R & B Rhythm & Blues

~ Release by Various Artists (see all versions of this release, 5 available)

Tracklist

1Cassette
#TitleArtistLength
A1Soul ManBlues Brothers2:54
A2What’d I SayRay Charles5:06
A3Knock on WoodEddie Floyd3:02
A4Think
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-15) and Floyd Newman (on 1968-04-15)
bass guitar:
Jerry Jemmott (on 1968-04-15)
drums (drum set):
Roger Hawkins (on 1968-04-15)
guitar:
Tommy Cogbill (on 1968-04-15) and Jimmy Johnson (on 1968-04-15)
organ:
Spooner Oldham (on 1968-04-15)
piano and lead vocals:
Aretha Franklin (on 1968-04-15)
tenor saxophone:
Charles Chalmers (on 1968-04-15) and Andrew Love (on 1968-04-15)
trumpet:
Wayne Jackson (on 1968-04-15)
background vocals:
The Sweet Inspirations (on 1968-04-15)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1968) and WEA International Inc. (in 1968)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1968-04-15)
part of:
RuPaul’s Drag Race Lip Sync Performances (number: 10)
recording of:
Think (on 1968-04-15)
writer:
Aretha Franklin and Ted White
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
Aretha Franklin2:14
A5Green OnionsBooker T. & the MG’s2:50
A6(Sittin’ on) The Dock of the BayOtis Redding2:38
A7Land of 1000 Dances
producer:
Jerry Wexler
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass guitar [bass]:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (from 1966-05-08 until 1966-05-11) and Chips Moman (from 1966-05-08 until 1966-05-11)
piano:
Spooner Oldham (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
phonographic copyright (℗) by:
WEA International Inc.
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
cover recording of:
Land of 1000 Dances (from 1966-05-08 until 1966-05-11)
lyricist and composer:
Chris Kenner
additional writer:
Antoine Domino
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. and Tune-Kel
recording of:
Land of 1000 Dances
lyricist and composer:
Chris Kenner
additional writer:
Antoine Domino
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. and Tune-Kel
Wilson Pickett2:25
A8Sweet Soul Music
engineer:
Jimmy Johnson
producer:
Otis Redding
guitar:
Moses Dillard (on 1967-01-20)
vocals:
Arthur Conley (on 1967-01-20)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1967-01-20)
part of:
Billboard: The 500 Best Pop Songs (number: 351)
recording of:
Sweet Soul Music (on 1967-01-20)
writer:
Arthur Conley, Sam Cooke and Otis Redding
publisher:
ABKCO Music and Rondor
is based on:
Yeah Man
Arthur Conley2:20
A9Respect
recording engineer:
Tom Dowd (on 1967-02-14)
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (on 1967-02-14) and King Curtis (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1967) and WEA International Inc. (in 1967)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc., East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
Aretha Franklin2:27
A10Memphis Soul Stew
recorded in:
Memphis, Tennessee, United States (on 1967-07-05)
producer:
King Curtis
baritone saxophone:
Floyd Newman (on 1967-07-05)
bass guitar [bass]:
Tommy Cogbill (on 1967-07-05)
drums (drum set) [drums]:
Gene Chrisman (on 1967-07-05)
guitar:
R.F. Taylor (on 1967-07-05) and Reggie Young (on 1967-07-05)
organ:
Bobby Emmons (on 1967-07-05)
piano:
Bobby Wood (on 1967-07-05)
tenor saxophone:
Charles Chalmers (on 1967-07-05), King Curtis (on 1967-07-05) and Jimmy Mitchell (on 1967-07-05)
trumpet:
Bowlegs Miller (on 1967-07-05)
vocals:
King Curtis (on 1967-07-05)
recording of:
Memphis Soul Stew (on 1967-07-05)
writer:
Curtis Ousley
publisher:
Kilynn Music Publishing, Inc. and Pronto Music
King Curtis2:55
A11Tramps
recorded in:
Memphis, Tennessee, United States (from 1967-01 until 1967-02)
producer:
Steve Cropper and Jim Stewart
drums (drum set):
Al Jackson (from 1967-01 until 1967-02)
electric bass guitar [electric bass]:
Donald “Duck” Dunn (from 1967-01 until 1967-02)
guitar:
Steve Cropper (from 1967-01 until 1967-02)
keyboard:
Isaac Hayes (from 1967-01 until 1967-02) and Booker T. Jones (from 1967-01 until 1967-02)
piano:
Booker T. Jones (from 1967-01 until 1967-02)
tenor saxophone:
Joe Arnold (from 1967-01 until 1967-02) and Andrew Love (from 1967-01 until 1967-02)
