 1957-01-18)
cover recording of:
Let’s Have a Party (from 1957-01-15 until 1957-01-18)
lyricist and composer:
Jessie Mae Robinson
publisher:
EMI Music Publishing, EMI Music Publishing Ltd., Gladys Music Inc., IQ Music Ltd., MPL Communications Inc., Universal/MCA Music Ltd. and Universal/MCA Music Publishing Pty Ltd
1:28
9I’m Left, You’re Right, She’s Gone
engineer and producer:
Sam Phillips
bass:
Bill Black (in 1955-04)
drums (drum set):
Jimmie Lott (in 1955-04)
electric guitar:
Scotty Moore (in 1955-04)
guitar:
Elvis Presley (in 1955-04)
vocals:
Elvis Presley (in 1955-04)
phonographic copyright (℗) by:
BMG Music (in 1955)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1955-04)
cover recording of:
I’m Left, You’re Right, She’s Gone (from 1954-07 until 1955-07)
writer:
Stan Kesler and Bill Taylor
publisher:
Hi Lo Music Inc.
cover recording of:
I’m Left, You’re Right, She’s Gone (in 1955-04)
writer:
Stan Kesler and Bill Taylor
publisher:
Hi Lo Music Inc.
2:37
10The Girl of My Best Friend
recording engineer:
Bill Porter (on 1960-04-04)
producer:
Chet Atkins and Steve Sholes
vocals:
The Jordanaires (on 1960-04-04)
phonographic copyright (℗) by:
BMG Music (in 1960) and RCA Corporation (in 1960)
recorded at:
RCA Victor Studios in Nashville, Tennessee, United States (on 1960-04-04)
mixed at:
RCA Victor Studios in Nashville, Tennessee, United States
cover recording of:
The Girl of My Best Friend (on 1960-04-04)
writer:
Sam Bobrick and Ross Butler
publisher:
Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music and R&H Music
2:23
11Wild in the Country
accordion:
Jimmie Haskell (from 1960-11-07 until 1960-11-08)
bass:
Meyer "Mike" Rubin (from 1960-11-07 until 1960-11-08)
drums (drum set):
D.J. Fontana (from 1960-11-07 until 1960-11-08)
guitar:
Scotty Moore (from 1960-11-07 until 1960-11-08), Elvis Presley (from 1960-11-07 until 1960-11-08) and Tiny Timbrell (from 1960-11-07 until 1960-11-08)
piano:
Dudley Brooks (from 1960-11-07 until 1960-11-08)
vocals:
The Jordanaires (from 1960-11-07 until 1960-11-08)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (from 1960-11-07 until 1960-11-08)
recording of:
Wild in the Country (from 1960-11-07 until 1960-11-08)
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
Carlin Music Corporation and The Songwriters Guild
cover recording of:
Wild in the Country
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
Carlin Music Corporation and The Songwriters Guild
1:54
12One Broken Heart for Sale
phonographic copyright (℗) by:
BMG Music
cover recording of:
One Broken Heart for Sale (on 1962-09-22)
writer:
Otis Blackwell and Winfield Scott
publisher:
Carlin Music Corporation and R&H Music
1:48
13Kiss Me Quick
phonographic copyright (℗) by:
BMG Music (in 1961)
cover recording of:
Kiss Me Quick
writer:
Doc Pomus and Mort Shuman
publisher:
Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc. and R&H Music
2:49
14Kissin’ Cousins
phonographic copyright (℗) by:
BMG Music
recording of:
Kissin’ Cousins
writer:
Randy Starr and Fred Wise
publisher:
Carlin Music Corporation, Nadel Music and Williamson Music Company
2:14
15Such a Night
recording engineer:
Bill Porter (on 1960-04-03)
producer:
Chet Atkins and Steve Sholes
bass:
Bob Moore (on 1960-04-03)
drums (drum set):
D.J. Fontana (on 1960-04-03) and Buddy Harman (on 1960-04-03)
guitar:
Hank Garland (on 1960-04-03), Scotty Moore (on 1960-04-03) and Elvis Presley (on 1960-04-03)
piano:
Floyd Cramer (on 1960-04-03)
saxophone:
Boots Randolph (on 1960-04-03)
vocals:
The Jordanaires (on 1960-04-03)
phonographic copyright (℗) by:
BMG Music and BMG Entertainment (in 1960)
recorded at:
RCA Studio B in Nashville, Tennessee, United States (on 1960-04-03) and RCA Victor Studios in Nashville, Tennessee, United States (on 1960-04-03)
mixed at:
RCA Victor Studios in Nashville, Tennessee, United States
cover recording of:
Such a Night (on 1960-04-03)
lyricist and composer:
Lincoln Chase
publisher:
Chappell Music Ltd., Elvis Presley Music, Embassy Music Corporation and Raleigh Music, Inc.
3:02
16Ain’t That Loving You Baby2:25
17Tell Me Why
cover recording of:
Tell Me Why (on 1957-01-12)
lyricist and composer:
Titus Turner
publisher:
Cheerio Corp.
