| # | Title | Artist | Length |
|---|
| 1 | Ice Ice Baby- producer:
- Vanilla Ice
- vocals:
- Vanilla Ice
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1990) and SBK Records (in 1990)
- samples:
- Under Pressure by Queen & David Bowie
- music videos:
- Ice Ice Baby by Vanilla Ice
- part of:
- Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 49)
- recording of:
- Ice Ice Baby
- lyricist:
- Floyd Brown, Mario Lavell Johnson and Vanilla Ice
- composer:
- David Bowie, Floyd Brown, John R. Deacon, Mario Lavell Johnson, Brian May, Freddie Mercury, Roger Taylor and Vanilla Ice
- publisher:
- Aftershock Music, EMI Blackwood Music Inc., EMI Music Publishing, Fernhill Publishing, Ice Baby Music, Knightlife Productions, MCA Music, QPM Music Inc., Queen Music Ltd., Sony/ATV Music Publishing Ltd. and Sony/ATV Songs LLC
- is based on:
- Under Pressure
| Vanilla Ice | 4:30 |
| 2 | U Can’t Touch This | MC Hammer | 4:17 |
| 3 | MMMBop | Hanson | 4:28 |
| 4 | Zombie- assistant engineer and assistant producer:
- Julie Gardiner
- engineer and producer:
- Stephen Street
- acoustic guitar and electric guitar:
- Noel Hogan and Dolores O’Riordan
- bass guitar:
- Mike Hogan
- drums (drum set) and percussion:
- Fergal Lawler
- keyboard and lead vocals:
- Dolores O’Riordan
- background vocals:
- Noel Hogan
- phonographic copyright (℗) by:
- The Island Def Jam Music Group, Island Records, Inc. (in 1994), UMG Recordings, Inc. (in 1994) and Island Records (in 2002)
- recorded at:
- The Manor in Oxfordshire, England, United Kingdom (from 1993-11 until 1994-08) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London, England, United Kingdom (from 1993-11 until 1994-08)
- mixed at:
- The Manor in Oxfordshire, England, United Kingdom and The Town House in Shepherd's Bush, Hammersmith and Fulham, London, England, United Kingdom
- part of:
- triple j’s Hottest 100 (number: 1994) and Indie 88: Top 500 Indie Rock Songs (number: 234)
- recording of:
- Zombie
- lyricist and composer:
- Dolores O’Riordan
- publisher:
- Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG and Universal–Songs of PolyGram International, Inc.
| The Cranberries | 5:07 |
| 5 | What’s Up?- recording engineer:
- David Tickle (in 1992) and Mark Hensley (in 1992)
- additional engineer:
- Jessie Kanner, Kent Mactke, Laurent Tardy and Paul Dieter
- producer and mixer:
- David Tickle
- acoustic guitar and electric guitar:
- Linda Perry (in 1992)
- bass and background vocals:
- Christa Hillhouse (in 1992)
- drums (drum set):
- Dawn Richardson (in 1992)
- guitar:
- Louis Metoyer (in 1992) and Roger Rocha (in 1992)
- piano:
- Laurent Tardy (in 1992)
- lead vocals:
- Linda Perry (in 1992)
- phonographic copyright (℗) by:
- Interscope Records (in 1992)
- recorded at:
- Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios in Sausalito, California, United States (in 1992)
- mixed at:
- The Bunker
- music videos:
- What’s Up? by 4 Non Blondes
- part of:
- Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 46), BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 486)
- recording of:
- What’s Up? (in 1992)
- lyricist and composer:
- Linda Perry
- publisher:
- Famous Music Corporation, Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC, Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat and Stuck in the Throat Music
| 4 Non Blondes | 4:55 |
| 6 | Breakfast at Tiffany’s | Deep Blue Something | 4:17 |
| 7 | Bitch- drum machine [drum/loop] programming:
- Geza X
- assistant engineer:
- Husky Hoskulds, Cappy Japngie, Mauricio Iragorri and Charles Nasser
- engineer:
- Jim Ebert and Geza X
- producer:
- Geza X
- mixer:
- Jim Ebert
- acoustic guitar, electric guitar and background vocals:
- Meredith Brooks
- bass and fretless bass:
- Paul Bushnell
- drums (drum set):
- Josh Freese
- keyboard [keyboards]:
- David Ricketts
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1997)
- recorded at:
- City Lab Sound Design in Hollywood, Los Angeles, California, United States
- mixed at:
- Sunset Sound Factory in Hollywood, Los Angeles, California, United States
- recording of:
- Bitch
- writer:
- Meredith Brooks and Shelly Peiken
- publisher:
- Bug Music, Hidden Pun Music, Kissing Booth Music, Songs of Kobalt Music Publishing, Sushi Too Music and Warner–Tamerlane Music Corp.