trumpet:
Wayne Jackson (from 1967-01 until 1967-02)
background vocals:
Carla Thomas (from 1967-01 until 1967-02)
vocals:
Otis Redding (from 1967-01 until 1967-02) and Carla Thomas (from 1967-01 until 1967-02)
performer:
Carla Thomas (from 1967-01 until 1967-02)
cover recording of:
Tramp (from 1967-01 until 1967-02)
writer:
Lowell Fulson and Jimmy McCracklin
publisher:
Budget Music, Careers–BMG Music Publishing, Inc. and Powerforce Music
Otis Redding & Carla Thomas2:58
A12Rainy Night in Georgia
Brook Benton3:52
B1Hallelujah, I Love Her So
producer:
Ahmet Ertegun and Jerry Wexler
baritone saxophone [baritone sax]:
Cecil Payne (on 1955-11-30)
double bass [bass]:
Paul West (on 1955-11-30)
drums (drum set):
David "Panama" Francis (on 1955-11-30)
piano:
Ray Charles (on 1955-11-30)
solo tenor saxophone [tenor sax]:
Donald Wilkerson (on 1955-11-30)
trumpet:
Joe Bridgewater (on 1955-11-30) and Joshua "Jack" Willis (on 1955-11-30)
vocals:
Ray Charles (on 1955-11-30)
arranger:
Ray Charles
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1955-11-30)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Hallelujah, I Love Her So (on 1955-11-30)
lyricist and composer:
Ray Charles
publisher:
Carlin Music Corporation, Hill and Range Songs, Inc., Progressive Music, Unichappell Music and Unichappell Music, Inc.
Ray Charles2:34
B2Soul Finger
The Bar‐Kays2:19
B3In the Midnight Hour
Wilson Pickett2:26
B4Funky Street
producer:
Tom Dowd
recording of:
Funky Street
writer:
Arthur Conley and Earl Simms
Arthur Conley2:19
B5Everybody Needs Somebody to LoveSolomon Burke2:43
B6Stand by MeBen E. King2:50
B7Shake
cover recording of:
Shake (Sam Cooke song)
lyricist and composer:
Sam Cooke
publisher:
ABKCO Music Ltd.
Otis Redding2:35
B8Mustang Sally
recorded in:
Muscle Shoals, Alabama, United States (on 1966-10-13)
engineer:
Tom Dowd and Rick Hall
producer:
Rick Hall and Jerry Wexler
drums (drum set):
Roger Hawkins (from 1966-10-13 until 1966-10-14)
electric bass guitar [electric bass]:
Tommy Cogbill (from 1966-10-13 until 1966-10-14)
guitar:
Jimmy Johnson (from 1966-10-13 until 1966-10-14)
guitar [lead guitar]:
Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
tenor saxophone:
Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
trumpet:
Gene “Bowlegs” Miller (from 1966-10-13 until 1966-10-14)
vocals:
Wilson Pickett (from 1966-10-13 until 1966-10-14)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 434)
cover recording of:
Mustang Sally (from 1966-10-13 until 1966-10-14)
lyricist and composer:
Sir Mack Rice
publisher:
EMI Music Publishing Ltd., EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. and フジパシフィックミュージック SBK事業部
Wilson Pickett3:05
B9Last Night
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Chips Moman and Jim Stewart
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (in 1961-09)
drums (drum set):
Terry Johnson (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (in 1961-09)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 28)
recording of:
Last Night (in 1961-09)
writer:
Charles Axton, Chip Moman, Gilbert Caple, Jerald Smith and Floyd Newman
composer:
The Mar‐Keys
The Mar‐Keys2:33
B10I Got a WomanRay Charles2:52
B11Try a Little Tenderness
Otis Redding3:49
B12When a Man Loves a Woman
producer:
Marlin Greene and Quin Ivy
double bass:
Albert Lowe Jr. (on 1966-02-17)
drums (drum set):
Roger Hawkins (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
HHO Ltd., WEA International Inc. (, in 1966) and Atlantic Recording Corporation (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis and Andrew Wright
publisher:
Mijac Music, Warner Chappell, Warner Chappell Music, Warner Chappell Music Ltd., Warner Chappell North America, Warner/Chappell, Pronto Music, Inc. (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (from 1966 to present), Pronto (in 1972) and Quinvy (in 1972)
Percy Sledge2:50

Credits

Release

manufactured in:Germany
rights society:SACEM
manufactured by:TELDEC Record Service GmbH
distributed by:WEA Music
phonographic copyright (℗) by:WEA Music (in 1989)
Discogs:https://www.discogs.com/release/10223047 [info]