2:08
18Frankie and Johnny
engineer:
David Weichman
bass:
Bob Moore (from 1965-05-12 until 1965-05-14)
drums (drum set):
D.J. Fontana (from 1965-05-12 until 1965-05-14) and Buddy Harman (from 1965-05-12 until 1965-05-14)
guitar:
Charlie McCoy (from 1965-05-12 until 1965-05-14), Scotty Moore (from 1965-05-12 until 1965-05-14) and Tiny Timbrell (from 1965-05-12 until 1965-05-14)
harmonica:
Charlie McCoy (from 1965-05-12 until 1965-05-14)
piano:
Larry Muhoberac (from 1965-05-12 until 1965-05-14)
saxophone:
Gus Bivona (from 1965-05-12 until 1965-05-14)
trombone:
Richard Noel (from 1965-05-12 until 1965-05-14)
trumpet:
George Worth (from 1965-05-12 until 1965-05-14)
tuba:
Robert Corwin (from 1965-05-12 until 1965-05-14) and John Johnson (from 1965-05-12 until 1965-05-14)
vocals:
The Jordanaires (from 1965-05-12 until 1965-05-14)
remixer:
Ernst Mikael Jorgensen and James Nichols
phonographic copyright (℗) by:
BMG Music
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (from 1965-05-12 until 1965-05-14, from 1965-05-12 until 1965-05-19)
recording of:
Frankie and Johnny (Elvis arrangement) (from 1965-05-12 until 1965-05-14)
arranger:
Alex Gottlieb, Fred Karger and Ben Weisman
publisher:
Carlin Music Corporation and Gladys Music
arrangement of:
Frankie and Johnny (traditional song, version of “Frankie and Albert”)
recording of:
Frankie and Johnny (Elvis arrangement) (on 1965-05-13)
arranger:
Alex Gottlieb, Fred Karger and Ben Weisman
publisher:
Carlin Music Corporation and Gladys Music
arrangement of:
Frankie and Johnny (traditional song, version of “Frankie and Albert”)
2:35
19All That I Am
phonographic copyright (℗) by:
BMG Music
recording of:
All That I Am
writer:
Roy C. Bennett and Sid Tepper
publisher:
Carlin Music Corporation and Williamson Music Company
2:19
20Guitar Man
recording of:
Guitar Man
lyricist and composer:
Jerry Reed
publisher:
Sixteen Stars Music and The International Music Network
cover recording of:
Guitar Man
lyricist and composer:
Jerry Reed
publisher:
Sixteen Stars Music and The International Music Network
2:17
21US Male
cover recording of:
U.S. Male
lyricist and composer:
Jerry Reed Hubbard
publisher:
Sixteen Stars Music, Valley Music Ltd and Vector Music
2:45
22I’ve Lost You3:32
23There Goes My Everything
phonographic copyright (℗) by:
BMG Music (in 1970)
cover recording of:
There Goes My Everything (1965 song)
lyricist and composer:
Dallas Frazier
publisher:
Acuff-Rose Music Limited, Copyright Control, Elvis Presley Music Inc., Acuff-Rose Publications, Inc. (on 1965-11-24), Blue Crest Music, Inc. (on 1965-11-24) and Husky Music (on 1965-11-24)
version of:
En gång är ingen gång
3:00
24Rags to Riches1:56
25I Just Can’t Help Believin’4:36
26Until It’s Time for You to Go
bass:
Norbert Putnam (on 1971-05-17)
drums (drum set):
Kenny Buttrey (on 1971-05-17) and Jerry Carrigan (on 1971-05-17)
guitar:
James Burton (on 1971-05-17) and Chip Young (on 1971-05-17)
harmonica:
Charlie McCoy (on 1971-05-17)
organ:
Charlie McCoy (on 1971-05-17) and Glen Spreen (on 1971-05-17)
percussion:
Larry Londin (on 1971-05-17) and Charlie McCoy (on 1971-05-17)
piano:
David Briggs (on 1971-05-17) and Joe Moscheo (on 1971-05-17)
vocals:
Ginger Holladay (on 1971-05-17), The Imperials (on 1971-05-17), Millie Kirkham (on 1971-05-17), June Page (on 1971-05-17) and Temple Riser (on 1971-05-17)
phonographic copyright (℗) by:
BMG Music (in 1971, in 1972)
recorded at:
RCA Studio B in Nashville, Tennessee, United States (on 1971-05-17)
cover recording of:
Until It’s Time for You to Go (on 1971-05-17)
lyricist and composer:
Buffy Sainte‐Marie
publisher:
Almo Music Corp. (ended), Copyright Control (ended), Howe Sound Music Publishing LLC and Rondor Music (London) Ltd.
4:00
27My Boy3:21
28Suspicion
bass:
Bob Moore (from 1962-03-18 until 1962-03-19)
drums (drum set):
D.J. Fontana (from 1962-03-18 until 1962-03-19) and Buddy Harman (from 1962-03-18 until 1962-03-19)
guitar:
Harold Bradley (from 1962-03-18 until 1962-03-19), Grady Martin (from 1962-03-18 until 1962-03-19) and Scotty Moore (from 1962-03-18 until 1962-03-19)
organ and piano:
Floyd Cramer (from 1962-03-18 until 1962-03-19)
saxophone:
Boots Randolph (from 1962-03-18 until 1962-03-19)
vibraphone [vibes]:
Grady Martin (from 1962-03-18 until 1962-03-19) and Boots Randolph (from 1962-03-18 until 1962-03-19)
vocals:
The Jordanaires (from 1962-03-18 until 1962-03-19) and Millie Kirkham (from 1962-03-18 until 1962-03-19)
phonographic copyright (℗) by:
BMG Music (in 1961) and RCA Corporation (in 1962)
recorded at:
RCA Studio B in Nashville, Tennessee, United States (from 1962-03-18 until 1962-03-19)
recording of:
Suspicion (from 1962-03-18 until 1962-03-19)
writer:
Doc Pomus and Mort Shuman
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc. and R&H Music
cover recording of:
Suspicion
writer:
Doc Pomus and Mort Shuman
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc. and R&H Music
2:36
29My Way3:50
30Are You Lonesome Tonight? (laughing version)2:53