Waylon & Willie

~ Release by Waylon & Willie (see all versions of this release, 4 available)

Tracklist

1CD
#TitleLength
1Mamas, Don’t Let Your Babies Grow Up to Be Cowboys
bass:
Sherman Hayes (in 1977-11)
drums (drum set):
Richie Albright (in 1977-11)
guitar:
John Hug (in 1977-11), Waylon Jennings (in 1977-11), Chips Moman (in 1977-11), Gordon Payne (in 1977-11), Rance Wasson (in 1977-11) and Reggie Young (in 1977-11)
guitar [guitar harmony] and harmonica:
Gordon Payne (in 1977-11)
keyboard and organ:
Barny Robertson (in 1977-11)
steel guitar:
Sherman Hayes (in 1977-11) and Ralph Mooney (in 1977-11)
background vocals:
Barny Robertson (in 1977-11), Gordon Payne (in 1977-11), Carter Robertson (in 1977-11), Rance Wasson (in 1977-11) and Becky Williams (in 1977-11)
lead vocals:
Waylon Jennings (in 1977-11) and Willie Nelson (in 1977-11)
vocals:
Waylon Jennings (in 1977-11) and Willie Nelson (in 1977-11)
performer:
Waylon Jennings
phonographic copyright (℗) by:
BMG Music (in 1977), RCA Records (in 1978) and Sony Music Entertainment Inc. (in 2003)
recorded at:
American Studios in Nashville, Tennessee, United States (in 1977-11)
cover recording of:
Mammas Don’t Let Your Babies Grow Up to Be Cowboys (in 1977-11)
writer:
Ed Bruce and Patsy Bruce
publisher:
Tree Publishing Inc.
version of:
Mama Don't Let Your Cowboys Grow Up to Be Babies
2:34
2The Year 2003 Minus 25
bass:
Sherman Hayes (in 1977-11)
drums (drum set):
Richie Albright (in 1977-11)
guitar:
John Hug (in 1977-11), Waylon Jennings (in 1977-11), Chips Moman (in 1977-11), Gordon Payne (in 1977-11), Rance Wasson (in 1977-11) and Reggie Young (in 1977-11)
harmonica:
Gordon Payne (in 1977-11)
steel guitar:
Ralph Mooney (in 1977-11)
background vocals:
Gordon Payne (in 1977-11), Carter Robertson (in 1977-11), Rance Wasson (in 1977-11) and Becky Williams (in 1977-11)
vocals:
Waylon Jennings (in 1977-11) and Willie Nelson (in 1977-11)
recorded at:
American Studios in Nashville, Tennessee, United States (in 1977-11)
cover recording of:
The Year 2000 Minus 25 (in 1977-11)
lyricist and composer:
Kris Kristofferson
3:05
3Pick Up the Tempo
producer:
Waylon Jennings and Willie Nelson
bass:
Duke Goff (from 1973-10-16 until 1973-10-17)
drums (drum set):
Richie Albright (from 1973-10-16 until 1973-10-17)
electric guitar:
Reggie Young (from 1973-10-16 until 1973-10-17)
guitar:
Waylon Jennings (from 1973-10-16 until 1973-10-17), Willie Nelson (from 1973-10-16 until 1973-10-17) and Larry Whitmore (from 1973-10-16 until 1973-10-17)
organ and piano:
Kyle Lehning (from 1973-10-16 until 1973-10-17)
vocals:
Waylon Jennings (in 1977-11) and Willie Nelson (in 1977-11)
recorded at:
American Studios in Nashville, Tennessee, United States (from 1976-10-16 until 1976-10-17, in 1977-11)
cover recording of:
Pick Up the Tempo (from 1973-10-16 until 1977-11)
lyricist and composer:
Willie Nelson
publisher:
Willie Nelson Music
2:33
4If You Can Touch Her at All
producer:
Waylon Jennings and Willie Nelson
bass:
Duke Goff (from 1973-10-29 until 1973-10-30)
drums (drum set):
Richie Albright (from 1973-10-29 until 1973-10-30)
guitar:
Waylon Jennings (from 1973-10-29 until 1973-10-30)
organ and piano:
Dee Moeller (from 1973-10-29 until 1973-10-30)
trumpet:
Kyle Lehning (from 1973-10-29 until 1973-10-30)
vocals:
Waylon Jennings (in 1977-11) and Willie Nelson (in 1977-11)
recorded at:
American Studios in Nashville, Tennessee, United States (from 1973-10-29 until 1973-10-30, in 1977-11)
recording of:
If You Could Touch Her at All (from 1973-10-29 until 1977-11)
lyricist:
Lee Clayton
composer:
L. Clayton
publisher:
Resaca Music Publishing Co.