| Meredith Brooks | 4:12 |
| 8 | Lovefool (radio edit) | The Cardigans | 3:18 |
| 9 | Would I Lie to You? | Charles & Eddie | 4:39 |
| 10 | I Love Your Smile | Shanice | 4:19 |
| 11 | Mr. Jones- recorded in:
- Los Angeles, California, United States
- recording engineer:
- Pat McCarthy
- additional engineer:
- Robert Hart, Steve Holroyd and Howard Willing
- assistant engineer:
- Mark Guilbeault and Brant Scott
- executive producer:
- Gary Gersh
- producer:
- T‐Bone Burnett
- mixer:
- Scott Litt and Pat McCarthy
- accordion, chamberlin and Hammond organ:
- Charlie Gillingham
- additional drums (drum set) and additional percussion:
- Denny Fongheiser
- additional guitar:
- T‐Bone Burnett, Bill Dillon and David Immerglück
- additional guitorgan:
- Bill Dillon
- additional mandocello, additional mandolin, additional pedal steel guitar and additional vocals:
- David Immerglück
- bass guitar:
- Matt Malley
- guitar:
- David Bryson and Matt Malley
- harmonica and lead vocals:
- Adam Duritz
- piano:
- Adam Duritz and Charlie Gillingham
- additional background vocals:
- Gary Louris, Maria McKee and Mark Olson
- vocals:
- Steve Bowman, David Bryson, Charlie Gillingham and Matt Malley
- additionally recorded at:
- Conway Recording Studios in Hollywood, Los Angeles, California, United States, Kiva West Recording Studios in Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and The Village Recorders in Los Angeles, California, United States
- mixed at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States
- music videos:
- Mr. Jones by Counting Crows
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 474)
- recording of:
- Mr. Jones
- lyricist:
- Adam Duritz
- composer:
- David Bryson and Adam Duritz
| Counting Crows | 4:32 |
| 12 | You Get What You Give | New Radicals | 5:00 |
| 13 | Send Me on My Way | Rusted Root | 4:21 |
| 14 | Parachute | Something Happens | 4:30 |
| 15 | Baby, Baby (remastered 2007) | Amy Grant | 3:57 |
| 16 | Finally | CeCe Peniston | 4:05 |
| 17 | Pump Up the Jam (edit) | Technotronic & Felly | 3:35 |
| 18 | The Bad Touch | Bloodhound Gang | 4:20 |
| 19 | Barbie Girl | Aqua | 3:15 |
| 20 | (Meet) The Flintstones | The B‐52s | 2:22 |
| 21 | If You Could Only See | Tonic | 4:23 |
| 22 | I Touch Myself- assistant engineer:
- Chris Albert and Vince Caro
- producer:
- Divinyls, Howard Shore and David Tickle
- phonographic copyright (℗) by:
- Virgin Records America, Inc. (in 1989, in 1990) and Virgin Records (in 1990)
- recorded at:
- BMG Recording Studios in Theater District, New York, New York, United States
- remixed at:
- Power Station in Hell's Kitchen, New York, New York, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 326)
- recording of:
- I Touch Myself
- lyricist and composer:
- Christina Amphlett, Mark McEntee, Tom Kelly and William Steinberg
- publisher:
- EMI Music Publishing Australia Pty Ltd, EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Warner Chappell Music Publishing Ltd.
| Divinyls | 3:46 |
| 23 | The Way | Fastball | 4:17 |
| 24 | Bitter Sweet Symphony | The Verve | 5:59 |
| 25 | Return to Innocence | Enigma | 4:18 |
| 26 | One of Us | Joan Osborne | 5:18 |
| 27 | More Than Words (radio edit) | Extreme | 3:40 |
| 28 | Life Is a Highway | Tom Cochrane | 4:26 |
| 29 | Tom’s Diner (7″ version) | DNA & Suzanne Vega | 3:48 |
| 30 | No Rain | Blind Melon | 3:37 |
| 31 | Mockin’ Bird Hill | Roots Syndicate | 3:01 |
| 32 | When Susannah Cries | Espen Lind | 3:38 |
| 33 | Le dernier qui a parlé | Amina | 3:16 |
| 34 | Words | The Christians | 7:04 |