3:05
5Lookin’ for a Feeling
producer:
Chips Moman
acoustic guitar:
Gordon Payne (from 1977-08-14 until 1977-08-15) and Rance Wasson (from 1977-08-14 until 1977-08-15)
bass:
Sherman Hayes (from 1977-08-14 until 1977-08-15)
drums (drum set):
Richie Albright (from 1977-08-14 until 1977-08-15) and Eddy Anderson (from 1977-08-14 until 1977-08-15)
guitar:
Waylon Jennings (from 1977-08-14 until 1977-08-15)
keyboard:
Barny Robertson (from 1977-08-14 until 1977-08-15)
steel guitar:
Buddy Emmons (from 1977-08-14 until 1977-08-15) and Ralph Mooney (from 1977-08-14 until 1977-08-15)
background vocals:
Gordon Payne (from 1977-08-14 until 1977-08-15) and Carter Robertson (from 1977-08-14 until 1977-08-15)
vocals:
Waylon Jennings (from 1977-08-14 until 1977-08-15)
recorded at:
American Studios in Nashville, Tennessee, United States (from 1977-08-14 until 1977-08-15)
recording of:
Lookin’ for a Feeling (from 1977-08-14 until 1977-08-15)
writer:
Waylon Jennings
publisher:
Waylon Jennings Music
2:39
6It’s Not Supposed to Be That Way
producer:
Waylon Jennings and Willie Nelson
bass:
Duke Goff (from 1973-10-17 until 1973-10-18)
drums (drum set):
Richie Albright (from 1973-10-17 until 1973-10-18)
electric guitar:
Reggie Young (from 1973-10-17 until 1973-10-18)
guitar:
Waylon Jennings (from 1973-10-17 until 1973-10-18), Willie Nelson (from 1973-10-17 until 1973-10-18), Fred Newell (from 1973-10-17 until 1973-10-18) and Larry Whitmore (from 1973-10-17 until 1973-10-18)
harmonica:
Don Brooks (from 1973-10-17 until 1973-10-18)
organ and piano:
Jessi Colter (from 1973-10-17 until 1973-10-18)
steel guitar:
Ralph Mooney (from 1973-10-17 until 1973-10-18)
vocals:
Willie Nelson (in 1977-11)
recorded at:
American Studios in Nashville, Tennessee, United States (from 1973-10-17 until 1973-10-18, in 1977-11)
cover recording of:
It’s not Supposed to Be that Way (from 1973-10-17 until 1977-11)
lyricist and composer:
Willie Nelson
3:21
7I Can Get Off on You
producer:
Waylon Jennings (in 1977-11) and Willie Nelson (in 1977-11)
bass:
Sherman Hayes (in 1977-11)
drums (drum set):
Richie Albright (in 1977-11)
guitar:
John Hug (in 1977-11), Waylon Jennings (in 1977-11), Chips Moman (in 1977-11), Gordon Payne (in 1977-11) and Reggie Young (in 1977-11)
harmonica:
Gordon Payne (in 1977-11)
keyboard and organ:
Barny Robertson (in 1977-11)
steel guitar:
Ralph Mooney (in 1977-11)
background vocals [vocal harmony]:
Barny Robertson (in 1977-11), Gordon Payne (in 1977-11), Carter Robertson (in 1977-11), Rance Wasson (in 1977-11) and Becky Williams (in 1977-11)
vocals:
Waylon Jennings (in 1977-11) and Willie Nelson (in 1977-11)
phonographic copyright (℗) by:
RCA Records (in 1978)
recording of:
I Can Get Off on You (in 1977-11)
writer:
Waylon Jennings and Willie Nelson
publisher:
EMI Full Nelson Music, Nelson-Willie-Music Inc., Waylon Jennings Music and Willie Nelson Music
2:24
8Don’t Cuss the Fiddle
bass:
Sherman Hayes (in 1977-11)
drums (drum set):
Richie Albright (in 1977-11)
guitar:
John Hug (in 1977-11), Waylon Jennings (in 1977-11), Chips Moman (in 1977-11), Gordon Payne (in 1977-11), Rance Wasson (in 1977-11) and Reggie Young (in 1977-11)
harmonica:
Gordon Payne (in 1977-11)
keyboard and organ:
Barny Robertson (in 1977-11) and Carter Robertson (in 1977-11)
steel guitar:
Ralph Mooney (in 1977-11)
background vocals:
Barny Robertson (in 1977-11), Gordon Payne (in 1977-11), Carter Robertson (in 1977-11), Rance Wasson (in 1977-11) and Becky Williams (in 1977-11)
vocals:
Waylon Jennings (in 1977-11) and Willie Nelson (in 1977-11)
recorded at:
American Studios in Nashville, Tennessee, United States (in 1977-11)
cover recording of:
Don't Cuss the Fiddle (in 1977-11)
lyricist and composer:
Kris Kristofferson
3:04
9Gold Dust Woman
bass:
Sherman Hayes (in 1977-11)
drums (drum set):
Richie Albright (in 1977-11)
guitar:
John Hug (in 1977-11), Waylon Jennings (in 1977-11), Chips Moman (in 1977-11), Gordon Payne (in 1977-11), Rance Wasson (in 1977-11) and Reggie Young (in 1977-11)
harmonica:
Gordon Payne (in 1977-11)
keyboard and organ:
Barny Robertson (in 1977-11)
steel guitar:
Ralph Mooney (in 1977-11)
background vocals:
Barny Robertson (in 1977-11), Gordon Payne (in 1977-11), Carter Robertson (in 1977-11), Rance Wasson (in 1977-11) and Becky Williams (in 1977-11)
vocals:
Waylon Jennings (in 1977-11)
recorded at:
American Studios in Nashville, Tennessee, United States (in 1977-11)
cover recording of:
Gold Dust Woman (in 1977-11)
lyricist and composer:
Stevie Nicks
publisher:
Sony/ATV Songs LLC, Warner Bros. Music Ltd., Gentoo Music, Inc. (in 1977) and Welsh Witch Music (in 1977)
4:01
10A Couple More Years
producer:
Waylon Jennings and Willie Nelson
bass:
Sherman Hayes (from 1976-03-24 until 1976-03-25)
bass guitar:
Duke Goff (from 1976-03-24 until 1976-03-25)
drums (drum set):
Richie Albright (from 1976-03-24 until 1976-03-25)
guitar:
John Hug (from 1976-03-24 until 1976-03-25) and Waylon Jennings (from 1976-03-24 until 1976-03-25)
piano:
Barny Robertson (from 1976-03-24 until 1976-03-25)
steel guitar:
Ralph Mooney (from 1976-03-24 until 1976-03-25)
background vocals:
Carter Robertson (from 1976-03-24 until 1976-03-25)
vocals:
Willie Nelson (in 1977-11)
recorded at:
American Studios in Nashville, Tennessee, United States (from 1976-03-24 until 1976-03-25, in 1977-11)
cover recording of:
A Couple More Years (from 1976-03-24 until 1977-11)
writer and composer:
Dennis Locorriere and Shel Silverstein
publisher:
Evil Eye Music Inc. and Horse Hairs Music, Inc.
4:02
11The Wurlitzer Prize (I Don’t Want to Get Over You)
producer:
Chips Moman
acoustic guitar:
Gordon Payne (from 1977-08-14 until 1977-08-15) and Rance Wasson (from 1977-08-14 until 1977-08-15)
bass:
Sherman Hayes (from 1977-08-14 until 1977-08-15)
drums (drum set):
Richie Albright (from 1977-08-14 until 1977-08-15) and Eddy Anderson (from 1977-08-14 until 1977-08-15)
guitar:
Waylon Jennings (from 1977-08-14 until 1977-08-15)
keyboard:
Barny Robertson (from 1977-08-14 until 1977-08-15)
steel guitar:
Buddy Emmons (from 1977-08-14 until 1977-08-15) and Ralph Mooney (from 1977-08-14 until 1977-08-15)
background vocals:
Gordon Payne (from 1977-08-14 until 1977-08-15) and Carter Robertson (from 1977-08-14 until 1977-08-15)
vocals:
Waylon Jennings (from 1977-08-14 until 1977-08-15)
recorded at:
American Studios in Nashville, Tennessee, United States (from 1977-08-14 until 1977-08-15)
cover recording of:
The Wurlitzer Prize (I Don’t Want to Get Over You) (from 1977-08-14 until 1977-08-15)
writer:
Bobby Emmons and Chips Moman
publisher:
Baby Chick Music, Baby Chick Music, Inc. and RCA
2:08